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Trump's tariff blitz targets foreign films to save Hollywood's struggling movie industry



President Donald Trump announced Sunday that the United States is moving to impose a hefty tariff on foreign flicks to save the nation's struggling film industry.

Trump stated in a post on Truth Social that he had authorized the Department of Commerce and the U.S. Trade Representative "to immediately begin the process of instituting a 100% Tariff on any and all Movies coming into our Country that are produced in Foreign Lands."

'The key concern, of course, will be how this might affect U.S. movie sales around the world.'

"The Movie Industry in America is DYING a very fast death. Other Countries are offering all sorts of incentives to draw our filmmakers and studios away from the United States. Hollywood, and many other areas within the U.S.A., are being devastated," Trump wrote. "This is a concerted effort by other Nations and, therefore, a National Security threat."

He argued that the foreign films pushed "propaganda."

"WE WANT MOVIES MADE IN AMERICA, AGAIN!" Trump declared.

The president told reporters that "Hollywood is being destroyed." He, in part, blamed "grossly incompetent" California Governor Gavin Newsom (D).

"Other nations have been stealing the moviemaking capabilities from the United States," he stated. "If they're not willing to make a movie inside the United States, then we should have a tariff on movies that come in."

In response to Trump's tariff announcement, Secretary of Commerce Howard Lutnick confirmed that the administration is "on it."

In January, Trump named actors Sylvester Stallone, Mel Gibson, and Jon Voight Hollywood's "special ambassadors," tasked with bringing filmmaking back to the U.S.

"They will serve as Special Envoys to me for the purpose of bringing Hollywood, which has lost much business over the last four years to Foreign Countries, BACK — BIGGER, BETTER, AND STRONGER THAN EVER BEFORE! These three very talented people will be my eyes and ears, and I will get done what they suggest. It will again be, like The United States of America itself, The Golden Age of Hollywood!" Trump stated.

At the time of Trump's announcement, Gibson told Variety, "I got the tweet at the same time as all of you and was just as surprised. Nevertheless, I heed the call. My duty as a citizen is to give any help and insight I can."

A Friday report from Deadline stated that Voight has been meeting with union representatives and studio executives to better understand Hollywood's challenges.

In April, Voight's manager, Steven Paul, told NBC News that Voight planned to soon present Trump with a list of ideas to revive the nation's movie industry. Those proposals reportedly include incentives for infrastructure investments, job training, and tax code alterations.

According to Politico, state Sen. Ben Allen (D) and "a person close to the White House" have attributed the foreign film tariffs to Voight.

Allen told the news outlet, "To be honest, at first blush I generally see this as a positive development. Unlike a lot of the other items on Trump's tariffs list, we know that TV and movies can be made 100% in the USA right now and at a very high caliber."

"The key concern, of course, will be how this might affect U.S. movie sales around the world," he added.

A rep for Voight did not immediately respond to a request for comment from the Rolling Stone.

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Was Lincoln gay? New doc conscripts American icon to LGBT cause



Abraham Lincoln holds a mythic position in the American consciousness. He’s respected across the political spectrum. He redrew America’s social contract and self-image. And because he led the country through the Civil War and abolition, he’s now accorded a status befitting a Greek god, cast in bronze and marble.

Lincoln is essential to the American social contract, which makes him essential to any political cause seeking to reframe the national project. He’s criticized by “woke” leftists and alt-righters as a symbol of the neo-liberal consensus and used as a symbol of equality and unity by those in power.

One of the saddest things about the modern world is that the concept of close male friendship has functionally been destroyed.

It’s no surprise, then, that the LGBT movement would come to claim him as well. While no American presidents have ever been openly "gay" as such, a handful have attracted questions concerning their sexual proclivities. Lincoln’s predecessor James Buchanan, for example, was America’s only bachelor president, a pink flag for certain historians looking to "out" him.

Lincoln's outsized stature naturally makes him a far more tempting catch. As transgender and gay issues increasingly dominate the discourse, there have been more than a few attempts to use speculation about Lincoln’s private life and vague comments in his letters to canonize our 16th president as an official "queer" icon.

A deliberate provocation

A recent documentary boldly announces its intention in its blunt title: "Lover of Men: The Untold Story of Abraham Lincoln."

The film was released this fall to general praise from the press and backlash from conservative media. The filmmakers mostly laughed off said backlash, telling the Hollywood Reporter that they were “thrilled” that Ben Shapiro, Alex Jones, and Elon Musk were furious about it. “The reason that they notice the film is because it is compelling. This story is provocative,” said director Shaun Peterson.

The case "Lover of Men" makes goes roughly like this: Lincoln had very close relationships with multiple men throughout his adult life, relationships that were arguably more intimate than traditional friendships. He shared beds with men for months or years at a time, revealed details of his sex life to them in letters, and openly expressed his deep emotional connection to them.

The film essentially argues that Lincoln was LGBT avant la lettre, living an identity that would today be recognized as "queer," "fluid," or "non-conforming." Whether Lincoln actually had sex with any of these men is largely immaterial.

Strange bedfellows

"Lover of Men" dismisses most of the immediate rebuttals with a shrug; the first among them being that beds in the 19th century were expensive and scarce, and it wasn’t uncommon for inns to assign multiple men to a bed or for male friends to share beds.

Peterson's argument relies upon the common modern assumption that intimacy and sexuality are deeply entwined things. The possibility that two men would share deep affection without any hint of the erotic is mostly overlooked because the alternative soundbite — Lincoln was gay! — proves irresistible.

Ironically, Peterson's eagerness to reach this conclusion tells us more about the America of today than it does about Lincoln's era. One of the saddest things about the modern world is that the concept of close male friendship has functionally been destroyed. Even progressive feminists will admit that one of the privileges women enjoy is the ability to form intimate, non-sexual relationships without any hint of Eros.

Men consequently tend to be lonelier than women and have more trouble intimately bonding.

Part of this can be attributed to a decline in fraternal organizations, with most male-only organizations now admitting women. Part of it is also the growing masculine insecurity with being perceived as unmasculine.

The erosion of male friendship

Still, the pernicious influence of the LGBT lobby's tendency to cast public male intimacy as gay should not be underestimated. One needs only recall the particularly fanciful attempts to affirm the secret, sexual passion between "Lord of the Rings" protagonists Frodo and Sam, despite all evidence to the contrary, not least of which is author J.R.R. Tolkien's devout Catholicism.

The result is a negative feedback loop. Men have fewer and fewer opportunities to express themselves. They are criticized for not being emotional; at the same time, any emotional expression is seized upon as evidence of homosexuality.

Tolkien's close friend C.S. Lewis, himself a target of LGBT revisionists, diagnosed the problem more than 60 years ago in his book "The Four Loves": “Those who cannot conceive Friendship as a substantive love but only as a disguise or elaboration of Eros betray the fact that they have never had a Friend. The rest of us know that though we can have erotic love and friendship for the same person yet in some ways nothing is less like a Friendship than a love affair.”

Was Lincoln "closeted"? It's certainly possible — but it seems likely that the claim is beyond proving. "Lover of Men" takes this as reason enough to indulge its speculation. As one interviewee argues, “If the naysayers had their way, there wouldn’t be a gay history because you couldn’t prove it.”

And yet "Lover of Men" is not content to settle for the past. Appropriating Lincoln’s life as a story of repressed homosexuality is a means to entrenching the LGBT movement's power in the present; one commentator goes so far as to say the 14th Amendment should be extended to Americans identifying as transgender.

Whatever one's personal opinions on the matter, using Lincoln as a vehicle for modern-day activism in this way is bad history. We don’t know the secrets of Lincoln’s cloistered heart, and neither do the historians Peterson has assembled. We should be happy to admit our ignorance; some things are meant to remain a mystery.

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Moviegoer went to see documentary showing positive side of Trump — then things got weird



Filmmaker Christopher Martini set out to help show Americans a different side of President Donald Trump ahead of the 2024 election with a documentary titled "The Man You Don't Know." Hawaii resident Kathy Forti was among the moviegoers around the country who joined the Republican president in checking out the film in its opening week.

Forti later notified Martini that while the film was informative, the moviegoing experience was altogether puzzling.

Forti, a psychologist, alleged that upon arriving at the Regal Maui Mall 30 minutes prior to the 12:15 p.m. showing on Oct. 26, she was informed that all of the seats in the theater save for those in the front row had been sold — a claim apparently reinforced by a digital seating chart that a theater employee showed.

'From their coordinated efforts, it felt planned.'

"We reluctantly purchased the two unsold seats in the front row, consoling ourselves that at least the seats were recliners and it couldn't be that bad," Forti wrote to Martini in a statement obtained by Blaze News. "However, upon entering the show close to starting time, we found the theater was completely empty."

It wasn't empty for long, though.

"Two women entered after us and sat further back," Forti's statement continued. "We wondered if perhaps a group had bought all the tickets and they were late arriving."

According to the psychologist, the two other women in the theater did their best to disrupt the showing, "hissing, laughing, and shouting such things as 'liar,' 'not true,' and other derogatory comments." The provocateurs allegedly stood in front of the screen at one point, then later sprayed an unidentified aerosol in another apparent provocation.

Despite the intervention of an usher, Forti indicated that the provocateurs remained until the end of the film.

Forti told Blaze News, "I believe the two women intentionally tried to intimidate us and drive us out of the theater. From their coordinated efforts, it felt planned."

Afterward, Forti claimed that she pressed the ticket desk for answers about the seating arrangements, only to discover that only four tickets had ultimately been purchased, which dispelled her previous suspicion that the seats had been bought up to preclude people from seeing the film but left her with even more questions.

'It feels like somebody is deciding for the country what they see and what they cannot see.'

"They never explained the sold-out vs. non-sold-out ticket screen we saw," said Forti. "Had we not gone back after the documentary to say something, we would never have known about the change in ticket screen seating chart."

"My friend and I turned to each other, wondering if we had just entered the Twilight Zone," the psychologist wrote to Martini.

Blaze News reached out to Regal Cinemas for comment but did not immediately receive a response.

When speaking about Forti's theater experience, Martini told Blaze News that his producer and co-writer, Joshua Macciello, has "been getting a lot of similar stories."

"This film could actually influence the election," said Martini. "I have a lot of people coming to me with similar stories to Kathy's. ... It makes one wonder if there's some sort of concerted effort on somebody's part to suppress this movie about Trump, which is being released right before an election across the country."

Martini's suspicions are heightened on account of "awful locations and screening times."

Macciello, the president of Global Ascension Studios, recently expressed his frustration to Dan Ball of "Real America" over the apparent refusal by certain theater circuits to screen the film.

"I mean, what's going on there?" said Macciello. "This is not a political movie. ... This is a movie about a man. It gives you an insight into him. And he happens to be in politics and running for president."

"In the present-day United States of America, it's very bizarre. It feels like somebody is deciding for the country what they see and what they cannot see. And clearly, somebody does not want [them] to see a film about President Trump right before the election," said Martini.

The documentary — billed as a "balanced, deeper portrayal of Trump as a scholar, successful entrepreneur, man of faith, and devoted family man" — features interviews with various people in Trump's orbit, including Lara Trump, Donald Trump Jr., Kimberly Guilfoyle, Eric Trump, his granddaughter Kai Trump, Hulk Hogan, and Kyle Forgeard of the Nelk Boys.

Trump attended the premiere on Saturday with friends and members of his family.

When asked about his objective with the film, Martini indicated that the media has almost exclusively advanced negative depictions and narratives about Trump, which is troubling because "the truth always lies somewhere in the middle."

"Our goal with this was to show the other side," said the director, "coming from the people that he made a positive impact on."

Despite the apparent desire by leftist organizations and activists to keep the film content in theaters ideologically uniform, Martini indicated that intellectual diversity is ascendant.

"I think that there's very few people making the kinds of movies that right-leaning people, conservative-leaning people, you know, God-fearing people want to see," said Martini. "But all of that's changing."

The documentary is set to launch on Elon Musk's X ahead of Election Day.

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