Voting for the villain: Why Spencer Pratt is LA's last, best hope



Earlier this month I saw our old house in Pacific Palisades again, risen from the ashes in all its beautifully unremarkable splendor. In fact, the entire cul-de-sac had been restored, and when I followed Dulce Ynez to Jacon and then out onto Marquez, I passed all the familiar shops. There was Ronny’s Market, open for business, just as it was that Monday night 15 months ago when I stopped in for beer and toilet paper.

A mile or so down Sunset, Gelson’s supermarket was back too, along with the churches and the schools and the yogurt shops. So were other, more personal landmarks — sites of playdates and family dinners and Halloween parties, homes with addresses as familiar as my own.

We all remember Bass’ first public appearance during the fire: ambushed by a Sky News reporter as soon as she got off the plane from Ghana.

Like a ghost, this eerie figment of memory vanished the moment I went to get a closer look. One click on street view and I was back among the barren empty lots and charred ruins we had all come to accept as the new Pacific Palisades.

Map in the face

Why did Google Maps revert to pre-fire imagery of the Palisades (and Altadena, for that matter) sometime in mid-May?

It’s not unusual for Google to rely on older aerial photos for some maps, but after our town burned to the ground, the company seemed to make a special effort to document its destruction and slow recovery.

Anyone wanting to remember the complete and total devastation of the Palisades can go into Google Earth’s history and see the town flattened like Dresden in the first update, published just three weeks after the fire. Click through and you get a new aerial image roughly once a month until that September — at which point it’s as if somebody looked at the slow pace of rebuilding and decided it wasn’t worth the effort to take pics every month. And so the Palisades circa early fall 2025 remained the default.

Until sometime last month. Suddenly, with a looming mayoral election putting renewed scrutiny on incumbent Karen Bass’ much-criticized handling of the disaster, the most powerful tech company on the planet memory-holed what happened. Nothing to see here, folks.

At least, that’s how the “conspiracy theory” goes.

Wack job

Conspiracy theory: That’s what people like us — educated, affluent, well traveled — call such speculation. The phrase rolls off the tongue with a knowing, detached amusement — betraying just a hint of condescension for the benighted masses too paranoid to accept the unnamed Google spokesperson’s perfectly reasonable explanation:

This is a technical issue triggered by a recent, routine update to satellite imagery in Google Maps and Earth, which accidentally restored old imagery from before the fires. We’re fixing it ASAP.

Now that’s a response the old me could have gotten behind. Of course! A “technical issue.” “Routine update … accidentally restored …” It all checks out. I mean … I think. I use Google. I read the Economist. I know upper-level management at Netflix. My kid goes to the same school as the guy who designed the Cybertruck.

I don’t know exactly how it all works, but I believe the science — and I’m definitely not going to waste anyone’s time (“We’re fixing it ASAP”) with embarrassing, half-understood accusations. That’s what a conspiracy theorist does.

Hopelessly demoted

Why does that label sting? To paraphrase the old saw about capitalism, most of us see ourselves as temporarily embarrassed elites, no less capable or in control than the people we vote for. To express anger and frustration at them implies dependence. I’ve always thought that the most embarrassing thing about being a conspiracy theorist isn’t that it makes you look gullible. It’s that it shows everybody how helpless you feel.

Well, after days spent sweating through cheap paper hazmat suits, awkwardly scrabbling over ash-covered piles of twisted metal and carbonized particleboard in search of any remotely recognizable token of our previous lives, I’m no longer so self-conscious.

Months of misplaced documents, unfiled claims, and phone calls in which I invariably subject well-meaning strangers to me at my meanest, most self-pitying worst have made me realize there’s only so much we can control.

Most crucially, almost a year and a half of gaslighting, buck-passing, and bureaucratic bulls**t have made me so desperate for the straightforward, unvarnished truth that I no longer care about asking for it politely.

In other words, brothers and sisters, pass me the tinfoil hat, because I’m ready to start connecting some dots.

The author's house before ...


... and after. Photos courtesy Matt Himes

Loudmouth at large

Did Karen Bass or someone on her team actually call up someone at Google and ask them to make her re-election bid just that much easier? I don’t know. I don’t care.

Anyone with a modicum of imagination — and nothing fires up the imagination like coming face-to-face with the kind of apocalyptic destruction you’ve previously only seen in Michael Bay movies — can tell you the timing of this curious digital switcheroo doesn’t look good. Would it hurt Google to admit it?

Credit where it’s due: The only reason the company deigned to say anything at all was likely because of Spencer Pratt. He wasn’t the first to bring it to Google's attention, but he was apparently the first person loud enough to merit an official response.

That’s because from the moment his own house burned down, Pratt started talking and hasn’t stopped. He has built a loyal local following by relentlessly calling out everybody he thinks failed the Palisades: Karen Bass, the LAFD, Gavin Newsom.

There were plenty of times he probably should have kept his mouth shut. Sometimes he seemed whiny or self-pitying. He was given to exaggeration and didn’t always aim his attacks precisely. But he also didn’t care what people thought, and this let him state the most obvious truths and ask the most basic questions that nobody else would touch.

Heel turn

Pratt is a former reality-star villain who thinks he’s “qualified” to run Los Angeles. That’s the joke his detractors never tire of telling. But the joke only works if you start with a specific idea of leadership.

Mayor Karen Bass exemplifies it. She has decades of public-sector experience and an easy familiarity with the levers of power. She understands the intricacies of policy and the necessity of compromise. She’s not very charismatic or compelling, but she knows how to project the kind of calm managerial competence that lets good liberals like us relax and take our eyes off the news.

But suddenly we were the news, and the last thing we wanted was to be “managed.”

We all remember Bass’ first public appearance during the fire: ambushed by a Sky News reporter as soon as she got off the plane from Ghana, she stared straight ahead for two and a half excruciating minutes, saying nothing, as if by standing completely still she could make herself disappear.

Bass found her words in time for the first official press conference, of course. But by then it was clear that the standard-issue pablum about unity and strength and resilience was just another defensive strategy to keep predators at bay.

Maybe that’s why the Google maps thing struck a nerve. It would have been easier to ignore if it didn’t seem like the crudely literal embodiment of Karen Bass’ primary political instinct during these long months of recovery: to put this whole mess behind her as quickly and as painlessly as possible.

RELATED: Dispatch from Pacific Palisades: A harrowing view of California's competency crisis

Apu Gomes/Getty Images

Prattriots in control

It’s easy not to think about leadership until it fails you. Spencer Pratt as mayor? It never would have occurred to me; I doubt it ever occurred to him. Yet the fact remains that when thousands of people felt abandoned, confused, angry, and unheard, he was willing to make a spectacle of his own rage and pain on their behalf.

Was it self-indulgent? A way of making it all about him? Maybe at first. But at some point, Pratt was no longer just talking about himself. He was speaking for us too, saying things many of us were saying in private, while making it clear that none of the usual tactics — the bad-faith appeals to civility, patience, unity — were going to work on him. As they say in the reality biz, he wasn’t here to make friends.

It’s June 2026 now, and many of the things Spencer Pratt was mocked for saying no longer sound especially controversial. So much so that Jimmy Kimmel can go on his show and say of course Los Angeles' current leadership is useless; everybody’s always known that; kudos to Pratt for saying so, but anyone who thinks that’s a reason to hand him the city is an idiot.

Sure, Pratt can identify the problem, but he has no idea how to fix it.

Skin in the game

But was identifying the problem really that easy? Kimmel didn’t do it. A few days after the fire, he was back on the air, fighting back tears as he praised the firefighters and condemned “our future president and his gaggle of scumbags” for daring to criticize Newsom and Bass.

I’ve talked to many of my fellow Palisadians about that long, terrible day, and two things hold true for everyone, regardless of the political views. Nobody saw a single fire truck come to help them. And nobody was thinking about Donald Trump.

Spencer Pratt has made a lot of us understand that leadership is not merely a matter of credentials or expertise. For those of us used to treating politics as a lifestyle choice, it took being brought to our knees to admit that we needed something more. It’s so simple a 5-year-old could understand it: Tell the truth about what happened, accept responsibility for what went wrong, and vow to prevent it from happening again.

In this post-Christian age, we like to think of ourselves as rational, self-reliant people who are above such symbolic gestures. Yet many of us occupy positions where we take it for granted that our concerns will be heard and our questions answered. The shock of the fire was compounded by a second shock: the realization that nobody in authority was really listening.

For once, Los Angeles is behind the times; a lot of Americans have known this for years. That could explain the interest the entire country has taken in this local contest. If the hopeful schemers and would-be main characters of our country’s broken-down dream factory can see themselves clearly, anyone can.

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These are the definitive recordings of 35 favorite Christmas carols: Don't argue, just listen



Because nobody doesn't love a list and everybody is an expert nowadays, I've compiled a list of the definitive recordings of 35 of the most loved classic Christmas carols.

Don't agree? That's OK — you're allowed to be wrong. (Spoiler alert: There are zero Josh Groban or Pentatonix songs on this list. If you find that upsetting, this probably isn't the list for you anyway. Just click on something else.)

Merry Christmas! And happy listening:

#1: SILENT NIGHT — Dean Martin


This one was a gimme — that way we don't start out the list fighting.


***

#2: HAVE YOURSELF A MERRY LITTLE CHRISTMAS — Ella Fitzgerald


Yes, I know, I know, Judy did it first for "Meet Me in St. Louis"; however, that does not make it the best. If you think Garland's rendition is better than Ella's, you're probably also a Liza Minnelli fan.


***

#3: JOY TO THE WORLD — Whitney Houston


Now, a lot of people will tell you that Mariah Carey has cornered the market on this old hymn, but that's only because she was hitched to Sony's Tommy Mottola when she cut the holiday album that features the song. If Whitney were still around today and able to get the press Mariah does, I'm pretty sure everybody would be saying "Mariah who?" when it was time to drop the needle on "Joy to the World."


***

#4: IT'S THE MOST WONDERFUL TIME OF THE YEAR — Andy Williams


If you fight me on this one, we can't be friends.


***

#5: THE CHRISTMAS SONG — Nat King Cole


C'mon. Mel Torme wrote the song (with Bob Wells) and gave it to Cole to sing, knowing he was the guy to make this song unforgettable. Other people can roast their chestnuts all they want — many have done it well — but Cole's take will never be topped. Ever.


***

#6: HARK! THE HERALD ANGELS SING — Amy Grant


Truthfully, Jewel's arrangement of "Hark!" is superior, but the problem is ... Jewel, the woman who sings like she has marbles in her mouth and can't decide if she's going to do an adult voice or a little girl voice. Advantage: Grant.


***

#7: ADESTE FIDELES — Celine Dion


No one really knows who wrote "O Come, All Ye Faithful," but anyone with any sense knows who did best. (Though I have to give a nod to David Osmond's strong performance on Glenn Beck's "Believe Again" album.)


***

#8: WHITE CHRISTMAS — Bing Crosby


There's a reason this Crosby record is the best-selling single in the world — not just in the holiday genre, but best-selling single of all time. Nothing has ever topped it, and it's likely nothing ever will.


***

#9: RUDOLPH, THE RED-NOSED REINDEER — Gene Autry


Yes, Burl Ives was the narrator for the TV special. Yes, I get a warm, fuzzy feeling from Ives' record. No, it's isn't the best version. That belongs to The Singing Cowboy.


***

#10: IT'S BEGINNING TO LOOK A LOT LIKE CHRISTMAS — Johnny Mathis


Crosby and Como both killed it when they recorded this song, but the Mathis version has the edge — not just in quality but also culturally with its inclusion in "Home Alone 2," which gave it a massive surge in popularity.


***

#11: I'LL BE HOME FOR CHRISTMAS — Perry Como


Is there really any question? No. No there isn't.


***

#12: JINGLE BELLS — Frank Sinatra


Don't question this one either: Frank knows people who know how to hurt people. (Well, at least, he used to.)


***

#13: SANTA CLAUS IS COMIN' TO TOWN — Jackson 5


The Boss would say different. But you and I know the truth.


***

#14: ANGELS WE HAVE HEARD ON HIGH — Mormon Tabernacle Choir


The "Gloria, in excelsis Deo" chorus requires a powerful choir. Good luck finding a choir more powerful than the one the LDS folks put together.


***

#15: FROSTY THE SNOWMAN — Jimmy Durante


The Ronettes produced a very good version and it gets way more airplay, which is a shame: Durante's recording is a musical number Rankin & Bass actually got right.


***

#16: A HOLLY JOLLY CHRISTMAS — Burl Ives


This is Ives' song. No one else should even try to sing it.


***

#17: WINTER WONDERLAND — Perry Como


Admit it, you were expecting me to say Darline Love here. It's OK. It's a normal and fairly logical guess. But it also happens to be incorrect. Not only did Herb Alpert & The Tijuana Brass cut a version that was better (though wordless), both of Perry Como's versions (here and here) are objectively better. Here is the track from his 1946 album "Perry Como Sings Merry Christmas Music."


***

#18: LET IT SNOW! LET IS SNOW! LET IT SNOW! — Lena Horne


Lots of artists have made great "Let It Snow!" records (including Harry Connick Jr., who deserves a mention). But none of them ever reached the smoothness — and, frankly, sexiness — of Lena Horne's.


***

#19: THE FIRST NOEL — Third Day


It's a more modern version of an old hymn with some cool rhythm. It's also the best version ever recorded.


***

#20: SILVER BELLS — Elvis Presley


After The King walked out of the studio the day he laid this down, there was no reason for anyone to ever bother trying to do it better.


***

#21: SLEIGH RIDE — Ella Fitzgerald


You want me to say Arthur Fiedler & The Boston Pops Orchestra. Not gonna happen. Lady Ella owns this — and always will.


***

#22: DECK THE HALLS — Ashley Hess


Ashley Hess is not likely a name you recognize at first. But if you're a Glenn Beck fan, you'll remember this after a quick listen. And then you'll agree.


***

#23: GOD REST YE MERRY GENTLEMEN — Barenaked Ladies


Here's one that had me going back and forth for hours. Everything Nat King Cole touched was superb, so I could easily put his recording here and be done with it. But ... the Barenaked Ladies put a spin on this classic that has just the edge needed to bump it ahead of Cole.


***

#24: THE TWELVE DAYS OF CHRISTMAS — John Denver & The Muppets


The LP of this 1979 Christmas special (which has never been released on home video) is full of great music. The most notable is the Muppet Gang's clever rundown of the many gifts the writer's obnoxious "true love" gave him. Bah-dum-bum-bum.


***

#25: ANGELS FROM THE REALMS OF GLORY — Julie Andrews


If you like Andrews' style, you'll absolutely love all of her Christmas songs. Her best Christmas record happens to also be the best version of that song.


***

#26: DO YOU HEAR WHAT I HEAR? — Perry Como


I know he's already got a couple wins on this list, but I've got to give Como this one, too, with Andy Williams coming in a close second.


***

#27: IT CAME UPON A MIDNIGHT CLEAR — MercyMe


Another modern take on a hymn. On first listen, you'll disagree with me on its ranking. But then you'll listen again and again and be forced to admit that, well, the fat Blaze editor was right once more.


***

#28: LITTLE DRUMMER BOY — Bing Crosby & David Bowie


It's a beautiful song — it's also the strangest Christmas song. Crosby and Bowie's awkward video didn't help make it less weird. But you can't argue with the talent they brought to the studio when it was time to record.


***

#29: WE WISH YOU A MERRY CHRISTMAS — Alvin and the Chipmunks


Every Christmas music list is required to include Alvin and the Chipmunks. It's scriptural.


***

#30: ROCKIN' AROUND THE CHRISTMAS TREE — Leann Rimes


"Brenda Lee!" you're shouting as you read this. "You're nuts!" I'm shouting back. Lee's famous record doesn't have 1 percent of the feel (or talent, for that matter) that Rimes' does.


***

#31: O LITTLE TOWN OF BETHLEHEM — Andy Williams


I was torn on this one — all the way up until it was time to post this. My brain tells me to go with Mahalia Jackson's soulful version. But my heart says this is another song that The King of Christmas just nailed.


***

#32: WHAT CHILD IS THIS? — Vince Guaraldi Trio


Guaraldi's "Charlie Brown Christmas" album is arguably the best complete holiday album ever produced. No one has ever made "Greensleeves" sound better.


***

#33: GOOD KING WENCESLAS — Ames Brothers


Though a lot of folks will say The Velvet Fog's jazzy turn on this tale of a ruler who looked out for others should be tops, I've got a soft spot in my heart for the Ames Brothers' record. The majesty of the music sets the tone for understanding the lesson we can learn from Wenceslas.


***

#34: O HOLY NIGHT — David Phelps


Here's another hymn that could have gone to a couple artists. Critics have rightfully celebrated Celine Dion for her rendition, but David Phelps really brought it home. (Plus, Celine is Canadian, so the thought of giving her more than one song on this list was nauseating.)


***

#35: MY FAVORITE THINGS — Tony Bennett


No one has ever explained to me how this became a Christmas song. Julie Andrews really made it famous on "The Sound of Music," and since then, scads of very notable vocalists have covered it for Christmas — no one better than Bennett. (Barbra Streisand can get bent.)

This post originally ran Dec. 25, 2019.