Washington State basketball’s 'Moneyball' moment



The setting was a November home basketball game for the Washington State Cougars in Pullman, Washington. Warm-ups were over, the Stars and Stripes had been formally acknowledged, and starters had been introduced. My teenage son and I took our seats along the sideline, feet happily on the hardwood of Washington State’s Friel Court. Settling in, we looked around the cavernous rafters of Beasley Coliseum.

“It’s so … empty,” my son said.

He wasn’t wrong.

The 12,000-seat, 50-year-old arena was not just mostly empty; it felt like abandoned infrastructure from a previous civilization — a vast but remote Mayan ruin, now serving a small trickle of tourists dressed in the home team’s crimson and gray. I doubt 2,000 seats held bodies that day. Entire sections were empty.

Of course, we were beneficiaries of the facility’s abandonment. When my business partner and I had acquired courtside season tickets, the low prices had matched the demand.

“When was it last full?” my son asked. “Not counting Klay day,” he added quickly. The day in 2020 when Klay Thompson and Steph Curry had attended to watch Thompson’s jersey retirement, Beasley had been packed.

My son had been teetering on the edge of toddlerhood when Tony Bennett’s WSU squad made a March Madness run in 2008. That team had reached the Sweet Sixteen, the first time the program had accomplished that feat since 1941.

“It will fill up again,” I said. “When it’s full, this place can really bounce. You’ll see it full. You will.”

He didn’t bother responding.

I spoke with optimistic confidence that I did not really feel. The truth was, a fundraiser had already approached me for donations toward a “Beasley update.” The proposed update struck me as a downgrade, the equivalent of surrender — a significant reduction of the coliseum’s capacity.

I turned my attention to the game. In the quiet arena, player, coach, and ref communication was fully audible and often amusing. But I believed. I knew what single peaks of success could build. I’d seen what Boise State had built on one Fiesta Bowl win. I’d been in Phoenix for Gonzaga’s Cinderella tourney run in 1999, and the program had never looked back. Something was coming for Wazzu. I felt it. But how big would the moment be? And could the administration successfully leverage it into long-term success the way others had?

***

Two hamburgers the previous summer spiked the value of my Washington State season tickets. The first burger was enjoyed below an exposed brick wall in a taphouse in quiet downtown Moscow, Idaho.

I was seated across from Jack Van Deventer, a retired professor of data sciences and an old family friend. Jack had actually been my summer boss back in the '90s, when I was briefly exploring my gifts (or lack thereof) in computer coding. The last time I’d seen him, he had been the only bald one, and his big blond mustache had been best in class. Jack, a golden retriever by personality and build, was equipped with a whirring brain and an intensity of focus that could have been a social impediment if not for his quick, genuine laughter and warm smile.

Not much had changed in the 20-odd years since he had departed Idaho for North Carolina — strong eye contact, absolute focus on every word spoken, precise questions, easy laughter. And despite its absence, I still felt the mustache was with us.

Our conversation followed predictable family catch-up patterns, but one subject soon swallowed the rest — basketball. I was heading into my second year as high school coach for my son’s team in Idaho, trying to accommodate my strange writing life around the season. But Jack had become an absolute addict — a student of the game turned guru, tumbling into obsession via supportive fandom for his daughter, Amy. She had been an all-state player on a state championship team in North Carolina before pursuing a D2 career at King University in Tennessee. And it was while watching his daughter’s squad at King that Jack’s data scientist brain had gone all the way down the rabbit hole. Eventually, he approached the head coach with pro bono analytics.

“I was just this crazy dad,” Jack said. “I’m sure he was just humoring me.” But the relationship progressed past crazy and past dad.

“Every coach believes they’re into stats,” Jack told me. “But coaches have to be confident people. It’s part of the job. They tend to go with what they feel over what some spreadsheet says. It takes a long time before they can see past their own stats and instincts and let new things come into focus.”

I probed. What statistics did coaches need to look past?

“Everything,” Jack answered. He went on while I ate. The overview: “Individual scoring, assists, plus-minus. It’s all useful as far as it goes, but it can also quickly become a crutch. Every roster has a ceiling of performance potential. But how many teams reach their ceiling? And how many underperform? We see both every year, and it feels random, but it isn’t.”

Imagine a high-level analytics ninja who learned his data science refining risk metrics and variables for insurance companies with billions of dollars on the line becoming a diehard basketball fan and beginning to chase that powerful, palpable, but elusive thing that every player, fan, and coach has sensed and loved when watching great teams play — chemistry.

Can a coach measure chemistry? It used to be a thing coaches worked to develop over years as different recruiting classes grew up together. But in the age of NIL deals and constant roster musical chairs (thanks to the transfer portal), that process has to accelerate or die. Could a coach select for maximum chemistry within a new roster?

“Absolutely, yes,” Jack said. “That’s what I chase.”

Think of it this way: Some players, when present on the court, increase the statistical performance of all their teammates without showing any spike in their own stats. Some players, while individually strong, become inefficient when playing together, performing below the sum of their individual statistics.

A great team is an organism that always performs better than the raw sum of its parts. A great lineup is one where individuals amplify each other, making that possible.

Those lineups are what Jack was after — he wanted to get statistical visibility on chemistry.

I finished my burger, but the conversation took much longer. Jack explained how he had done it, how, on its very first time being tested in the wilds of NCAA basketball, his new approach to lineup and rotation analysis had helped his daughter’s D2 team go on an unexpected tournament run. Obviously, there are countless variables in team success, the consummate data scientist pointed out. In the end, the game is always in the hands of the players.

But which players does a coach empower with playing time, in which combinations, and when? After all, every roster has a massive number of possible lineups. Jack firmly believed that a breakthrough in basketball analytics had occurred, one that would help coaches navigate the high-turnover rostering that has become the norm in the transfer portal/NIL era.

After all of that, with the burgers gone and our glasses empty, I discovered that Jack had buried the lede. This wasn’t a hobby. Jack had started a brand-new concierge analytics company, offering high-touch, bespoke statistical analysis for coaches: Basketball Science (aka BBSci).

“Some coaches will need help understanding what they’re looking at. I can’t just have my analysts spit out charts. Everyone needs conversations, especially as we help them assess upcoming matchups and rotation variables.”

Jack’s vision for BBSci was to offer everything that was available elsewhere in the analytics market along with what he considered his next-level gold via a more relational level of service.

When we parted, Jack handed me white papers about his analysis. He did so with a bubbling pleasure, like someone handing over a gift that he knows will become the highlight of Christmas morning. He believed deeply in what he was doing.

I read everything. I even understood chunks of it. I felt like I was holding a giant firework with an incredibly inviting fuse. I had to see it lit on the big stage.

And so it was that my mind drifted across the state line toward Pullman and Washington State basketball. I couldn’t believe a blue-blooded program or an NBA team hadn’t locked Basketball Science into an exclusive deal yet. But as a basketball consumer, that meant I could still personally benefit from this secret sauce.

The '22-'23 basketball season had been my first as a season ticket-holder with the Cougs. But as a local kid, my fandom predated Klay Thompson and the Sweet Sixteen mark set by the Tony Bennett rebuild. And my fandom survived the brutal crash after Tony Bennett left for the University of Virginia.

When Kyle Smith was hired as WSU’s head coach, like many others, I was curious to see if the Cougs would continue to meander in mediocrity or if this signaled a change in the weather. Early returns were positive. Smith is a creative and very talented recruiter, utilizing his “nerdball” statistical brand on the court and in his recruiting.

But the personnel volatility in this new era was especially tough to navigate between seasons. A 14-13 performance ('20-'21) was followed by 22-15 and a strong performance in the NIT ('21-'22). Hopes began to run high among Cougars, but medical issues and unexpected transfers struck the team before their next campaign. But even that upheaval paled in comparison to what they would face the following year.

After the '22-'23 basketball season ended, the Washington State men’s squad was forced into a radical and involuntary transformation. After a 17-17 finish and a first-game exit from the NIT, Kyle Smith’s Cougars were gutted by the departure of their top four scorers (to the NBA draft, the G League, Villanova, and USC). The Cougs also saw the outward transfer of the program’s highest-rated recruit since Klay Thompson (to San Jose State) and the loss of another big body (to Charlotte and now on to Iowa State). On top of that, analytics whiz Assistant Coach John Andrzejek left for a job at Florida.

Oh, yeah. And the entire Pac-12 Conference erupted into apocalyptic flames, with ten of the twelve schools jumping ship, leaving only Washington State and Oregon State behind. In the aftermath, an asset custody battle broke out in the courts. As Kyle Smith and his staff worked to rebuild in the off-season, the smoking rubble of the Pac-12 was still bouncing all around them. Coaches couldn’t even tell prospects what conference they would be playing in the following year. No one knew what the future held, only that it would be unpredictable and chaotic.

For most Wazzu observers, the outlook was somewhere between ashy death and molten ruin. The Cougars were coming off a sixth-place conference finish. But with their scorers now scattered across the continent in different jerseys, the Cougs were headed into their final campaign in the Pac-12 picked by media to finish tenth out of twelve.

But Smith's "nerdball" brand was well earned, and the Cougars had different plans, plans filled with Mad Marchness.

Instead of going out with a whimper, Kyle Smith’s rapidly rebuilt '23-'24 Cougar roster went into Selection Sunday at 24-9 and earned a #7 seed in the NCAA tourney, having spent the previous month ranked in the nation’s top 25. They swept an elite Arizona team (home and away), achieved their best conference record in sixteen years, and defeated Drake in the first round of the tourney before the season ended in a tough second-round loss to Iowa State. Nothing about their great season performance had been anticipated by experts.

So how did Smith put together such an incredible John Wooden Coach of the Year turnaround? Pure recruiting genius? The alignment of stars? Black magic?

First and foremost, Kyle Smith put in the hard work he is known for. With his analytics-driven instincts, he went looking for his kind of dogs — players who just won’t quit.

And he found them in some unlikely places. He picked up a lanky D2 kid with deep range, a scoring big man off an Idaho Vandal team that had finished last in the Big Sky (with just one year of eligibility left), an overlooked shooting guard from Seattle with Pacific Northwest basketball in his blood, a powerfully built Nigerian teenager with dreams of becoming a doctor, and a long-limbed Australian via an Arizona junior college.

In the transfer portal beauty pageant, Smith skipped the shiniest objects and focused on fighters with something to prove — the kind of guys who would fit right in with the fire he already had back in Pullman, especially in Myles Rice, who was coming off a grueling battle with Hodgkin lymphoma and who could not have been more ready to go off like a firework on the court.

Second, Steve Frankoski, one of Smith’s former players at Columbia, became the head of player development at WSU. Among other things, Smith tasked Frankoski with sorting out the program’s analytics contracts. Frankoski, who had already logged four years in the NBA with the championship Cavaliers, had initially joined the Cougar coaching staff as a wildly overqualified graduate assistant while completing an MBA.

I first met Steve Frankoski at a word-of-mouth basketball tournament in an old cedar-dome gym my business partner and I had purchased right before the COVID-19 shutdowns. Before the leagues all bounced back, our tiny, historic gym became a sort of sports speakeasy. We acquired, refinished, and retrofitted the University of Oregon’s old game court. We have an old goal from Notre Dame. And we started hosting tournaments.

The place became a strange crossroads of hoop folk — teams and coaches came from all over the West to scrap in a tiny town in Idaho. Mark Few dropped in to watch his son play. Kyle Smith did the same.

I was leaning against a massive wooden beam on our pinched sidelines when our tourney organizer introduced me to Frankoski. Frankoski laughingly described himself as a drifter on a pilgrimage. He had left the NBA looking for more joy and had come to the Palouse to reconnect with Smith, now at WSU. We hit it off. Frankoski loved the gym and wanted to use it to prep clients for the NBA combine or run skills training with kids. The fact that he also wanted to talk philosophy and religion was a plus in my book.

His training experience was top shelf — LeBron, Kevin Love, Kyrie Irving, Jordan Clarkson — and I learned a lot watching him work clients out in our gym. But there was some Ivy League egghead in there as well. We started grabbing lunches and coffees, talking Eastern and Western philosophy, faith, meaning … and basketball. Mostly, we laughed.

When Frankoski joined Smith’s staff, I started catching more games than I had in a while. Season tickets weren’t far behind.

The second hamburger that raised the value of my season tickets was consumed with “Franko.” I hadn’t heard about his new role on the team yet. But I did know he was wrapping up his MBA and thinking about what was next for him. The conversation ranged, as ours always do, from philosophy to film to my coaching to his. We talked about Wazzu’s fresh roster obstacles, about the G League, the portal, and NIL. And then I told him about a bespoke basketball analytics startup out in North Carolina.

Basketball is already heavily analyzed. It’s hard to believe that anyone could truly be doing something new. It’s also culturally harder to believe when D2 women’s basketball is the only place it was field-tested.

Frankoski listened to me, but he was hardly convinced. I relayed Jack’s internal white papers and, having talked myself (if not Frankoski) into bold confidence, I declared that the lineup analytics were no joke and that if WSU used Basketball Science, the Cougars would be dancing in March Madness ... and then Kyle Smith would get hired away.

Frankoski rightly laughed at me — the Pac-12 is not a conference of cupcakes. Reaching the tournament would require a truly great season out of a roster without much time together. But he also humored me. I connected him with Jack and then returned to the simplicity of my previous fandom. After all, my only real role was to wear a Cougar hoodie at home games and shout loudly at appropriate moments. And I do that job well.

The next time I saw Frankoski, he had been thoroughly convinced. Jack had run analytics on the Cougs' previous 17-17 season and reported that with rotation changes, they could have been 24-10. Steve had joined Jack down his rabbit hole and had taken Basketball Science to Kyle Smith as a proposed addition to their already strong analytics.

“You can really customize with [BBSci’s] setup.” Frankoski said. “A lot is familiar, but Jack’s definitely doing some unique things, and I love the dashboard.”

“Once there’s enough game data, a coach can make rotation decisions with precision,” Jack said. “Five guys can be a high turnover percentage lineup that gives up points in bunches, but with just one substitution, they can become extremely efficient, a lineup with real chemistry. But the guy you sat down might be a great player and the one you need to make a different combination of players efficient against a different opponent or defense. Our goal is to provide that level of visibility to coaches.”

Frankoski was so convinced that he was planning to cover a Basketball Science contract with his own money if the team was unwilling. In the end, he didn’t need to. But that hasn’t kept Smith from teasing him.

“Yeah,” Frankoski admitted. “I spent so much time working with Jack’s team before games that Smitty just called Basketball Science ‘my guy.’ I’ve definitely kicked the tires on it this season, and we found some things that really worked. Sometimes we did our own thing, but BBSci helped give us a blueprint going into games with our approach to substitutions and lineups.”

Before this season, the Washington State Cougars became the very first men’s Division 1 team to contract with Basketball Science. By the end of the season, the “Wheatfield Underdogs” were dancing.

It’s no secret that the college game is changing. Roster volatility is sky-high and trending higher. Coaches are literally recruiting opposing players in handshake lines. Players want cash, and agents insist on positional use and playing time guarantees. Long-term player development is no longer on the table.

Some old-school coaches are phasing out rather than adapting. Others are committed to adapting and finding new paths to program success. For those, a data-mad girl-dad from the stands might have just what they need.

***

By the time USC rolled into town to close out February, Washington State was no secret. In the basketball world, word was trickling out about Basketball Science as well.

NC State was having a decent but unremarkable season. Around the end of February, BBSci began whispering lineup advice to staff at NC State. What the Wolfpack went on to do (winning the ACC tournament for the first time since 1987 and stealing a berth in the tournament) was the biggest shocker of Championship Week.

Experts marveled, but many also predicted an emotional letdown and an early exit from the NCAA tourney after the fatigue of winning five straight ACC games in five days. Instead, the Pack added four more wins and rumbled directly into the Final Four for the first time in 40 years. Close observers noted some rotation and lineup variations that went into that magical run.

***

My son and I arrived for the USC game much earlier than normal, but our parking pass was useless. The lots were already full. When we eventually trudged into Beasley, the energy in the building hit me with a wave of nostalgia.

It was back. The mood. The swagger. The 2008 joy. It was everywhere. When I walked through the doors, would I see old heroes warming up for Tony Bennett?

I saw better. A bunch of Wheatfield Underdogs were running layup lines under the watchful eye of the coach who had chosen them for this moment, who had believed in their potential, who had made them a dangerous team – an organism greater than the sum of its parts. And he’d done it in a single season.

When my son and I finally sat down and looked up at the crowded rafters, he said only one word.

“Wow.”

Beasley was bouncing. Dennis Rodman Jr., a beloved Coug just one year ago, was now in a USC uniform and working on his corner threes with his back to the student section. Bronny was on the wing just above him. A lone voice started chanting at Roddy: Bad life choices. Bad life choices.

How could the kid have known? The Pac-12 preseason poll had slotted the mighty Trojans at second, not ninth. They would have been a tourney team. Transferring out for his last year of eligibility should have been smart.

There was no way Rodman could have predicted the level of success Kyle Smith’s new Coug concoction would achieve — a recovered medical redshirt, tough-as-nails transfers, a standout freshman, a promoted coach, and some brand-new girl-dad analytics for the coaches to play with.

Despite the crumbling of the conference, or maybe especially because of that crumbling, this past season has been magical. I’m just grateful to have had a front-row seat.

Not surprisingly, the second half of my prediction came true as well. Kyle Smith left Washington State and accepted the head coach position at Stanford. He will be at the helm for the team’s first-ever campaign in the brutally tough ACC. NC State will be coming to Palo Alto.

On Easter Sunday, Steve Frankoski left Pullman behind and jumped on a flight to San Francisco. As Stanford’s new head of player development, he had players to work out and assess. The night before he left, we threw some fantastic local meat (thanks, Snake River Farms) on my grill, celebrating Frankoski’s new opportunity and a historic Cougar season.

We drank Macedonian brandy and laughed about a little analytics startup in North Carolina and the ridiculousness of my predictions last summer. But here we are. Millions of tourney dollars are flowing into programs all over the country. Coaches are signing fat new contracts. Players are grabbing NIL wherever they can.

Cougars and Cougar fans will still be here — Wheatfield Underdogs always. And we’ve passed the disruption on, hiring David Riley, Eastern Washington’s impressive coach. I’m sure he’s already hard at work, transferring in stars from other programs, trying to build on a successful season even as most of the faces change again. There’s no reason to wait another 16 years to go dancing again.

Oh, and hell no. I will never donate to a reduction of Beasley Coliseum’s capacity.

If you need a laugh, this is for you: Top 20 DUMBEST/WEIRDEST things Joe Biden has ever said



Sleepy Joe is known for a lot of things — for example, his elegant, articulate style of rhetoric.

That was obviously sarcasm.

If there’s one thing the left and the right can agree on, it’s that Joe Biden says some crazy things.

And Pat Gray is determined to relish each and every one of them.

“We’ve compiled the 20 dumbest/weirdest/gaffiest things he has said over ... his career,” he says, and while they’re all worthy of side-splitting laughter, here are a few of the highlights:

#20: “And it happens to be, as Barack says, a three-letter word: jobs — J-O-B-S.”

#8: “We hold these truths to be self-evident! All men and women created by the goal, you know, you know the thing.”

#7: “God save the queen man” (which was said long after her death, we’ll add).

#5: “I got hairy legs that turned that that that that that that that that turn uhh blonde in the sun. The kids used to come up and reach in the pool and rub my leg down ... so I learned about kids jumping on my lap, and I love kids jumping on my lap.”

“That’s so weird!” booms Pat.

But some of these are arguably ever weirder. To hear the remainder of Pat’s list, watch the full clip below.


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Alleged carjacker threads oncoming traffic at 100 mph ahead of shootout with police



On August 11, the Las Vegas Metropolitan Police Department dispatched investigators to conduct covert surveillance of 40-year-old Justin Venegas, suspected of having perpetrated a violent carjacking on May 20. Around 7 p.m., officers saw Venegas drive away from his home, at which point, they alerted an Air Patrol unit to maintain surveillance on his vehicle.

According to Clark County Assistant Sheriff Andrew Walsh, at the corner of North Pecos Road and Cheyenne Avenue, Venegas exited his vehicle at a red light and then hijacked a white Chevrolet Avalanche pickup at gunpoint. It was at that moment the mayhem that ultimately involved two officer-involved-shootings, a head-on collision and a 41-mile chase began in earnest.

Police first tried to pull Venegas over, but he refused to stop. When officers then attempted a PIT maneuver, Venegas allegedly fired at them with a 9mm handgun.

Walsh said that Officer Brendan Burbrink fired back at the suspect through their windshield, which can be seen catching at least one bullet from the suspect a moment earlier.

Driving over 100 mph, the suspect was seen weaving through dense traffic and even driving on the wrong side of the road.

Venegas allegedly led police to a parking lot near West Desert Inn Road and South Decatur Boulevard, where he attempted to hijack another vehicle.

Media Briefing: OIS #7 2022 YouTube

The woman driving the vehicle did not, however, comply. She backed away from Venegas, who then fired upon her twice.

Walsh noted that the woman, although injured in the foiled carjacking — either grazed by a bullet or injured by broken glass — is alright.

Venegas was precluded from trying again, as Officers Burbrink, Mojarro, Montero, Montalto, and Sayas reportedly opened fire on the suspect. While the stolen Chevrolet Avalanche was struck multiple times in the shootout, Venegas managed to escape uninjured, but only momentarily.

Walsh claimed that Venegas then intentionally rammed a police K-9 vehicle at 67 mph. (This collision occurs at 14:05 in the footage provided by the LVMPD.)

Boris, the K-9, was reportedly uninjured in the crash, and the unnamed driver of the K-9 vehicle was released from the University Medical Center hospital after being treated for minor injuries.

After the collision, which ended the chase, Venegas was treated at a local hospital for minor injuries and then remanded to police custody on August 12.

Venegas has been charged with attempted murder, six counts of attempted robbery, robbery, battery, and discharging a gun into an occupied vehicle. The Las Vegas Sun reported that he also faces charges related to the May 20 incident, where he allegedly carjacked a 73-year-old woman, including assault with a deadly weapon with a victim over 60 and grand larceny. He will appear in Las Vegas Justice Court on August 23.

Walsh suggested that "the community was very lucky in this incident," granted that no bystanders were struck by stray bullets. He also lauded police for their bravery. They "suit up every day and this is what they deal with."

Actual journalist questions viral '10-year-old rape victim denied abortion' story — and she brings RECEIPTS



A disturbing story about a 10-year-old girl in Ohio, a rape victim who had to travel to the neighboring state of Indiana to get an abortion after the U.S. Supreme Court overturned Roe v. Wade, has recently gone viral.

While the corporate media and pro-abortionists jumped all over the opportunity to use this horrific alleged crime as a political weapon against pro-life politicians, such as South Dakota Governor Kristi Noem (R), a few actual journalists raised questions. PJ Media’s Megan Fox said the alleged story gave her "serious pause for a number of reasons," so she dug up some interesting information, which she shared in the following (very long) Twitter thread:


\u201cThe story about a 10 yr old pregnant girl who had to go from Ohio to IN for an abortion gives me serious pause for a number of reasons. There are many red flags.\ud83d\udea9I'm going to detail them here.\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #1. A pregnant 10 year old is evidence of a heinous crime against a child but in every article (and there are SO MANY) thre is no mention of criminal investigation, no police involvement, not even a town where this allegedly occurred.\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #2 An unnamed alleged "child abuse" doctor called Dr. Caitlyn Bernard (an abortionist in Indiana) to ask for help. But any doctor who knows of abuse would be required to also call law enforcement. There should be a criminal investigation going involving Ohio DFS and police.\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #3 which maybe should be #1 The TIMING of this horrific story is too on the nose. Roe v. Wade was just overturned. The media is desperate for stories to push the pro-abortion narrative, stoke fear, anger, and division. They love this.\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #4 The article first published in the Indy Star, a local Ohio paper's site but in record time was picked up by huge international press. On the 2nd, The Hill and Newsweek had it and by the 3rd, The Guardian had it, and by the 4th it was on TMZ, reaching all the kids.\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201cI heard about it from a teenager at a 4th party and a red flag went off big-time. If the kids have heard about it it was placed where they will see it intentionally. Fake news is always sold to the young'ns because they will swallow it the fastest. https://t.co/URgBsDgXa5\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #5 It was immediately used as a political weapon against Republican Governor Kristi Noem and will be used against other pro-life politicians to make them answer this possibly hypothetical or made-up scenario to win political hit points.\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #6 #DrCaitlynBernard, the only source, is an abortionist and has been in the NYT participating in an anti-Trump hit piece and is clearly an activist. She has a stake in preserving abortion, it literally pays her bills. https://t.co/fdQJFxQNgO\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #7 There's no way to verify Bernard's claim. She has doctor patient confidentiality. No one can FOIA her. The media won't ask any questions and even if they did she wouldn't answer. There is no proof that this 10-year-old even exists and yet the media ran with it full tilt.\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #8 Jennifer Rubin used this to batter conservatives, her former colleagues, in the Washington Post. This further gives me serious doubts about the veracity of the story. Rubin is a notorious tool for the left using this story to harm pro-lifers https://t.co/y6hJ7dF2ti.\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #9 Why don't any of them care about the crime committed against the child? Lawmakers in OH should demand an investigation into who raped this child. They are the only ones who can get information through DFS and help the girl seek justice for the crime, if it happened. Did it?\u201d
— Megan Fox (@Megan Fox) 1657054914
\u201c\ud83d\udea9 #10, #DrCaitlynBernard got a call from another doctor asking for help for a horribly abused child and her first instinct was to call the media. That should make you all stop and think for a minute. What's really going on here?\u201d
— Megan Fox (@Megan Fox) 1657054916
\u201cHere's what the spread over time through media looks like according to the first two pages of a Google search. I'm going to do other search terms. But this story had legs. Is that an accident that it got maximum coverage?\u201d
— Megan Fox (@Megan Fox) 1657054917
\u201cHere she is again #CaitlinBernard in June interviewed by PBS, crying. Predicting doom...the very thing she's now claiming. How is she in contact with so much media? https://t.co/ev5cFoKY8R\u201d
— Megan Fox (@Megan Fox) 1657054918
\u201cThe big question now is why was it the @indystar that reported this exclusively of all local OH news stations (CBS, ABC, NBC) that didn't? According to star site, they are owned by Gannet Co., a huge media company. But Gannet's site doesn't list them. So is this still accurate?\u201d
— Megan Fox (@Megan Fox) 1657054919
\u201cAnd here's #DrCaitlinBernard again! More media coverage in June before this alleged incident where she is predicting doom. She's a serious abortion activist https://t.co/EXQutniDfb\u201d
— Megan Fox (@Megan Fox) 1657054919
\u201cAnd AGAIN! On June 30th in YET ANOTHER publication! This woman sure gets around. WTHR this time. https://t.co/Yx7PjfzArT\u201d
— Megan Fox (@Megan Fox) 1657054920
\u201cBy the time I'm done it's going to be harder to find news outlets #DrCaitlinBernard is NOT in. Here she is in Politico on June 19th.\u201d
— Megan Fox (@Megan Fox) 1657054920
\u201cAnd here she is again July 5th in The Republic. https://t.co/zj3yLUvzpM\u201d
— Megan Fox (@Megan Fox) 1657054921
\u201cHere's #DrCaitlinBernard encouraging women to give themselves abortions. No, really. In the Herald Bulletin on July 5. How does she have time to do abortions between media hits? https://t.co/7rF2C3qIBx\u201d
— Megan Fox (@Megan Fox) 1657054922
\u201cHere's an updated graph on the related media featuring #DrCaitlinBernard and this story or "women are going to die" because of Roe stories she was involved in. Still going. This is going to be a big spreadsheet by the time I'm done\u201d
— Megan Fox (@Megan Fox) 1657054922
\u201c#DrCaitlinBernard is also the plaintiff in a case to fight the abortion restrictions in the 2nd trimester https://t.co/cbZkAHnEGX\u201d
— Megan Fox (@Megan Fox) 1657056654
\u201cThis is the law #DrCaitlinBernard is suing over. She wants to tear second trimester babies limb from limb. The ACLU is helping her do this. This is from her lawsuit\u201d
— Megan Fox (@Megan Fox) 1657057174
\u201c#CaitlinBernard sued to stop a law in IN that would outlaw dismemberment abortions in the 2nd trimester and won. Now that Roe is overturned the state is asking to have that injunction lifted. Naturally, Bernard is spitting nails. https://t.co/wXXHTCWHbV\u201d
— Megan Fox (@Megan Fox) 1657059938
\u201cHere is #DrCaitlinBernard again on July 1 but this time instead of encouraging self-abortions, she now says they're "risky" and is blaming Republicans for them. See above where she said self-abortions are an option for women though, contradicting herself. https://t.co/Oubqm4hMDt\u201d
— Megan Fox (@Megan Fox) 1657060125
\u201cI think this is all of the news stories from this one claim by #DrCaitlinBernard. Notice that there are no local Ohio stations reporting. Just IndyStar. But from that one article all of these outlets ran with it. I have questions.\u201d
— Megan Fox (@Megan Fox) 1657065199
\u201cNot even Snopes can confirm this story. They want to, but they can't. #DrCaitlinBernard doesn't return anyone's calls. I wonder why that is? https://t.co/6StA75K8tx\u201d
— Megan Fox (@Megan Fox) 1657065352
\u201cHere's my press inquiry to the editor of the @indystar which I don't think he will respond to, but it's worth a shot. What kind of vetting happened here?\u201d
— Megan Fox (@Megan Fox) 1657065722

On the latest episode of "Relatable," BlazeTV host Allie Beth Stuckey also had more than a few questions about the "suspicious" viral story about a pregnant 10-year-old rape victim in Ohio who needs an abortion. She went over all the red flags with this story that have some questioning whether it's even true.

Watch the video below. Can't watch? Download the podcast here.


Today we're covering a few stories going around the news, starting with viral allegations that there is a pregnant 10-year-old girl in Ohio who needs an abor...

Want more from Allie Stuckey?

To enjoy more of Allie’s upbeat and in-depth coverage of culture and politics from a Christian, millennial perspective, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

Counting down LevinTV's top ten videos of 2021



As we gear up for 2022, LevinTV counts down the top ten videos of 2021.

#10


Let's start with #10. Remember when Joe Biden launched a commission to examine "Supreme Court Reform"? We do. Revisit Mark's recounting of the history of the nine-judge system as it stands today and how Biden seeks to damage the republic with his court-packing.

#9


This is #9: “Milley Gets Blackburned.” Rewatch how General Mark Milley squirmed under the intense questioning from senators over the withdrawal from Afghanistan — especially from powerhouse Marsha Blackburn.

#8


Here is #8: How badly did Joe Biden bungle our exit from Afghanistan, abandoning Americans and allies alike? According to Mark, enough to anger Jake Tapper.

#7


Coming in at #7 is "The Secret Texts." New encrypted texts revealed his hypocrisy after Joe Biden preached that he would "leave no American behind."

#6


Joe Biden is in trouble again in #6. His reproachable "leadership" left our men vulnerable, our allies distrustful, and our country ashamed. For what could be more shameful than a leader who disrespects our fallen soldiers?!

#5


MSNBC’s coverage made the #5 LevinTV video from 2021. The far-Left praised Biden when his moral compass appeared broken. Watch as U.S. Army veteran Matt Zeller schools them on decorum and leadership.

#4


"Obama Palooza" made the #4 video from 2021. With the Omicron variant emerging, it's important to remember when Barack Obama ignored the dangers of the Delta variant to throw a flashy, maskless, three-day birthday extravaganza like the affluent aristocracy he is.

#3


Coming in at #3 is “Medical Fascism.” In July, the CDC threatened to mandate masks for vaccinated people while millions of illegal immigrants stream across our southern border — most of them unvaccinated. Mark asked the right question: If illegal immigrants get a free health pass into our nation, why were Americans treated like medical prisoners?

#2


“Jim Crow Joe” is #2. Joe Biden is the liar in chief, and Ami Horowitz exposed the voter ID fictional narrative propagated by Biden and the Democrat Party.

#1


The #1 LevinTV video: "Chaos in Kabul" saw the military disaster of the Afghanistan withdrawal and the cowardly leadership known as the Biden presidency. Our "commander in blame" stood by his decision while Kabul imploded under the Taliban invasion. See Mark fire away at Biden's foreign policies that still threaten to set fire to America's reputation and security on the world stage.

Want more from Mark Levin?

To enjoy more of "the Great One" — Mark Levin as you've never seen him before — subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution and live the American dream.

Here are the 10 worst Christmas songs of all time. Careful, they just might kill your holiday spirit.



One of the greatest things about the Christmas season is the music. In our house, we have a hard and fast rule that no holiday tunes may be played until after we finish the Thanksgiving meal.

If you put on the right song, it can lift your spirits, put a spring in your step, and make wrapping gifts tolerable.

But the wrong song can send you in to an emotional spiral causing you to regret your life choices and wish for Boxing Day to arrive so you can just be past it all.

Last year, I got a lot of kudos — and even more gruff — for my list of the definitive recordings of the 35 best Christmas carols. It truly was a perfect list, despite the claims from naysayers.

Apparently I'm a glutton for punishment. This year, at the risk of being labeled a Grinch, I've compiled the 10 worst Christmas songs of all time. And because I play fair, you can listen to each song below so that you, too, can judge each song for yourself ... and then acknowledge my obvious correctness about the awfulness of each.

Just don't let it ruin your Christmas.

#1: LAST CHRISTMAS — Wham!


This song is just objectively bad and an obvious first choice. There is not an American alive with two working ears and any sort of taste in music who would disagree that this is the world's worst Christmas tune.

It's everything that is wrong with '80s music — from the bad vocals, obnoxious keyboards, sulky attitude, and goofy lyrics. And as if the song wasn't bad enough, Wham! thought it would be a good idea to create this video to go with it.


***

#2: MERRY CHRISTMAS, DARLING — The Carpenters


I post this one at great personal risk. There are friends who will leave me and family members who will disown me for this, but honestly, the only redeeming quality for this Carpenters disaster is that it isn't "Last Christmas" by Wham!

Sentimental Carpenters fans who long for Karen's resurrection need to understand that there are not enough Christmas miracles in the world to keep this song from its placement at No. 2 on the all-time list of terrible songs. From dreaming of "Christmassing with you" to being filled with desire based on seeing logs on a fire, there is no saving this song from the weight of its own silliness — and lousy instrumentation and background vocals.


***

#3: WONDERFUL CHRISTMASTIME — Paul McCartney and Wings


C'mon, Paul. You're better than this. You're a Beatle for crying out loud.

Yes, I know it charted bigly. Yes, I know lots people have covered it. No, that does not make it a good song. As Craig Outhier wrote for the Phoenix New Times in his list of the worst Paul McCartney songs, this tune "torments" the public, and its chorus likely "is at least partially responsible for the yearly spike in holiday suicide rates."


***

#4: THE CHRISTMAS SHOES — NewSong


I'm probably going straight to Hell for this one. But it had to be included.

Though it has a nice message about a boy buying fancy shoes for his dying mother and a stranger paying for the footwear when the young lad winds up not having enough money, it's a depressing song that has no business being in anyone's holiday playlist. All of that, combined with the sappy vocals, super-awkward video, and the fact that it is overplayed on Christian radio and 24-hour Christmas stations, make this song nausea-inducing and obnoxious.


***

#5: MERRY CHRISTMAS, HAPPY HOLIDAYS — NSYNC


Justin Timberlake is one of the greatest entertainers of our generation: He can write, sing, act, and do comedy. Surely if there are any regrets he has in his career, this song has to be near the top of his list.

The song is like a poorly conceived musical number for a sub-par network holiday special. Speaking of sub-par, the video, featuring "Diff'rent Strokes" star Gary Coleman, is really ... something.


***

#6: DOMINICK THE DONKEY — Lou Monte


Dominick is supposed to be the hero of the song, having saved Christmas by helping Santa because the reindeer can't climb the hills of Italy. Instead, this silly song attempts a "Funiculi Funicula" vibe, but even for a novelty song — a genre that is typically given a lot of leeway when it comes to criticism — it is just painful.

Hee haw. Hee awful.


***

#7: HAPPY XMAS (WAR IS OVER) — John Lennon


It's a sad day when two songs written by Beatles make a "worst songs" list, but such is life. You write a bad song, it doesn't matter who you are, you're going to get called out.

I know I'll get raked over the coals by Beatles fans who feel Lennon could do no wrong, but this is a terrible Christmas song. The music is well done and everyone knows Lennon was a peacenik, but this tune has no business invading the joy of the holiday.


***

#8: A HAND FOR MRS. CLAUS — Idina Menzel & Ariana Grande


You know who the real hero of the North Pole — and therefore Christmas — really is? No, not St. Nick. Nope, not the elves or Rudolph.

The real hero is Santa's ball-and-chain. She does all the real work up north — and Idina Menzel and Ariana Grande really want you to understand that in this badly written, poorly performed (particularly Ariana's portion), and inferiorly produced pile of feminist nonsense.


***

#9: DO THEY KNOW IT'S CHRISTMAS? — Band Aid


This song was created with the most talented artists alive in 1984, and that stable of amazing musicians makes this a tough one. And anyone with a soul can appreciate their efforts to help the people suffering in Ethiopia.

But that does not make it a good Christmas song. Despite the talent involved, the tune is mediocre at best — some took to calling the supergroup "Bland Aid" after the record's release. And the words, again, do not capture the joy and magic of Christmas — which is what holiday songs are supposed to be about. When the song came out, NME called it a "turkey" and ripped the song as "Millions of Dead Stars write and perform rotten record for the right reasons" — which, honestly, was a pretty generous review.


***

#10: WARM AND FUZZY — Billy Gilman


Yes, only a monster would mock a record cut by a kid, and this is probably enough to get me labeled Mr. Potter reincarnated, but seriously ...

This song serves no purpose, tells no story, and contains zero originality. It isn't even cute. There's nothing about this song that should give it any acclaim, yet here it is — every stinking year.


***

Dishonorable mention:


There are some songs that are pretty ridiculous or silly or just downright dumb. But unlike the songs listed above, they do bring some joy to the season.

I couldn't bring myself to list them as terrible, but their questionableness should at least be noted.

These 15 Christmas TV specials are the best ever made



The Christmas season offers some of the greatest television ever made — from touching commercials to holiday episodes of your favorite shows to seasonal specials. There is always something available for families to gather and watch this time of year.

Yesterday, you experienced the “Top 15 Christmas family-friendly Christmas movies of all time." Today, enjoy a look at the 15 best Christmas TV specials ever made. Like the movie list, there were a few rules needed to set boundaries for the TV list: Each item had to be “Christmas-y" and family-friendly; had to be created for TV and not a theatrical release that's now replayed on TV annually; and had to be an actual “special" created for Christmas and not just a Christmas-themed episode of a regular series.

#1: A Charlie Brown Christmas (1965)


This is one overtly Christian cartoon that has become and annual must-see — even among secularists. When Charlie Brown becomes depressed over the commercialism of Christmas, he turns to the school's Christmas pageant for inspiration. But as the director of an unruly cast — not to mention his disappointing tree — he finds himself more frustrated than ever. All of that changes when Linus reminds everyone about true meaning of Christmas by reciting the Nativity story from Luke's Gospel. Plus, the special put the musical genius of Vince Guaraldi into the mainstream of American pop culture.


***

#2: Dr. Seuss’ How the Grinch Stole Christmas! (1966)


Featuring the incredible vocal talents of Boris Karloff, this tale of a nasty … well … Grinch who hated Christmas because of the happiness it brought to the lives of others offers a poignant story of redemption and change. Determined to keep Christmas from coming, the Grinch steals all of the gifts, decorations and food from the entire town of Whoville. When the Whos still celebrate sans gifts, ol' Grinchy Claus realizes that Christmas will come without ribbons, come without tags, come without packages, boxes or bags.


***

#3: Rudolph the Red-Nosed Reindeer (1964)


The "Rudolph" tale of a band of misfits' journey across the North Pole trying to find where they fit in inspires kids everywhere and is probably the best-known of Rankin/Bass' many stop-motion Christmas programs. The characters who'd been cast-off save Christmas and become the heroes. Throw in the beloved voice of Burl Ives, and you've got a classic that will continue to endure.


***

#4: Santa Claus Is Comin' to Town (1970)


This is another one of several Rankin/Bass gems chock-full of great songs and characters. The Mickey Rooney- and Fred Astaire-led creation delves into Santa Claus' origins and pits him against one of the best comic "villains" of all time — the evil Burgermeister Meisterburger


***

#5: A Christmas Carol (1984)


George C. Scott's turn as the miserly Scrooge is the most famous of the made-for-TV movie adaptations of the Dickens tale (though the 1999 Patrick Stewart version may be closing in). The film stayed true to the story and earned Scott an Emmy nomination.


***

#6: Frosty the Snowman (1969)


Based on Gene Autry's 1950 hit song, it features Frosty "dying" so he can save a little girl. Kids are taught about love and laying-down-your-life-for-others sacrifice, all with palpable Christian parallels — even the bad guy changes his ways in the end.


***

#7: John Denver & the Muppets: A Christmas Together (1979)


In 1979, Jim Henson's team worked with country folk artist John Denver to create an LP of 13 Christmas songs (which eventually went platinum). From that album came a one-hour special for ABC featuring great Muppet takes on holiday classics, plus the typical Muppet humor.


***

#8: The Star of Bethlehem (2007)


The Magi followed a star in the heavens to find the Christ child. Explore the truth of God's stellar handiwork in this documentary that uses historic and scientific evidence to tell the real story of the Star of Bethlehem.


***

#9: Mr. Magoo’s Christmas Carol (1962)


Call it a history-maker. It was the first-ever animated Christmas special produced for TV, according to IMDB.com. The cartoon was created to give the feel of a Broadway production — a feel that was enhanced by the musical work of two Broadway show writers, Jule Styne and Bob Merrill.


***

#10: The Little Drummer Boy (1968)


This old-school, stop-motion 1960s production about the little orphan boy who didn't have anything to give to the infant Jesus except his drumming ability teaches kids that the best things we offer each other have nothing to do with money or "stuff."


***

#11: Mickey’s Once (and Twice) Upon a Christmas (1999/2004)


Both of these shows are a series of cartoon shorts all about the importance of friends and family and doing good for others at Christmas. From Donald's repentance for his selfishness to Goofy's expressions of love for his son Max to Mickey and Minnie's selfless giving of everything they have for each other, these specials offer great lessons for the little ones.


***

#12: A Flintstone Christmas (1977)


The story in Fred Flintstone's one-hour special begins with Fred begrudgingly agreeing to play Santa Claus at a party for the Bedrock Orphanage on Christmas Eve. On the night of the party, an injured and sick Santa Claus recruits Fred to fill in for him (and Barney takes the role of an elf) to make sure all the presents get delivered. The boys work through a massive storm, make a trip to the North Pole and barely make it back to Bedrock in time for the orphanage party.


***

#13: Prep & Landing (2009)


The North Pole has gone super-hightech in Disney's Emmy-winning special. Elves Wayne and Lanny, while prepping the world for Santa's annual trip, are the only members of the command team available to make possible a visit by St. Nick in the midst of a terrible storm. They save Christmas for Sector 7 using sweet gadgets and a little creativity.


***

#14: The Best Christmas Pageant Ever (1983)


Grace (played by Loretta Swit aka "Hot Lips Houlihan") is tasked with the job of leading her church's annual Christmas pageant. The disaster of a job gets even worse when the six Herdman kids, who are known troublemakers from a broken home, decide to be a part of the play. By the end, the Herdman children, from whom no one expected anything worthwhile, learn the power of the Christmas nativity story and teach the church the true meaning of Christmas.


***

#15: Nestor, the Long-Eared Christmas Donkey (1977)


One of the lesser-known Rankin/Bass creations, "Nestor" is a very religious special that shares the story of an outcast and abused long-eared donkey who goes on to fulfill his special purpose—to carry a very pregnant Mary to Bethlehem. The message, combined with the musical talents of the estimable Roger Miller, make this a powerful show for kids.

A version of this list first appeared in the December 2014 issue of TheBlaze magazine.

Here are the top 15 family-friendly Christmas movies of all time



One of the many great things about the Christmas season is the entertainment available for families. Whether you prefer recordings of your favorite Christmas songs from Nat King Cole and Perry Como or Mariah Carey and Cee Lo, TV specials you grew up with as a kid or new specials created for your kids, or holiday movies in black and white, Technicolor, or 3-D, there's always something for everyone looking to submerge themselves in the spirit of the season.

If you've got kiddos at home now for Christmas break, you're probably looking for things to fill the hours before the big day arrives. Here are some ideas for TV time.

Below are the 15 best Christmas movies for your family. There are just a few rules behind these selections: Each movie had to have been a “Christmas-y" movie shown in theaters (no TV specials), couldn't be rated worse than PG (keep it clean, so no "Die Hard"), and had to have a hook for families to actually want to see it — just having a good message wasn't enough, it also had to be worth watching.

#1: Miracle On 34th Street (1947)


STORY: The Macy's store Santa Claus, Kris Kringle, says he is the real Santa Claus—a claim he eventually has to defend in a court of law, which sends the locals into an uproar.

WHY YOU SHOULD LOVE IT: Though it was first filmed in 1947, this story has continued to be an American favorite for generations. Families love seeing the no-nonsense Doris Walker and her daughter Susan let down their defenses to experience the true gifts of Christmas: hope and love.


***

#2: It’s a Wonderful Life (1946)


STORY: A man on the verge of losing it all and taking his own life is visited by an angel who shows him what life would be like if he'd never existed. And it's not a pretty picture.

WHY YOU SHOULD LOVE IT: Filmed in the 1940s, it's family friendly and contains a ton of moral messages, from sticking out rough situations, self sacrifice, and how communities can come together and help each other in tough times to how much worth each life actually carries.


***

#3: White Christmas (1954)


STORY: WWII Army buddies Bob Wallace and Phil Davis team up to create a hugely successful song-and-dance duo after the war. They and the Haynes Sisters put together a Christmas spectacular in a Vermont inn owned by the men's former commanding officer.

WHY YOU SHOULD LOVE IT: The acting and choreography are great. The Christmas spirit shared by all is, of course, prevalent. But it comes as no surprise that the music of the film is what everyone remembers.


***

#4: The Muppet Christmas Carol (1992)


STORY: In this musical depiction of "A Christmas Carol," Jim Henson's magical Muppets play second-string to Michael Caine's performance as Dickens' skinflint.

WHY YOU SHOULD LOVE IT: The original songs and scoring are tremendous. Caine's turn on the miserly Scrooge is masterful. And the brilliance of the Muppet casting defies description. (Gonzo as Charles Dickens; Miss Piggy as Mrs. Bob Cratchit; Statler and Waldorf as the Marley brothers? C'mon, it doesn't get any better.)


***

#5: Elf (2003)


STORY: Buddy, a human raised by elves at the North Pole, sets out from Santa's workshop to New York City to find his dad who is on the "naughty list."

WHY YOU SHOULD LOVE IT: The quotes — "Smiling's my favorite"; "I'm a cotton-headed ninny-muggins." The humor—an elf-costumed man treks through Manhattan, finds his dad and becomes a part of his family. The morals—everyone wants to be loved. Christmas is not about physical gifts, it's about family. And this movie highlights that journey in one of the funniest ways possible.


***

#6: The Nativity Story (2006)


STORY: The Biblical account of Jesus' birth comes to life in this film that faithfully adapts the account found in Matthew and Luke.

WHY YOU SHOULD LOVE IT: This film reminds us how very revolutionary Jesus' message of peace and love truly were. Christmas movies typically avoid any mention of Christ, but this film serves to remind us of the true reason for the holiday.


***

#7: The Santa Clause (1994)


STORY: After accidentally killing the real Santa Claus, a divorced dad finds himself as the reluctant replacement.

WHY YOU SHOULD LOVE IT: This movie cleverly details Tim Allen's transformation into Kris Kringle, everything from sprouting white facial hair to massive weight gain to having a desire to wear red and green. Families who have been touched by divorce will also be encouraged by the happy ending.


***

#8: The Polar Express (2004)


STORY: A young boy on the verge of giving up his belief of Santa Claus boards the Polar Express train on Christmas Eve. His astonishing journey to the North Pole that teaches a lesson on the spirit of Christmas.

WHY YOU SHOULD LOVE IT: The animation does an incredible job of bringing this beloved story to life. The kids experience action, adventure and mystery all in one night — reminding us that Christmas is truly a magical time of year for children.


***

#9: A Christmas Story (1983)


STORY: Ralphie dreams of getting a Red Rider BB gun for Christmas — he's obsessed with it. Now he has to convince his parents, who are sure he'll shoot his eye out.

WHY YOU SHOULD LOVE IT: The movie portrays what it's like, through the life of an Indiana 9-year-old, to grow up in middle America around 1940 (or even today) — dealing with family, friends, bullies, and teachers — all while wishing for what every kid wishes for: that perfect present from Santa under the tree on Christmas morning.


***

#10: Mickey’s Christmas Carol (1983)


STORY: Mickey Mouse and his fellow Disney all-stars offer their version of Dickens' 1843 masterpiece.

WHY YOU SHOULD LOVE IT: The Oscar-nominated short isn't just a Disneyesque portrayal of Scrooge and his ghosts, it serves as a faithful adaptation of a life-changing story that's accessible for children.


***

#11: Home Alone (1990)


STORY: This is what happens when a mischievous 8-year-old boy is left to his own devices to defend his family's home against a pair of hooligan crooks during the Christmas season.

WHY YOU SHOULD LOVE IT: While the antics that young Kevin McCallister employs to protect his home are hilariously entertaining, the true message of the movie showcases how everything is better when you can share it with your family.


***

#12: Dr. Seuss’ How the Grinch Stole Christmas (2000)


STORY: Everyone in the city of Whoville embraces Christmas, except for the Grinch — until he experiences the ultimate transformation of the heart.

WHY YOU SHOULD LOVE IT: Dr. Seuss' classic is brought to life complete with delightful rhymes, colorful imagery and the always adorable Max the dog. The Grinch's lesson about love is the icing on the cake.


***

#13: Scrooge (1970)


STORY: In a performance for the ages, Albert Finney brilliantly transforms Ebenezer Scrooge from super-grump into the giddy Scrooge of Christmas morning. The fact that it's a rare musical interpretation of the holiday story makes it even more powerful.

WHY YOU SHOULD LOVE IT: The music from the film is unforgettable, the redemption story is, of course, powerful, and the film itself is very well done. The whole thing is worth watching just for Alec Guinness' loopy performance as Jacob Marley.


***

#14: The Nightmare Before Christmas (1993)


STORY: The king of Halloween Town, Jack Skellington, stumbles into Christmas Town, is moved by the spirit of Christmas and decides the residents of his hometown need to get in on the act.

WHY YOU SHOULD LOVE IT: Tim Burton's tale celebrates the generous spirit of Christmas with a lesson on being yourself using great humor, award-winning stop-motion cinematography and a fabulous score from Danny Elfman.


***

#15: Ernest Saves Christmas (1988)


STORY: The 1980s' favorite bumbling neighbor, Ernest P. Worrell, helps an aging Santa Claus with his eye on retirement find a replacement.

WHY WE LOVE IT: Ernest's unwavering faithfulness and innocence leads not only to comical scenes but also to heartwarming lessons about loyalty, friendship and the child-like wonder that permeates Christmastime. "KnowhutImean?"


***

Honorable Mention


A version of this list first appeared in the December 2013 issue of TheBlaze magazine.

These are the definitive recordings of 35 favorite Christmas carols: Don't argue, just listen



Because nobody doesn't love a list and everybody is an expert nowadays, I've compiled a list of the definitive recordings of 35 of the most loved classic Christmas carols.

Don't agree? That's OK — you're allowed to be wrong. (Spoiler alert: There are zero Josh Groban or Pentatonix songs on this list. If you find that upsetting, this probably isn't the list for you anyway. Just click on something else.)

Merry Christmas! And happy listening:

#1: SILENT NIGHT — Dean Martin


This one was a gimme — that way we don't start out the list fighting.


***

#2: HAVE YOURSELF A MERRY LITTLE CHRISTMAS — Ella Fitzgerald


Yes, I know, I know, Judy did it first for "Meet Me in St. Louis"; however, that does not make it the best. If you think Garland's rendition is better than Ella's, you're probably also a Liza Minnelli fan.


***

#3: JOY TO THE WORLD — Whitney Houston


Now, a lot of people will tell you that Mariah Carey has cornered the market on this old hymn, but that's only because she was hitched to Sony's Tommy Mottola when she cut the holiday album that features the song. If Whitney were still around today and able to get the press Mariah does, I'm pretty sure everybody would be saying "Mariah who?" when it was time to drop the needle on "Joy to the World."


***

#4: IT'S THE MOST WONDERFUL TIME OF THE YEAR — Andy Williams


If you fight me on this one, we can't be friends.


***

#5: THE CHRISTMAS SONG — Nat King Cole


C'mon. Mel Torme wrote the song (with Bob Wells) and gave it to Cole to sing, knowing he was the guy to make this song unforgettable. Other people can roast their chestnuts all they want — many have done it well — but Cole's take will never be topped. Ever.


***

#6: HARK! THE HERALD ANGELS SING — Amy Grant


Truthfully, Jewel's arrangement of "Hark!" is superior, but the problem is ... Jewel, the woman who sings like she has marbles in her mouth and can't decide if she's going to do an adult voice or a little girl voice. Advantage: Grant.


***

#7: ADESTE FIDELES — Celine Dion


No one really knows who wrote "O Come, All Ye Faithful," but anyone with any sense knows who did best. (Though I have to give a nod to David Osmond's strong performance on Glenn Beck's "Believe Again" album.)


***

#8: WHITE CHRISTMAS — Bing Crosby


There's a reason this Crosby record is the best-selling single in the world — not just in the holiday genre, but best-selling single of all time. Nothing has ever topped it, and it's likely nothing ever will.


***

#9: RUDOLPH, THE RED-NOSED REINDEER — Gene Autry


Yes, Burl Ives was the narrator for the TV special. Yes, I get a warm, fuzzy feeling from Ives' record. No, it's isn't the best version. That belongs to The Singing Cowboy.


***

#10: IT'S BEGINNING TO LOOK A LOT LIKE CHRISTMAS — Johnny Mathis


Crosby and Como both killed it when they recorded this song, but the Mathis version has the edge — not just in quality but also culturally with its inclusion in "Home Alone 2," which gave it a massive surge in popularity.


***

#11: I'LL BE HOME FOR CHRISTMAS — Perry Como


Is there really any question? No. No there isn't.


***

#12: JINGLE BELLS — Frank Sinatra


Don't question this one either: Frank knows people who know how to hurt people. (Well, at least, he used to.)


***

#13: SANTA CLAUS IS COMIN' TO TOWN — Jackson 5


The Boss would say different. But you and I know the truth.


***

#14: ANGELS WE HAVE HEARD ON HIGH — Mormon Tabernacle Choir


The "Gloria, in excelsis Deo" chorus requires a powerful choir. Good luck finding a choir more powerful than the one the LDS folks put together.


***

#15: FROSTY THE SNOWMAN — Jimmy Durante


The Ronettes produced a very good version and it gets way more airplay, which is a shame: Durante's recording is a musical number Rankin & Bass actually got right.


***

#16: A HOLLY JOLLY CHRISTMAS — Burl Ives


This is Ives' song. No one else should even try to sing it.


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#17: WINTER WONDERLAND — Perry Como


Admit it, you were expecting me to say Darline Love here. It's OK. It's a normal and fairly logical guess. But it also happens to be incorrect. Not only did Herb Alpert & The Tijuana Brass cut a version that was better (though wordless), both of Perry Como's versions (here and here) are objectively better. Here is the track from his 1946 album "Perry Como Sings Merry Christmas Music."


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#18: LET IT SNOW! LET IS SNOW! LET IT SNOW! — Lena Horne


Lots of artists have made great "Let It Snow!" records (including Harry Connick Jr., who deserves a mention). But none of them ever reached the smoothness — and, frankly, sexiness — of Lena Horne's.


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#19: THE FIRST NOEL — Third Day


It's a more modern version of an old hymn with some cool rhythm. It's also the best version ever recorded.


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#20: SILVER BELLS — Elvis Presley


After The King walked out of the studio the day he laid this down, there was no reason for anyone to ever bother trying to do it better.


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#21: SLEIGH RIDE — Ella Fitzgerald


You want me to say Arthur Fiedler & The Boston Pops Orchestra. Not gonna happen. Lady Ella owns this — and always will.


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#22: DECK THE HALLS — Ashley Hess


Ashley Hess is not likely a name you recognize at first. But if you're a Glenn Beck fan, you'll remember this after a quick listen. And then you'll agree.


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#23: GOD REST YE MERRY GENTLEMEN — Barenaked Ladies


Here's one that had me going back and forth for hours. Everything Nat King Cole touched was superb, so I could easily put his recording here and be done with it. But ... the Barenaked Ladies put a spin on this classic that has just the edge needed to bump it ahead of Cole.


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#24: THE TWELVE DAYS OF CHRISTMAS — John Denver & The Muppets


The LP of this 1979 Christmas special (which has never been released on home video) is full of great music. The most notable is the Muppet Gang's clever rundown of the many gifts the writer's obnoxious "true love" gave him. Bah-dum-bum-bum.


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#25: ANGELS FROM THE REALMS OF GLORY — Julie Andrews


If you like Andrews' style, you'll absolutely love all of her Christmas songs. Her best Christmas record happens to also be the best version of that song.


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#26: DO YOU HEAR WHAT I HEAR? — Perry Como


I know he's already got a couple wins on this list, but I've got to give Como this one, too, with Andy Williams coming in a close second.


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#27: IT CAME UPON A MIDNIGHT CLEAR — MercyMe


Another modern take on a hymn. On first listen, you'll disagree with me on its ranking. But then you'll listen again and again and be forced to admit that, well, the fat Blaze editor was right once more.


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#28: LITTLE DRUMMER BOY — Bing Crosby & David Bowie


It's a beautiful song — it's also the strangest Christmas song. Crosby and Bowie's awkward video didn't help make it less weird. But you can't argue with the talent they brought to the studio when it was time to record.


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#29: WE WISH YOU A MERRY CHRISTMAS — Alvin and the Chipmunks


Every Christmas music list is required to include Alvin and the Chipmunks. It's scriptural.


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#30: ROCKIN' AROUND THE CHRISTMAS TREE — Leann Rimes


"Brenda Lee!" you're shouting as you read this. "You're nuts!" I'm shouting back. Lee's famous record doesn't have 1 percent of the feel (or talent, for that matter) that Rimes' does.


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#31: O LITTLE TOWN OF BETHLEHEM — Andy Williams


I was torn on this one — all the way up until it was time to post this. My brain tells me to go with Mahalia Jackson's soulful version. But my heart says this is another song that The King of Christmas just nailed.


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#32: WHAT CHILD IS THIS? — Vince Guaraldi Trio


Guaraldi's "Charlie Brown Christmas" album is arguably the best complete holiday album ever produced. No one has ever made "Greensleeves" sound better.


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#33: GOOD KING WENCESLAS — Ames Brothers


Though a lot of folks will say The Velvet Fog's jazzy turn on this tale of a ruler who looked out for others should be tops, I've got a soft spot in my heart for the Ames Brothers' record. The majesty of the music sets the tone for understanding the lesson we can learn from Wenceslas.


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#34: O HOLY NIGHT — David Phelps


Here's another hymn that could have gone to a couple artists. Critics have rightfully celebrated Celine Dion for her rendition, but David Phelps really brought it home. (Plus, Celine is Canadian, so the thought of giving her more than one song on this list was nauseating.)


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#35: MY FAVORITE THINGS — Tony Bennett


No one has ever explained to me how this became a Christmas song. Julie Andrews really made it famous on "The Sound of Music," and since then, scads of very notable vocalists have covered it for Christmas — no one better than Bennett. (Barbra Streisand can get bent.)

This post originally ran Dec. 25, 2019.