'The American Miracle' reveals God's hand in nation's founding



Less grievance. More gratitude.

That was the motto guiding film scholar and talk show host Michael Medved as he wrote “The American Miracle," his 2016 tome exploring the providential moments that helped create the freest country in human history. The subject proved so vast that the author penned a companion book, “God's Hand on America: Divine Providence in the Modern Era.”

'One of the very few things they agreed on completely … was divine providence, the invisible hand. Washington used that phrase in the first inaugural address.'

Almost a decade later, we're drowning in grievance, while gratitude remains in short supply. A perfect time for Medved's book to reach the big screen.

No accident

“The American Miracle” hits theaters June 9-11, courtesy of Fathom Entertainment. The docudrama features recognizable names like Kevin Sorbo and Pat Boone, but the true stars are Washington, Lincoln, and Franklin.

The movie, subtitled, “Our Nation Is No Accident,” argues that God’s hand worked in mysterious ways to boost the country’s creation.

“I’ve been living with this idea of divine providence,” Medved tells Align, recalling pre-recorded history segments on his long-running radio program. “The most popular episode, ‘God’s Hand on America,’ gave rise to the book.”

Years later, it seemed like the right moment to bring its message to theaters nationwide.

The movie shares amazing stories tied to the country’s birth, including the many near-death experiences George Washington survived before becoming the nation’s first president.

Early in Washington’s life, he fought alongside the British and was the only horseback officer to survive a harrowing battle. “His hat was shot through with bullets, and two horses were shot out from under him. He was unscathed,” Medved shared.

No sugarcoating

The film doesn’t sugarcoat the Founding Fathers but puts them in spiritual context.

“At no point do we suggest the people you meet in the film are perfect human beings. … They were a remarkable group of human beings,” he says. “One of the very few things they agreed on completely … was divine providence, the invisible hand. Washington used that phrase in the first inaugural address.”

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Anna Moneymaker/Getty Images

Medved recalls a sermon from Presbyterian Minister Samuel Davies that echoed that sentiment.

“I cannot but hope Providence has hitherto preserved [him] in so signal a manner for some important service to his country.”

“The American Miracle” blends re-enactments with historical experts to buttress Medved’s arguments.

“Some of the leading historians in the country take the idea of divine providence very seriously,” he says.

Avoiding polarization

Medved’s conservative thinking is part of his brand, along with an extensive career as a film critic. He worked alongside fellow critic Jeffrey Lyons on the 1980s PBS show “Sneak Previews,” taking over for original hosts Gene Siskel and Roger Ebert.

His personal politics aside, Medved still didn’t want “The American Miracle” to embrace a partisan ethos. The film’s array of experts, including Robert P. George, Joseph Ellis, and Jana Novak, offer some ideological diversity. That includes contributions from Oscar winner Richard Dreyfuss.

The Hollywood icon is no rock-ribbed conservative. He’s left-leaning but a patriot who promotes a better understanding of the country’s founding principles via his Dreyfuss Civics Initiative.

“We tried to avoid some of the polarization that has been poisoning our politics,” Medved says of the film. “[Dreyfuss] has been a friend of mine for many years, since high school. He has made a passionate cause of civics and teaching civics.”

Part of “The American Miracle” explores the role black soldiers played in the American Revolution, fighting on behalf of the patriots. It’s hardly the kind of material one expects in a 21st-century film. Hollywood narratives wouldn’t allow it, but the historical facts remain.

Medved called their contributions “indispensable."

Spotlight on the founding

Medved’s decades-long media career allowed him to watch the pop-culture transformation up close. He hails the new wave of choice in media circles, be it podcasts or new media platforms offering something different from what legacy media outlets provide.

“Today, depending on what your own obsession or interest is, there’s something there for you. Generally, we all spend too much time on mass media,” he says. “However, the advantage today is that there is a great deal of choice.”

That also holds for the pop-culture realm. Medved brings up the crush of stories tied to the American Civil War, from feature films to the celebrated “Civil War” docuseries from PBS mainstay Ken Burns.

What’s missing? More cinematic takes on the country’s Revolutionary War and astounding origins. That’s where “The American Miracle” comes in.

“It hasn’t gotten the same kind of attention. There’s no equivalent of ‘Birth of a Nation’ or ‘Gone with the Wind’ or ‘Glory,’” he says.

'Stand Your Ground' brings '80s-style justice back to big screen



Screen vigilantes walk a fine line between morality and justice.

Sure, we cheered when Clint Eastwood’s Dirty Harry took out the trash in 1971, but he broke a few rules along the way. More than a few, according to film critic Roger Ebert, who dubbed “Dirty Harry” “fascist.” Ebert wasn’t alone.

'I really believe that audiences want to see this. It’s almost like we forgot that part of film history, the '80s and the '90s. ... Suddenly, it just got washed out.'

Now, a new vigilante thriller finds its hero working within a very specific law to take out the trash.

Castle doctrine

“Stand Your Ground,” available May 27 on VOD platforms, follows a grieving widower named Jack Johnson (Daniel Stisen) who is desperate to avenge his pregnant wife's murder. He’s already served time in jail for dispatching one of the guilty thugs.

Now, the former Special Forces operative embraces his state’s “stand your ground” law to take out his wife’s killers. Spoiler alert: Step onto his property at your peril.

It’s ironic that the law in question was once referred to as the “make my day” dictum, based on Eastwood’s iconic character. The law drew fresh scrutiny following the 2012 death of Trayvon Martin at the hands of George Zimmerman.

Director Fansu Njie tells Align that his uniquely American action film doesn’t take sides on a law found in 28 states across the country.

“My approach was neutral. I didn’t want to make a political film. It’s just showing one situation somewhere. That’s why we’re not talking about where it’s taking place,” Njie said of the story’s vague setting. “It becomes acceptable to watch the film anywhere in the world.”

Epic Pictures

All-American roots

The story’s all-American roots are still hard to miss. The film’s official poster poses Stisen in front of a billowing U.S. flag with the tagline “Give me liberty or give me death.”

That’s smart marketing, but the director was more interested in his perspective on a deeply American genre, once the property of Eastwood and Charles Bronson (the “Death Wish” franchise).

“As a Swedish filmmaker, it interested me to try something new that isn’t found in Europe,” Njie said. “I wanted to make an American film from my perspective ... that made it more intriguing and a little spicy so it doesn’t become a so-called normal action film in the U.S.”

'Lots of weapons'

“Stand Your Ground” doesn’t have any horses galloping across the screen, and neither the hero nor his targets sport cowboy hats. The director’s love for Westerns still bleeds into the narrative.

“I had [famed Western director] Sergio Leone in the back of my head when I made the film,” Njie said. “I wanted to explore, as a foreigner in the U.S., the same way he did as an Italian in the U.S. I liked the style. ... It’s almost made as an old Western. Lots of weapons ... that was my approach.”

Stisen lacks the name recognition of a Stallone or Schwarzenegger, but Njie hoped to capture that Reagan-era vibe throughout “Stand Your Ground.” There’s no hand-wringing while meting out justice, for example, and Stisen’s bodybuilding background came through with his burly but athletic frame.

“What I realized is that even though it’s serious action, ['80s action films] have bits and pieces of humor as well ... at least smile sometimes here and there. I tried to use the same formula,” he said.

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Arnold Jerocki: Getty Images

Veteran character actor Peter Stormare (“Fargo”), cast as the colorful villain, supplies some darkly comic moments. So does Oscar nominee Eric Roberts, an actor who increasingly lends his talents to indie films. Roberts' 2025 IMDb page features a whopping 27 film credits for 2025 ... and counting. The films mostly hail from indie filmmakers who could use the boost Roberts provides.

“He’s very easy, professional, and fast,” Njie said of working with Roberts.

Dark humor

The dark humor in "Stand Your Ground" extends to an unlikely homage to 1990’s “Home Alone.” Jack attempts to keep some home intruders at bay with his diabolical, and deadly, traps.

That no-nonsense approach appealed to Njie.

“I really believe that audiences want to see this. It’s almost like we forgot that part of film history, the '80s and the '90s. ... Suddenly, it just got washed out. I’m trying to make these kind of films that are more straight-on action. It’s a classic revenge story,” he said.

“Stand Your Ground” doesn’t hail from a major studio, but Njie embraced the indie production’s roots.

“With limitations, you become more creative,” he said, adding that the action genre offers its own unique challenges. “Working with explosions, you never know how it goes.”

The philosopher pulverizing 'Progressive Myths'



Welcome to America, the land of systemic racism, rampant sexism, and unchecked white privilege.

This is the propaganda you have been fed for years. I am not happy about it. You're not happy about it. And Michael Huemer is certainly not happy about it.

'After you control for crime rates or rates of violence against police officers, the police are less likely to shoot blacks than whites.'

In "Progressive Myths," Huemer, a professor at the University of Colorado Boulder, takes aim at the core beliefs of modern progressive ideology, systematically dismantling them with sharp, uncompromising logic. Huemer isn’t afraid to confront the narratives that have deeply embedded themselves in our cultural and political institutions — narratives that have, for far too long, undermined free thought and intellectual honesty.

It's a bold move, especially in a time when facts are often treated as negotiable. Nuance, on the other hand, is now considered a dirty word.

Never mind the gap

The academic’s approach is rather simple: Lay out the facts, strip away the emotional overtones, and let the data do the talking. One of the first myths Huemer tackles is the gender pay gap, the idea that women earn less than men for the same work.

As Huemer tells Align, “That is false; after you control for obviously relevant variables such as occupation, hours worked, experience, and education, the pay gap disappears.”

This is the kind of claim that sends activists into overdrive — because it’s uncomfortable. It challenges the prevailing narrative that American society is an unjust, patriarchal hellscape and that women are perpetual victims of systemic sexism.

The gender pay gap, when adjusted for context, doesn’t support the melodramatic cries of inequality. In fact, it reveals a more complex picture — one in which personal decisions and yes, biology (another dirty word), play significant roles in determining salary.

Systemic nonsense

Then there’s the issue of police shootings and systemic racism — two other sacred cows Huemer is only too eager to slaughter. Relying on evidence rather than emotional accounts, the philosopher debunks this myth with precision: “After you control for crime rates or rates of violence against police officers, the police are less likely to shoot blacks than whites.”

Let that sink in for a minute.

“This,” he adds, “has been corroborated with experimental evidence in simulators, which show that police take longer to shoot black suspects than white suspects and make fewer mistakes, when all other factors are held constant.”

Progressives often depict a land where every cop is a racist eager to pull the trigger and where black Americans live in constant fear of being shot by police. But the vast majority of police interactions do not end in violence.

Yes, racism exists, but the notion that America is a racist dystopia is a gross exaggeration. For instance, 94% of Americans approve of interracial marriage — a statistic that tells a far different story than the one progressives want you to believe. If you listened to the media, you'd think there was a "white supremacist" lurking on every corner, ready to spew racial hatred. But the real America is far more integrated and tolerant than the doomsayers would have you believe.

The world is melting!

Huemer also zeros in on climate change. Unless you’ve been living under a rock on a distant planet, you’re familiar with the dire warnings — melting ice caps, rising sea levels, and apocalyptic forecasts.

As Huemer points out, “Congresswoman Alexandria Ocasio-Cortez famously claimed the world would end by 2030 if we didn’t address climate change. In 2019, 38% of Americans surveyed believed global warming was likely to literally wipe out the human race.”

Huemer is quick to debunk this hysteria, noting, “These exaggerated claims come from political activists, not the scientific community.” Rather, “Their projections of global warming’s impacts are far more measured. For example, it might increase the death rate by a quarter of a percent by mid-century, cost the world 2.5% of GDP by 2100, and cause ocean levels to rise by a couple of feet.”

Not great but certainly not the end of the world.

Pigeon politics

The problem, as Huemer sees it, is that people want to believe these myths. They feel right.

These people crave ideological certainty, even if it’s built on shaky foundations (or no foundations at all). And that’s where the real danger lies.

When people are emotionally invested in a narrative, objective findings become irrelevant. They’ll latch onto any assertion, no matter how dubious, if it supports their worldview. Media companies and activists are all too happy to provide the material, knowing full well that proof cannot compete with panic.

In the end, Huemer’s book is not just a critique of progressive myths; it's also a plea for intellectual integrity. His willingness to confront uncomfortable truths in an age of comforting lies is both refreshing and, frankly, brave.

It’s no wonder he expects some backlash. “I assume I will receive some hate mail and some personal attacks on the internet,” Huemer quips with the nonchalance of a man who’s well aware that rational debate has become a rarity in our polarized age.

He’s wise to ignore the haters. Arguing with unreasonable people, as Huemer knows, is a lot like playing chess with a pigeon. No matter how good you are, it’ll just knock over the pieces, defecate on the board, and strut around as if it's won.

Robby Starbuck on Jack Daniel's exposé: We're 'winning our country back'



Conservative filmmaker turned consumer advocate Robby Starbuck was three for three — but he wasn't about to rest on his laurels.

On Monday his social media-fueled boycott of Harley-Davidson convinced the iconic American motorcycle company to walk back various leftist initiatives, including mandatory "LBGTQ+ ally" training for employees and DEI-focused hiring policies.

That same day, he informed Align that he was already working on another big target.

The victory against Harley-Davidson followed similarly effective campaigns against Tractor Supply and John Deere.

Brands like these are so much a part of our history that we can't just let them "go woke, go broke." We owe it to ourselves to preserve them.

The woke desecration of Harley-Davidson has been especially insulting. As Blaze Media co-founder Glenn Beck puts it:

Harley is one of the brands that helped win World War II. The Harley-Davidson WLA carried American GIs to war against the Nazis. The WLA was brought back to the United States, and a new era of motorcycles was born after the veterans began chopping them up for civilians to use. The “chopper” was born.

Veterans returning from war from the 1940s through today have ridden Harleys as both a therapeutic mechanism to deal with what they saw on the battlefield and as an homage to experience the openness of American freedom. And that legacy has been taught and handed down to Harley-Davidson riders from father to son enthusiastically since 1903.

Thanks to Starbuck's efforts, that legacy has been preserved — for now.

- YouTube www.youtube.com

Shortly after Harley-Davidson's capitulation, Starbuck told Align that he and his small team were already at work on the next target.

While he declined to name the company — "We have someone in the field filming and can’t take any risk something accidentally gets out" — Starbuck promised "a powerful takedown" in the near future.

Word did get out. Less than twelve hours later, Starbuck revealed that his intended target — Jack Daniel's — had gotten wise to his plan. Incredibly, the mere threat of exposure was enough to make the company pre-emptively change its DEI-motivated policies.

— (@)

"We are winning and one by one we will bring sanity back to corporate America," posted Starbuck.

It's nothing Starbuck takes credit for personally. "We’re just a megaphone for the anger Americans have towards this divisive ideology," he said.

What started as a grassroots movement has encountered some growing pains as it expands, admits Starbuck: "To be perfectly candid, right now our biggest issue is scaling this. We have well over 1,000 whistleblowers and need to hire some trusted people to get the tips and evidence coming in. To appropriately organize the stories and put them out takes a lot of manpower hours."

Those who want to help with funding Starbuck's work holding companies accountable can subscribe to his X page (@robbystarbuck) for $5 a month.

But your time and attention can also make a difference. "Stay engaged with what we’re posting and take the five minutes to email or call the companies we expose," urged Starbuck. "That time investment is winning our country back."