Disney and Amazon Prime are both woke disasters — and it’s getting WORSE



As more classic shows receive woke makeovers, America’s once-favorite streaming services can’t seem to stop digging their own graves.

Batman is one of the latest to fall, after Amazon Prime’s new cartoon of the famous superhero features a gender-swapped version of the Penguin. The creator reportedly said the move was inspired by a drag queen and numerous musicals.

Ryan Kinel, host of “RK Outpost” on YouTube and a U.S. Navy veteran, is among those not pleased.

“Unfortunately they decided to put identity politics first and foremost,” he tells Jill Savage and Matthew Peterson of “Blaze News Tonight.” “They said, you know, ‘we were inspired by drag queens.’ It’s a penguin that’s grotesque, that’s fat, that’s ugly, but it’s a woman.”

“I don’t really understand what they thought was going to happen, but certainly they’ve been at the heavy end of some major criticism,” he adds, noting that the other female villain in the series, Harley Quinn, is no longer a white woman but a race-swapped lesbian.

“It just goes back to getting into these things that are beloved and pillaging them and bastardizing them for the sake of modern-day identity politics,” he says.

Disney has also come under fire recently for taking its woke agenda too far, with a highly criticized live-action remake of "Snow White" — as well as hiring drag queens to do children’s hair at theme parks.

“There’s still men dressed as women who are cutting little girls' and boys' hair at the park,” Peterson tells Savage and Kinel.

“Disney as a company for so long has really relied on this aspect of being family-friendly,” Kinel says. “Well, unfortunately, over the past couple years, it’s hard to say that this is a company that any family person, anyone with children, would describe as family-friendly.”


Want more from Blaze News Tonight?

To enjoy more provocative opinions, expert analysis, and breaking stories you won’t see anywhere else, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

'Real subtle': season finale of Amazon Prime show features presidential assassination plot scheduled for January 6, debuts ONE WEEK after Trump shooting



“The Boys” – a television series about rogue superheroes – is one of Amazon Prime’s most successful shows to date. However, with each season, the producers have dialed up the wokeness and all but ruined the show. Its popularity rating has dropped in tandem with the increased politicization of the characters and plot.

In her last video, Lauren tackled the show’s pro-abortion agenda. In this review, she lambastes the finale, which was destined to be a scandal due to its contents and timing.

- YouTubewww.youtube.com

To backtrack a bit, in this season of “The Boys,” the writers have made it clear from the get-go that the character of Homelander, who is the face of the entire series, is a parody of Donald Trump – the left’s version of Donald Trump, that is.

Homelander and his supporters are painted as racist, sexist, fascist, and just plain evil. It could easily be said that his character mirrored the mainstream media’s incessant cries of “Trump is Hilter!”

Interestingly enough, the finale of “The Boys” dropped on July 18, not even a week after Trump’s near-assassination. But did that stop the creators from airing the episode, which, believe it or not, centered on the plotted assassination of a president (which was scheduled for January 6) and Homelander’s plan to take over America and imprison those who don’t get on board with his agenda?

No, it did not.

The finale dropped as scheduled, but the original title of the episode – “Assassination Run” – was changed to just “Season 4 Finale.” The producers also threw in a disclaimer at the beginning of the episode that read: “Viewer discretion advised. This episode contains scenes of fictional political violence. Any similarities to recent events are completely coincidental and unintentional. Prime Video, Amazon MGM Studios, Sony Pictures Television and producers of The Boys oppose, in strongest terms, real-world violence of any kind.”

“You've just spent an entire season absolutely skewering American conservatives, and your season finale is set to air just a few days following the assassination attempt on Donald Trump, and in said finale, you also feature an attempted political assassination, this time at the hands of your Donald Trump parody character,” says Lauren, adding that she “personally would not have wanted to be on the PR team for Amazon.”

“Basically the entire message of Season 4 of ‘The Boys’ has been that conservatives are domestic terrorists; they are the real threats; they are the violent ones,” she continues.

Further, when it comes to Amazon’s disclaimer, Lauren argues that the entire reason it was necessary is because of the show’s failed attempt at satire.

“I think satire is best done when it's frankly more layered and less obvious and more thematic than just simply parodying specific individuals and specific events,” she says.

To hear more of her analysis, watch the clip above.

Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

'Midwit' writers of ‘The Boys’ just took WOKE to a new level



Amazon Prime’s “The Boys” has always been “woke,” but the latest season took the meaning of the word to an entirely new level.

“‘The Boys’ has really always been ‘woke’ since its first season,” Lauren Chen explains. “It’s only now, in its later seasons, particularly seasons three and four, that I found the wokeness is becoming really just too much.”

Chen points to one scene in particular that took it one step too far.

“There was a scene that was so stupid, so poorly written,” Chen says. The scene featured Victoria Newman, a Latina politician with super powers, and the newest character Sage, a black woman, whose entire presence in the show “is so frustrating.”

“Her entire premise is that she is the smartest person alive, but here’s the thing. That’s a problem because the writers for this show are not that smart. So, the question is, how do you portray the smartest person in the world when you are a certifiable midwit?” Chen asks.

The writers came up with a solution to this midwit condition they have by telling “the audience that she is smart, that Sage is smart, many, many times.”

In this particular scene, Newman and Sage are attending what appears to be a right-wing political gathering full of old white billionaires. The pair are scheming to get these billionaires on board with Newman as president, and Newman complains that she had “abortion mansplained” to her by a man who “refuses to be alone with any woman who’s not his wife.”

Not only is Chen disturbed by the abortion comment, the entire scheme is childish and not reflective of the “smartest person in the world.”

“Something that Sage in her infinite wisdom has concocted, but it’s like, well, obviously if you’re trying to seize political power, doesn’t it make sense to get other people who have power on board with your cause?” Chen says.

“That’s not some grandmaster strategy, that’s just literally the bare minimum you would expect to do if you are trying to do a soft coup. This is not genius-level stuff. I’ve literally seen women’s book clubs with more intricate political backstabbing and intrigue than this show,” she adds.


Amazon Prime’s most successful show has always been woke, but now, it’s insufferably woke



If you’ve ever watched “The Boys” on Amazon Prime, then you know the superheroes who make up the main cast are more like super-zeroes. They’re exceedingly violent, greedy, and power-hungry, which of course is the point, as the series is designed to satirically flip the superhero archetype on its head.

Such a unique concept has resulted in the development of quite a significant fan base.

“Since its debut, [‘The Boys’ has] consistently been one of the streaming platform's highest rated and best-performing shows,” says Lauren Chen, BlazeTV's resident film critic.

However, now that the fourth season has dropped, the show’s popularity is waning dramatically.

Could it be because the series is drowning in wokeness?

“I have been 100% aware from the get-go that obviously the people behind ‘The Boys’ are leftists,” but it was “still worth watching,” says Lauren. “Until now, that is.”

'The Boys' is INSUFFERABLY WOKE Now!|***SHOW REVIEW***youtu.be

“It’s always been woke, but in my opinion, previously, the wokeness was at least tolerable,” she says, adding that the complexity of the characters, the acting, and the strong dialogue made the show worth watching.

Further, “what made the show watchable, despite its wokeness, was that in previous seasons, the writers clearly weren't afraid of taking shots at their own side,” Lauren explains.

However, that all ended with the debut of season 4, which hasn’t even dropped all its episodes yet.

Take a look at the face of the series — Homelander, played by Anthony Starr. Once a complex character who was power-hungry and corrupt yet insecure and traumatized has been simplified in the fourth season into nothing more than “a parody of superhero, fascist Donald Trump.”

Additionally, “[Homelander’s] followers, his supporters or ‘home teamers’” (perhaps a play on Trumpers?) “are also just evil, racist, fascist, sexist, conspiracy theorists.”

“Seriously, the first three episodes of season 4 … [paint] Homelander’s supporters — these ‘home teamers’ — as these Alex Jones-watching, Jew-hating, literal loser conspiracy theorists who are just waiting for any reason to attack or get violent with their fellow Americans,” sighs Lauren.

Then “Starlight, who used to be an actual character with personality, has now just become a stand-in puppet for, I guess, the Democrats or feminists, who is just like, ‘I'm pro-good things; I hate the bad guy,’” she mocks.

Similarly, her followers — “starlighters” — represent “the good guys” because they’re anti-racism and anti-corporate corruption, but pro-feminism.

In scenes when the home teamers are pitted against the starlighters, the starlighters are painted as non-violent “angels,” whereas Homelander’s supporters are portrayed as “violent” and “evil.”

The message is crystal clear. Red=bad, blue=good.

If you don’t believe Lauren, then just look at the IMDB audience scores.

In season one, the audience gave the show a score of 90%, season two scored 83%, season three fell to 75%, and now season four is sitting at an abysmal 52%.

Perhaps people are getting sick of progressive agendas being shoved down their throats when all they want is just some good, old-fashioned entertainment.

To hear more of Lauren’s analysis, watch the clip above.

Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

'People are being coddled': Trigger warnings increasingly embraced by Hollywood even as they spoil plotlines



Despite trigger warnings increasingly spoiling the stories of shows and movies, entertainment and streaming companies only seem to be widening the net of themes that require advanced warning.

The industry seemingly reached maximum parody with the latest trigger warning for 1990 crime classic "Goodfellas." The message warned viewers that there were Italian mobsters in a movie about the Italian mob.

"This film includes language and/or cultural stereotypes that are inconsistent with today's standards of inclusion and tolerance and may offend some viewers," the message read.

Warnings about stereotypes or offensive material are ever-present, but notifications about trauma-related triggers for TV shows have become even more detrimental to the user experience. In effort to prevent a sensitive viewer from experiencing any form of slight discomfort, trauma warnings have actually ruined the plots of many episodes.

As Variety reported, Netflix's "Baby Reindeer" gave away that a sexual assault scene was coming with a warning that read "the following episode contains depictions of sexual violence which some viewers may find troubling."

For viewers of a popular series, it's fairly easy to predict what the content warning is referring to when it can easily be connected to a character's story arc.

An international streaming service called Stan foreshadowed a suicide in "Better Call Saul" with a hotline number. Apple TV+ did so similarly by warning viewers about "a depiction of self-harm" in the show "Severance."

'When you give a trigger warning you're validating a person's feelings about getting offended.'

Suicide and sexual assault are the top reasons for applying warnings before content, but even if it comes at cost of the plot, many industry members just don't care.

John Whipple, founder of "Does the Dog Die" said that he doesn't care if he ruins movies. "I Spoil Movies and I’m Proud of it" the latest article on his website read.

Whipple said his data makes it obvious that there is an unmet need for very specific content warnings for all forms of entertainment.

Colleen Clemens, the director of women’s, gender, and sexuality studies at Pennsylvania’s Kutztown University, told Variety that while trauma and discomfort have started to become "conflated," she still supports trigger warnings.

"I appreciate a TV show that says at the beginning that it depicts sexual violence," she told the outlet. "That's great, thank you for telling me. I can now make a decision if I feel like I could watch that right now."

Clemens even wrote a piece in defense of trigger warnings for the Southern Poverty Law Center in 2016.

She described trigger warnings as a way to avoid memories of trauma. She even noted that she has given verbal trigger warnings when teaching at a high school, and even to adults in a university setting.

"I do not see the act as coddling. Rather, I see it as an act of nurturing," Clemens said.

Stand-up comedian Leonarda Jonie sees it quite differently.

'Now trigger warnings are broadened to include nonsensical gender identification, safe spaces, and even warnings of 'trans-misogyny.'

"The whole reason for trigger warnings is because people are being coddled. They're told that they're not responsible for their own feelings, that it's someone else's fault."

"When you give a trigger warning you're validating a person's feelings about getting offended," Jonie continued. "It's telling them they should be offended and it fuels their self-righteous attitude."

No type of content seems to be safe from such warnings, which in many cases, have turned into a way for activists to voice their own political opinions before a viewer/user has the chance to consume the content.

In early April 2024, it was revealed that a board game based on the "Tomb Raider" video game contained a scathing review of the game's main character. The game described it's own lore as "colonialist" and condemned the title character for being a person who steals from tombs.

Melissa Carter, showrunner for both TV shows "The Cleaning Lady" and "Queen Sugar," said she felt trigger warnings act as an "extra guardrail" for young viewers.

"A [trigger warning] could at least prepare them for something that's personally upsetting to them," she said.

Commentator Lewis Brackpool believes that is no longer the truth.

"Trigger-warnings used to be about warning parents and viewers of any graphic imagery with regards to distressing content. Now trigger warnings are broadened to include nonsensical gender identification, safe spaces, and even warnings of 'trans-misogyny,' which is an oxymoron within itself," Brackpool explained.

"I’d advocate to go back to the 1990s trigger warnings to which it served a solid purpose."

With numerous Disney classics and even James Bond movies receiving trigger warnings as of late, industry insiders continue to state that the warnings are here to stay. Streaming services have seemingly decided that avoidance of discomfort or potential trauma trumps the overall user experience.

There may be somewhat of a compromise available, however. An example being the CBS show "Ghosts," which posted a warning on its Facebook page while still attempting to be mindful of spoilers.

"Tonight's episode deals with sensitive subject matter. … We won't go into detail as not to spoil the episode, but we will share support resources."

Like Blaze News? Bypass the censors, sign up for our newsletters, and get stories like this direct to your inbox. Sign up here!

Lara Croft goes woke; no longer a ‘raider of tombs’ to ‘escape colonial past’



Phoebe Waller-Bridge has officially taken on the role of director for the Lara Croft TV series, and Amazon has announced that the show has been greenlit — but fans are not happy.

Waller-Bridge recently starred alongside Harrison Ford in "Indiana Jones and the Dial of Destiny," where she played a very feminist character who berated Ford at every turn.

“So, is this Amazon iteration of Lara Croft going to be more of the same? Just an obnoxious girl boss who only exists to undercut her male colleagues and costars? We’ll see,” Lauren Chen says, calling her Indiana Jones film “a pretty spectacular failure.”

Lara Croft’s Tomb Raider video games have also faced criticism from fans across the globe who believe that each time a new version of the game comes out, Croft gets less attractive.

“To those of you who are Tomb Raider fans and are thinking, ‘You know what? Doesn’t matter, I’m just going to ignore the series and play the games because at least those will continue to be good.’ Well, I mean, I wouldn’t be so sure,” Chen says.

“As people have pointed out, it seems like there is actually an effort being made to make Lara Croft uglier and uglier, because of course due to feminism, as women now we are supposed to be offended by attractive women for some reason.”

Not only have video games across the board been catering more to woke ideology, but Croft especially has formerly represented the “pinnacle” of female attractiveness in video games.

“As we saw with gamer gate and more recently the whole Sweet Baby Inc. debacle, the gaming industry is by no means safe from wokeness either,” Chen says.

And it’s not just Croft’s attractiveness that’s been under attack but also her character.

The game Tomb Raider: Shadows of Truth gained negative attention as creators claimed they were transitioning Croft from “a raider of tombs to a seeker of truth” in order to escape the game's “colonial past.”

“I’m not even kidding, this is a real thing,” Chen says.


Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

‘Blue Angels’ Film Shows Pilot’s-Eye View Of Daring Military Feats

[rebelmouse-proxy-image https://thefederalist.com/wp-content/uploads/2024/05/Screenshot-2024-05-28-at-3.30.10 PM-1200x675.png crop_info="%7B%22image%22%3A%20%22https%3A//thefederalist.com/wp-content/uploads/2024/05/Screenshot-2024-05-28-at-3.30.10%5Cu202fPM-1200x675.png%22%7D" expand=1]'What these pilots do, it's real. There are no second chances. It is truly a life and death demonstration.'

Sports Leagues Squeeze Fans Dry Trying To Make A Buck Across Streaming Services

Sports leagues like the NFL and NASCAR are exhausting fans and draining their wallets as they spread out across streaming platforms.

'Reacher’ star gets DESTROYED after attacking police!



If you’re a fan of the hit Amazon Prime series “Reacher,” you’re in for a bit of a disappointment.

Alan Ritchson, who plays Jack Reacher, has been using social media to attack every conservative group he can get his hands on, including Christian groups — despite claiming to be a Christian himself.

Lauren Chen, who is a fan of the show, isn’t pleased.

“Ritchson’s behavior on social media kind of gives me pause,” Chen says. “People are allowed to have whatever political opinions they want, that doesn’t mean that I’m gonna’ boycott their shows or their products, because I’m just not that type of person.”

“The thing with Ritchson, though, is that he takes his political and social beliefs a step further and he doesn’t seem happy to just state what he believes in. He is very vocal about who and what he is actively against,” she continues.

In a recent interview, Ritchson brought his commentary to new heights while discussing his Christian faith. He explained that it’s hard to discuss Christian faith in Hollywood without being labeled as “one of those hateful Christians” or a “bigot.”

“Christians today have become the most vitriolic tribe,” Ritchson continued, adding, “Trump is a rapist and a con man and yet, the entire Christian church seems to treat him like he’s their poster child and it’s unreal.”

But that’s not all.

When Elon Musk took over Twitter, now known as X, Ritchson disapproved of Elon as a “free speech absolutist” so much that he not only deleted his account but posted a long video to social media encouraging others to do the same. He used an analogy that made no sense to make his point, which leaves Chen with one suggestion for the actor.

“I believe in free speech, but, like, I also believe you should probably act in your own interest and not let everybody know you’re a complete idiot,” she offers.


Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.