Netflix buys Warner Bros. and HBO — here's what it'll control



Netflix announced a massive deal to acquire Warner Bros. Discovery Inc., a company that controls huge entities like HBO and CNN.

Which networks Netflix will control, however, is a bit complicated.

Warner Bros. put itself up for sale last month, and as Blaze News reported, was simultaneously being eyed for acquisition by Amazon.

'Our mission has always been to entertain the world.'

Netflix has seemingly won the battle though, with a cash and stock transaction valued at $27.75 per share for Warner Bros. Discovery, totaling approximately $82.7 billion, which equates to an equity value of $72 billion after debt, according to CNN and Netflix.

The deal is expected to close in Q3 2026, which will give WBD a chance to conclude the separation of its company, which has huge implications in terms of which channels Netflix takes control of.

Split decision

In June 2025, WBD decided to split itself into two companies, WBD Global Networks and WBD Streaming & Studios. The split is expected to take effect in summer 2026, after which Netflix will take over the Streaming & Studios company.

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NEW YORK - JUNE 10, 2007: Actor Ray Abruzzo attends an HBO screening of the series finale of 'The Sopranos.' (Photo by Evan Agostini/Getty Images)

This means Netflix will gain Warner Bros Pictures/Television/Games, HBO, streaming service HBO Max, TNT Sports (international), and studio New Line Cinema.

The acquisition also comes with the rights to some of the most highly sought after shows around, such as "Friends," "Game of Thrones," "The Sopranos," "The Big Bang Theory," and those in the DC Comic Universe. As well movies like the "Harry Potter" franchise will move to Netflix.

CNN not included

There were questions as to what it would mean for CNN should WBD be acquired by a different platform, but the news network will fall under WBD Global Networks and not move to Netflix.

The same goes for networks like HGTV, Discovery, TBS, the Cartoon Network, TNT Sports (U.S.), along with the rights to the NHL, NCAA, and Olympics in terms of sports.

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Photo Illustration by Thomas Fuller/SOPA Images/LightRocket via Getty Images

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Ted Sarandos, co-CEO of Netflix said, "Our mission has always been to entertain the world."

He added that the combination of Warner Bros.' library and Netflix's catalogue will "give audiences more of what they love and help define the next century of storytelling."

Greg Peters, the other co-CEO of Netflix, said the acquisition will "accelerate" their business for decides.

"With our global reach and proven business model, we can introduce a broader audience to the worlds they create — giving our members more options, attracting more fans to our best-in-class streaming service, strengthening the entire entertainment industry and creating more value for shareholders."

Warner Bros. Discovery CEO David Zaslav added that the sale to Netflix will "ensure people everywhere will continue to enjoy the world's most resonant stories for generations to come."

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Amazon now offering even faster delivery in some cities, making 2-day delivery seem like a snail's pace



With the season for Christmas shopping now in full swing, Amazon is testing out a new service for much faster deliveries.

On Monday, Amazon announced the limited launch of Amazon Now, a delivery feature promising swift deliveries in 30 minutes or less.

Amazon Now is first launching in parts of Seattle, Washington, and Philadelphia, Pennsylvania.

The announcement called the service "ultra-fast" delivery.

Amazon Now is first launching in parts of Seattle, Washington, and Philadelphia, Pennsylvania.

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Photographer: Bess Adler/Bloomberg via Getty Images

The service focuses on essential household items and groceries. Amazon's press release explains it will be using "specialized smaller facilities designed for efficient order fulfillment."

Prime members will have to pay delivery fees starting at $3.99 for an order, and non-Prime members will have to pay $13.99.

Amazon will continue to offer Prime members its usual same-day, overnight, and next-day delivery options.

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Amazon to air Yankees games as ESPN and MLB end partnership over 'unacceptable' terms



Almost two dozen New York Yankees games for the 2025 season will air exclusively on Amazon Prime.

It did not take long for Amazon to pounce on the opportunity to announce the partnership, which came just days after MLB and ESPN announced a mutual split between the two brands at the end of the season.

While the majority of Amazon Prime viewers will also need a subscription to MLB TV to see the 21 games, all games will be available to those in what is considered the Yankees' home market. This includes New York State, Connecticut, North and Central New Jersey, and Northeast Pennsylvania, according to Amazon.

Amazon Prime has continued to collect more and more broadcasting rights to live sports, including pulling in Bally Sports NBA broadcasts and streams of NHL games. The deal from 2024 signals a continuing trend toward live sports on streaming apps, as audiences have seen with Netflix successfully airing the NFL on Christmas during the past few seasons.

MLB and ESPN had announced their intention to part ways just days earlier, as the two companies opted out of their contract that was slated to run through the 2028 season.

As reported by Investopedia, ESPN wanted to lower the fees for broadcasting rights from the $550 million it had been paying on average.

League officials were allegedly displeased with the amount of coverage, or lack thereof, given to MLB across ESPN's talk shows. The league subsequently called ESPN's request for lower fees "simply unacceptable."

ESPN claimed it was simply following through on its fiduciary duties by exercising "discipline and fiscal responsibility" through the decision.

ESPN also reportedly is set to end its broadcast deal with Formula 1 racing, which has cost the network approximately $90 million per year.

The Disney-owned sports network has been in the news for its poor numbers in NBA viewership this season, dropping an apparent 18% year over year toward the end of 2024. However, ratings bumped back up by another 5% after a successful Christmas season, according to Front Office Sports.

The NHL's 4 Nations Face-Off in February also brought in record viewership, outpacing any non-Stanley Cup finals hockey game in the last five years. The game saw a whopping 4.4 million viewers on average, with a peak of 5.2 million viewers.

A 2019 playoff game between the Columbus Blue Jackets and the Boston Bruins on NBC averaged 4.5 million viewers.

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Disney and Amazon Prime are both woke disasters — and it’s getting WORSE



As more classic shows receive woke makeovers, America’s once-favorite streaming services can’t seem to stop digging their own graves.

Batman is one of the latest to fall, after Amazon Prime’s new cartoon of the famous superhero features a gender-swapped version of the Penguin. The creator reportedly said the move was inspired by a drag queen and numerous musicals.

Ryan Kinel, host of “RK Outpost” on YouTube and a U.S. Navy veteran, is among those not pleased.

“Unfortunately they decided to put identity politics first and foremost,” he tells Jill Savage and Matthew Peterson of “Blaze News Tonight.” “They said, you know, ‘we were inspired by drag queens.’ It’s a penguin that’s grotesque, that’s fat, that’s ugly, but it’s a woman.”

“I don’t really understand what they thought was going to happen, but certainly they’ve been at the heavy end of some major criticism,” he adds, noting that the other female villain in the series, Harley Quinn, is no longer a white woman but a race-swapped lesbian.

“It just goes back to getting into these things that are beloved and pillaging them and bastardizing them for the sake of modern-day identity politics,” he says.

Disney has also come under fire recently for taking its woke agenda too far, with a highly criticized live-action remake of "Snow White" — as well as hiring drag queens to do children’s hair at theme parks.

“There’s still men dressed as women who are cutting little girls' and boys' hair at the park,” Peterson tells Savage and Kinel.

“Disney as a company for so long has really relied on this aspect of being family-friendly,” Kinel says. “Well, unfortunately, over the past couple years, it’s hard to say that this is a company that any family person, anyone with children, would describe as family-friendly.”


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'Real subtle': season finale of Amazon Prime show features presidential assassination plot scheduled for January 6, debuts ONE WEEK after Trump shooting



“The Boys” – a television series about rogue superheroes – is one of Amazon Prime’s most successful shows to date. However, with each season, the producers have dialed up the wokeness and all but ruined the show. Its popularity rating has dropped in tandem with the increased politicization of the characters and plot.

In her last video, Lauren tackled the show’s pro-abortion agenda. In this review, she lambastes the finale, which was destined to be a scandal due to its contents and timing.

- YouTubewww.youtube.com

To backtrack a bit, in this season of “The Boys,” the writers have made it clear from the get-go that the character of Homelander, who is the face of the entire series, is a parody of Donald Trump – the left’s version of Donald Trump, that is.

Homelander and his supporters are painted as racist, sexist, fascist, and just plain evil. It could easily be said that his character mirrored the mainstream media’s incessant cries of “Trump is Hilter!”

Interestingly enough, the finale of “The Boys” dropped on July 18, not even a week after Trump’s near-assassination. But did that stop the creators from airing the episode, which, believe it or not, centered on the plotted assassination of a president (which was scheduled for January 6) and Homelander’s plan to take over America and imprison those who don’t get on board with his agenda?

No, it did not.

The finale dropped as scheduled, but the original title of the episode – “Assassination Run” – was changed to just “Season 4 Finale.” The producers also threw in a disclaimer at the beginning of the episode that read: “Viewer discretion advised. This episode contains scenes of fictional political violence. Any similarities to recent events are completely coincidental and unintentional. Prime Video, Amazon MGM Studios, Sony Pictures Television and producers of The Boys oppose, in strongest terms, real-world violence of any kind.”

“You've just spent an entire season absolutely skewering American conservatives, and your season finale is set to air just a few days following the assassination attempt on Donald Trump, and in said finale, you also feature an attempted political assassination, this time at the hands of your Donald Trump parody character,” says Lauren, adding that she “personally would not have wanted to be on the PR team for Amazon.”

“Basically the entire message of Season 4 of ‘The Boys’ has been that conservatives are domestic terrorists; they are the real threats; they are the violent ones,” she continues.

Further, when it comes to Amazon’s disclaimer, Lauren argues that the entire reason it was necessary is because of the show’s failed attempt at satire.

“I think satire is best done when it's frankly more layered and less obvious and more thematic than just simply parodying specific individuals and specific events,” she says.

To hear more of her analysis, watch the clip above.

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'Midwit' writers of ‘The Boys’ just took WOKE to a new level



Amazon Prime’s “The Boys” has always been “woke,” but the latest season took the meaning of the word to an entirely new level.

“‘The Boys’ has really always been ‘woke’ since its first season,” Lauren Chen explains. “It’s only now, in its later seasons, particularly seasons three and four, that I found the wokeness is becoming really just too much.”

Chen points to one scene in particular that took it one step too far.

“There was a scene that was so stupid, so poorly written,” Chen says. The scene featured Victoria Newman, a Latina politician with super powers, and the newest character Sage, a black woman, whose entire presence in the show “is so frustrating.”

“Her entire premise is that she is the smartest person alive, but here’s the thing. That’s a problem because the writers for this show are not that smart. So, the question is, how do you portray the smartest person in the world when you are a certifiable midwit?” Chen asks.

The writers came up with a solution to this midwit condition they have by telling “the audience that she is smart, that Sage is smart, many, many times.”

In this particular scene, Newman and Sage are attending what appears to be a right-wing political gathering full of old white billionaires. The pair are scheming to get these billionaires on board with Newman as president, and Newman complains that she had “abortion mansplained” to her by a man who “refuses to be alone with any woman who’s not his wife.”

Not only is Chen disturbed by the abortion comment, the entire scheme is childish and not reflective of the “smartest person in the world.”

“Something that Sage in her infinite wisdom has concocted, but it’s like, well, obviously if you’re trying to seize political power, doesn’t it make sense to get other people who have power on board with your cause?” Chen says.

“That’s not some grandmaster strategy, that’s just literally the bare minimum you would expect to do if you are trying to do a soft coup. This is not genius-level stuff. I’ve literally seen women’s book clubs with more intricate political backstabbing and intrigue than this show,” she adds.


Amazon Prime’s most successful show has always been woke, but now, it’s insufferably woke



If you’ve ever watched “The Boys” on Amazon Prime, then you know the superheroes who make up the main cast are more like super-zeroes. They’re exceedingly violent, greedy, and power-hungry, which of course is the point, as the series is designed to satirically flip the superhero archetype on its head.

Such a unique concept has resulted in the development of quite a significant fan base.

“Since its debut, [‘The Boys’ has] consistently been one of the streaming platform's highest rated and best-performing shows,” says Lauren Chen, BlazeTV's resident film critic.

However, now that the fourth season has dropped, the show’s popularity is waning dramatically.

Could it be because the series is drowning in wokeness?

“I have been 100% aware from the get-go that obviously the people behind ‘The Boys’ are leftists,” but it was “still worth watching,” says Lauren. “Until now, that is.”

'The Boys' is INSUFFERABLY WOKE Now!|***SHOW REVIEW***youtu.be

“It’s always been woke, but in my opinion, previously, the wokeness was at least tolerable,” she says, adding that the complexity of the characters, the acting, and the strong dialogue made the show worth watching.

Further, “what made the show watchable, despite its wokeness, was that in previous seasons, the writers clearly weren't afraid of taking shots at their own side,” Lauren explains.

However, that all ended with the debut of season 4, which hasn’t even dropped all its episodes yet.

Take a look at the face of the series — Homelander, played by Anthony Starr. Once a complex character who was power-hungry and corrupt yet insecure and traumatized has been simplified in the fourth season into nothing more than “a parody of superhero, fascist Donald Trump.”

Additionally, “[Homelander’s] followers, his supporters or ‘home teamers’” (perhaps a play on Trumpers?) “are also just evil, racist, fascist, sexist, conspiracy theorists.”

“Seriously, the first three episodes of season 4 … [paint] Homelander’s supporters — these ‘home teamers’ — as these Alex Jones-watching, Jew-hating, literal loser conspiracy theorists who are just waiting for any reason to attack or get violent with their fellow Americans,” sighs Lauren.

Then “Starlight, who used to be an actual character with personality, has now just become a stand-in puppet for, I guess, the Democrats or feminists, who is just like, ‘I'm pro-good things; I hate the bad guy,’” she mocks.

Similarly, her followers — “starlighters” — represent “the good guys” because they’re anti-racism and anti-corporate corruption, but pro-feminism.

In scenes when the home teamers are pitted against the starlighters, the starlighters are painted as non-violent “angels,” whereas Homelander’s supporters are portrayed as “violent” and “evil.”

The message is crystal clear. Red=bad, blue=good.

If you don’t believe Lauren, then just look at the IMDB audience scores.

In season one, the audience gave the show a score of 90%, season two scored 83%, season three fell to 75%, and now season four is sitting at an abysmal 52%.

Perhaps people are getting sick of progressive agendas being shoved down their throats when all they want is just some good, old-fashioned entertainment.

To hear more of Lauren’s analysis, watch the clip above.

Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.