Stephen Jackson AFFIRMS Karmelo Anthony and DESTROYS BIG3



BIG3 opening weekend has come and gone, but not without a tense — and memorable — altercation between players Stephen Jackson and Dwight Howard.

“This is BIG3 opening weekend. No one’s going to be surprised when we hear, ‘Hey, shots fired at a BIG3 basketball game.’ No one’s going to be surprised, no one. This is the culture, the atmosphere. This is what the BIG3 is producing,” BlazeTV host Jason Whitlock says.

“A bunch of solid to good former NBA players that are in their late 30s, early 40s, that are still little babies and children who can’t play a basketball game without getting into a fight that spills into the stands,” he adds.

And Whitlock believes this attitude is not just reflected on the basketball court.


“Stephen Jackson’s 47 years old. He’s the host of the "All The Smoke" podcast. He came to increased fame because he was friends with George Floyd. Stephen Jackson loves to lean into the victimhood mentality, into the rap, anger, gangster rapper mentality. He’s not evolving,” Whitlock says.

“This is a plague, a mental plague,” he continues. “This has been going on now for 30-plus years. Affirm any and everything. Hey, Karmelo Anthony with a ‘K,’ you just stabbed another teenager, because he asked you to get up out of a seat in an area that you weren’t supposed to be in. Let’s affirm that. Let’s make up a fake narrative. Let’s all pretend, ‘Well, this kid feared for his life.’”

“He had no choice but to stab him,” he mocks. “Let’s start a GoFundMe or a GiveSendGo, and let’s send a million dollars, half-million dollars, to Karmelo Anthony and his family. Let’s affirm Karmelo Anthony’s behavior because everything has to be affirmed.”

“You can’t just affirm any and everything, and that’s what we’ve been doing in this society,” he adds.

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Jason Whitlock: Tyler Perry’s ‘Straw’ is ‘demonic’



The number-one film currently streaming on Netflix is Tyler Perry’s latest movie, called "Straw," which follows a single mother who faces “a series of painful events.”

BlazeTV host Jason Whitlock and BlazeTV contributor Shemeka Michelle didn’t love the film, but they do think it revealed something about Perry’s audience.

“Initially, I was very upset with Tyler Perry, simply because I thought, you know, his greatest fan base, which he himself has admitted is black women, I thought it would go completely over their heads,” Michelle tells Whitlock.

“Spoiler alert, for those who haven’t seen it,” she continues, “he waited until the very last minute of the movie to really show that this woman was suffering from psychosis, which is a mental disorder based on being completely detached from reality, which is what she was.”


“I got even angrier when I got online and it was proven that it completely went over women’s heads, and I kept seeing them say, ‘Oh, I am Janiah,’ who is the main character of the movie. ‘I stand with Janiah,’ you know, ‘Janiah is me, this is what single women go through every single day,’” she continues.

However, not all black single women are walking around suffering from psychosis.

“This is not what single women or single mothers go through every day,” Michelle says. “And then I had to say it’s not Tyler Perry’s fault that his main group of supporters are intellectual midgets.”

“I’m just trying to figure out where to stand with Tyler, because I thought he just could have done a better job, but I think it exposes the psychosis in black women, the detachment from reality, the hallucinations, the bad behavior, because so many of them were just applauding this,” she adds.

After watching the film, Whitlock had a similar realization.

“Corporate media, the movies, Netflix: They’re all just dumping poison. You’re a victim no matter what you do, no matter how crazy you are, no matter how violent you are, you’re only doing it because this system is racist and because you’ve been mistreated,” Whitlock says.

“And this is where you and I disagree,” he tells Michelle. “Tyler Perry is the source of a lot of the delusion that black women have. His movies are there to create delusion among black women, to create a false reality.”

“His movies are demonic, and his movies are there to make black women think they can do no wrong, they’re a victim of everything, the world is against them,” he adds.

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Rosa Parks underwear, pimps, and bad haircuts: The TOP Met Gala looks that went TERRIBLY wrong



The Met Gala is a time for celebrities to socialize and dress to the nines, and this year, Dave Landau of “Normal World” and Stu Burguiere of “Stu Does America” found the looks interesting — to say the least.

“If you look at the people, they’re all pimps. Like 80% of them are dressed as pimps to celebrate black culture,” Landau jokes.

One Met Gala goer, Lisa, who starred in HBO’s “The White Lotus,” has been slammed by critics for wearing what appeared to be underwear with Rosa Parks’ face on them. Her lace briefs were stitched with a collage of women designed by artist Henry Taylor — and fans were convinced they saw the Civil Rights icon’s face on them.


“One thing I will note, and this is another tradition here in the United States, um, pants. You could theoretically wear pants, and even if you had Rosa Parks underwear, we wouldn’t know. That’s just a tip for anyone coming in,” Stu says.

“If you look very closely, you can see little faces of people. Now, I don’t know for sure if it’s Rosa Parks,” he adds.

A representative for the artist who designed the panties explained to the press that the image was not of Rosa Parks “but one of Henry’s neighbors.”

“That’s what happens when you don’t wear pants,” Stu jokes.

Pamela Anderson has also been the subject of criticism after appearing on the red carpet with a “bold new hairdo.”

“The most glamorous night of your life, I suppose it’s an interesting haircut,” Stu comments.

“I would say it’s kind of a Rocky Dennis haircut, maybe a special needs bowl cut, and that’s not against anybody who has special needs,” Landau chimes in, adding, “It’s the Jim Carrey Lloyd Christmas haircut.”

“I don’t understand why all fashion is like this,” he continues, adding, “It all feels like a prank. Like, this feels like a prank.”

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The release of Karmelo Anthony-Austin Metcalf video will end in chaos



After the fatal stabbing of Austin Metcalf, Dominique Alexander of the Next Generation Action Network has said in a press conference that there is video evidence of the murder — and Jason Whitlock of “Fearless” is bracing himself for the aftermath.

And why is he bracing himself? Because he believes that the victim narrative being painted of suspect Karmelo Anthony — which has resulted in hundreds of thousands raised for him via GiveSendGo — is about to blow up in every one of his supporters' faces.

“Karmelo Anthony’s parents, the way he’s framed his entire press conference, were frustrated about the lack of communication they were getting from police,” Whitlock says, noting that what he believes is happening now, with the potential addition of video evidence, is that “this self-defense deal that y’all talking about is not backed up by video evidence.”


“So when he hears that, and the family hears that, they go into backpedal mode. ‘Hey get out there and tell people we’re being harassed, our lives are in jeopardy, we need more police protection,’” Whitlock predicts.

“Look at what Dominique Alexander did. He went out and told you guys this was bad information,” he continues. “There’s a backpedal going on, and the reason they’re backpedaling, and this is what has me concerned, is that this video is going to be so bad, so grotesque, so unfair, and is going to paint the people that have been running around trying to defend Karmelo Anthony in such a bad light.”

“They’re afraid that this [alleged] Karmelo Anthony stabbing of Austin Metcalf is going to make white people say, ‘Never again, you idiots that defended him,’” he adds.

And if the video is as horrific as Whitlock predicts, the violent reaction to the death of George Floyd will only make the case stronger against Anthony.

“White people are going to have their line that they draw on the sand, their never-forget moment,” he says. “They won’t be thinking about a 45-year-old career criminal filled up on enough fentanyl to kill 12 horses. They’re going to be thinking about a 17-year-old with a bright future, a committed Christian, a 3.97 grade point average, a Division I college football recruit, who had his life cut short because some black kid has no emotional control.”

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Whitlock: ‘Black pride’ TURNED Karmelo Anthony into George Floyd 2.0



On April 2, 2025, during a high school track meet in Frisco, Texas, a confrontation between two 17-year-old students, Karmelo Anthony from Centennial High School and Austin Metcalf from Memorial High School, turned deadly.

Anthony, who was sitting in the Memorial tent instead of his own team’s tent, was asked to leave by Metcalf. According to reports, Anthony refused and taunted Metcalf, saying, “Touch me and see what happens.” Metcalf then tried to physically remove Anthony from the tent, which resulted in Anthony pulling a knife out of his bag and stabbing him in the chest. Metcalf was rushed to the hospital but succumbed to his injuries.

The horrific incident has sparked national outrage — with many arguing that Anthony acted out of self-defense. The “Help Karmelo Official Fund” has already raised over $200,000.

Jason Whitlock says, “This is a cut-and-dry case.”

“Two high school kids had a verbal dispute, and one kid stabbed another kid in the heart. This is murder, and this isn't controversial.”

All this support for Karmelo, he argues, is the same toxic “black pride” that fueled the George Floyd riots.

“Karmelo Anthony's defense team and these nongovernment organizations that seem dedicated to driving racial division — they're pumping out information over social media that is clouding up a cut-and-dry case, and it is trying to draw a lot of sympathy and change the narrative on what transpired,” says Jason.

The majority of the support Anthony is receiving is “not organic,” he says. It’s “bought and paid for by the defense team.”

“People are being paid; key influencers are being paid to pump out speculative, inaccurate information intended to change the narrative around this,” he explains.

All of a sudden, the narrative that “Austin Metcalf was bullying Karmelo Anthony” and that “Karmelo Anthony was just standing his ground” is actively working to replace the truth, which is that “a kid responded to what he perceived as disrespect with violence.”

Anthony’s disproportionate aggression, Jason argues, is typical in the black community.

“This is how young black kids treat each other in their own all-black communities. If they sense and see any disrespect, they respond hyper-aggressively and often violently,” he says.

The justification of such violence is a consequence of “racial idolatry."

“When you take pride in your race, now you start defending it no matter what, and that's how you end up with heroes and statues of George Floyd. That's how you end up with a GoFundMe for Karmelo Anthony,” says Jason.

To hear more of his analysis on the case, watch the clip above.

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Did 'demonic' black diss culture inspire Austin Metcalf’s killer?



While overwhelmingly liberal platforms like Netflix are focused on wrongfully assigning a culture of violence to white people — as demonstrated in its latest miniseries “Adolescence” — Jason Whitlock of “Fearless” is calling out what he sees as the real culture of violence.

“This demonic culture, this secular culture that no one wants to talk about,” Whitlock begins. “Young black men, young black girls, older black people, are suffering from diss culture, and they’re emotional, and they’re out of control, and they think they’re justified in being disrespectful, rude, and occasionally violent.”

“And that’s what took the life of Austin Metcalf,” he continues.

The high school football star was attending a track and field championship between other area schools at Kuykendall Stadium in Frisco, Texas, when he told 17-year-old Karmelo Anthony he was sitting in the wrong seat and asked him to move.


Instead of moving, Anthony then allegedly drew a knife and stabbed Metcalf through the heart. Metcalf’s twin brother rushed to his side, but it was too late. Austin died in his brother’s arms — over a seat.

“The 17-year-old in Texas reached the conclusion, apparently, that he had been disrespected while sitting in the stands at a track meet, and he responded by stabbing Austin Metcalf,” Whitlock says.

“This isn’t a one-off, because the same thing that happened to Austin Metcalf is happening to young black men all across this country. They’re dying because of this culture. They’re being shot and stabbed and beat up and brutalized by other young black men who subscribe to this culture,” he continues.

And a large part of this culture is being driven by hip-hop artists that define “everything in the starkest” and “most nihilistic terms.”

“This prison culture, that’s celebrated, and no one wants to speak out about because of idolatry,” Whitlock explains. “Black ministers won’t touch it because of idolatry. We all want to stay in the good graces of Snoop Dogg and Jay-Z and Kendrick Lamar. We don’t want the heat.”

“We’ve sat and watched our young boys be radicalized by this culture. They’re rotting away in prisons, we’re burying them at a record pace, but no one wants to talk about it because what you want to talk about is white racism, and ‘Oh, what the white man has done to us,’” he continues.

“You have been hoodwinked and fooled into believing that the white evangelical man is your enemy and the source of all your problems,” he adds.

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Stephen A. Smith-LeBron James BEEF promotes the dark side of ‘black culture’



ESPN host and apparent presidential hopeful Stephen A. Smith has been beefing with LeBron James, and Jason Whitlock can’t help but feel like it’s all a little “gay” — especially considering that Smith’s public comments on the matter have been laced with uncalled-for profanity.

“There’s no one sitting back saying, ‘Hey man, let’s handle this like a chess game. Let’s use logic. Women are controlled by emotion; we’re men. We’re going to play a game of chess.’ There’s no one saying that,” Whitlock says.

“Stephen A. Smith barely weighs 160 pounds and he’s trying to act like he’s some tough guy,” he continues. “Cut it out.”

And Smith’s history doesn’t help.


“Stephen A. Smith is possibly the biggest fraud they’ve ever seen in the sports world. They know he lied about a college basketball career, they know he’s a pathological liar, but they all sat there,” Whitlock says, “and acted like they were listening to someone who had figured out how to cure cancer.”

“No one with any type of biblical worldview, no one with any type of, ‘Hey, I’ve got larger responsibilities to my kids, to my wife or baby-mama, to my mother, parents, father, family, to God, my employer,’ no one is injecting any of that into the conversation,” he continues.

Whitlock notes that while young people are watching Smith and taking their cues from him, it’s only going to “lead them into a mindset and a way of carrying themselves that will get them into further and further trouble.”

“Just remember, all of these guys, they’re all pro-black. They’re the people that are out trying to save black people; they’re keeping it real for the culture,” he continues.

“Well, what is the culture? The culture is death, and that’s what they’re keeping it real for. They will help you follow and adhere to the death culture, where black people shoot and kill each other and have constant conflict,” he adds.

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Whitlock: Viral high school track assault EXPOSES black secular culture



Last week, during Virginia’s indoor track and field state championships, Alaila Everett, a relay runner from Portsmouth, reportedly gave her competitor, Kaelen Tucker of Lynchburg, a concussion when she hit her in the back of the head with a baton mid-race. The blow was enough for Tucker to fall off the track and out of the race entirely.

Everett, in a tearful interview with WSET-TV, claimed the incident was an accident. “I can admit from the video, it does look purposeful, but I know my intentions, and I would never hit somebody on purpose,” she sobbed.

Her relay team was nonetheless disqualified for "contact interference.”

Now she’s claiming to be the victim.

Jason Whitlock dives into the scandal.

“It’s hard to watch,” Jason says of the video capturing the incident.

“That's someone that doesn't want to take accountability for what she did.”

Everett, he says, was probably not raised in a Christian household where she was taught about her sin nature. Her claims that it was an accident when the tape clearly shows intention is evidence of this.

“The reason why I don't engage in that sort of behavior is because I know I'm capable of it,” Jason says, “and so there has to be a realization that ‘hey, I'm fallen, and my nature is sinful, and without submitting to Jesus Christ, a Lord and Savior, my nature will get the best of me, and I will do things that repulse me, repulse others.”

“There is a penalty for walking away from biblical values and creating a secular culture,” he explains.

“There's a demographic of black Americans that think they're following Jesus Christ, and they're not. They're following feminism; they're following their feelings, and so there is a reason why these types of videos keep popping up,” he adds, noting that he feels called to speak on this, as he’s part of the black community.

“If she were in her right mind, discipled by parents who have submitted themselves to Jesus Christ, they would have demanded that their daughter go on TV and say, ‘Holy cow, I lost control of myself; I'm so sorry; what can I do to make retribution?”’

To hear more of his commentary, watch the clip above.

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Serena Williams and ‘The View' DEFINE ‘crip walking’ as black culture



When Serena Williams won the gold medal during the 2012 Olympics, the tennis star celebrated with the crip walk — a dance move that was popularized by California gangsters.

Thirteen years later, Williams took the stage during the Super Bowl halftime show alongside rapper Kendrick Lama and performed the crip walk again. While Jason Whitlock of “Fearless” is far from amused by the display, the hosts of "The View" are lauding the performance as a celebration of “black culture.”

“When she did the same crip walk after she beat Sharapova in the 2012 Olympics, she did that walk then, and it was on Wimbledon grass, and everyone said that it was disrespectful,” Sunny Hostin began.

“What she was doing was being her authentic self, an homage to her roots from Compton, and it was black joy and black excellence. You’ve got the greatest female athlete of all time coming out and enjoying it,” Hostin continued, adding, “This was about Serena being her authentic self and being the essence of black culture.”


“I don't know Sunny Hostin’s background, it’s probably similar to Serena in terms of probably a disconnect from the hood culture that she’s trying to attach herself to,” Whitlock says.

When Whitlock initially saw the clip from "The View," he was “stunned” that everyone “seemed to be in agreement” that crip walking was representative of black culture.

“Can they honestly believe this? Or is this just what they have to say to survive on television?” he asks guest Delano Squires.

“I think it depends on who you ask and in what context you ask it. I’ll say it this way. When a black artist is winning awards, let’s say Beyonce winning a Grammy for her country album or a black athlete is winning an award or a Super Bowl or whatever the case may be, then I think black folks are like, ‘Yes, this is for the culture, this is a win,'” Squires tells Whitlock.

“But when a hip-hop artist is being criticized for the content that they put out there, for the guns, the murder, the ops, the drugs, the degradation and disrespect for women, then that same person will say, ‘Oh no, that’s not black culture, that’s hip-hop, that’s that particular individual,'” he continues.

“I think that dichotomy lives in almost all of us and certainly in the people who are talking heads and have the platforms on TV and mainstream media,” he adds.

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Feminism over loyalty and tradition: Michelle Obama’s message to black America



Michelle Obama appears to have decided it would be best not to attend Donald Trump’s inauguration or participate in Jimmy Carter’s funeral.

Jason Whitlock of “Fearless” believes it’s more than just a personal decision; it's a message to black American women.

“It’s a message,” Whitlock says, “to the rest of women, black women in particular, that this is the idea. Expectations, protocols, traditions mean nothing. You establish new protocol, new traditions, new expectations. Out with the old, in with the new.”

“It’s a recipe for the kind of destruction and chaos that I think I see throughout all of America, but particularly in black America,” he adds.

Shemeka Michelle is in full agreement.


“I think they’re sending this message because black women have bought into feminism hook, line, and sinker. And we are too stupid to look around and see that it hasn’t really worked out in our best interest,” Michelle says.

“Not only are more black women single, they are single mothers. Our kids have gone astray, and we don’t see the real effects that it’s had,” she continues, adding, “black women and black men alike will applaud Michelle Obama for standing 10 toes down and not going to the inauguration.”

“That’s how little the black man is respected, that it’s okay to hate Trump more than you put on a united front with your husband, more than you show that you are submissive and following your husband,” she adds.

This is why Michelle and so many others have so much respect for Melania Trump.

“It appears that if he says, ‘Jump,’ she says, ‘How high?’ When he moved, she moved, just like that,” Michelle says. “I’m sure she has gone to events that she didn’t want to be at, but she actually showed up to support her husband.”

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