There are three high bars in the modern literary trade — writing a good novel, getting it published, and selling it to the public.

I’ve cleared the first two with my new political-thriller mystery, “The Camelot Trail,” which comes out November 17. Now I have to clear the third.

I committed another contemporary heresy in 'Paper Tigers': I gave the character I politically disagree with dignity and wit.

That last bar used to be lower once you cleared the first two. Publishers, even smaller ones, had a built-in promotional pipeline. They would set up radio interviews and nationwide book signings and send review galleys to genre-specific media like Analog for science fiction, Ellery Queen’s Mystery Magazine for mysteries, and Romantic Times for, yes, romance novels.

But that was the 20th century, when reading was still commonplace and before the internet atomized audiences. The publishing business has changed in other ways too.

Heroes wanted

At the turn of the millennium, "Harry Potter" triggered a reading boom among young and old alike. J.K. Rowling established her fantasy universe with a strong male lead, and boys showed up in force. A 2006 Scholastic study found that 57% of boys ages 5 to 17 had read "Harry Potter," compared with 51% of girls.

The best-seller lists of the 2000s were also thick with male-driven thrillers and mysteries from Lee Child, Dan Brown, Vince Flynn, John Grisham, Harlan Coben, and others. Their readership was hardly confined to men. Men and traditional women still appreciate alpha males.

Yet over the next decade, publishing and Hollywood increasingly came to regard the traditional male hero as something requiring correction.

I noted the latter tendency eight years ago in my first article for the American Spectator. Marking the 10th anniversary of the action-thriller hit “Taken,” I wrote that a film about a heroic white father rescuing his kidnapped daughter from Albanian sex traffickers would never be greenlit in 2018. Radical feminists would reject the original story as patriarchal toxic masculinity.

Their “Taken” remake, I joked, would depict the father as a cretin while the minority-race mother kicks white male ass to save their mixed-race gay son from a white-supremacist Christian cult. Whether the resulting movie would be laughed off the screen would matter less than the message.

Male jail

Consider Rachel Zegler explaining Disney’s new “Snow White”:

“She’s not going to be saved by the prince,” Zegler said. “And she’s not going to be dreaming about true love. She’s dreaming about becoming the leader she knows she can be.”

So get with the program, all you silly girls dreaming about true love and Prince Charming, and you useless boys with no hero to emulate or damsel to rescue.

They can still find both archetypes in books from independent publishers.

Publishing itself is overwhelmingly female. The Association of American Literary Agents’ 2023 membership survey found 82.1% of respondents identified as "cis women," versus 14% as "cis men." The organization’s DEI committee explicitly describes agents as “gatekeepers” and says part of its mission is to advance AALA as an “anti-racist organization.”

The AALA does not, of course, publish a sign reading STRAIGHT WHITE MALE HEROES NEED NOT APPLY. But if you are a straight white male writing novels about masculine heroes and sexy women, you can draw your own conclusions.

I did.

Heretic's tale

I’ve written five books, including what I immodestly consider a Great American Novel, “Paper Tigers.” It’s about two copy aides at the Washington Post who discover that chemistry trumps ideology. My Christmas romantic fantasy, “The Christmas Spirit,” has become a Yuletide perennial among some readers.

So why haven’t you heard of either book?

Because they were put out by small independent publishers willing to offer readers things the majors increasingly seem embarrassed by — in my case, romantic tough guys and beautiful feminine women who appreciate the opposite sex.

By 2020, I had little expectation that those once-unremarkable elements would win me a top agent, let alone a mainstream publisher. And I committed another contemporary heresy in “Paper Tigers”: I gave the character I politically disagree with dignity and wit.

That’s rather important in a romantic comedy. It may also help explain why Hollywood has largely abandoned the kind of romantic comedy in which men and women are permitted to like one another.

The trade-off with boutique publishers is promotion. They simply don’t have the budgets and machinery of the majors.

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Lou Aguilar

The thrill is gone

Which brings me back to “The Camelot Trail.”

It is book two of my political-thriller mystery series featuring young Washington private detectives Mark Tristan and Neil Cork. In “The Washington Trail,” they tackle what begins as the simple case of a beautiful UNC co-ed dumped by her D.C.-based fiancé. The intrigue escalates into a deadly political conspiracy.

A political thriller has to be timely.

“The Washington Trail” came out in August 2024, and the story takes place in February of that year. But I wrote it in 2023, when Donald Trump had what appeared to be a likelier future as a prisoner than as president. I had to anticipate the political situation a year ahead, knowing that a single contrary development could derail months of work.

I submitted the manuscript that October. Aethon Books accepted it and offered me a contract for two more novels in the series.

By the time “The Washington Trail” appeared the following summer, its plot was still on the cutting edge.

Then real life started behaving like a political thriller.

I turned in the second book, “The Camelot Trail,” last June, in time for what I hoped would be a lucrative pre-Christmas release.

The Aethon editors balked. They apparently considered the book too political to have broad commercial appeal — which I understood to mean too politically incorrect — and gave me a choice: Soften the politics or take back full rights to the series, including de-publication of “The Washington Trail.”

Blazing a 'Trail'

I had to weigh the two options carefully.

“The Camelot Trail” follows Tristan and Cork as they bodyguard an expatriate English literature professor forced to flee Britain in fear for his life. His Excalibur Movement, urging a return to Arthurian chivalry among young men, has drawn threats from Islamists, feminists, and a British government increasingly hostile to him. He finds refuge in America, but a massive Excalibur rally planned for the National Mall once again makes him a target.

Softening the politics would have required a full rewrite, with no chance of making the Christmas season.

Finding another publisher could cost me the same window.

I chose option two.

I contacted World Castle Publishing, the publisher of “The Christmas Spirit,” which has sold well for the company every Christmas. On the strength of that book, World Castle agreed to keep “The Camelot Trail” on the original schedule and republished “The Washington Trail” this summer.

“The Camelot Trail” comes out November 17.

Now I really have to clear that third bar.