Tracking device exposes Amazon's secret plans for rare books



A dinosaur logo is at the center of controversy surrounding the whereabouts of some rare literature.

This story, involving Amazon, has taken wild cross-country turns and led to one of the most unexpected places.

'They just want the content as a bunch of words strung together.'

As AI companies have rushed to gobble up texts for digitization and model training, suspicion has mounted that companies are buying up batches of rare tomes for uses they'd rather keep under wraps.

When it comes to Amazon, the granddaddy of Big Tech book merchants, the narrative starts with one specific shipment of 1,000 books.

Described as having been printed in small batches or obscure languages, the thousand were purchased through an online marketplace called Biblio.

A journalist from 404 Media, piquing his curiosity, asked the seller to help him puzzle through what he described as an anomalous "historical spike" in book sales the past few years. According to Publishers Weekly, book sales increased in 2025 by 2.5% over 2024.

404 decided to affix one of the books with an Apple AirTag — effectively a tracking device — in order to find out who was behind the large purchase.

It worked.

The shipment went to a California airport before winging its way to Milwaukee International Airport. The same day, the AirTag showed that it went on to a warehouse belonging to Trifinity, a specialized shipping and distribution company in Kenosha, Wisconsin.

It stayed there for two weeks before traveling west by truck to Colorado. And then, the next day, it arrived at an Amazon warehouse in Las Vegas.

At Amazon Fulfillment Center LAS8, as the warehouse's location is known, Amazon is allegedly collecting, scanning, and badly damaging rare books to train its AI model, all through a team called VGT3. In vaguely military fashion, VGT3 has a patch-like logo: a tyrannosaurus rex baring its teeth over an open book.

The details on book-hungry VGT3 were previously undisclosed until recent reporting, although there have been some online breadcrumbs. On a Reddit thread under AmazonFC from last year, one person said they work at VGT3 and all they do is "scan books."

Amazon has not publicly explained VGT3's scope or operations.

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Reporting the revelations, 404 Media alleges that Amazon is buying a massive number of books, scanning them to train their AI model, and effectively destroying them in the process, cutting off the spines to make them more easily scannable.

"Some are assigned to cut books, and others go to receive where they get books and scan the bar codes," an alleged employee told 404. "We didn't have rates, but now we do, but it's not stressful."

The systematic scanning of the codes, known in the trade as ISBN numbers, further fuels speculation that the world's books are being methodically scanned by tech companies ultimately intending to consume printed material so thoroughly as to retire it from common use.

Blaze News reached out to Amazon to ask if the books are being scanned to train an AI model, if there is public information about VGT3, and if the books are indeed being destroyed.

In response, an Amazon spokesperson only told Blaze News that the company "purchases books through commercial channels to help develop and improve the products and services our customers use."

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JUSTIN TALLIS/AFP/Getty Images

The scope of the rare books were described as being prints that not many people would care about "in the same way people might care about the first edition of 'Oliver Twist.'"

"There are different types of value," said the bookseller who sent out the bulk shipment. "There's monetary value, obviously, but there are a lot of other types of value."

Without identifying the books by name, the seller claimed they offered "historical value, intellectual value, [and] sentimental value. All sorts of things, and all of those the AI companies don't care about. They just want the content as a bunch of words strung together."

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'Sensitivity readers' came for my novel 10 years ago; a new book helps explain why



In 2016, I got a call from my editor at Simon & Schuster in New York. The company was putting out a new edition of my first novel, "Girl" (1994), and redoing the cover and interior design, in preparation for its re-release.

A new edition is usually a happy occasion for a writer. If your book is still relevant after 20+ years, that’s an accomplishment.

Books have a moral authority that TV, TikTok and YouTube lack. And we all know how leftists crave moral authority.

On the phone, my editor told me that besides a new cover, the company had some young editors look at the text as well.

At first, I didn’t understand. Why would they review the text after 20 years?

She explained that these editors were recent college graduates who had studied racism, sexism, and the latest critical theory. Their job was to ensure that Simon & Schuster didn’t accidentally publish something inappropriate or hurtful to unrepresented minorities or aggrieved groups.

Sense and sensitivity

This definitely sounded unusual to me. But I wasn’t worried. "Girl" had been considered “edgy” in its time, but it had sold well and been made into a movie. It had been translated into several languages.

I assumed whatever controversy it had generated was now deemed to be within the bounds of acceptability.

So I was surprised and alarmed when she told me these new editors had some issues with "Girl."

In this way, I was introduced to the possibility that progressive activists — “sensitivity readers” — could literally edit your book.

Because "Girl" was 20 years old, I was given the option of declining any major changes. Therefore, no real damage was done.

But it was a scary omen for the future. If they were scrutinizing older books in this way, what would they do to books that hadn’t been published yet?

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10 years on

Recently, I came across a new nonfiction work that addresses this trend in publishing: "That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing."

In this compelling book, young literary scholar Adam Szetela goes into great detail about the arrival of “sensitivity readers" and the other forms of Orwellian madness that descended on the publishing industry shortly after Trump took office.

It is quite entertaining to read and gives countless examples of how ridiculous and convoluted leftist ideology has become in the book business.

During this period, writers, editors, fans, and bloggers accused each other of racism, sexism, white supremacy, homophobia, and every other imaginable transgression. Careers were destroyed, people were fired, first-time authors saw their dreams dissolve before their eyes. And this over things like, “Is a white writer allowed to describe a black character?”

It was the ultimate purity spiral. It was a circular firing squad!

The left eats itself

When I first heard about "This Book Is Dangerous," I assumed young Szetela was a conservative. Who else would write such a book?

But no: He has a Ph.D. in English literature from an Ivy League university (Cornell). Which means he’s required to be left of center.

So he’s not writing from the point of view of "look at these crazy cultural Marxists trying to destroy our culture."

No, he’s trying to reel in his leftist peers because he can see how much damage they are doing to their own (and his) cause!

It’s satisfying to read books where leftists tell on themselves, where by some fluke they stumble onto the truth, then are forced to denounce that truth, and then realize they are attacking themselves!

It’s like watching a dog chase its tail. “Hey Fido, that tail you’re biting? That’s you.”

Influencing the youth

Another thing we learn from "That Book Is Dangerous!" is how much of this cultural warfare was waged inside the young adult and children’s genres.

Surprise, surprise, it turns out that socialist/progressive/DSA types really want to control what young people are exposed to.

And one way they do that is through books. Especially books that get read to them by their parents or recommended by their teachers at school.

Books have a moral authority that TV, TikTok and YouTube lack. And we all know how leftists crave moral authority. Even when they have to denounce each other to get it.

Politicized Publishing Inc.

So yeah, I recommend "That Book Is Dangerous!" It’s a good read and a vindicating experience for anyone who has dealt with the now fully politicized publishing industry.

My own relationship with that industry quickly deteriorated in the years that followed this situation. Not that I had any say in the matter. Once Trump was elected, heterosexual white guys were mostly unwelcome in mainstream publishing.

This was the publishing industry’s petty revenge on American men for daring to vote for Trump.

As for myself, I felt lost without my mainstream writing career. But eventually I found new writing opportunities, where I feel much more at home and in sync with my colleagues.

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Want to sell your book? Vilify the Christians who raised you.



Last year, here in Portland, I went to an author event at my local bookstore. The book was called "On Fire for God: Fear, Shame, Poverty, and the Making of the Christian Right." It was a memoir by Josiah Hesse.

The event description said the memoir was about Hesse’s “bleak and difficult childhood in a small, rural Evangelical community in Iowa.”

My guess is that his literary agent or his editor understood how hungry mainstream publishers are for books that attack and slander the Christian faith.

Apparently, Hesse suffered mental anguish as a child when he was told by church elders that he was going to be tortured in hell for his sins.

Breaking with his church and family while still in his teens, he struck out on his own, eventually becoming a successful writer and journalist. Now he had written a book exposing the Christian right.

Dissing Christians

Hesse was doing a national book tour. He was traveling the country doing interviews and podcasts. He had just been featured on National Public Radio.

Needless to say, the mainstream media loved this book. A full frontal attack on the Midwestern evangelicals is always welcome in their circles. Especially if the author escaped the oppression of the church and found shelter in the safe spaces of progressive liberalism.

The book event began with Josiah Hesse making a grand entrance into the bookstore’s event area.

I didn’t know what to expect from such an author in terms of appearance, but I was definitely not expecting the rock-star shag haircut, the crisp white shirt, the shimmering black dinner jacket, or the elegant cravat around his neck.

Had this guy come here on his yacht? His face had definitely been moisturized. He looked like he could be in an ABBA tribute band.

Getting to know the author

Hesse took the stage and began his talk. He described growing up as an evangelical Christian.

As a young man, he was sensitive and imaginative and didn’t fit in. His parents, meanwhile, were loyal evangelicals. His dad believed in the “end times” and the eventual rise of the Antichrist.

In his teen years, Hesse’s feelings of alienation from his family and community got progressively worse. It didn’t help matters that he developed a taste for wearing high heels and trying on his mother’s clothes.

Small-town boy

So it turns out that Josiah was gay! Not that there’s anything wrong with that. Eventually, he did what so many young gay people do: When he was old enough, he moved to the nearest big city. In this case, Denver.

There, he scraped by, working odd jobs and picking up writing gigs. Over time, he was able to develop his talent and eventually got a literary agent and published a book called "Runner's High" at a major publishing house.

Watching him talk, he seemed like an upbeat guy. He told funny stories. He didn’t seem traumatized by his Christian upbringing. He was just gay. And now he was a successful writer who was gay.

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Joe McNally/Getty Images

Family ties

I also noticed the “breaking with his family” part of the story wasn’t quite as severe as promised. In his talk, he described returning home, hanging out with his dad, meeting up with old friends, reconnecting as best he could.

It was an interesting and relatable story.

So what happened to the evil Christian right? That’s what the book was supposed to be about. Where’s the trauma? Where’s the abuse? Where are the scars?

The Portland audience seemed restless and disappointed. Where was the evil? That’s what they came for. WE WANT OUR CHRISTIAN EVIL!

Not following the script

I haven’t read the book, so I don’t know for sure what’s in it. Hesse did quote some statistics during his talk.

These statistics seemed designed to reassure the anti-Christian audience that he was on their side. Trump is bad. Conservatives are neanderthals. Christians are brainwashed and in some cases predatory.

But I was skeptical. I didn’t believe Hesse was really this simpleminded. He was clearly an intelligent guy. He wasn’t super political. He didn’t hate his family, or his town, or his old friends.

He had moved away from his rural community, as any talented gay person would do. He found his people in Denver. And now he was writing books and living his best life.

Go where the money is

My guess is that his literary agent, or his editor, or maybe Hesse himself understood how hungry mainstream publishers are for books that attack and slander the Christian faith.

They especially love books that confirm the stereotype: “small-town Christians = bigots + racists.”

These memoirs are so popular that there’s a formula:

  • The author is abused and humiliated by the sadistic locals.
  • The author breaks free of their bigotry and finds his way to the “good people,” i.e. college-educated liberals in coastal cities.
  • There, the formerly oppressed author can flourish and be his true self: gay, or nonbinary, or furry, or poly-whatever.
  • Everyone lives happily ever after.

That’s the genre that Josiah Hesse’s "On Fire for God" supposedly belongs to. (See also "Educated" by Tara Westover, another memoir with almost the exact same storyline.)

Did Josiah strictly adhere to that formula? More or less. My main impression of the author: He looked happy. His writing career was going great. He was on a national tour. He was staying in nice hotels. He was wearing a cravat.

And I’m sure his publishers got what they wanted too. Another book that confirms that educated people, good people, moral people are uniformly against the Christian right, which is apparently an ongoing threat to our nation.

The only problem is: Whenever someone writes a book about the “dangerous Christian right,” it turns out he is just describing another small town in Iowa — usually, a town where, if you actually went there, you would find kind, decent people who, when you brought up the “Christian right,” wouldn’t even know what you were talking about.

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