Let’s Hear It For The Straight White Boys Who Saved Us From Kamala
Kamala Harris, like Hillary Clinton, represented the face of the oppressive, suffocating girl boss regime — and boys were sick of it.
“This Old House,” an American institution, has been going strong for 45 years. The series' third host, former commercial banker Kevin O’Connor, is passionate about highlighting the work of professionals in the trades. That shared goal brought him and Mike Rowe together last year for an episode of Rowe’s podcast, “The Way I Heard It,” last year.
Rowe and O’Connor traded stories about hosting and the experiences their "B-level" stardom has afforded them, including appearances on another PBS staple, "Sesame Street." They also discussed their respective charitable foundations: Generation Next, which helps form apprentices and gives them small roles on "This Old House," and Mike Rowe Works.
We need to end the DEI-driven bias against boys and young men that permeates every level of public education.
O’Connor recounted a deep history of “This Old House.” It is a must-listen for any fan of the show, especially his recollection of a 1979 helicopter shot involving Bob Villa.
342: Apple Juice and Saltines with Kevin O'Connor
342: Apple Juice and Saltines with Kevin O'Connor open.spotify.com
The most profound part of the interview came when the conversation shifted to the lack of shop classes in 21st-century high schools, leading to a discussion about how the modern education system is failing young men.
O’Connor believes the lack of male role models plays a significant role in why boys and young men are being left behind. “If you look at the evolution of schooling in America, there used to be a lot of male teachers,” he said. “I think in the ’70s, half or more than half of high school teachers were men. Today, 75% of teachers are women.”
He went on to explain why this is a concern: “That’s not necessarily a bad thing in itself, but if young men are looking for role models, it’s different when they get guidance from an older man who’s successful and can talk about things that are more masculine.”
At this point in the conversation, Rowe jumped in and asked O’Connor, “As someone with a show on PBS, and you’re still allowed to say all of this? That’s awesome.”
O’Connor joked, “No one listens to your podcast though, Mike, right? This isn’t going anywhere, is it?” He then quickly and powerfully listed what he sees as the consequences of the current status quo.
[Boys] have been put aside, downgraded. They have been damaged in terms of their reputation. And then if you look at the health of young men, I’d say it’s not great. You know, they struggle more than women. They graduate in lower numbers; they go on to college in lower numbers. They're the victims of depression and suicide and incarceration in higher numbers.
And, to me, it's like there’s gotta be some sort of a connection between those things when we’ve said traditional masculine jobs, careers are secondary, they’re no good. And then we’re surprised when young men come out of high school or college lost and confused and then we suffer the ill effects of those things. And I think shop class is just one of those things.
On these points, O’Connor is absolutely right. As a society, we are failing young men. Starting in elementary school, they are labeled as disruptive, toxic, and responsible for society’s problems, essentially made to feel worthless. Prevailing educational theories claim no difference exists between males and females, leaving young men of all races behind.
O’Connor is also right about the suicide rate among young men. The rate for those aged 15-24 jumped by more than 50% from 2001 to 2021. According to the American Foundation for Suicide Prevention, "In 2022, men died by suicide 3.85 times more than women.”
The labor force participation rate among prime working-age men (25-54) continues to decline rapidly. A Bipartisan Policy Center-Artemis survey conducted earlier this year found that 57% of men who have stopped looking for work cite physical and mental health issues as the reason.
Studies also support O’Connor’s assertion that young men graduate high school at lower rates than young women. A Brookings Institution study of the 2017-2018 rates confirmed that this holds true in every state.
What needs to be done to address this? First, we need to end the DEI-driven bias against boys and young men that permeates every level of public education. Second, we need to train teachers, who are predominantly female, on how to effectively engage with boys and young men.
O’Connor emphasized this point with a story about his son’s experience at school. He shared how a female teacher sent every boy in his son’s class to the principal’s office because she couldn’t manage them.
O’Connor later met up with the principal and said, “Listen, you got a boy problem. You know, when the solution by a teacher is just send all the boys away, then you've got somebody who doesn’t understand boys because they’re a pain in the butt, but they are who they are, and the solution can't be stick ’em in a corner or detain them or move them away.”
The future of the nation relies on strong men. It’s far past time that we demand our public education system develops them.
Last week, I wrote about the joy of dressing little girls; this one's for the boys.
The basic principles remain: If Kate Middleton wouldn’t choose it for her George, it’s probably not the best choice. That said, there’s no need to spend a fortune. It’s very easy to find classic silhouettes at affordable stores like the Children’s Place and secondhand stores like Once Upon a Child.
I think part of what makes Catherine’s decision-making so prudent is the ever-present thought of the future: These children will lead the Western world someday.
I wonder how my own decision-making about my kids (in every area) would improve if I more intentionally remembered the promise etched on my children’s hearts the day they were baptized, which is just as real: These children are future members of God’s kingdom.
They deserve to dress with beauty and dignity. Matching their socks is not the most important thing in the world, and it’s certainly not a moral issue, but it’s something I like to do. Maybe you do too.
Helen Roy
These are the male counterpart to the smocked bishop dress I mentioned for the girls. They are a lot like overalls but are usually a light, cotton fabric and smocked and embroidered across the chest.
I so enjoy picking out Jon Jons (and bishop dresses) with my kids’ favorite motifs. The girls have some with ballerinas, and my George has trucks, for example.
Another great part of these that I forgot to mention: Because they’re cotton, they wash very well! Dawn dish soap is my favorite degreaser and stain removal product. Just rub some in and let it set. Good as new, even for the most boisterous boys!
See: Pleats and Stitches, Feltman Brothers
I love calf-length or knee-length socks on boys. For boat shoes and boys’ Mary Janes, especially in the summer, they aren’t totally necessary, but I definitely don’t dress them for church, for example, without socks.
If you go for a patterned sock, make sure the rest of what he’s wearing isn’t too busy in the patterns and that the colors or motifs match.
See: Jeffries’ Socks
For shoes for little boys, consider loafers, boat shoes, Oxford boots, or, again, Mary Janes. Oxfords are the most formal and cumbersome option here, but each go very well with Jon Jons, khakis, and the rest. I avoid suede because it simply isn’t resilient enough for my kids. Always match shoes and belts. You can’t go wrong with brown.
As I type this, I realize it’s basically a guide for mini-men. There is nothing I like seeing my husband in more than a classic button-down. White, light blue, and stripes all work fabulously. For babies, the buttons may be too annoying, in which case you can find shirts with a Peter Pan collar, linked below.
Aim for cotton in various weights according to the season. Oxford shirts are made of thicker cotton than more formal dress shirts but still look sharp. They work extremely well in the cooler months.
See: Old Navy, The Children’s Place, Little English
This is a Southern staple. I remember the day my brother was fitted for his first blazer at 8 years old. Dark navy with brass buttons is the move. I know some as young as 3 who show up to church in their blazer and khakis. Just delightful.
There’s no real need to tailor a 3-year-old’s blazer unless they have strange proportions. Try Poshmark for high-end brands at a discount.
See: J. Crew, Izod, Vineyard Vines
Another classic. Needs no explanation. I love bright colors for the spring and summer. Anything will go with a navy blue blazer, but khakis are standard.
See: Vineyard Vines, Ralph Lauren, The Children’s Place
A winter essential that will make your Christmas card feel catalog-worthy. Baby boys in sweaters make my heart melt.
See: Ralph Lauren, Trotters, Kiel James Patrick
Is there anything more adorable than a baby in a bow tie? This is another area where I love to include family symbols or motifs that conform to the kids’ personalities. These are the things that end up in memory boxes and passed down to grandchildren. For that reason, I say buy the nice one. Clip-ons and pre-tied are just fine.
I know it’s the age of fashionable minimalism, but sometimes things are more meaningful than we can imagine. When our babies outgrow us, it’s nice to have tangible memories. Legacy lives in these little things; it’s even nicer to pass them on.
See: Land’s End, Izod
Amazon Prime’s “The Boys” has always been “woke,” but the latest season took the meaning of the word to an entirely new level.
“‘The Boys’ has really always been ‘woke’ since its first season,” Lauren Chen explains. “It’s only now, in its later seasons, particularly seasons three and four, that I found the wokeness is becoming really just too much.”
Chen points to one scene in particular that took it one step too far.
“There was a scene that was so stupid, so poorly written,” Chen says. The scene featured Victoria Newman, a Latina politician with super powers, and the newest character Sage, a black woman, whose entire presence in the show “is so frustrating.”
“Her entire premise is that she is the smartest person alive, but here’s the thing. That’s a problem because the writers for this show are not that smart. So, the question is, how do you portray the smartest person in the world when you are a certifiable midwit?” Chen asks.
The writers came up with a solution to this midwit condition they have by telling “the audience that she is smart, that Sage is smart, many, many times.”
In this particular scene, Newman and Sage are attending what appears to be a right-wing political gathering full of old white billionaires. The pair are scheming to get these billionaires on board with Newman as president, and Newman complains that she had “abortion mansplained” to her by a man who “refuses to be alone with any woman who’s not his wife.”
Not only is Chen disturbed by the abortion comment, the entire scheme is childish and not reflective of the “smartest person in the world.”
“Something that Sage in her infinite wisdom has concocted, but it’s like, well, obviously if you’re trying to seize political power, doesn’t it make sense to get other people who have power on board with your cause?” Chen says.
“That’s not some grandmaster strategy, that’s just literally the bare minimum you would expect to do if you are trying to do a soft coup. This is not genius-level stuff. I’ve literally seen women’s book clubs with more intricate political backstabbing and intrigue than this show,” she adds.
If you’ve ever watched “The Boys” on Amazon Prime, then you know the superheroes who make up the main cast are more like super-zeroes. They’re exceedingly violent, greedy, and power-hungry, which of course is the point, as the series is designed to satirically flip the superhero archetype on its head.
Such a unique concept has resulted in the development of quite a significant fan base.
“Since its debut, [‘The Boys’ has] consistently been one of the streaming platform's highest rated and best-performing shows,” says Lauren Chen, BlazeTV's resident film critic.
However, now that the fourth season has dropped, the show’s popularity is waning dramatically.
Could it be because the series is drowning in wokeness?
“I have been 100% aware from the get-go that obviously the people behind ‘The Boys’ are leftists,” but it was “still worth watching,” says Lauren. “Until now, that is.”
'The Boys' is INSUFFERABLY WOKE Now!|***SHOW REVIEW***youtu.be
“It’s always been woke, but in my opinion, previously, the wokeness was at least tolerable,” she says, adding that the complexity of the characters, the acting, and the strong dialogue made the show worth watching.
Further, “what made the show watchable, despite its wokeness, was that in previous seasons, the writers clearly weren't afraid of taking shots at their own side,” Lauren explains.
However, that all ended with the debut of season 4, which hasn’t even dropped all its episodes yet.
Take a look at the face of the series — Homelander, played by Anthony Starr. Once a complex character who was power-hungry and corrupt yet insecure and traumatized has been simplified in the fourth season into nothing more than “a parody of superhero, fascist Donald Trump.”
Additionally, “[Homelander’s] followers, his supporters or ‘home teamers’” (perhaps a play on Trumpers?) “are also just evil, racist, fascist, sexist, conspiracy theorists.”
“Seriously, the first three episodes of season 4 … [paint] Homelander’s supporters — these ‘home teamers’ — as these Alex Jones-watching, Jew-hating, literal loser conspiracy theorists who are just waiting for any reason to attack or get violent with their fellow Americans,” sighs Lauren.
Then “Starlight, who used to be an actual character with personality, has now just become a stand-in puppet for, I guess, the Democrats or feminists, who is just like, ‘I'm pro-good things; I hate the bad guy,’” she mocks.
Similarly, her followers — “starlighters” — represent “the good guys” because they’re anti-racism and anti-corporate corruption, but pro-feminism.
In scenes when the home teamers are pitted against the starlighters, the starlighters are painted as non-violent “angels,” whereas Homelander’s supporters are portrayed as “violent” and “evil.”
The message is crystal clear. Red=bad, blue=good.
If you don’t believe Lauren, then just look at the IMDB audience scores.
In season one, the audience gave the show a score of 90%, season two scored 83%, season three fell to 75%, and now season four is sitting at an abysmal 52%.
Perhaps people are getting sick of progressive agendas being shoved down their throats when all they want is just some good, old-fashioned entertainment.
To hear more of Lauren’s analysis, watch the clip above.
To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.
Are the political tides changing for the youth?
According to a recent University of Michigan survey, boys in their senior year of high school are almost two times more likely to identify as conservative than as liberal. However, girls of the same age are even more likely to consider themselves liberal than conservative.
While this is partially good news for the future of our country, Chad Prather is concerned about the high school girls.
“You know, the problem with what’s going on in our country. We’ve given too much voice to girls that are college age,” Prather says, adding, “They’re the ones that are the screeching progressives out there.”
Those girls have been “indoctrinated,” Prather believes.
Sky Corban, content creator and political commentator, agrees.
“You’re seeing a trend of Obama, and then those people that grew up, they grew up under that kind of leftist regime there,” Corban says, continuing, “and now these senior boys grew up under Trump, and so they kind of like that masculinity approach and so they’re becoming more conservative.”
“It’s that pendulum that swings like you’re talking about, which is good,” he adds.
To enjoy more of Chad's comedy, craziness and common sense, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.