Has Sabo gone mainstream?

Not exactly. But considering that the last time he came to Colorado it was to stand before a judge, an invitation to hang his work in downtown Denver counts as a career boost.

"It is nothing short of a miracle that a person like myself can show art in such a liberal city where so many people can see them."

On Friday, July 3, the public art provocateur will unveil his completed "American Tarot" series at the VFW Gallery in downtown Denver as part of the city's First Friday Art Walk.

In the cards

The series includes four tarot-card-style pieces depicting some of the darkest and most divisive episodes in modern American history:

"The Towers" — September 11;
"The Fool" — January 6;
"Death" — COVID-19; and
"The Hanged Man" — Jeffrey Epstein.

As Sabo tells Blaze Media, "Each card represents an event in our country's past that greatly affected the American story, the country's psyche, the soul of America."

The newest addition, "The Hanged Man," depicts the late financier and convicted sex offender Jeffrey Epstein suspended from the tarot card's traditional gallows.

For Sabo, the Epstein story is about far more than one depraved man.

"I believe the story of Jeffrey Epstein goes deep into how so many — from the entertainment industry to science, politics, finance, power — became influenced or compromised."

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Hidden influence

In Sabo's view, the affair helped fuel a growing distrust of elite institutions and raised uncomfortable questions about how influence is exercised among the world's most powerful people.

Through the decades, Sabo says, he assumed celebrities and artists simply leaned left politically. Now he wonders whether some cultural figures may have been manipulated into advocating these views in ways the public still doesn't fully understand.

"And then we saw how the music industry was influenced by the Diddy sex parties," he said. "How many in the music industry were also swayed to speak in a way that helped support the leftist narrative?"

The questions only became more urgent during COVID, he argues, when public trust in institutions suffered another profound blow.

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Back for more

The former Marine has spent more than two decades producing some of America's most powerful political street art, skewering everyone from Hollywood celebrities to corporate media and progressive politicians.

That makes the location of Friday's exhibition all the more remarkable.

Sabo's relationship with Colorado's liberal-leaning authorities has been strained, to put it mildly. In October 2024, he appeared in a Denver courtroom after being charged for posting anti-illegal immigration artwork around Aurora, the Denver-adjacent city that had become a national symbol of the migrant crisis amid reports of violent Venezuelan gangs taking over apartment complexes.

The signs — which criticized unchecked illegal immigration and highlighted the plight of legal immigrants and struggling working-class communities — earned Sabo a fine and community service. Representing himself in court, the artist argued that his work was protected political speech and noted the irony that, while authorities struggled to contain far more serious crimes, they managed to find the time to prosecute a man for hanging posters.

Sabo admits he's still getting used to the life of a respectable artist: "In street art I hit and run; no one to have a conversation with. In a gallery I feel out of my element." But he's grateful for the opportunity.

"It is nothing short of a miracle that a person like myself can show art in such a liberal city where so many people can see them," Sabo says now.

Sabo's work is available for viewing or purchase on his website.

And if you're not a Sabo fan yet, check out our coverage of his previous missions here.

Banned 'anti-migrant' movie 'Citizen Vigilante' shoots to No. 1 after Elon Musk intervention

A film that is triggering progressive critics is becoming a viral sensation after the director called it "an inconvenient truth."

The movie stars actor Armie Hammer as a man who takes justice into his own hands after he feels the government and law enforcement have failed to protect their citizens.

'Racist, xenophobic, ethnocentrist.'

'X' rated

"Citizen Vigilante" has been called "anti-migrant," "racist, xenophobic," and "incomprehensible," yet audiences seem to love it.

With a fan score of 94% on popular review site Rotten Tomatoes, critics seem once again to be at odds with audiences while drawing a political line in the sand.

A huge social media push has seen the movie top the streaming charts, with multiple outlets reporting on Monday that "Citizen Vigilante" soared to No. 1 on Amazon Prime's "Top 10 movies to rent or buy," where it still stood at the time of this writing.

The film was reportedly No. 2 on Apple TV's top movie list on Monday as well.

This all came after X owner Elon Musk posted "Citizen Vigilante" for free download on his platform last Thursday — with director Uwe Boll's permission — garnering at least 8 million views by Musk's own account.

Boll responded on X, "Dear Elon thank you. Donald Trump needs to see the film."

Banned abroad

By all accounts, the film draws on anti-immigration sentiments that are becoming popular around the world, and even references real-life migrant crimes for its story.

The movie has already been banned in Germany because it was found to be "inciting violence against migrants," director Boll told Variety in June.

Boll called it "deliberate censorship" that was "on purpose."

In an email to Newsweek, the director said his movie "shows an inconvenient truth what all other movies out there don't want to show or try to sugarcoat in their productions."

Boll added, "The audience wants real films again — bold and with impact and about reality."

Bans and negative reviews have been overtaken by the film's momentum, and the flick was just acquired by Quiver Distribution for a worldwide push, except for in the U.K., German-speaking territories, South Korea, and Taiwan.

Many such (angry) cases

Many critics have not enjoyed the film, with some reviewers declining to even score it.

For example, Stefan Birgir Stefans called the film "brain dead" and gave no score, while Variety's Todd Gilchrist similarly gave no rating and said the director was "deliberately sabotaging his star."

Nicholas Bell said the film was "magnifying its xenophobia through the beacon of far-right agitprop," while Joseph Robinson called it "a discriminatory parable."

It was U.K. outlet the Guardian that dubbed "Citizen Vigilante" as "anti-migrant" on Tuesday, with Ready Steady Cut describing the film as "utterly incurious and incomprehensible, but politically barbed."

Critic Jonathon Wilson argued the film was for people who believe "immigrants are to blame for all the violent crimes in the West to see as a rubric for defending their homeland."

Tyler Thier of In Review Online summarized the movie as "racist, xenophobic, ethnocentrist, alt-right agitprop manufactured to piss off the 'woke Left.'"

The consistent use of "agitprop" by reviewers is, interestingly enough, a reference to pro-communist propaganda used by the Soviet Union.

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'Supergirl' has disastrous opening after star declares character 'doesn't live inside the binary'

DC Studios is finding out that being a progressive girl boss does not necessarily pay the bills.

In the weeks leading up to the opening weekend for "Supergirl," star Milly Alcock sparked online chatter with her consistent interviews in which she explored the "LGBT" inspiration of the film, while repeatedly stating her character is likely bisexual — and it did not work out.

'I have many queer friends, so honestly I'm kind of honored.'

Clip slip

During what turned out to be an awful opening weekend, yet another clip of Alcock addressing wild fan theories circulated, from a lesser-known interview she did at a fan event in Brazil. In the clip, Alcock is asked about embracing Supergirl as a queer icon, a theme that reporters have consistently hammered the actress about at events and red carpets.

"I have many queer friends, so honestly I'm kind of honored. I'm honored that that's happening," Alcock replied with her signature giggle.

She went on, "I think because she doesn't live inside the binary of what we think a woman should be, that is what makes her so special and so exciting and so new."

She may transcend every binary, but Hollywood still lives inside one: hit or flop. "Supergirl" seems headed straight for the latter, with a very disappointing $38 million domestic opening. Coming in well below expectations, "Supergirl" had a whopping $170 million budget, according to Deadline, and bowed out to "Toy Story 5," which took in $70 million despite it being its second weekend.

Craig T Fruchtman/Getty Images

No love

Alcock explaining that her Kryptonian character would "do what she'd want to do" in regard to her sexuality was yet another nail in the coffin that likely turned away audiences, including father-daughter moviegoers.

At a New York City premiere, Alcock embraced how the film "doesn't center around any sort of love" or "romance" at all and focused on how much gay fans can relate to her character. She called "Supergirl" a "really great representation of what a modern woman can be."

In London, the 26-year-old also noted that it was "beautiful" for the movie not to be "centered around a man" and "not centered around love at all."

This was followed by Alcock saying that the character would "probably go both ways," meaning Supergirl is bisexual, according to the actress.

To top it off, Alcock pinpointed Christian dads as her most frequent online harassers.

David Jon/Getty Images for Warner Bros. Pictures

Consolation prize

Female-led superhero movies have let studios down over recent years, with "Supergirl" having one of the worst openings in the 2020s, but not the worst.

"The Eternals" (2021) and "The Marvels" (2023) both did better than Alcock, with $71 million and $46 million respectively, but "Supergirl" did manage to outperform movies like the abysmal "Madame Web" (2024) that garnered just $15 million.

The possibly bisexual superpowered girl was seen by far more people than "Wonder Woman 1984" (2020), which made just $16 million, and "Birds of Prey" (2020), the Harley Quinn film that made $33 million.

However, the "Wonder Woman" film was released deep into COVID-19 restrictions in December 2020.

"Birds of Prey" had no excuse, though.

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'Supergirl' star proclaims character is 'probably' bisexual and definitely doesn't need a man

"Supergirl" star Milly Alcock saved her best woke lines for right before the movie's release.

Just days ahead of the official drop, Alcock told reporters in London and New York City about how much of an independent woman the Supergirl character is as well as how the film relates to gay pride.

'What makes this film so beautiful is that it's not centered around a man.'

Kara chameleon

Although it should be obvious that Superman's cousin doesn't really need any help, the Australian actress fell into the age-old trap of spouting progressive dogma on the red carpet at the film's premier, telling journalists about how the girl from Krypton is actually a strong woman.

In London, Alcock was approached by an Associated Press reporter who bizarrely brought up comments he had seen online about "Kara's queerness"; Supergirl's name is Kara Zor-El.

"Was that something that you explored when you were preparing for the role?" the male reporter asked.

Alcock laughed hysterically.

"It wasn't," the 26-year-old began, saying she would try to answer "in honor of Pride Month."

She then praised the film for not having a romantic focus, void of any relationship with a male co-star, while saying her character is probably bisexual.

"I don't know. I think that what makes this film so beautiful is that it's not centered around a man, it's not centered around love at all. ... She'd probably go both ways."

TheStewartofNY/FilmMagic

Modern Milly

In New York City, a reporter from Variety again asked the star about how "LGBT" people have related to the character, framing Alcock's answer as embracing "queer readings" of the film.

“I've just had a few people ask me about her because it’s Pride Month and all that, and I think that she's a really great representation of what a modern woman can be," she replied.

Alcock then again put focus on how she adores the film for not featuring any romance, before stating that homosexuals can relate to the character's resiliency.

"She can be strong, she can be tough, she can be messy. And I love how this film doesn't center around any sort of love ... or romance or anything like that at all. She has such resilience — and I think that that community is a community that is so, so resilient. ... I'm really honored that they can connect with her."

Christian Kryptonite

In the lead-up to the film's release, Alcock has taken issue with male superhero fans multiple times — a near guarantee for a mainstream actress in such a role — telling "Vanity Fair" in March that when she was on "Game of Thrones," she realized "simply existing as a woman in that space is something that people comment on," before adding, "We have become very comfortable having this weird ownership of women's bodies. I can't really stop them. I can only be myself."

She also took aim at Christian dads in late May, describing "people whose profiles have no photo, who are burner accounts. Or someone's name and then 'Dad of four, Christian'" as those who harass her the most.

She concluded, "Which is hilarious to me. But I mean, whose opinion do you really care about? If you're pissing the right kind of people off, you're doing OK."

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VEEP TV: JD slays in 'View' ratings coup

Vice President JD Vance gave “The View” plenty to chew on last week. Facts. Knowledge. Arguments that didn’t require a tinfoil hat.

The Republican did something else during his trip to the far, far-left showcase. He gave the gals a ratings boost. The show’s 3.3 million viewers represented the highest “View” tally since 2024.

81-year-old Rod Stewart recently canceled a few shows due to illness. When he returned to the stage, he needed oxygen to get through a Utah performance.

That makes sense, since the ABC showcase rarely offers opposing views from the right and Vance has a reputation for being a thoughtful guest.

Even “View” haters wanted to see what went down.

So will this open the floodgates for more right-leaning guests on the show?

Of course not. In fact, co-host Joy Behar took heat from her fellow panelists for being friendly with Vance. Plus, a steady stream of smart, thoughtful conservatives would expose “The View” audience to sane opinions that clash with the show’s conspiratorial blather.

That ratings boost sure was nice, but you can bet ABC won’t let it happen again …

Super stupor

You can’t say Milly Alcock isn’t committed to “the bit.” And by that, we mean being as woke as possible while promoting her new film, “Supergirl.”

She previously trashed Christian dads and played the victim card over viewers who allegedly objectify her physique. That drew swift comparisons to Rachel Zegler, whose woke musings in the run-up to “Snow White’s” release built enough bad buzz that the film never recovered.

The live-action update lost a reported $170 million for Team Disney.

Alcock is walking, nay running, in Zegler’s footsteps, even as box office predictions suggest “Supergirl” will lose millions, too. This week, she did it again.

“I think that [Supergirl is] a really great representation of what a modern woman can be. She can be strong, she can be tough, she can be messy. And I love how this film doesn’t center around any sort of love or romance or anything like that at all. She has such resilience — and I think that [the LGBTQ+] community is so, so resilient. I’m really honored that they can connect to her.”

She later declared that her Supergirl would be bisexual.

That sound you hear is Zegler’s agent popping open a bottle of champagne ...

Mandel Ngan/Scott Olson/Anadolu/Getty Images

Bourne that way

Wait, did Kathleen Kennedy get a new job?

The woman many blame for the demise of the “Star Wars” franchise is no longer with Lucasfilm or Disney. She still set a curious standard for woke storytelling, from her “the force is female” mantra to trashing iconic characters like Luke Skywalker.

Even “South Park” mocked her “Star Wars” reign: “Put a chick in it! Make her lame and gay!”

Kennedy is not attached to the “Bourne” franchise, but that popular saga may be taking a very Kennedy-like approach to its future.

The InSneider reports that Zendaya is in play to replace franchise star Matt Damon in the saga. It wouldn’t be the first “Bourne” film sans Damon. Jeremy Renner starred in “The Bourne Legacy,” a 2012 film that didn’t light up the box office as expected ($113 million stateside).

It’s a potential gender AND race swap, two staples of the woke Hollywood era. Zendaya is a young, talented star, but physically she looks like she would struggle to open an aspirin bottle, let alone tackle an army of thugs.

We’ll have to see if this is a trial balloon of a story or signs that the Kennedy-ization of Hollywood continues …

Rock till you drop

The Who sang, “Hope I die before I get old” on “My Generation” back in 1965. Now, some aging singers are proving how hard it is to keep rocking into their golden years.

First, 81-year-old Rod Stewart recently canceled a few shows due to illness. When he returned to the stage, he needed oxygen to get through a Utah performance. Then, Lionel Ritchie, 77, left the stage early on the first stop of his current tour in St. Paul, Minnesota, after feeling dizzy on stage.

Some stars simply refuse to retire. Others love performing so much they can’t imagine calling it a career. There’s something noble about older stars giving their all to the fans, especially those who are roughly the same age as them.

We want them to be forever young, but their mortality is a stark reminder of our own. Perhaps that’s why the Who’s 2025 North American tour, the band’s farewell, was called “This Song Is Over.”

'Bad taste': Ex-Disney CEO Bob Iger defends decision to suspend Jimmy Kimmel for Charlie Kirk remarks

Don't blame Trump for Jimmy Kimmel's suspension last year, says former Disney CEO Bob Iger — it was purely an in-house decision.

"We thought it was in bad taste," Iger told the Financial Times, referring to the late-night host's on-air remarks about Charlie Kirk shortly after his death.

'An ill-timed and probably inappropriate comment.'

Murderous monologue

Five days after Kirk was assassinated during a college tour stop in Utah on September 10, 2025, Kimmel addressed the killing in his opening monologue, declaring that the "MAGA gang [is] desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it."

Two days later, on September 17, Disney suspended production of "Jimmy Kimmel Live!" Production was resumed on September 23.

Iger, who was CEO of Disney from 2022 to 2026, denied speculation that complaints from the Trump administration were the real reason ABC and parent company Disney pulled the show.

Iger also revealed that Kimmel was asked to apologize for his remarks, saying "We just wanted him to acknowledge that it was an ill-timed and probably inappropriate comment."

Michael Le Brecht II/Disney/Getty Images

Persecution complex

Speculation that the executive branch was behind Kimmel's suspension stemmed chiefly from an appearance FCC Chairman Brendan Carr made on a podcast, where he said, "We can do this the easy way or the hard way," regarding the talk-show host.

"These companies can find ways to change conduct and take action, frankly, on Kimmel, or there’s going to be additional work for the FCC ahead," Carr remarked, per Variety.

Kimmel, too, claimed he was the victim of a government plot to silence him; however the alleged plot would only last five days. Upon returning to the network, Kimmel's show aired a compilation of news stories surrounding his suspension, where multiple channel were shown calling his return to ABC a "huge" and "pivotal" moment in history.

Alberto E. Rodriguez/Getty Images/Disney

Hero to zero

As Blaze News reported at the time, Kimmel received multiple standing ovations from his audience, becoming visibly emotional as he recalled messages of love he had received for being the alleged target of a government censorship plot.

Kimmel's remarks were a reversal of his previous comments, as he told his viewers that he was not actually trying to pin any certain ideology on Kirk's assassin.

"I have no illusions about changing anyone's mind," Kimmel said. "But I do want to make something clear because it's important to me as a human. And that is you understand that it was never my intention to make light of the murder of a young man. I don't think there's anything funny about it."

In April, Kimmel joked about first lady Melania Trump having "a glow like an expectant widow."

Two days later, another assassination attempt was made on President Trump at the White House Correspondents' Dinner, considered the third attempt on the president's life.

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Decades of unseen footage will finally complete this legendary Orson Welles masterpiece

Film archives are pulling back the curtain to provide footage of an unfinished Orson Welles piece that he worked on for decades.

Spanish, French, Italian, and German sources are working together to allow the reconstruction of lost works that the "Citizen Kane" writer started production on in 1957.

'Welles' death in 1985 at age 70 meant he could not finish what was more than 30 years of work.'

Welles started the project in the 1950s in Mexico and continued to compile scenes and make changes in 1961 and 1969, Wellesnet reported. This footage was the start of Welles' work on a film adaptation of "Don Quixote," the 17th-century book that is widely credit with more than 500 million sales.

The deaths of multiple actors did not prevent Welles from continuing the project in 1972, then shifting to color footage, as he put together what is believed to be an experimental film format.

Although the movie is believed to have been nearly finished by 1982, Welles' death in 1985 at age 70 meant he could not finish what was more than 30 years of work.

Now, reconstruction of the film is set to commence through the collaboration of film archives across Europe, which will release the footage to be compiled and overseen by author and filmmaker Esteve Riambau.

Riambau published a book about Welles in the year of his death, and the Spaniard has reportedly been petitioning for the last two years to get approvals of the archival footage.

Eduardo Parra/Europa Press/Getty Images

Mass amounts of film reel will be compiled from sources including Oja Kodar, Welles' unwed partner at the time of his death. The Croatian actress won custody of the "Don Quixote" negatives in 2017, which consists of 50,000 meters of film.

From France, the Cinémathèque Française will contribute a reported 80 minutes' worth of 35mm film that was actually screened at the Cannes Film Festival in the mid-1980s, according to citations in a Welles biography.

The Filmoteca Española in Spain has another reported 50,000 or so meters of 16mm film that it acquired in 1991, holding all the rights to the materials under the category of cultural and research purposes.

RELATED: Saving History

Central Press/Getty Images

The Filmmuseum München in Munich will contribute its own prints, negatives, tapes, videos, and other documents from Welles' films, including items that are said to only be "referring" to the "Don Quixote" project.

The intention — for unknown reasons — is that there will be three versions of the film, which will be screened at festivals and archives on a nonprofit basis.

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Amazon drops Sam Altman biopic — and everyone wants to know why

Amazon has walked away from a nearly finished biopic about OpenAI CEO Sam Altman, prompting questions about why a film centered on one of Silicon Valley's most powerful figures suddenly needs a new distributor.

The $40 million film "Artificial," which starred "Spider-Man" actor Andrew Garfield as Altman, was reportedly nearing completion when Amazon struck it from its 2027 release schedule. The project — which also stars "Mad TV" and "Eastbound and Down" alum Ike Barinholtz as Elon Musk — is now being shopped to other studios.

'All I hope is that if he puts me into a gulag, it's one with all of my friends. That way we can have a party.'

Unlikable characters

According to Variety, the film performed well in multiple test screenings, with one viewer telling the outlet that Altman and Musk were the two characters audiences "liked the least."

Some observers have pointed to Amazon's deepening ties to OpenAI as the reason for the change of heart.

In February, OpenAI announced a major collaboration involving SoftBank, NVIDIA, and Amazon.

"Helping AI reach more people requires deep collaboration across the ecosystem," OpenAI said at the time.

'Utmost respect'

Amazon's role in the partnership includes helping Amazon Web Services customers build AI applications and agents using OpenAI technology. The collaboration powers the Stateful Runtime Environment for Agents in Amazon Bedrock, which the company says can be used for customer support, sales operations, IT automation, and financial workflows.

While some observers have connected Amazon's decision to those business ties, neither Amazon nor the filmmakers have suggested that was the reason for the split.

Instead, Amazon framed the move as a decision about the film itself.

"We have the utmost respect and admiration for Luca Guadagnino as an award-winning filmmaker — not to mention a longstanding relationship that we hope to continue," an Amazon spokesman told Variety.

Mondadori/Getty Images

Gulag guy

The company added: "We believe that 'Artificial' will be better served if it were released by a different studio and are working closely with the filmmaking team to find the film a new home."

Some online observers have also pointed to Altman's appearance at Jeff Bezos' wedding last year, though there is no public evidence linking that relationship to Amazon's decision.

Barinholtz appeared less interested than some actors in conducting firsthand research for the role. Asked by Variety in September 2025 whether he had considered meeting Musk, the actor replied, "I'm OK," adding that the Tesla CEO was "famous enough that you get it."

The 49-year-old later joked, "All I hope is that if he puts me into a gulag, it's one with all of my friends. That way we can have a party."

Garfield said he was initially reluctant to take the role after previously portraying Facebook co-founder Eduardo Saverin in the 2010 film "The Social Network."

"I've been very, very gun-shy around other films that deal with the same world," Garfield told Vanity Fair in November 2025. "And yet I wanted to dive into the psyche of a guy who wins — because I played the guy who arguably doesn't win, because he's too touchy-feely."

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Tan-splaining Colbert celebrates 'scandal-free' Obama at new presidential center opening

Say what you will about our president — at least he doesn't eat cats.

Actress Anne Schedeen, best known for playing Kate Tanner on the 1980s sitcom “Alf,” died this week at 77. The news likely stirred fond memories with Gen X fans, but news of her passing featured a very 21st-century nugget.

'[Supergirl] doesn’t live inside the binary of what we think a woman should be, that is what makes it so special and so exciting and so new.'

News outlets reported her passing, complete with a family statement lovingly remembering the mother, wife, aunt, and sister for her wit, creativity, and all-consuming obsession with our current president.

She leaves behind an extraordinary legacy of creative energy, whip-smart humor, delight in her family, adoration for little dogs, burning hatred for Trump, passion for secondhand thrifting, and love for a good story.

Wait … what?

Now, we’re used to stars like Robert De Niro slagging President Trump in every third sentence, but why would any family insist the press share their loved one’s political views in an obituary?

When “Alf’s” adopted parent is against Trump, you know the walls are closing in …

Silly Milly

For all we know, “Supergirl” star Milly Alcock may have the acting chops to be the next Meryl Streep. But for now she seems determined to be the next Rachel Zegler.

Zegler infamously helped crush her “Snow White” reboot with a series of silly, alienating press interviews. She wasn’t solely to blame for the film’s box-office pratfall, but she didn’t inspire audiences to flock to her film.

She became a case study for how not to market a movie. Now, it’s Alcock’s turn.

First, she whined about male viewers judging her as part of the “Game of Thrones” prequel series “House of the Dragon.” Later, she doubled down on that sentiment, singling out Christians in the process.

Now? She’s describing Supergirl as gender-fluid, or something.

“I’ve played a few characters that might have a potential queer through-line. I have many queer friends. So honestly, I’m kind of honored.”

Make it make sense. Alcock tries. Sort of.

“[Supergirl] doesn’t live inside the binary of what we think a woman should be. That is what makes it so special and so exciting and so new.”

Apparently, one of Supergirl’s superpowers is time-traveling back to 2020, the peak woke era …

Damon Packard/spectacletheater.com/Mike Coppola/Getty Images

Card sharp

We all know Whoopi Goldberg can play the race card like few others. Yet when Vice President JD Vance confronted her on the issue, she folded like a deck of, well, cards.

Later in the week, when a sane person like Vance wasn’t around, she went right back to her ... black-and-white thinking.

Goldberg brought up the world champion New York Knicks and the team’s White House rendezvous, which led to this on-brand exchange from the “Sister Act” alum.

“I want all those black men to stand in our house and remind all of those people, as we tried to remind the vice president, that when you try to destroy one part of history, you are destroying all of our histories.”

Goldberg sure talks tough when someone with a functioning cortex isn’t on the panel…

'Powers' boost

“No, baby, no!”

The world’s sexiest spy, albeit with the worst teeth, is heading back to theaters. So says Mike Myers, the mischievous mind behind "Austin Powers: International Man of Mystery."

The character headlined the 1997 comedy smash, and he came back for two diminishing sequels. We haven’t heard much from Myers over the past decade. He has disappeared into smaller character roles, like the record executive in “Bohemian Rhapsody.”

Now, he’s threatening a fourth Austin Powers adventure.

Delayed sequels have a choppy history. “Zoolander 2” proved to be a disaster. “Anchorman 2” scored with audiences, but it couldn’t capture the original film’s glory. “Happy Gilmore 2” was pure nostalgia, little else. And the less said about “Blues Brothers 2000,” the better.

Myers looks rather youthful at 63, but some things are better left in the past. But if Austin could strike a death blow to the dying woke mind virus, maybe the time is right for a man whose middle name remains “Danger" …

Man with the tan

He’s been gone for about a month, but he remains his same insufferable self.

Stephen Colbert showed up at the opening of President Barack Obama’s Death Star, er, presidential center. And the former late-night host wore a tan suit to honor the man in question. Remember the media’s narrative that Obama’s tan suit moment proved his only real scandal?

That's true ... if you overlook the Russia collusion hoax, the Obamacare “if you like your health care plan, you can keep it" bait and switch, and the IRS’ targeting of conservative and Tea Party groups seeking tax-exempt status.

It’s all fodder for a great political satirist, which explains why Colbert didn’t go near any of the above.

Never change, Colbert. Never change.

PRATT-RIOTIC DUTY: Chris Pratt to promote American history abroad in government-funded comedy videos

The federal government is getting into comedy; whether that will be supported by the taxpayer remains to be seen.

Government-funded educational videos are stepping into the modern era, tapping versatile actor Chris Pratt to head up a new project.

'Intended to engage international audiences with America's constitutional values.'

Birthday boy

The combined effort between the U.S. Department of State's Office of Public Diplomacy and Bureau of Educational and Cultural Affairs will have the "Guardians of the Galaxy" actor star in a series of comedy shorts for the birthday of the United States.

According to Variety, the America 250 videos will follow Pratt as he hopes to share his passion for American history but realizes he isn't as knowledgeable as he thought he was.

Pratt will get help from historian and Pulitzer Prize winner Doris Kearns Goodwin, who will keep him on track and correct his historical knowledge.

Kym Illman/Getty Images

Showboat diplomacy

The government project, in its entirety, is intended to "inform and engage foreign publics about America through international media engagement, educational and cultural exchange programs, digital communications, and outreach conducted through U.S. embassies and consulates worldwide," an announcement stated.

The series was actually designed as a "public diplomacy initiative intended to engage international audiences with America's constitutional values and history through modern digital storytelling," the producers reportedly said.

These producers are from digital media company ATTN: — out of Los Angeles — and said they are "always looking for new ways to make important topics accessible to broader audiences."

ATTN: co-founder and CEO Matthew Segal said America 250 offers a "unique diplomacy opportunity to reintroduce the stories, principles, and people that shaped the nation."

Dimitrios Kambouris/Getty Images for The HISTORY Channel

'Unhappy' coincidence

The series may have a different mission, but it isn't the only America 250-themed comedy sketch series making noise. "Seinfeld" creator Larry David's "Life, Larry and the Pursuit of Unhappiness" is set for release on HBO at the end of June.

The series stars David, along with guest stars like Jerry Seinfeld and Vince Vaughn, in a stream of outlandish bits centered around American history.

Essentially, David acts as his typical misunderstood and outraged self in different historical settings. Fans can look forward to seeing him get annoyed about the first-ever flight or criticizing the photo of a soldier's wife during trench warfare in WWI.

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In the cards

Hidden influence

Back for more

'X' rated

Banned abroad

Many such (angry) cases

Clip slip

No love

Consolation prize

Kara chameleon

Modern Milly

Christian Kryptonite

Super stupor

Bourne that way

Rock till you drop

Murderous monologue

Persecution complex

Hero to zero

Unlikable characters

'Utmost respect'

Gulag guy

Silly Milly

Card sharp

'Powers' boost

Man with the tan

Birthday boy

Showboat diplomacy

'Unhappy' coincidence

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