Five reasons ‘Furiosa: A Mad Max Saga’ is the girlboss movie we actually DO need



Nearly ten years ago, "Mad Max: Fury Road," featuring Charlize Theron and Tom Hardy, dazzled audiences across the globe with its post-apocalyptic, dystopian narrative. The film was a success, scoring 97% on Rotten Tomatoes and winning six Oscars.

Now the franchise is back with a new film, starring Anya Taylor-Joy and Chris Hemsworth, but does the movie live up to its predecessor?

Many have been skeptical of “Furiosa: A Mad Max Saga,” given that most modern female-centric films tend to come with a progressive agenda.

“Leading up to its release, a lot of people were rolling their eyes thinking that this is going to be just another tale of a woke feminist girlboss,” says Lauren Chen, who's BlazeTV's guru when it comes to exposing woke cinema.

Surprisingly, however, “almost nobody – especially those who've actually seen the movie – are calling it woke, feminist, or implying that Furiosa is a girlboss in any type of way.”

“Even though Furiosa is a woman and she is strong and a main character, she is far, far from the Mary Sue likes of Rey or Captain Marvel that people are so keen to hate on,” Lauren explains, adding that “Furiosa is a good case study of how a character can be strong and a woman and competent but also not be a feminist Mary Sue wet dream.”

What makes Furiosa a real girlboss?

For starters, “she actually makes mistakes,” unlike the Mary Sue archetype, who is practically perfect in every way.

Further, “she actually has to learn, grow, and rise through the ranks in order to be successful,” says Lauren, who condemns Rey and Captain Marvel as examples of modern-day Mary Sues who’ve “gotten everything that they want right away without ever having to work.”

“[Furiosa] really starts from nothing – a little girl with no skills … and it's only after years and years and years that she eventually gains not only a title that is worthy of respect but also skills to go along with that.”

“Reason number three why Furiosa is not a Mary Sue,” according to Lauren, “is that she does not have magical superpowers that make her better and stronger than everybody.”

In fact, “she gets her own a** handed to her many, many times throughout the film. She even loses an arm because she gets outsmarted,” Lauren explains. “She’s a character who goes through hell, which makes her interesting.”

Additionally, Furiosa’s character diverges from the typical female lead role in that she actually “depends on other people” – unlike the trendy goddess archetype whose strength and independence transcend any need for support or community.

“Furiosa herself is not perfect, and that actually allows for other characters to, you know, do things in the movie that are meaningful,” says Lauren.

The last reason for why "Furiosa" is not a Mary Sue film has to do with the male characters in the movie. To hear the final point, watch the clip below.


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'Mad Max' franchise likely put on hold after 'Furiosa' flop sees far fewer female viewers than it hoped



The female-led sequel for the "Mad Max" franchise likely didn't do enough at the box office for studios to bank on another movie in the saga, reports have suggested.

"Furiosa: A Mad Max Saga" finished the Memorial Day long weekend with only $32,000,000, according to Box Office Mojo. It was also the lowest-earning No. 1 film for a Memorial Day box office opening since 1995 when "Casper" took the top spot with just $16.8 million.

The budget was an estimated $168-$233 million, likely on the higher end when accounting for advertising and marketing costs.

As reports have suggested, the performance of the sequel seemed to be the marker as to whether or not the planned prequel called "The Wasteland" gets made.

'A Mad Max movie without Mad Max — or the actress who embodied the title character — is a tough sell.'

Franchise creator George Miller told journalists the day after the film's Cannes Film Festival premier that he was waiting to see how "Furiosa" does before jumping into the next film.

"I'll definitely wait to see how this goes, before we even think about it," he said, per the Hollywood Reporter. The outlet also said its industry sources revealed the next film hasn't even reached the development stages. At the same time however, Warner Bros. studio is allegedly incredibly proud of the film.

Another point of contention for the film was its inability to bring in a female audience, which is essentially the point of making the lead character a hard-nosed, tough woman.

The opening weekend for 2015's "Mad Max: Fury Road" brought in an audience of 40% women, with Tom Hardy and Charlize Theron leading the way. That number reportedly shrank to 29% female viewership for "Furiosa," which, while being the lead character, was played by relatively unknown actress Anya Taylor-Joy, not Theron.

The film also suffered in the 18-24 age group, which frequents movie theaters the most. That demographic also had a 10% decrease since the last film, from 31% to 21%.

"This won't kill the franchise. Hollywood clings to IPs, even the ones that have stumbled or collapsed," said entertainment reporter Christian Toto.

"See the 'Terminator' saga, which had not one but two duds before they took a knee. Still, a 'Mad Max' movie without Mad Max — or the actress who embodied the title character — is a tough sell," Toto told Blaze News. "Audiences increasingly know films are hitting video on-demand faster and faster these days. Just look at 'The Fall Guy,' already available for home viewing."

Warner Bros. will have to hope "Furiosa" blazes a similar trail to that of "Fury Road," which opened with $45.3 million domestically but eventually gained momentum on its way to grossing $379.4 million.

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‘Furiosa: A Mad Max Saga’ Delivers A Seed Of Hope — But Not At The Box Office

[rebelmouse-proxy-image https://thefederalist.com/wp-content/uploads/2024/05/Screenshot-2024-05-30-at-11.45.38 AM-1200x675.png crop_info="%7B%22image%22%3A%20%22https%3A//thefederalist.com/wp-content/uploads/2024/05/Screenshot-2024-05-30-at-11.45.38%5Cu202fAM-1200x675.png%22%7D" expand=1]'Furiosa' reviews are glowing, but its opening weekend produced the worst Memorial Day box office in 43 years.

'Furiosa' flops hard — female-led reboot was worst Memorial Day No. 1 movie since 1995



The latest reboot from the "Mad Max" series was not enough to pull in moviegoers for Memorial Day weekend, marking another low point for the movie industry that saw the weakest numbers for Memorial Day in nearly 30 years.

"Furiosa: A Mad Max Saga" garnered fantastically little at the box office, especially for a special, four-day opening weekend. With just $26,300,000 in its first three days, the holiday opening added just a few million to its total, finishing the long weekend with only $32,000,000, according to Box Office Mojo.

This was barely enough to edge out "The Garfield Movie," with one stark difference. The reported budget for the lasagna-loving cat was around $60 million while "Furiosa" put up a tab of somewhere between $168-$233 million. As Screenrant reported, the movie would generally need to take in between $336-$466 million to be considered successful for studio Warner Bros., which may serve as a challenge.

The stunning, brave, and powerful female-led film was the lowest-earning No. 1 film for a Memorial Day box office opening since 1995 when "Casper" took the top spot with just $16.8 million. The Australian post-apocalyptic adventure, coupled with the comic strip cat, also marked Hollywood's worst Memorial Day weekend for the industry in the 29-year span.

Comparatively, things weren't looking so bad in 2023 when "The Little Mermaid" opened to $188 million on Memorial Day weekend. In 2022, Tom Cruise excited crowds with "Top Gun: Maverick" and had a $160 million holiday opening, finishing with $700 million domestically.

'This was indeed a historically slow Memorial Day weekend for movie theaters.'

The lackluster Memorial Day box office should worry the entire movie industry, which NBC News noted has yet to have a box office smash in 2024. No film has broken $100 million in terms of an opening weekend this year, and that burden is now shifted to the shoulders of even more upcoming sequels and reboots.

"Despicable Me 4" is one possible performer, while the remake of 1996 hit "Twister" comes back with the aptly named "Twisters" in July. Disney's "Inside Out 2" and "Deadpool and Wolverine" are more sequels that have high hopes.

A reliance on sequels hasn't been working out however, especially for the likes of Disney, which has announced it will continue to move forward with known storylines.

"I just think that right now, given the competition in the overall movie marketplace that actually there's a lot of value in the sequels obviously because they're known and it takes less in terms of marketing," said Disney CEO Bob Iger during a May 2024 earnings call.

Despite sequels and reboots for "Indiana Jones," a "Haunted Mansion," and "The Marvels" performing terribly, Iger insisted this was the path forward for the company. This, of course, included "more Avengers."

"The team is, I think, one that I have tremendous confidence in. And the IP that we're mining, including all the sequels that we're doing is second to none. So I feel really good about what's coming up," the CEO added.

While "Furiosa" seemed to be plagued with being too long and providing too little, Comscore senior analyst Paul Dergarabedian simply noted that "this was indeed a historically slow Memorial Day weekend for movie theaters."

Hollywood hopes its upcoming sequels will "allow the industry to hit the reset and get the industry moving in a positive direction," Dergarabedian told NBC News.

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