Fleetwood Mac’s real breakup story: Death before motherhood
Stevie Nicks has decided to “weigh in” on abortion. In a recent interview with the Center for Reproductive Rights, she described how an unwanted pregnancy — conceived during her years of promiscuity — led to an abortion she now defends as necessary for her career.
You might remember Stevie Nicks. She’s the former Fleetwood Mac singer who chose to end her child’s life to preserve fame and fortune. A few years later, the dysfunctional group fell apart anyway, torn by jealousy and resentment. Nicks sacrificed her child for an illusion of success — and lost it all.
The idols of the 1960s — unrestrained desire, sexual libertinism, and the worship of self — have produced nothing but loneliness, guilt, and moral ruin.
“I got pregnant, how could this be? I have an IUD,” Nicks recalled. “Fleetwood Mac is big, and it would have destroyed the band.” She remembered thinking, “Everybody kept asking, ‘Why won’t someone do something?’ I thought, I have a platform, I tell a good story, maybe I should do something.”
She told a story, all right — a horror story. In her own words, she chose abortion not because her life was in danger but because she feared an awkward confrontation with her ex-lover and bandmate Lindsey Buckingham. “Having a child with Don Henley,” she said, “would not have gone over well in Fleetwood Mac, with Lindsey and me. ... It would have been a nightmare for me to go through.”
So a child died to spare a rock star an emotionally uncomfortable conversation.
The moral wreckage of ‘free love’
Nicks’ confession is more than a personal tragedy; it’s a parable of an era. The generation that preached “free love” is now paying the bill. The idols of the 1960s — unrestrained desire, sexual libertinism, and the worship of self — have produced nothing but loneliness, guilt, and moral ruin.
The abortion Nicks defends didn’t liberate her. It enslaved her to a lie — that personal freedom justifies killing the innocent. The band she protected disintegrated. Her fame faded. And the moral emptiness she embraced has followed her into old age.
The irony is that this rebellion against “patriarchal control” delivered precisely what the so-called patriarchy wanted: women stripped of prudence and virtue, persuaded to destroy what men once had to protect. The revolutionaries of “free love” preached empowerment while handing men a permission slip for irresponsibility. Men couldn’t believe their luck.
A real-life trolley problem
Philosophers use the “trolley problem” hypothetical to explore moral choices — sacrificing one life to save others from a runaway trolley. Nicks faced her own real-life version. One track held her child’s life; the other, her fame and comfort. She threw the switch. An innocent child died. Her fame soon followed.
The members of Fleetwood Mac later turned on one another, proof that the god she served — success — wasn’t worth the price.
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A reckoning awaits
Jordan Peterson recently refused to entertain a student’s hypothetical about lying to save Jews in World War II, saying he’d never live in a way that forced such a choice. Virtue prevents moral traps before they arise. Stevie Nicks created her own trap through promiscuity and “solved” it by ending a human life.
But Nicks’ reckoning doesn’t end with the interview. Her child’s soul, like all souls, lives on. One day she will face that child — and the creator who gave that child life. When asked why she ended it, her only honest answer will be: for fame, for money, and to avoid a hard conversation.
That conversation will be harder still when she faces God Himself. For her sake — and for those tempted to follow her path — one hopes she repents and seeks the forgiveness found only in Christ, while there is still time.
'If I were the court of appeals, the moment this case came in, I would overturn the conviction,' von Spakovsky said.
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