Comedian Mark Normand crushes woke studio execs who wanted Muslim joke removed: 'On one condition ...'



Stand-up comedian Mark Normand believes in making fun of everyone, equally.

When asked about his latest Netflix special, Normand said he wanted to be "inclusive," meaning he wanted to make fun of people from all walks of life.

'I want you to admit on this call that they're a dangerous people.'

Normand told podcaster Shannon Sharpe recently that he gave "equal opportunity" mockery to every group, including "trans, Mexican, black, gay, Muslim, everyone."

It was one of those specific groups that executives confronted Normand about and wanted it removed from his hour-long set. The comic revealed a phone call he received from top brass recently, and while most would assume he was referring to Netflix — given that his "None Too Pleased" special was just released on the platform — a Normand voiceover told audiences multiple times it was actually Hulu he had the conversation with.

On the podcast "Tuesdays with Stories," the New Orleans native recalled, "About a week ago or two weeks ago, they said, 'Send us a couple jokes you like. We'll chop them up and use that as promo on social media.'"

A week later, representatives allegedly asked the comedian to have a conference call, which he was not looking forward to because it's "18 Jews on there with a speakerphone and my Jews," Normand joked with co-host Joe List.

"They go, 'Yeah, we got some bad news there. We reviewed the special again. We'd like to take out the Muslim joke.'"

Normand explained that staff told him that the last time "a comic did a Muslim joke," they got bomb and death threats. But the 42-year-old said he refused to take it out.

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"I like the joke. It kills. It's a hot joke," Normand said, adding, "And you know, no one touches 'Muzz,'" referring to Muslims.

The comic said he fought for his joke, telling the platform, "You approved it. Now you're going back."

The platform allegedly then focused its battle on not removing the joke from the special itself but rather getting Normand to agree that it would not appear in social media promotions. The platform apparently believed social media was where most of the turmoil and backlash spawns from, not from people actually watching the special.

In response, Normand then gave the reps an ultimatum:

"OK. I don't love it, but OK. I will take it off on one condition," he recalled saying. Normand then said he told those on the call that he would only approve the social media plan if they admitted Muslims are dangerous.

"I want you to admit on this call that they're a dangerous people. And they were like, 'What? No. What, are you crazy?' And I'm like, 'You got to admit it, or I'm keeping it, or I'm posting it.'"

Normand said he could hear the commotion through the phone, until he was eventually told they would not adhere to his request, chiefly because it's "offensive."

That's when Normand called out the studio's hypocrisy.

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Photo by Valerie Terranova/Getty Images for Bob Woodruff Foundation

"That's what the call is!" Normand remembered. "You're calling about this, and I just need you to say it out loud."

Remembering his phone call had Normand up in arms on the recent podcast, as he mocked the executive class for "signaling" about their beliefs but not standing behind them.

"You can say, 'Hey, I love this group.' But then you don't live near them. You know, we're all talk. We're all signaling. We're all virtuous, but you don't actually act that way."

"So they admitted it," Normand said to his surprise; and while he did reveal he was "half joking" when he made his request, the comedian had a good time getting "a group of HR homos" to say, "All right, they're dangerous. We'll see you later," before hanging up the phone.

As for which platform Normand spoke to, Netflix did not respond to a request for clarification; Hulu did not reply either. Normand seemingly had one special on the latter platform, "Out to Lunch" (2020), but it appears to no longer be available.

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Disney streamers finally profitable; rewards fans with 25% price hike



Disney's streaming platforms have finally posted a net profit after a long-term struggle saw the company lose billions.

In a Q3 earnings call, the company announced profits from streaming a full quarter ahead of expectations. The third quarter direct-to-consumer income totaled $47 million, according to Disney, which is quite the turnaround from a $512 million loss in the previous year.

The profit appeared to come solely off the back of ESPN+ after Disney+ and Hulu were packaged with the sports network.

Disney+ and Hulu reportedly incurred a combined loss of $19 million, according to Bounding into Comics, meaning if the profit margin came from ESPN+ alone that would mean the sports network brought in $66 million. However, the breakdown of the figures is unclear at the time of this publication.

'We are confident in our ability to continue driving earnings growth through our collection of unique and powerful assets.'

As Blaze News reported in May, Disney CEO Bob Iger had previously blamed the streaming services for a $4 billion loss:

"As we got into the streaming business in a very, very aggressive way, we tried to tell too many stories. Basically we invested too much, way ahead of possible returns. It's what led to streaming ending up as a $4 billion loss," Iger said in a webcasted conference.

The company did have the stated goal however of bundling Hulu and ESPN+ with Disney+ to increase overall engagement, and that calculated gamble appears to have worked out.

At the same time, the Walt Disney company announced in a press release that prices for its streaming packages, both ad-free and ad-supported, will increase by $1 to $2 per month.

Disney+ basic and premium plans will go from $7.99 and $13.99 per month, respectively, to $9.99 and $15.99

The ad-free and ad-included Hulu plans will go up to $18.99 and $9.99 per month, while ESPN+ goes up to $11.99 per month with ads.

Some bundle plans, such as the Duo Basic plan, are also set to increase prices.

Subscribers who pay more are set to receive "ABC News Live" and a "preschool content" playlist, with the promise of four additional curated playlists in fall 2024, according to the Dallas Express.

Iger has promised viewers that the Disney creative departments were going to "reconnect" to the monetization side of the company to ensure "quality is not lost," but price increases likely aren't what fans were hoping for out of that promise.

"This was a strong quarter for Disney, driven by excellent results in our entertainment segment, both at the box office and [direct-to-consumer], as we achieved profitability across our combined streaming for the first time, and ahead of our previous guidance," Iger said. "We are confident in our ability to continue driving earnings growth through our collection of unique and powerful assets."

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'People are being coddled': Trigger warnings increasingly embraced by Hollywood even as they spoil plotlines



Despite trigger warnings increasingly spoiling the stories of shows and movies, entertainment and streaming companies only seem to be widening the net of themes that require advanced warning.

The industry seemingly reached maximum parody with the latest trigger warning for 1990 crime classic "Goodfellas." The message warned viewers that there were Italian mobsters in a movie about the Italian mob.

"This film includes language and/or cultural stereotypes that are inconsistent with today's standards of inclusion and tolerance and may offend some viewers," the message read.

Warnings about stereotypes or offensive material are ever-present, but notifications about trauma-related triggers for TV shows have become even more detrimental to the user experience. In effort to prevent a sensitive viewer from experiencing any form of slight discomfort, trauma warnings have actually ruined the plots of many episodes.

As Variety reported, Netflix's "Baby Reindeer" gave away that a sexual assault scene was coming with a warning that read "the following episode contains depictions of sexual violence which some viewers may find troubling."

For viewers of a popular series, it's fairly easy to predict what the content warning is referring to when it can easily be connected to a character's story arc.

An international streaming service called Stan foreshadowed a suicide in "Better Call Saul" with a hotline number. Apple TV+ did so similarly by warning viewers about "a depiction of self-harm" in the show "Severance."

'When you give a trigger warning you're validating a person's feelings about getting offended.'

Suicide and sexual assault are the top reasons for applying warnings before content, but even if it comes at cost of the plot, many industry members just don't care.

John Whipple, founder of "Does the Dog Die" said that he doesn't care if he ruins movies. "I Spoil Movies and I’m Proud of it" the latest article on his website read.

Whipple said his data makes it obvious that there is an unmet need for very specific content warnings for all forms of entertainment.

Colleen Clemens, the director of women’s, gender, and sexuality studies at Pennsylvania’s Kutztown University, told Variety that while trauma and discomfort have started to become "conflated," she still supports trigger warnings.

"I appreciate a TV show that says at the beginning that it depicts sexual violence," she told the outlet. "That's great, thank you for telling me. I can now make a decision if I feel like I could watch that right now."

Clemens even wrote a piece in defense of trigger warnings for the Southern Poverty Law Center in 2016.

She described trigger warnings as a way to avoid memories of trauma. She even noted that she has given verbal trigger warnings when teaching at a high school, and even to adults in a university setting.

"I do not see the act as coddling. Rather, I see it as an act of nurturing," Clemens said.

Stand-up comedian Leonarda Jonie sees it quite differently.

'Now trigger warnings are broadened to include nonsensical gender identification, safe spaces, and even warnings of 'trans-misogyny.'

"The whole reason for trigger warnings is because people are being coddled. They're told that they're not responsible for their own feelings, that it's someone else's fault."

"When you give a trigger warning you're validating a person's feelings about getting offended," Jonie continued. "It's telling them they should be offended and it fuels their self-righteous attitude."

No type of content seems to be safe from such warnings, which in many cases, have turned into a way for activists to voice their own political opinions before a viewer/user has the chance to consume the content.

In early April 2024, it was revealed that a board game based on the "Tomb Raider" video game contained a scathing review of the game's main character. The game described it's own lore as "colonialist" and condemned the title character for being a person who steals from tombs.

Melissa Carter, showrunner for both TV shows "The Cleaning Lady" and "Queen Sugar," said she felt trigger warnings act as an "extra guardrail" for young viewers.

"A [trigger warning] could at least prepare them for something that's personally upsetting to them," she said.

Commentator Lewis Brackpool believes that is no longer the truth.

"Trigger-warnings used to be about warning parents and viewers of any graphic imagery with regards to distressing content. Now trigger warnings are broadened to include nonsensical gender identification, safe spaces, and even warnings of 'trans-misogyny,' which is an oxymoron within itself," Brackpool explained.

"I’d advocate to go back to the 1990s trigger warnings to which it served a solid purpose."

With numerous Disney classics and even James Bond movies receiving trigger warnings as of late, industry insiders continue to state that the warnings are here to stay. Streaming services have seemingly decided that avoidance of discomfort or potential trauma trumps the overall user experience.

There may be somewhat of a compromise available, however. An example being the CBS show "Ghosts," which posted a warning on its Facebook page while still attempting to be mindful of spoilers.

"Tonight's episode deals with sensitive subject matter. … We won't go into detail as not to spoil the episode, but we will share support resources."

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Democrats use streaming services more than Republicans, with only one platform used more by GOP



Democrats use streaming services more than Republicans do, with the liberal party members out-watching their conservative counterparts on almost every major streaming platform.

Of the top eight streaming platforms in the United States, more Democrats had subscriptions on seven of them in 2023. The difference in viewership is not staggering, but on each of those seven platforms at least 5% more Democrats are members than Republicans are.

The largest gaps are on Netflix, where 68% of Democrats watch as opposed to 58% of Republicans, as well as Hulu, which has a 44% DNC watch rate compared to 33% GOP. The biggest difference came on HBO's MAX service, which saw 33% Democrat usage and 20% Republican usage.

The national consumer study by MRI-Simmons, analyzed by Variety, did show that one streaming platform is more preferred by conservatives. Paramount Plus saw 24% usage by Republicans in 2023, while 22% of Democrats subscribed.

While the survey did not attribute reasons for why a given streaming service was preferable, Paramount's streaming service holds the rights to beloved show "Yellowstone."

The drama series reportedly has high viewership in cities such as Dallas, Oklahoma City, and Fort Myers, Florida, according to Time, which also noted the show's significant crossover with the outlet Country Living.

The show's co-creator, Taylor Sheridan, recently appeared on "The Joe Rogan Experience" and explained his view on political division in the country.

"It's fascinating the language is being reinvented before our eyes there's all these new words that are just meant to keep one person from disagreeing with another person's position," Sheridan explained. The filmmaker then cited a passage he had read about why liberals and conservative opinions have drifted further apart as opposed to aligning on issues.

"The liberal point of view was that crime and all these social ills ... it was a, so it's a social construct, and that if you could find a way to level the playing field for everybody that crime would be eliminated all these issues would go away," Sheridan began. "The flip side of that is the conservative view, which is there's evil in the world [and] there's good in the world. We're going to try and manage the evil as best we can and create an opportunity for people to succeed or they can f**k up and best of luck," he continued.

"One side seems naive, one side seems extremely harsh, but those are the beliefs and that side can never compromise with this side and vice versa because you're abandoning your own ideology."

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