Ditch The Leprechauns And Read The Real Story Of St. Patrick’s Day
Now, more than ever, we need to put the Saint back into St. Patrick’s Day!I grew up measuring time by the turn of seasons. Autumn meant schoolbooks and shorter days. Winter meant stripped fields, wind off the Atlantic, and weekend mornings beside my father in the wild stretch of Connemara, County Galway. Stone walls, peat bog, and low mountains framed the years that shaped me.
We hunted game birds — wing shooting, as my father called it. Pheasants burst from hedgerows in a clatter of bronze feathers. Woodcock came tearing through trees like pilots who had misplaced their maps. Snipe flickered over the marsh, determined to test the dignity of anyone aiming at them. Over time, you learned the land — and with it the humbling truth that even a bird with a walnut-sized brain could make you look foolish.
There was a burst of snarling, then a sound I still hear nearly 20 years later. Two badgers were below.
Nothing about it was hurried. We walked for miles. We watched the wind. We read the ground. We spoke softly, and often not at all.
My first gun came later than I wanted and earlier than my mother preferred. I fired my first shot at 13. I still remember the weight of it, the kick, the sudden understanding that I was holding something that demanded respect. I also remember missing completely and nearly falling backward from the recoil. My father didn’t laugh. He checked my stance, corrected my grip, and only then allowed himself a small smile that said "you’ll learn."
And I did.
At first, like any boy, all I wanted was to pull the trigger and fire into the sky. But my father had other ideas.
Learning to shoot, he insisted, was an art. Cheek firm to the stock. Follow through. Don’t rush. Breathe steadily. Safety first, always. A gun was never waved about, never pointed without purpose, never treated as a toy. It was a tool, and tools required competence.
The first time I hit a clay target, a surge of triumph swept over me. The first time I brought down a pheasant cleanly, I felt pride — and with it a sober awareness of what the shot meant. A life had ended, and I understood my part in it. My father insisted that we retrieve every bird and carry it home. Waste wasn’t tolerated. Nothing was done carelessly.
In those early years, the hunting extended beyond birds. Foxes came too close to the farm in lambing season. They took what they could. When that happened, the task fell to us. I was younger then, and I didn’t relish it, but I understood it. This wasn’t sport but protection. The lambs were vulnerable. The farm depended on them. Badgers, powerful and stubborn creatures, could maim or kill a sheep if they set upon it.
One afternoon, when I was about 15, we brought our two terriers to a sett we had been watching. They were small, fearless dogs — my father’s pride and joy — bred to go to ground and drive out whatever lay beneath. We waited above the hole, listening.
What came back up wasn’t what we expected.
There was a burst of snarling, then a sound I still hear nearly 20 years later. Two badgers were below. The fight was brief and brutal. When it ended, both terriers were dead.
The silence afterward felt unnatural. My father said little. He knelt beside the dogs, his hands steady, his face set in a way I had never seen. That day left its mark on both of us.
Within a week, he had tracked the badgers’ movements. He watched their runs, noted their patterns, and returned at dusk when they emerged. He shot them cleanly. I remember the way I looked at him then — not simply as my father, but as someone I deeply admired. Our dogs were gone, and he had set things right.
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After that, our trips to Connemara changed. I was less a child tagging along and more a companion. We walked side by side, reading the land together. He asked what I saw and waited for the answer.
I recently flew back to Ireland to hunt with my father again. Dawn came slowly over the Twelve Bens, washing the valley in a soft silver light.
We walked as we always had. Now in his early 60s, he moved more slowly, but his eye remained sharp. A pheasant burst from cover. I swung, fired, and missed. He said nothing. Another bird rose minutes later. This time the shot landed true. He nodded once — which, from him, amounted to high praise.
There is a caricature of gun culture that reduces it to aggression — the love of noise, the love of power. That was never my experience. Hunting with my father gave me a vocabulary that didn’t rely on words. Approval showed itself in the briefest of looks. Correction came with a hand on the stock. Trust arrived in small responsibilities — carrying the gun, crossing a wall safely, judging distance and wind.
We ended the day as we always did: muddy boots, cold hands, birds cleaned and hung, and a couple of pints at the local pub. Outside, evening settled. Inside, there was warmth and a quiet satisfaction.
George Clooney has it all. The villa on Lake Como, the Hollywood halo, the tequila fortune.
And now — apparently — a farm. He grows olives, you see. Presses them into artisanal oil. Talks lovingly about “the land.”
In Ireland, farmer suicide rates are among the highest in the country. In America, it’s even worse. Farming isn’t just lonely — it’s a daily battle against debt, drought, and despair.
It’s the sort of thing the lifestyle press laps up. The movie star who’s “gone back to nature,” barefoot among the groves, a rake in both senses of the word. But as someone raised on an actual farm in Ireland, I can’t help but laugh. Calling Clooney a farmer is like calling yourself a surgeon because you once removed a splinter with tweezers.
My father’s a real farmer. He’s the kind of man who measures days in chores, not hours. He’s out there in rain, shine, or two feet of snow, wrangling 100 cattle and 300 sheep with saintly patience. Starting at age 7, I spent 10 years doing the same thing. The man’s hands could sand a doorframe just by clapping. His back has carried more than hay bales. It’s borne the heavy burden of being taken for granted. Farmers feed everyone, yet everyone forgets them. They’re the engine of every economy and the punchline of every town.
The romantic idea of farming — what I call the “Clooney complex” — is built on Instagram filters and feckless fantasy. A celebrity buys a few acres, plants some lavender, adopts a goat named Aristotle, and suddenly it’s “sustainable living.” They wear linen shirts and wax lyrical about the “spiritual rhythm” of rural life, just before jetting back to L.A. in a jet that could single-handedly melt a glacier.
Meanwhile, the real farmer down the road is up at five, knee-deep in muck, coaxing a calf into the world in sideways sleet. The rhythm of real rural life sounds less like “peaceful simplicity” and more like an industrial power washer.
We don’t name our sheep. That’s something people who’ve never farmed don’t understand. When you’ve got 300 of the woolly little delinquents, sentimentality is a luxury you can’t afford. I’ve seen enough lambs die in winter to know why farmers are wary of names. We remember numbers. The birth tags. The weight. The cost of feed. The constant arithmetic of survival. Romanticizing farming is like romanticizing trench warfare — fine for those who've never experienced it firsthand.
And yet, people love the image. The noble tiller of soil, weathered but wise, standing in a sunset, surrounded by his empire. They never show the invoices, broken fences, silage bills, oppressive environmental regulations, or the bank statements.
They don’t show the nights you lie awake wondering whether the mart price will rise or fall. They don’t show the hours spent alone, the silence broken only by the rattle of a gate or the cough of an animal on the way out. Farming is isolation dressed as independence. You’re your own boss, yes — but your employees are cows, and they never take a day off.
In Ireland, farmer suicide rates are among the highest in the country. In America, it’s even worse. Farming isn’t just lonely — it’s a daily battle against debt, drought, and despair.
Each season, costs climb higher: cement for sheds, grain for feed, diesel for tractors, even medicine for the herd. Profits shrink, pressure builds, and hope thins out like soil after too many harvests. American farmers are now three and a half times more likely to die by suicide than the average worker. The farm devours what it earns. It’s less a business than a benevolent parasite — you feed it in the hope it feeds you back.
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But to the celebrity farmer, it’s a lovely way of life. Clooney can pose with his olives, Chris Pratt with his chickens, or "Top Gear" legend Jeremy Clarkson with his camera crew and call it “a return to roots.” Fine, let them have their fun. But real farming isn’t less a return than a sentence. It’s 70-hour weeks, constant pressure, and the faint but familiar panic of wondering what happens if you get sick. No stand-in. No understudy. Just you and the land, locked in an ancient marriage of necessity.
Don’t get me wrong — I love the land. There’s a holiness to it that city life can’t touch. I understand why people are drawn to it, even why they imitate it. But farming isn’t a hobby. It’s not therapy. It’s work in its rawest form — bone-deep, back-breaking, Sisyphus-like labor. And while actors can play at being farmers, farmers can’t play at being actors. When a calf’s stuck halfway out, the only thing rolling is your sleeves. There are no retakes.
If George Clooney wants to plant crops, fine. Let him. But I’ll believe he’s a farmer when he’s up at dawn to dig a drain, when his hands smell permanently of disinfectant. I’ll believe it when his holidays depend on the lambing schedule and not the film schedule. Until then, he’s just a gardener with glorious lighting.
Farming is a philosophy in itself. It teaches humility, patience, and a genuine appreciation for the good times. You learn to solve problems with what’s at hand — wire, hope, and plenty of profanity. It’s not glamorous, but it’s brutally honest.
So when I read about Clooney's olives, I smile. Until he has scraped muck from his boots with a stick, yelled at a stubborn sheepdog that won’t listen, and worked from first light to last, I’ll save my applause for the real ones: the men and women who work the land not for show, but for the soil itself. Owning a field doesn’t make you a farmer any more than starring in "The Perfect Storm" makes you a fisherman.
In Ireland, the priest was once as vital to a village as the pub or the post office. He baptized the babies, buried the dead, and kept the farmers from killing each other.
If the neighbors were at war over a hedge, he’d settle it before Mass and still have time for a fry-up. The priest wasn’t just a man of God but also a referee of rural life — part Joe Rogan in a cassock, part St. Patrick with a whistle. The church bell was the town clock. The confessional was the psychiatrist’s couch. And the parish hall was the beating heart of the community.
You can now 'attend' Mass online, complete with comment sections and buffering hymns. It’s efficient, yes — but as spiritually satisfying as watching someone else eat your dinner.
That Ireland is disappearing. This year, the entire country produced just 13 new priests — barely enough to fill a choir, let alone a nation. The waves of eager new recruits who poured forth from the seminaries are no more, leaving weary veterans to cover half a dozen parishes, driving from one church to the next like overworked delivery drivers of the divine.
What happened? "This is an immense question, requiring a book-length answer," Irish journalist John Waters tells Align, after which he kindly attempts a summary anyway:
The explanations include: Ireland’s history of kindergarten Catholicism; the damage done by simplistic moralization; the liberal revolution; the infiltration of the Catholic clergy; the escalating implausibility of transcendent ideas (a contrived not a naturalistic phenomenon); the moral inversion unleashed by the LGBT revolution; the confusion created by the church leadership for the past 12 years and counting; et cetera.
The outlook is bleak. The number of priests in the capital is expected to fall by 70% over the next two decades. Since 2020, only two priests have been ordained in Dublin’s archdiocese.
Across Ireland, the average priest is now over 70, long past retirement age. Some say the Church’s only hope is to let priests marry. It would make more sense than flying in bewildered clerics from Africa, men who can quote Scripture but not survive small talk in a Kerry kitchen.
It’s not that people stopped believing in God (though Ireland’s Catholic population has fallen to just 69%, down from nearly 78% less than 10 years ago). They just stopped believing the Church was worth the effort.
The pews that once held families now hold the few who remember when everyone came. Ireland changed faster than the Church could follow. Confession replaced by podcasts, pop psychology, and Pornhub. It’s a lethal mix of heresy and habit — busy souls, distracted minds, and a generation convinced that salvation can be streamed, scheduled, or outsourced.
At the same time, people like my mother still light candles. They still bless themselves on long drives. They still mutter prayers when the doctor calls with bad news. Faith is still there; it has just learned to keep its head down. Weddings and funerals still draw a crowd, if only because even the most lapsed Irishman can’t stomach the thought of being buried by a stranger in a suit. The flame is still there, but it’s more a pilot light than a blaze.
The fading of show-up-every-Sunday faith has mirrored the fading of everything that once made Ireland feel Irish. The language is vanishing, the music sanitized, the dances replaced by drill rap and dead-eyed TikTok routines.
Even the local watering hole — the unofficial annex of every parish — struggles to stay open. What’s vanishing isn’t just religion; it’s ritual, the sense that life meant something beyond the week’s wages.
Technology promised connection but delivered solitude. You can now “attend” Mass online, complete with comment sections and buffering hymns. It’s efficient, yes — but as spiritually satisfying as watching someone else eat your dinner.
Once, the whole community walked to church together, children skipping ahead, neighbors chatting along the road. After Mass came tea, gossip, and maybe even a few sneaky pints. These days, the only communion most share is over brunch — order taken by a Filipino, processed by a Nigerian, cooked by a Ukrainian, and blessed by a middle manager named Ahmed.
In rural towns, churches stand like sentinels — beautiful, empty, and slightly ashamed of their own magnificence. Some have become cafés or concert halls, serving flat whites where once they served faithful whites. It’s called progress, though it feels more like repurposed reverence.
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The same could be said across the pond. In Canterbury Cathedral — the cradle of English Christianity — artist Alex Vellis recently staged “HEAR US,” a graffiti-style art project inviting visitors to ask, with spray-can sincerity, “What would you ask God?”
The answers, splattered across medieval stone, came from “marginalized communities” — Punjabi, black and brown Britons, the neurodivergent, and the LGBTQIA+ faithful. A veritable clown car of the aggrieved, somehow granted front-row parking in the house of God. It was meant as inclusion; it landed as intrusion — like stringing jockstraps across the Vatican altar.
When critics like Elon Musk and U.S. Vice President JD Vance rightly accused the project of desecrating beauty in the name of diversity, Vellis fired back not with argument but with anatomy, accusing his detractors of “small d**k energy.”
The phrase, unserious on the surface, hinted at something deeper: Both sides — the artist and the church that hosted him — seem afflicted by the same crisis of conviction. The Church, once roaring with moral certainty, now offers apologies to everyone and inspiration to no one. Its critics, meanwhile, confuse provocation for courage. Between them lies a vacuum where virtue used to be.
And this isn’t just an English problem. Across the Christian world, churches of every stripe — Catholic, Protestant, evangelical — have lost their fortitude. Too timid to offend, too eager to trend, they’ve traded conviction for comfort. "Small d**k energy" has gone liturgical.
Even in Ireland, where the Church once thundered with certainty, cowardice now calls the homily. The pulpit peddles activism instead of absolution, politics instead of prayer. No wonder so many stay home. And no wonder young men won’t answer the call. Who wants a life devoid of sex, love, and laughter?
If Catholicism is to last, it needs less talk and more testosterone. The next revival won’t come from a press release but from those who still believe life means something. If the Church in Ireland and beyond wants people back in its pews — and its pulpits — it best man up.
A Pittsburgh Steelers quarterback was allegedly mugged in Dublin before his team played in the NFL's first ever game in Ireland.
The Steelers played the Minnesota Vikings at Croke Park early Sunday as part of the NFL's ongoing overseas showcases. The Steelers won 24-21, but neither their backup quarterback nor one of their dedicated fans were able to enjoy the game without experiencing all Dublin has to offer.
'GET THIS GOVERNMENT OUT NOW!'
The crimes happened within a couple miles of the stadium, with the Steelers quarterback getting attacked in the Temple Bar and Dame Street area.
Skylar Thompson — a 6'2", 219-pound veteran currently on injured reserve — was "jumped and robbed" late Friday night by what was described by the Irish Independent as "several men" who stole his phone.
Thompson suffered minor injuries and was allegedly brought to the hospital.
Irish police said they were on patrol on Dame Street in "the early hours of Saturday morning" when they "encountered a male who required medical assistance" at the scene.
Unfortunately for football fans, thugs were in the area after the game, as well, as a disabled elderly man was also robbed on Sunday night.
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— (@)
According to another Irish report, a man named Gregory, who was in a wheelchair, stopped in the street to smoke a cigar in celebration of the Steelers' win. At that point, Gregory was robbed of his phone by a woman who attempted a quick getaway
Fortunately, members of the public alerted nearby police who were able to chase down the woman and return Gregory's phone. The woman was taken to a local police station and charged.
Gregory was reportedly robbed on O'Connell Street, which is even closer to the stadium than the area where Thompson was mugged.
These areas are known for crimes against foreigners and tourists, according to reports, particularly in the form of pickpocketing and robberies. Previous suspects have been described as young drug dealers and youth gangs.
Additionally, in 2024, a man named Mohamed Axmed was reportedly jailed for robbing two U.K. tourists in the same area.
— (@)
Former UFC champion Conor McGregor, who has aspirations of becoming the president of Ireland, quickly spoke out about Thompson's mugging.
"Let the World know! Ireland is ran by traitors to its people!" McGregor wrote on X, quoting comments about the story. "GET THIS GOVERNMENT OUT NOW!"
While Irish police confirmed "no formal complaint" over Thompson's situation was made, NFL reporter Tom Pelissero reported on comments from the Steelers' organization that seemingly confirmed the ordeal.
"Thompson, who is on injured reserve, suffered minor injuries but is OK and with the team," the reporter wrote on X. "Statement from Steelers Spokesman Burt Lauten: 'We are aware of a situation involving Skylar Thompson on Friday night in Dublin. We will have no further comment at this time as we are working with NFL security to gather more information regarding the incident.'"
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