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Democrats don't want to accept responsibility for the consequences of their rhetoric.Sara Gonzales infiltrates Democrats’ ‘People’s State of the Union,’ gets kicked out after trolling Joy Reid
In protest of President Trump’s State of the Union address, Democrats held their own “People’s State of the Union” featuring Joy Reid — and BlazeTV host Sara Gonzales was easily able to infiltrate it before getting kicked out after trolling the former MSNBC host.
“Now obviously, President Trump is the troller in chief, and I just try to learn from him like a young Padawan. And I just thought, you know what? I’m gonna do a little trolling as well,” Gonzales explains.
While there, Gonzales squeezed in some interviews with the audience — one of whom was dressed in an inflatable cat suit.
“So do cats, is their official position that they don’t like Donald Trump?” Gonzales asked the cat attendee.
“They definitely don’t like this guy,” the cat responded, holding a sign of JD Vance.
Another man was holding a sign that read, “MAGA is Putin’s tool.” When Gonzales asked how MAGA is Putin’s tool, the man responded “Figure it out. If you can’t figure it out, you’re part of the problem.”
“I mean, I feel like you would want to educate people as to exactly how that is,” Gonzales shot back, adding, “You don’t want to educate people? ... How much you were paid to be here tonight?”
“Fifty bucks and a bottle of Crown Royal,” he answered.
“Really? Does George Soros pay that to you?” she pressed, before he yelled back, “Fascist maggot, get the f**k out of here.”
After briefly heckling Reid, who took the stage and immediately began celebrating Kilmar Abrego Garcia, Gonzales was kicked out of the event — missing a performance by Reid and another woman singing.
“You guys can hear the claps,” Gonzales comments, adding, “There’s nobody there."
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The Left Will Never Forgive Renee Good (Or Anyone Else) For Being White
Leftism is the only ideology that demands total subjugation and will still treat you like garbage after you die for it.
'Bell'-buster: Joy Reid tries to cancel classic Christmas 'Jingle'
“Truth. Justice. Whatever.”
Hollywood’s disdain for America is official with the poster tagline for this summer’s “Supergirl.”
'I don’t care for Owen Wilson, and I don’t care for Matthew Lillard.'
How the industry embraced the problematic “girl” part of the name is a debate for another day. Just know that Hollywood hasn’t been cozy with the classic Superman slogan, “Truth, justice, and the American way,” for some time. The 2006 Brandon Routh reboot infamously ditched that last part, as did this year's James Gunn version.
Now to show us that this Supergirl can’t even, the phrase is purposely imploded. And to be fair, the results come off better here, if only because the newest Supergirl is a rebel without a cause (or home planet).
Those offended by ditching “the American way” may be more outraged by the accompanying trailer. It looks as gloopy as this past summer’s “Superman” reboot, but with half the gravitas and action.
Prediction: Superhero fatigue goes nuclear in 2026 ...
Jay Zzzzzz
Slackers never grow up. They just stay in their parents’ basements indefinitely.
That isn’t true for Jay and Silent Bob. The slacker heroes from Kevin Smith’s imagination refuse to call it a career. They’ve appeared in two features as the key attractions and several Smith movies like the “Clerks” franchise and “Mallrats.”
Now Smith is warning us there’s a third Jay and Silent Bob film in the works. “Jay and Silent Bob: Store Wars” will start production next year. But will anybody show up?
“Jay and Silent Bob Reboot” made under $5 million in 2019. Smith’s last film, “The 4:30 Movie,” didn’t earn enough for BoxOfficeMojo to include its figures.
Smith may have come of age during the ‘90s via “Clerks” and “Chasing Amy,” but his devoted flock has done nothing but shrink since then. Bigly.
Smith, 55, and co-star Jason Mewes, 51, may seem too old to keep cracking pot jokes, but Smith deserves credit for finding enough cash in his sofa to keep his franchise afloat ...
Pulp Friction
Quentin Tarantino can’t get criticism out of his system.
The former video store clerk was set to make “The Movie Critic” his 10th and final film, but he got cold feet and went back to the proverbial drawing board. Since then, he’s been criticizing ... everything, including specific movie stars.
That’s an unofficial no-no in celebrity circles, but Tarantino is out of you-know-whats apparently.
The director recently slammed actor Paul Dano (“The Batman,” "Love and Mercy”), dubbing the actor “weak sauce” and worse, as part of that now-infamous “Bret Easton Ellis Podcast” interview.
Hollywood stars rallied around Dano, saying he was far better than what the mercurial director dubbed him. Tarantino also shredded two more stars as part of that conversation.
“I don’t care for Owen Wilson, and I don’t care for Matthew Lillard.”
Wilson has yet to publicly respond, but Lillard did just that at a recent Comic-Con-style event, the GalaxyCon in Columbus, Ohio.
“Eh, whatever. Who gives a s**t,” Lillard said before revealing that he actually does give a bleep.
“It hurts your feelings. It f**king sucks,” he said. “And you wouldn’t say that to Tom Cruise. You wouldn’t say that to somebody who’s a top-line actor in Hollywood.”
So far, Lillard’s former co-star Scooby Doo has no comment ...
RELATED: These are the definitive recordings of 35 favorite Christmas carols: Don't argue, just listen
'Jingle' jerk
The war on “Baby, It’s Cold Outside” is over, and the good guys won. The song continues to play every Christmas season despite a woke attempt to cancel it. The less problematic “remake” by John Legend and Kelly Clarkson was quickly forgotten.
Now former MSNBC host Joy Reid is declaring war on ... “Jingle Bells." And you’ll never guess why. Just kidding.
The song’s writer, James Lord Pierpont, allegedly penned the ditty for racially charged reasons, according to Reid. To her credit, if anyone knows about racially charged topics, it’s a former TV personality who sees racism around every corner.
To her, Elvis Presley’s nickname, “The King,” is racist.
She used a Massachusetts plaque as her “proof” of the song’s racial components, along with Pierpont’s days fighting for the Confederacy. The song’s lyrics appear as benign then as they do now.
Maybe she could record her own version of the song, a la Legend and Clarkson, and watch it follow eight-track tapes, pagers, and MSNBC into the dustbin of history.
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