VICTORY NAP: Rosie O'Donnell's back — with the same tired Trump trash talk



Rosie O'Donnell has returned ... and she didn't bring her freshest material.

You would think her years-long sabbatical from the spotlight would have given her the time to come up with some choice zingers for her archnemesis, Donald Trump.

Jagger is 83 and looks in remarkably good shape. His rock peers? Not so much.

Instead, the best she could do was this moldy oldie: "Orange Voldemort."

To be fair, the Queen of Not-So-Nice is also well past her sell-by date. The "A League of Her Own" star hasn’t been hot since Avril Lavigne ruled the charts. And it got even cooler last year when she fled to Ireland in mortal fear of President Donald Trump 2.0.

It’s hard to land acting gigs when you’re living thousands of miles away from La La Land.

Now, she’s back. Sort of. O’Donnell had a brief Broadway run with a one-woman show, and she’s been hosting “Jimmy Kimmel Live!” all week.

She used the ABC perch to mock President Trump, suggesting she was getting under his skin. Yes, Trump is the president of the greatest country in the world again, and O’Donnell had to leave her home fearing some make-believe threat he poses.

You know what they say, Rosie: If you can't say something funny, don't say nothing at all.

Midnight in Madrid

A director synonymous with New York is having a hard time making films there now.

Woody Allen’s 51st feature is set to start shooting this October in Madrid. The Oscar winner hasn’t shared much about the project, but we know that local officials are helping defray the film’s $12 million budget.

So why not the Big Apple? It’s complicated. First, Hollywood unofficially cut bait with Allen during the #MeToo movement. Suddenly, the industry took the disturbing allegations against the filmmaker seriously. He had previously been accused of molesting his daughter Dylan Farrow, but Hollywood looked the other way until it became uncomfortable to do so.

Plus, U.S. investors aren’t as keen on backing his low-budget, low-ROI stories anymore, let alone support a star with a murky past.

Then again, maybe the Jewish filmmaker is better off in Madrid, not the Big Apple. Does he really want to shoot a movie in Zohran Mamdani’s New York?

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Leon Bennett/Stephen Jaffee/Chip Somodevilla/Win McNamee/Infadel/Jim Watson/Getty Images

Just 'Wonder'ing

Another day, another celebrity plays the race card. But does this actor have a point?

Yahya Abdul-Mateen II snagged an Emmy nomination for playing the obscure Marvel Comics hero Wonder Man in the Disney+ show of the same name. The series earned a quick second season greenlight before the Mouse House said, “Psych!” and canceled it.

Now the actor is suggesting to Vanity Fair that Marvel has a racism problem. Maybe. Sort of. Hey, he’s just asking questions.

His proof? He brought up not just his show, which co-starred Ben Kingsley and race-swapped his character from the comics, but another doomed MCU affair.

Remember the multiyear effort to reboot the “Blade” franchise, formerly featuring Wesley Snipes? The studio hired the uber-talented Mahershala Ali as the titular vampire before multiple attempts to launch the film failed. Says Abdul-Mateen:

I think the optics are obvious. If I’m a big business, if I’m Disney, if I’m Marvel, I don’t want to be attached to these optics. So it should be a priority to change that narrative and to do what it takes to responsibly change that narrative with quality stories, with quality resources.

It never hurts to play the race card in Hollywood, and you don’t have to have an open-and-shut case for it. The star ignores the hyper-successful “Black Panther” series, which will get a third installment soon. It also downplays Marvel’s attempt to have Anthony Mackie, who is black, take over for Chris Evans as Captain America.

That film, “Captain America: Brave New World,” didn’t make as much as most big MCU projects.

If this were the peak woke era, “Wonder Man” might be suddenly “uncanceled” after his comments. As is, Abdul-Mateen’s best chance for revenge is holding an Emmy trophy high on Sept. 14 ...

Prayers up for Parton

Mick Jagger famously sang, “What a drag it is getting old,” on “Mother’s Little Helper.”

The irony? Jagger is 83 and looks in remarkably good shape. His rock peers? Not so much. Rod Stewart, 81, just pulled the plug on his troubled 2026 tour after receiving a coronary stent.

Lionel Richie couldn’t dance on a ceiling, or elsewhere, in the early stages of his current tour. Health issues have plagued the veteran star, now 77. And then there’s poor Frank Beard. The drummer for legendary ZZ Top just passed away at 77.

Dolly Parton is still with us, but the 80-year-old legend just took a step back from the spotlight after feeling a little “swimmy-headed.” Don’t do this to us, 2026. We’re warning you.

The video of Tony Hinchcliffe & Snoop Dogg they forgot to delete — it changes everything



When the vultures came for comedian Tony Hinchcliffe, they thought there was a lot of meat on the bone.

Circling from above, media watchdogs and political operatives thought they had him, and Trump, dead to rights.

'We'll change the narrative.'

But they forgot something.

It was October 27, 2024, when Hinchcliffe appeared at Donald Trump's campaign rally at Madison Square Garden. Jokes about Puerto Rico being a floating pile of garbage were deemed racist and insulting.

For weeks, the joke police wanted voters to believe that Hinchcliffe is a monster whose ethos is a direct descendent to Trump and his then-possibly incoming administration.

Fast-forward two years and Hinchcliffe was in the crosshairs again for his roast jokes, this time at a literal roast. Jokes about George Floyd during the roast of Kevin Hart were deemed as "not even a joke" by Wanda Sykes, while Floyd's foundation labeled Hinchcliffe a "racist comedian" in a series of insulting statements.

There's a problem with these accusations though. There was a lot of footage they forgot to erase.

The smokeout

Despite constant backlash in the media, Hinchcliffe has always refused to back down, punch after punch, year after year. Perhaps the reason is because Hinchcliffe knows he has the tapes to back himself up.

December 10, 2016, 10:00 p.m.: The "Snoop Dogg Smokeout" airs, ironically, a month before Trump takes office for the first time.

Snoop Dogg, Mike Epps, Terry Crews, LL Cool J, and ... Tony Hinchcliffe.

In front of what Snoop described as an "all-black crowd," Tony did what Tony does.

"Hello everybody, you're all under arrest," Hinchcliffe began.

Soon, the then-32-year-old told comedian Luenell she looks like she needed "two seats on the Underground Railroad."

This was followed by Hinchcliffe saying comedian Michael Blackson had his makeup done with a "charcoal briquette" and that Snoop's estranged kids would love to smoke weed with him if they ever met.

No one was offended; in fact, other comedians were literally falling out of their chairs as audience members waved towels and screamed.

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Snoop was the most impressed. Within the year, he had Hinchcliffe on his own podcast to reveal what today would be highly controversial news: The allegedly racist comedian was writing a movie for one of the most iconic rappers of all time.

Total recall

In more forgotten footage, Snoop spoke more about his friendship with the Ohio comedian years later on "The Joe Rogan Experience."

"He's the s**t," Snoop said about Hinchcliffe.

Airing just four months before the MSG debacle, host Joe Rogan said he was ready to go all-out in support of Hinchcliffe's career. Snoop and Rogan went back and forth praising Tony, declaring him to be one of the best roast comedians of all time.

Snoop then directly addressed Hinchcliffe's racial comedy at his own roast, saying, "I seen him at an all-black [show] with an all-black crowd steal the f**king show."

Rogan said he had "all his chips in" on Hinchcliffe as the two contemplated how to make him a star. Spitballing ideas, the duo came up with show ideas for Hinchcliffe, with Snoop himself saying that a roast battle format mixed with musical performances could force a monumental shift in pop culture.

"It would make the sensitive people, to comedy, be nonsensitive because now you have two comedians talking s**t about each other."

The audience couldn't possibly be sensitive to jokes after seeing that, Snoop asserted.

"We'll change the narrative," Snoop said. "That's my guy."

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WWE/Getty Images

The media illusion isn't strong enough to convince most audience members or comedians that Tony is racist. That includes Kevin Hart, who was the butt of many of the allegedly harmful jokes months ago.

Hart has explained that he was never actually offended by the roast jokes, saying he is always going to "appreciate humor," even when the humor is about him being "on a slave ship in a bottle."

Even through-and-through Democrat supporter Jon Stewart defended Hinchcliffe through the ordeal.

It's not likely that anyone short of Chelsea Handler will think of Hinchcliffe as a "racist comedian," when in proximity of him, it's actually difficult to do so.

Hinchcliffe's wildly popular "Kill Tony" show features an all-Mexican horn section, a Mexican drummer, a blind black guitarist, and a black keyboardist. A lot of the show's most popular regulars are definitively not white, so are some of his closest comedian friends.

If these associations still aren't enough to convince progressives, Hinchcliffe's answer is simple:

"I apologize to absolutely nobody. Not to the Puerto Ricans, not to the whites, not to the blacks, not to the Palestinians, not to the Jews, and not to my own mother, who I made fun of during the set."

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Ariana Grande spreads her 'truth' at the Trump administration



Singer Ariana Grande is probably tired of repeating herself.

On one hand, the singer has every right to do what she's doing, but her added commentary in recent days is sure to puzzle a lot of people, even her fans.

'Your truth is false.'

Friends for never

After having a spat with the Trump administration in June over the use of her music, the 33-year-old singer is back on the offensive over a post on Team Trump's massive TikTok page that has 14 million followers.

A nine-second video of President Trump shows him taking the stage at a rally with Grande's 2024 song "we can't be friends" playing in the background.

In response, Grande took to the comment section and wrote, "Never use my music again."

The fair point resulted in the audio on the clip being muted, but it was Grande's response to the text on the video that showed her obscure stance on one issue.

The words on-screen read the following: "Me and my truth we sit in silence… Men can't have babies and should never compete in women's sports."

"Me and my truth we sit in silence" are lyrics from Grande's song.

Grande apparently didn't agree with the video's caption, either, which stated, "This shouldn't be controversial."

In her comment, the singer stated, "Also, your truth is false."

RELATED: Britain is paying the price for years of woke ideology

Francis Specker/CBS/Getty Images

Out of step

Grande's apparent position is actually at odds with the overwhelming majority of Americans, who, in poll after poll, state they are not okay with men being in women's sports, even when they identify as women.

Pew Research's most recent number is 73%, while Napolitan News Services' responses were 63% "no."

The National News Desk had an unscientific poll in August with 96% of more than 30,000 votes choosing "no."

As well, a New York Times poll from early 2025 had the number at 79%, and a Center Square Voters' Voice Poll had 67% in 2023.

There's also no telling how many people are replying "yes" on these polls out of a desire to see what happens if a male basketball player is allowed to play in the WNBA, for example.

RELATED: White House removes song from ICE video after Ariana Grande objects: 'Barbaric, inhumane, heinous nonsense'

Noam Galai/WireImage

Ice, ice baby

Grande will continue to be at odds with the executive office so long as the administration uses her music, but she has been taking these opportunities to voice her political opinions at the same time.

In June, Grande flexed her immigration acumen when her 2024 song "bye" was used in a White House social media video promoting arrests being made by Immigration and Customs Enforcement.

"Please do not ever use my music ⁠in relation to this barbaric, inhumane, heinous nonsense. f**k ice," she wrote.

Grande sported an "ICE OUT" pin at an event months earlier, too.

The White House responded at the time. "We'll say this one last time: What's actually barbaric, inhumane, and heinous are the criminal illegal aliens who have injured and murdered innocent American citizens," spokeswoman Abigail Jackson said.

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Your keyless car is broadcasting the signal thieves need to steal it — here's how to protect yourself



On a recent episode of "The Drive," my co-host, Karl Brauer, mentioned taking his 2018 Dodge Demon to the dealership and having his car's key-programming system permanently locked down. The trade-off was significant: If Karl lost his keys, the dealer couldn't simply program him another one. The car's Radio Frequency Hub would have to be replaced before new keys could be programmed.

Why would anyone deliberately make his own car that inconvenient?

Fortunately, one of the easiest precautions against relay theft specifically is remarkably low-tech.

Because Karl was worried somebody else might make a key first.

Fob job

Challengers and Chargers, particularly high-performance models such as the Hellcat and Demon, had become notorious theft targets after criminals discovered they could exploit the same electronic system dealers used to program replacement keys. After getting into the vehicle, thieves could access the RF Hub and program their own fob. The car would then recognize the thief's new key as legitimate.

Karl's solution turned out to anticipate Dodge's own. The company later introduced Key Programming Lockdown, which permanently disabled new key programming through the RF Hub. Dodge acknowledged the inconvenience: If an owner lost all existing keys, the RF Hub itself would have to be replaced.

While Dodge addressed this particular vulnerability, that was only one way thieves were learning to defeat modern vehicle security. Other attacks don't require programming a new key at all.

Relay race

Take the proximity key. You keep the fob in your pocket, walk up to the vehicle, open the door, and press a button to start. It works because the key and vehicle communicate wirelessly — and thieves have learned how to exploit that communication too.

One increasingly common method is known as a relay attack. Using electronic equipment, thieves can capture or extend the signal from a legitimate key fob inside a house to a vehicle parked outside. The car thinks the key is nearby, allowing the thief to unlock it, start it, and drive away.

This isn't the old image of somebody smashing a window and hot-wiring an ignition. As vehicles have become more technologically sophisticated, so have the people stealing them.

Bluetooth blues

And new vulnerabilities continue to emerge. In July 2026, University of California San Diego researchers disclosed a Bluetooth flaw affecting dealer-installed KARR/SWDS anti-theft systems in at least 2.2 million vehicles. Researchers found that a nearby attacker could potentially exploit the system to unlock doors and interfere with the immobilizer.

These aren't all the same attack. The Dodge thieves programmed a new key. Relay thieves fool the car into believing the owner's existing key is nearby. The KARR vulnerability involved Bluetooth. But they all demonstrate the security challenge created as vehicles become increasingly dependent on wireless electronics.

Your car may recognize you automatically. Your phone can become a digital key. Doors unlock as you approach. Apps can start vehicles remotely. Each feature offers convenience, but each wireless connection also creates something manufacturers have to secure.

RELATED: Gone in 60 seconds: How high-tech thieves can steal your car

Jeff Greenberg/Getty Images

Low-tech fix

Fortunately, one of the easiest precautions against relay theft specifically is remarkably low-tech: Put your keys in a Faraday pouch when you're home, particularly if your vehicle sits outside. A properly functioning Faraday enclosure blocks the signal thieves are trying to relay.

Also think about where you leave your keys. Tossing them on a table beside the front door or garage can make the signal easier to reach.

I know how miserable vehicle theft can be because it happened to me.

Years ago, my modified 1985 Mustang GT was stolen. Police eventually found it stripped and burned. Then came the insurance fight, and the theft even affected my insurance afterward.

People sometimes joke that if an insured car gets stolen, it's the insurance company's problem. It isn't. You're the one filing police reports, dealing with adjusters, finding replacement transportation, and potentially watching your insurance costs rise. If the vehicle is dismantled for parts, shipped overseas, or otherwise disappears into the criminal supply chain, there's a good chance you'll never see it again.

Automakers have spent years making it unnecessary to take a key out of your pocket. Thieves have spent those same years learning how to attack the technology that replaced it.

Sometimes the smartest way to protect a $50,000 vehicle is a $20 pouch that stops your expensive technology from talking to anybody.

Europe would like you to stop ogling female athletes



Here in the U.K., we recently learned that security cameras are racist. But the seething hatred lurking behind seemingly neutral video technology does not end there. It turns out that even the cameras capturing our sporting events harbor distinctly retrograde attitudes. They're more sexist than Austin Powers, baby!

Ahead of the 2024 Paris Olympic Games, Olympic Broadcasting Services chief Yiannis Exarchos warned camera operators against the "unconscious bias" that leads broadcasters to film female athletes differently from men. “Women athletes are not there because they are more attractive or sexy or whatever,” he said. “They are there because they are elite athletes.”

The cameras aren’t the problem here. The real issue is our refusal to face up to what actually keeps people glued to their screens.

If you think this feminized moral panic won’t reach American shores, think again.

'Raising the Bar'

The European Broadcasting Union and European Athletics recently released "Raising the Bar" — a 23-page guide proposing to clamp down on camera angles they claim sexualize female athletes in international sports.

Through a series of cartoon stills that look more like swimming pool warnings for toddlers, the booklet instructs camera operators to avoid low-angle cameras positioned around the starting blocks, tight zooms, lingering shots, and unnecessary slow-motion replays.

To understand why this matters to someone on a barstool in Ohio, it all comes down to international broadcasting rights. When American networks like NBC air the Olympics, they simply buy a master feed from bodies like OBS. Because OBS has adopted these sanitized framing rules, American viewers get whatever neutered footage passes the international purity test, whether they like it or not.

Is 'sexy' sexist?

No doubt the regulations were inspired, at least in part, by the shabby treatment of German sprinter Alica Schmidt, whose athletic achievements have consistently been overshadowed by the unwelcome label of "World's Sexiest Athlete," The indignities have piled up: runway modeling appearances, endorsement deals, and the onerous burden of maintaining a meticulously curated feed of casually glamorous photos for her 5.2 million Instagram followers.

Surely American fans would never place such crass emphasis on physical appearance over athletic accomplishment, you may think.

Think again.

In the states, even the sensibly aerodynamic uniform of an elite gymnast can prompt leers. Consider the case of LSU gymnast Livvy Dunne. Dunne was an accomplished college gymnast — an All-American whose LSU team won the 2024 national championship — but it was her extraordinary social media following that turned her into one of the biggest stars, and biggest earners, in college sports.

Once the NCAA began allowing athletes to profit from their name, image, and likeness in 2021, Dunne discovered that millions of followers had considerable market value. She signed major endorsement deals, reportedly earned millions during her college years, and could command six figures for a single sponsored social media post.

Naturally, this success also prompted solemn concern that people were paying altogether too much attention to what Dunne looked like. Sports media fretted about the sexualization of female athletes while running photographs of the photogenic gymnast whose ability to attract millions of eyeballs was the very reason advertisers were writing her checks.

Dunne herself seemed rather less conflicted. “I love doing social media and I enjoy being in the spotlight,” she has said.

RELATED: Why liberals make life so ugly

flyparade/Getty Images

Chicks with clicks

There is something peculiar about this hand-wringing. Media outlets can simultaneously object to the attention paid to a beautiful female athlete and discover that photographs of that same beautiful female athlete are exceptionally useful for attracting readers.

I hate to break it to the puritans, but very few people watch women's sports — especially men — purely for athletic ability. Take away the visual appeal, and viewership will collapse. You might as well put athletes in a burqa if the explicit goal is zero titillation.

Sponsors follow ratings. Ratings follow eyes. Eyes follow what millions of years of human evolution programmed us to notice. Talent is rare — but elite talent with sex appeal is a unicorn. Why not celebrate it?

Deny that fundamental reality, and watch the entire commercial edifice shrivel up and die. Like it or not, the audience for most major spectator sports still skews male, and denying visual reality doesn’t elevate women’s sports — it robs them of the paying audience that funds player contracts. Sports are an attention economy, not an affirmative action program.

'Wrong' attention

The cameras aren’t the problem here. The real issue is our refusal to face up to what actually keeps people glued to their screens. The same cultural sickness that turns every campus protest into a "Handmaid’s Tale" cosplay has infected women’s sports. When militant feminists campaigned to ban Formula 1 grid girls, they claimed to defend women’s liberty — but in reality, it eliminated well-paid jobs that many women valued, just to satisfy an ideological purity test.

Meanwhile, OnlyFans exploded, and Instagram fitness influencers monetized every angle. Radical feminism attacks traditional modesty, yet continues to frame women as eternal victims of "the male gaze." The result is a bizarre cognitive dissonance: We celebrate sexualized women when it fits an empowerment narrative, but condemn men for reacting in predictable ways.

This isn’t about respect. It’s about control. If you control the image, you control the narrative. Beautiful, sculpted people who once drew eyes to screens are now treated as a problem to be solved. When the commentariat lobby for restricted camera guidelines, it feels less like athletic advocacy and more like institutional sour grapes. It makes you think: How many of the complainants cheering this on are the ones who, let’s face it, were never going to draw that particular gaze anyway?

Elsewhere, the internet’s seedier corners carry on as usual, because selective modesty is the latest grift. Ideologues demand sports coverage that pretends human attraction doesn’t exist, while the wider culture hyper-sexualizes everything else. Under this shibboleth, "equity" means no one is allowed to stand out — or receive the "wrong" kind of attention.

Traditional culture didn’t need such infantilizing guidance to appreciate physical strength and form without descending into vulgarity. Having removed those guardrails in the name of liberation, we now rely on micromanaged camera angles to police the very instincts their culture unleashed.

Broadcasters are killing off the one honest reason millions tune in to watch women’s sports — and when ratings inevitably collapse, broadcast revenues plummet, and the usual equal-pay complaints resurface, feminists will scratch their heads and wonder why women’s sports struggle for relevance.

Enjoy your socially engineered utopia in empty stadiums.

How comic Dane Cook lost a fortune in pasta sauce (he wasn't selling it)



An upcoming documentary on comedian Dane Cook revisits a disturbing chapter from the height of his fame two decades ago.

Cook was one of the first comedians to figure out how to turn the internet into a path to stardom. In the early 2000s, when most entertainers still regarded online file sharing as piracy to be stamped out, Cook embraced it, putting his stand-up on services such as Napster, LimeWire, and Kazaa while cultivating fans through his website and later MySpace.

'How does this end?'

Secret ingredient

Fans passed his routines around as audio-only clips, and Cook painstakingly cultivated that audience online. By 2005, his second album, "Retaliation," debuted at No. 4 on the Billboard 200 — the highest-charting comedy album in nearly three decades — as Cook graduated to sold-out arenas and increasingly prominent television and movie roles.

But while Cook was becoming one of the defining comedians of the early internet era, someone close to him was quietly siphoning away the fortune that came with it.

Cook's own half-brother, Darryl McCauley, was secretly stashing away millions of dollars from the comedian and hiding it like a mobster. A trailer for the upcoming documentary "Funny Money: The Dane Cook Story" reveals a wall safe packed to the brim with Cook's cash.

Not only that, but there were "bricks of $100s" hidden inside pasta sauce. The video depicts bags stuffed with cash submerged in plastic containers of tomato sauce, all to the tune of $12 million.

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Michael Schwartz/WireImage/NARAS

Jarring discovery

McCauley handled Cook's finances as his manager from the late 1990s until 2008, with the theft reportedly beginning in 2004 when he began diverting funds to his own accounts from Cook's.

First, the sums were in lower amounts, but receipts shown in the documentary still included a $22,000 transfer in September 2004. Before long, those amounts increased to $50,000 and then $100,000.

Cook wasn't even aware.

"I was starting to feel something that I couldn't really identify," Cook says in the trailer. "Was he hiding it in different places, stockpiling this money?"

That's where the sauce technique came in.

McCauley had an accomplice, too. According to an NBC Philadelphia report from 2010, McCauley's wife was involved in his plot and received between two and three years in prison time.

McCauley himself pled guilty to seven counts of larceny over $250, three counts of forgery and embezzlement, and other charges. This garnered between five and six years in prison. He was 45 at the time, and Cook was 38.

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M. Caulfield/WireImage/LIONSGATE

O brother where art thou?

Even though both brothers wanted to become comedians, McCauley ended up becoming a corrections officer, with Cook describing him as "a person that spent so much time pretending to be something he wasn't."

Much of the focus of the new doc appears to be centered around Cook finding out what happened to his brother after his prison stint, when he seemingly disappeared.

"Where is he? What has he done? How does this end?" Cook narrates.

The comedian said that he still believes more money is out there and that other accomplices are likely involved.

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Trump is right about the Smithsonian. Canada shows what happens when woke history wins.



President Donald Trump is right to challenge the leftist politicization of the Smithsonian, because what starts in a museum can ultimately end up as accepted fact or commonly held wisdom.

That is precisely what has happened in Canada, where national museums began packaging leftist ideas about history as diversity, equity and inclusion — whoops, that's DEI, isn't it?

There is now an active and increasingly organized campaign in Canada to criminalize 'residential school denialism.'

What is truly bizarre is that those objecting to Trump's intervention are accusing him of rewriting history! The Smithsonian has been doing just that for years. In Canada, as we shall see, it is even worse.

Trust fall

On July 24, Trump issued an executive order titled "Restoring Trust in the Smithsonian Institution," following a months-long White House review of the Smithsonian and its National Museum of American History.

The review, released July 4 as "Saving America's Story," accused the museum of abandoning its traditional role as a repository of America's shared inheritance in favor of using history as a tool for "social justice" and political transformation.

Trump's order directs federal officials to use their authority to encourage changes at the museum and even calls for temporary signs outside it warning visitors about the findings of the White House review and directing them toward other sources of historical information.

The order follows Trump's March 2025 directive instructing Vice President JD Vance, in his role as a Smithsonian regent, to work to "remove improper ideology" from the institution and prohibiting federal spending on exhibits that "degrade shared American values" or divide Americans by race.

The response has been predictable: Trump is interfering with history.

But what if history has already been interfered with? Canada offers a useful warning.

Dustbin of history

Canada's flagship museums in Ottawa have long since followed the path the Smithsonian is now taking. During this writer's lifetime, institutions created to celebrate and explain Canada's history have changed so drastically in substance and political tone that it can feel as though the old museums were wiped from the urban landscape and replaced by counterfeit structures.

At least in Canada, the museums admit what they're doing.

The Canadian Museum of History's own equity, diversity, inclusion, and accessibility strategy says the institution will "allocate resources strategically to bridge gaps" in its collections and exhibitions in order to "ensure better representation of equity-deserving groups."

This isn't merely an effort to recover neglected history. It explicitly establishes representation and equity as principles determining what the museum collects and presents.

And it isn't limited to Ottawa.

'A profoundly evil space'

Calgary's Glenbow Museum now greets visitors with the Blackfoot phrase Siksikaissksahkoyi Kiitaowahsinnooni — "Blackfoot land, your territory" — as part of a land acknowledgment that explains the museum's location in terms of indigenous territorial claims and treaty responsibilities.

One of the most beautiful museums in Canada was undoubtedly the Royal BC Museum in Victoria. But there was just too much material telling the story of the European settlers who came to Canada's West Coast and built a prosperous province out of wilderness.

As National Post columnist Tristin Hopper has noted, much of the old museum disappeared during its ideological transformation.

"The coal mine, sawmill, homestead and First Peoples gallery are all gone," Hopper wrote of the diminished museum. "And for everything left, there are placards everywhere to lecture visitors that they are moving through a profoundly evil space."

The museum itself has described its transformation in the language of "inclusivity," community engagement and the "co-creation" of exhibits.

What is the larger consequence of rewriting a country's history this way?

Arguably, it helps create a cultural elite and mainstream media prepared to accept almost any story that fits the established narrative of oppressor and oppressed. After all, isn't that what the museums have been teaching them?

Grave distortion

Consider what happened at Kamloops.

In May 2021, Tk'emlúps te Secwépemc Chief Rosanne Casimir announced what the First Nation described as the discovery of the remains of 215 children at the former Kamloops Indian Residential School in British Columbia.

The announcement exploded around the world. Canada's flags were lowered. Politicians apologized. Catholic churches were vandalized and burned. Other First Nations began announcing possible graves at former residential school sites across Canada.

Lost in all the outrage was one crucial fact: No bodies had actually been exhumed. Anomalies that could be human remains had been discovered by ground-penetrating radar.

When GPR specialist Sarah Beaulieu publicly presented her findings two months later, the original number of 215 had already been reduced to 200 "targets of interest." She described them as "probable burials," while emphasizing that only forensic excavation could conclusively determine what was underground.

Five years later, no excavation has taken place at Kamloops and no human remains have been recovered there.

Unanswered questions

There are also legitimate questions about what the radar detected. Historical evidence shows that a septic field containing underground trenches was installed in the surveyed area in the 1920s, and critics of the Kamloops narrative have argued that some of those disturbances could account for the radar findings.

That theory has not been proven either. And that is precisely the point: without excavation, nobody can say with certainty what lies beneath those patches of ground.

The federal government initially provided Tk'emlúps te Secwépemc $7.9 million for field work, records searches, and securing the residential school grounds. That funding was subsequently increased, according to government records obtained by reporters, to more than $12 million.

Yet the central question that shook Canada in 2021 remains unanswered.

Nor have excavations elsewhere always vindicated the initial radar findings. At the former Pine Creek Residential School in Manitoba, for example, investigators excavated 14 anomalies detected beneath a church. No human remains were found.

None of this means children did not die in Canada's residential schools. They unquestionably did, often from disease in an era of appalling mortality, and there are known cemeteries associated with the schools.

It does mean that a soil anomaly is not a body, a possible burial is not a confirmed grave, and a claim repeated thousands of times by politicians and journalists does not become more scientifically certain through repetition.

RELATED: Canadian state media backs secret plot to trap and humiliate Indian mass-grave skeptics

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Skepticism or 'denialism'?

Yet there is now an active and increasingly organized campaign in Canada to criminalize "residential school denialism."

In July, the Assembly of First Nations passed an emergency resolution calling on the federal government to either amend its recently passed hate-crimes legislation or introduce a new law criminalizing the public "condoning, denial, justification, or minimization" of residential school abuses as a form of hate speech against First Nations. At a news conference during the assembly, Manitoba Keewatinowi Okimakanak Grand Chief Garrison Settee said Canada's failure to criminalize residential school denialism amounted to a failure to protect First Nations from hate crimes.

The Senate had already rejected an attempt to add such a provision to the government's Combating Hate Act, Bill C-9. The Justice Minister's office said residential school denialism was a "serious and distinct issue" that warranted separate parliamentary study rather than inclusion in that legislation.

But the effort is hardly dead. NDP MP Leah Gazan's private member's bill, introduced last fall, would criminalize certain forms of residential school denialism and is still awaiting second reading in the House of Commons.

Settee also rejected demands that First Nations excavate suspected graves to establish that bodies are actually there, arguing that exhumation can violate indigenous cultural practices.

"I don't think we should have to prove to anybody what happened to these people, because they are there. And they send us messages telling us they're there," Settee said.

Recalling a visit to the Kamloops site with Casimir, Settee continued: "You can tell they're there, right? Feel the power and the energy."

Settee said outsiders may not understand the cultural significance of such experiences and argued that First Nations should be allowed to leave suspected graves undisturbed: "We just don't go into any cemetery and start digging up graves just to prove that someone died. It is disrespectful to our culture."

Money pit

Since 2021, meanwhile, the federal government has spent $285.5 million funding 166 indigenous-led projects through the Residential Schools Missing Children Community Support Fund.

This is where the question of museums and historical institutions stops being academic.

When institutions teach citizens that history should be understood primarily through political categories of oppression and identity, they don't merely reinterpret the past. They can change the standards by which claims about the past are evaluated in the present.

Evidence becomes secondary to narrative; skepticism becomes hostility. And eventually questioning an officially favored interpretation can itself become evidence of moral guilt.

So when Trump demands balance and historical accuracy from the Smithsonian, remember the Canadian example.

Once ideological activists gain control of a country's history, they don't necessarily stop at demanding that you hear their interpretation — eventually, they may demand that you believe it.

My abusive mother was not a victim — and neither is Lindsay Clancy



You would think that growing up under an abusive, personality-disordered mother would immunize a writer like me from shock at women's bad behavior. That's what I always thought at least.

Then I witnessed the extraordinary outpouring of female sympathy for Lindsay Clancy, the Massachusetts mother who killed her three children in 2023.

Some Clancy girls now claim Lindsay’s poor husband, Patrick, actually killed the kids and framed her. How do they know this? Astrology of course.

Clancy, a former labor and delivery nurse, is now on trial for murder. Her children were Cora, 5, Dawson, 3, and Callan, eight months old.

There is no dispute about who killed them. Clancy's defense admits she strangled all three children with exercise bands in the basement of the family's home while her husband, Patrick, was out picking up medicine and takeout. The question for the jury is whether she was criminally responsible when she did it.

Her lawyers say she wasn't. They argue that Clancy suffered from postpartum psychosis and bipolar disorder and that psychiatric medications worsened her condition. Prosecutors say she deliberately arranged to get her husband out of the house and knew exactly what she was doing.

Clancy girls

I don't know what the jury will decide. What I do know is what thousands of women have decided already.

Across social media, a group of women I'll call "Clancy girls" have turned Lindsay Clancy into an object of identification and affection. They see her as a poor, unsupported, overwhelmed mother who begged for help and was failed by everyone.

Does this shock you? I hope it does. It is real, and it is deadly serious.

We have a dire, immediate, society-wide problem of women identifying with evil, sympathizing with evil, and financially supporting evil.

It should be socially unthinkable for anyone, let alone thousands of women, to openly weep for a woman who killed her three children by strangling them with exercise bands. Even 20 years ago, this moral derangement would have made a woman a pariah if she dared to speak it out loud.

Not anymore. In fact, the Clancy girls are going out of their way to exonerate this modern Medea.

'Wonderful mom'

Take the Musgrove Family Fund. It has raised almost a million dollars for Clancy's parents, Mike and Paula Musgrove, who have relocated from Connecticut to Massachusetts and incurred substantial expenses while remaining close to their daughter throughout the criminal proceedings. The organizers are careful to say that donating does not require taking Lindsay's side: "Nothing about this fund asks anyone to share their view of Lindsay or the criminal case."

Yet judging from the comments, many of the female donors are more than happy to offer Lindsay absolution:

Strong support and hugs for Lindsay and her supportive parents. My sister was also an RN when she went through PPD+PPS. It was so hard to watch her go through it.

We stand beside and behind you Lindsay and family. I struggled with PPD and PPA and many times it felt like I was asking for help, reaching up only to grab air. I am sending lots of love and virtual hugs.

I know it feels like it now, but you're not alone Lindsay. Your emotion and love for your babies is felt through the screen. From one mom who's been through psychosis to another — I just want to wrap my arms around you and shower you with love and support. You ARE a wonderful mom. It wasn't you that day. It may have been your body, but it certainly wasn't your mind or thoughts. — from a Kentucky mom

Love and “virtual hugs” for this "wonderful mom." Personal emotional identification with a woman who committed a crime so depraved it forms one of the darkest psychological archetypes in Western mythology.

In the stars

For what it’s worth, I don’t believe Lindsay Clancy had a psychotic break. I don’t believe she was suffering from postpartum psychosis. I don’t believe that “too many psychiatric drugs” caused her to hallucinate and lose her mind. It’s hard to see how that’s possible when the evidence shows Clancy didn’t even take the recommended dosage of the drugs, or took them for a few days and stopped after that.

I believe Clancy shows the signs of narcissistic personality disorder and that she’s lying about having hallucinations to cover up the fact that she wanted her children dead because they interfered with the lifestyle and attention she believed she was entitled to. I think she killed them because their existence on earth meant that everything couldn’t be about Lindsay all the time.

It gets worse. Some Clancy girls now claim Lindsay’s poor husband, Patrick, actually killed the kids and framed her. How do they know this? Astrology of course.

Whatever the truth may be, it doesn’t ameliorate the shocking, reflexive sympathy countless women are displaying. Instead of being stunned by a diabolical, almost unthinkable murder, women across social media (and in hair salons, according to reports from my friends overhearing chitchat) see the mother who killed her children as the real victim.

This is moral depravity at a scale nigh unbelievable.

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The patriarchy did it

No one would make these excuses for a male family annihilator, which is what Lindsay Clancy is. Almost no one popped up to defend Chris Watts. No one wanted to “start a conversation about the pressure fathers are under” to deflect from the fact that he murdered his family.

No one makes mental health excuses for men who exterminate their children. It’s only women who get this sympathy.

Why?

Since the 1960s, Americans have been under a delusional spell called “feminism.” This magical spell managed to convince an entire country that women in the richest country in the world were unbearably oppressed. All of a sudden, all traditions were overturned. Motherhood became a burden. Children became a ball and chain forced on women by patriarchal men.

Feminism took over everyone’s mind, left, right, and center. Men and women. It has long been accepted as fact that women were always and ever subjugated by men. That having children was a prison sentence imposed on women. That being married and raising a family deprived women of making their mark in the world.

Feminism is a lie, and it is a tool of the narcissistic, resentful mind. It has pitted women against men and against their own children. It has convinced millions of women in the freest and most wealthy country in world history that they are “unsupported” and “exploited.”

Shock and despair

It would be hysterically funny if the consequences weren’t so egregious.

But they are. Lindsay Clancy stands a decent chance of being let off under the insanity plea because we refuse to acknowledge a fundamental aspect of human nature that everyone knew until the mid-20th century: Women have the capacity to do evil.

I put my abusive, narcissistic, psychopathic mother out of my life permanently 10 years ago. That’s long enough to be over the initial shock and despair of discovering that the one person I was supposed to be able to trust tried to destroy me. It doesn’t keep me awake nights any longer.

But I’m sleepless this week after discovering a new horror: If my mother had succeeded in killing me, my sister, or my brother, our names would be forgotten. Our mother would be seen as a tragic victim, a single mother “failed” by everyone.

At least she’d get hugs.

Alexandria Ocasio-Cortez and the cruel lie of egg-freezing



Alexandria Ocasio-Cortez is a busy woman. When she’s not posting thirst traps on social media, she’s apparently planning a 2028 presidential run.

And she has no intention of letting anything derail her ambitions, least of all a dirty diaper.

A woman giving birth to her first child at age 42 faces the reality of attending high school graduation at age 60.

The 36-year-old’s recent decision to freeze her eggs, coming shortly after her split from ex-fiancé Riley Roberts, has only heightened speculation. Left-leaning commentators quickly hailed the move as a triumphant act of personal autonomy, a source of inspiration for career-minded women trying to balance climbing the ladder with the inconvenient realities of human biology.

But while Ocasio-Cortez has been canny about harnessing the attention her decision has generated, dismissing her Instagram announcement as an isolated stunt would be a mistake.

Across America, thousands of young women are making the exact same play, putting motherhood on ice to prioritize graduate credentials and promotions.

On ice

Now, a man — and a "privileged" white man in particular — critiquing women's reproductive choices inevitably invites comparisons to a hyper-liberal female columnist lecturing men on the finer points of masculinity. But there is a crucial difference. While woke gender commentary relies entirely on ideological grievance, hard biological and demographic data back up every single one of the following points.

A single egg-retrieval cycle costs anywhere between $12,000 and $20,000, with annual cryogenic storage fees adding another $1,000 or more just to keep the deep freeze running. Add in injectable hormone regimens that rack up thousands more per round, and the invoice quickly resembles a down payment on a house.

The financial gamble becomes outright predatory when weighed against the clinical evidence.

Eggs retrieved after age 35 have live-birth rates below 20% per batch. Recent studies show that 94% of women who freeze their eggs never even end up using them. In other words, many women put having a child on a mental to-do list right below traveling the world, making partner, or running for office, assuming medical technology will hold the door open indefinitely. They treat cryogenic storage as a biological safety net, paying thousands in annual storage fees for an insurance policy they will likely abandon. By the time they realize the safety net is largely psychological, the biological window has closed, leaving them with an empty nursery, a mountain of storage receipts, and a harsh lesson in the limits of corporate empowerment.

Time's up

Human biology runs on a clock, and no amount of liquid nitrogen can stop it. The medical risks associated with late-in-life pregnancies expand rapidly with every passing year. The probability of chromosomal abnormalities, including Down syndrome, rises from 1 in 1,250 for a mother at age 25 to 1 in 100 by age 40, spiking to 1 in 30 by age 45. Modern obstetrics performs modern-day miracles, but older pregnancies still carry significantly elevated rates of preeclampsia and premature deliveries.

The physiological tax continues long after leaving the delivery room. For parents entering their 50s, keeping up with energetic ankle-biters can be a torturous affair. A woman giving birth to her first child at age 42 faces the reality of attending high school graduation at age 60, rapidly approaching retirement age while simultaneously taking on university tuition bills. The prospect of ever seeing a grandchild reach adulthood becomes a statistical long shot.

National demographic stability relies on baseline replacement fertility. Specifically, it requires an average of 2.1 births per woman to maintain a functional society. In 2025, the total fertility rate in the U.S. dropped to an all-time low of 1.62 births per woman. By 2034, it is expected to fall to 1.6.

Normalizing the deferral of motherhood into a woman’s late 30s drives birth rates off a demographic cliff. Converting childbearing from a foundational milestone of young adulthood into an afterthought for middle-aged professionals is a slow-motion recipe for economic and cultural suicide.

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Double burden

For those wondering how we got here, one needn’t have an advanced degree in sociology to connect the dots. Modern feminism dismisses family life as little more than a foolish career setback. It sells women the lie that a cubicle, a stronger CV, and a performance review are inherently more fulfilling than creating a family. This same careless disregard extends to the political ideology that drove it.

During a recent interview on ABC’s "This Week," Ocasio-Cortez said, “Woke 1 was crazy,” punctuating the remark with a dismissive chuckle. She may find that era of radical activism amusing in retrospect, but the consequences were anything but funny. Innocent people lost their lives due to defunded police forces. Livelihoods vanished. Reputations were ruined. Social trust was completely incinerated. Yet now that the political winds have shifted, she stands atop the wreckage and simply laughs it off.

Just as that ideological crusade upended social norms, the cultural elevation of cryopreservation now seeks to upend basic human biology. When childbearing is delayed by 15 years, the generational bridge that historically sustained extended families begins to crumble. Grandparents who would otherwise provide vital child care and daily support in their 50s and 60s are instead in their 80s, requiring intensive care themselves just as their adult children are attempting to navigate the demands of newborn parenting.

This dynamic transforms what was once a natural, thriving family support network into a brutal double burden. Exhausted middle-aged parents in the “sandwich generation” are left caught between aging elders who need care and young children who also need care.

So for those who applaud Ocasio-Cortez, it’s worth asking what happens to America if more young women follow her lead. The uncomfortable reality is that many already are. She may yet become a mother in her 40s, but there is no guarantee she will — and many of the women now freezing their eggs may never become mothers either.

Grocery self-checkout is an un-American monstrosity — shut it down



I don’t recall when I applied to become a checker at a grocery store. In fact, I’m fairly certain I am a writer by trade and have never worked in a grocery store, honorable work though it may be.

And yet it seems most stores I wander into to make a purchase have enlisted me to check out my groceries.

Well, I QUIT this unsought job I've been shanghaied into.

The self-checkout machine has been around longer than you might think.

I had that thought once again recently, standing beneath the cold fluorescent lights of a large American retailer, attempting to make my purchase — avocados, paper towels, toothpaste, and a package of hamburger — from a machine that clearly regarded me as a criminal. It beeped red and sounded an alert as if a thief were attempting to steal the Mona Lisa. After what seemed like an eternity, a bored, obese woman with four-inch nails ambled over to look me up and down and punch numbers into the screen.

No, I thought. Your look of annoyance notwithstanding, no — I’m not a grocery store checker, and I have no clue how your machine works.

Last year, the day before Thanksgiving, I found myself in an unsurprisingly packed grocery store with only one lane open. I guessed the implication was that everyone with full carts needed to scan them themselves. I watched the cattle plod their way to automated slaughter. How long can we continue this way and remain Americans?

The machines never work. There’s a never-ending requirement for some person to come unlock them (because you didn’t scan the Coke correctly). Half the time, they don’t even provide bags to put your food in. Never mind if you make the mistake of trying to buy fruits or vegetables; you have to scroll through screens to find what you want to buy. Guess what: those organic apples? I’m scanning them as regular old Galas. Oh, is that not right? Maybe you should have someone working here then.

When did we decide that companies could just jettison their workforce and have their customers fill in the slack? Are we going to start waiting and bussing our own tables? Well, there’s actually an entire genre of “restaurants” doing just that. Maybe we can save money by performing our own surgeries? Actually, let’s not give them any ideas.

The rot runs deep

The self-checkout machine has been around longer than you might think. One of the earliest recognizable systems appeared in a Kroger outside Atlanta in 1986. The idea was simple enough. Barcode technology had already transformed the supermarket. If a machine could read the barcode, why did an employee have to hold the box of Cheerios over the scanner?

For retailers, the appeal was obvious. Of course, they never asked customers how they felt about this.

Grocery stores are enormous businesses built on small margins. Labor is expensive, and checkout labor is particularly irritating from a management perspective because demand comes in waves. A store might need a small army of cashiers at 5:30 on a Friday afternoon and only a handful two hours later. Hire enough people for the rush, and you are paying workers to stand around during slow periods. Staff for the slow periods, and customers abandon carts when the lines stretch halfway down the cereal aisle.

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Here’s the thing: That’s a faceless corporation's problem. I want to avoid becoming a team member at Kroger just to buy my groceries. A normal checkout lane required a human being. Eight lanes required eight human beings. Human beings are expensive and troublesome creatures. They need wages. They take lunch. They get sick. They quit. Some even expect health insurance. So, as with almost every bit of technology in our lives, it made our lives worse by outsourcing it to ourselves. All those low-level jobs, I’m guessing, were very important to those employees sacrificed on the altar of corporate greed.

The human element

There was another function, harder to place on a corporate spreadsheet.

The cashier was a person.

For most people, that hardly mattered. The interaction might consist of nothing more than "How are you?" and "Have a good one." But those tiny exchanges accumulated into something that once characterized ordinary American life. The butcher knew what cut you liked. The bartender remembered your drink. The hardware-store clerk knew which screw you needed. The grocery cashier asked about your kids.

Commerce involved people because life involved people.

The self-checkout machine represents a different vision. It is efficient, anonymous, and frictionless when everything works. The ideal transaction requires no conversation at all. Enter the store, locate the product, scan it, tap the screen, and leave. God forbid you have to talk to another human being. For years now, chains have known that error rates are high, shoplifting is up, and popularity is in the tank. Apparently, companies are considering scaling them back. Schadenfreude, I say. But will they ever go away? Or will the America we love disappear first?

Consider this, then, my two weeks' notice. I refuse to scan my own products any more. From now on, even if it means I have to harass a manager to open a lane, I’m deciding to check out of doing unpaid labor. I choose the humans over the machines.