Comedian absolutely RIPS Kamala: Her ‘hollowness’ is ‘stage four, has gone to the brain’



Kamala Harris very clearly has her sights set on a very particular demographic — and it’s become way too obvious.

Harris kicked off a recent rally with Megan Thee Stallion. The famous rapper, clad in a cropped suit top and pants, began twerking for prospective voters.

Dave Rubin of “The Rubin Report” was disturbed by the performance, and apparently so was one comedian, Tim Dillon of “The Tim Dillon Show.”

Which is why Rubin had to show a clip of Dillon absolutely obliterating Kamala — one he doesn't "want you to miss."

“This is the campaign; these are the policies,” Dillon comments as he watches a clip of the rapper sticking her tongue out on stage. “You’re voting for this,” he adds.

“They have their perfect candidate. Half Indian, half black, attractive woman,” Dillon continues. “If you were going to build a robot in a lab that would be secretly controlled by billionaires, it is Kamala Harris.”

Dillon then goes on to call Harris “hollow,” which is perfect for a political candidate.

“She is hollow in the best way, meaning certain people, when they are hollow, there is something deeply uneasy about them, because some of them would want to not be hollow. There is some humanity in them that is trying to escape,” Dillon says.

“Kamala is so at home with her hollowness. She has been eaten by ambition. It is stage four; it has gone to the brain,” he adds, noting that “everything she says is crazy.”

“She tries on different accents, she has different sayings, she makes up family members that don’t exist, you know, ‘My aunt used to say that the future is just the past,’” Dillon mocks. “She will wreck the country and the world.”


Want more from Dave Rubin?

To enjoy more honest conversations, free speech, and big ideas with Dave Rubin, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

Check Out The Faces Of These Elderly Kamala Supporters As Megan Thee Stallion Twerks On Stage

These ladies have waited their entire lives for a female president

Try not to laugh — Glenn reads lyrics from Cardi B & Megan Thee Stallion’s new song and IMMEDIATELY regrets it



“No, I'm not going to be roped into this,” says Glenn when Stu Burguiere pulls the “Cardi B rip cord.”

For those who don’t know, Cardi B and Megan Thee Stallion just released a new song called "Bongos," and it’s… well, you’ll see.

“Why do you want the Cardi B thing?” asks Glenn after unsuccessfully trying to steer the conversation in a different direction.

“I really don’t have an answer to that; I really don’t,” laughs Stu.

“Ladies and gentlemen,” Glenn begins, relenting to Stu’s request, “Cardi B, Megan Thee Stallion — the lyrics from ‘Bongos.”’

“This is fire bong bong bong bong bong,” Glenn bellows. “N-word, eat this a[-word] like a plum / This p-word tight like a nun / better chew it up like it's gum.”

“How does anyone listen to this and think this is good?” asks Glenn, bewildered by what he has just read.

We have to agree, but it sure has the makings for great comedy.

Watch the clip below (and enjoy.)


Want more from Glenn Beck?

To enjoy more of Glenn’s masterful storytelling, thought-provoking analysis and uncanny ability to make sense of the chaos, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution and live the American dream.

Kim Kardashian Beats Hillary Clinton In Legal Quiz

'It was heartbreaking'

The Vaccine Propaganda Is Creepy And Not Stopping The Spread

Jimmy Fallon's new song is a troublesome and despairing celebration of spending Christmas isolated and masked.

Whitlock: Sports Illustrated ‘Swimsuit Issue’ another historic moment in the rewriting of American history



The left-wing obsession with placing itself on the right side of the fraudulent history that corporate media plans to write reached a historic zenith yesterday. At least Sports Illustrated thinks so.

The formerly iconic sports magazine trumpeted its 2021 Swimsuit Issue with bold proclamations about its history-making trifecta of cover models.

Tennis star Naomi Osaka is the first Haitian and Japanese cover model.

Megan Thee Stallion is the first rapper and uncastrated male horse cover model.

And Leyna Bloom, well, she's the GOAT of GOATs. Bloom is the first transgender cover model.

But that's not all. Osaka, Thee Stallion, and Bloom are the first trio of black people to grace the cover of SI's Swimsuit Issue.

Yesterday, blue-check Twitter and legacy media partied like it was 2099 and the Great Reset was celebrating its 70th birthday.

Cosmopolitan magazine tweeted with glee. "Megan Thee Stallion makes history as the first rapper ever to pose for 'Sports Illustrated Swimsuit' cover."

Page Six tweeted about Bloom and Osaka. Entertainment Weekly, People Magazine, the Today Show all threw Twitter confetti high in the air. This is progress. This is history. This is a transformational moment in American culture. This is Neil Armstrong taking one giant leap for mankind.

This swimsuit edition reminds me of other great moments in black history. My parents remember exactly where they were in 1947 when Jackie Robinson broke baseball's color barrier. My grandparents fondly remember when Jesse Owens took four gold medals at the Berlin Olympics. Has anyone forgotten that day in 1974 when Hank Aaron smashed home run number 715 and surpassed Babe Ruth?

Who will forget this moment when desperate editors of a failing magazine resorted to a publicity stunt exploiting racial tension and gender dysphoria?

"This moment heals a lot of pain in the world," Leyna Bloom tweeted. "We deserve this moment; we have waited millions of years to show up as survivors and be seen as full humans filled with wonder."

I get Bloom's joy. Gender dysphoria is a serious issue. I'm not going to begrudge Bloom and other transgenders their sense of normalcy.

My problem is with packaging of gender dysphoria with the black race. Sports Illustrated made intentional, calculated choices. The company injected race into the Swimsuit equation. These choices are subjective. No one earns the Swimsuit cover. It's given. It's not an accomplishment. It's affirmative action.

There was a time when magazines such as Sports Illustrated gained attention celebrating the actual history-making accomplishments of all athletes. Now, legacy print publications and corporate media outlets troll the public for relevance and cast their virtue signals as historic moments.

Why wouldn't they? They plan to write the history your grandchildren and great-grandchildren will read. In the world that corporate media are plotting, immoral, pornographic rappers will be portrayed as thought leaders and public intellectuals. Biological men with the balls to surgically transition to women will be described as heroes and every bit as courageous as the soldiers who stormed Normandy.

In the aftermath of the Great Reset, the Christian values that led this country down the path to freedom and greatness will be characterized as evil.

My problem is that the puppet masters are using race and racism as the Trojan horses to socially engineer America into a new reality. No one made history with the SI covers. The Swimsuit Issue is the further rewriting of history. It's another companion to the New York Times' 1619 Project. Let's call it the 36-24-36 Project, written by the Alphabet Mafia.

From ‘WAP’ To Billie Eilish, What’s Going On With Women In Pop?

With "WAP" now more than six months old, it's easier to step back and see how the track sunk into our pop cultural landscape.