The Police Report About Pete Hegseth’s Alleged Sexual Assault Vindicates Him Of Criminality

All of the evidence indicates Pete Hegseth was pursued by a married woman who then regretted her decision to have an affair.

Mike drops trou, Netflix drops ball on Tyson-Paul brawl



This is a Hollywood mea culpa no one saw coming.

In 2018, actress Rebecca Hall apologized for having starred in not one but two Woody Allen movies. This was the peak of #MeToo mania, when it was suddenly cool to bash Allen for decades-old allegations that he molested his daughter Dylan Farrow.

'This is like Blockbuster still trying to collect late fees for those VHS tapes.'

Funny how those allegations didn't bother the Hollywood elite until film producer Harvey Weinstein’s precipitous downfall in 2017.

Hall even vowed to contribute her salaries to the Time’s Up foundation, created in the wake of the Weinstein scandal.

Turns out she’s sorry for saying she’s sorry.

"I kind of regret making that statement because I don't think it's the responsibility of his actors to speak to that situation. … I regret this decision and wouldn't make the same one today.”

Huh? What changed? The #MeToo movement collapsed, for starters. Celebrity political endorsements are now about as popular as eating Tide Pods. Hall suddenly realized she didn’t want to be an actress — slash — activist.

And Allen keeps making movies. A gig’s a gig, right?

Kamala stalks Kimmel

Hasn’t Jimmy Kimmel raised enough cash for Democratic coffers? The “Man Show” host turned progressive shill is furious that he’s still receiving fundraising emails from the Kamala Harris campaign.

The failed Kamala Harris campaign, to be exact.

“’There has never been a more important time to donate to the Harris Fight Fund Program’ than right now.’ … Now, I’m not an expert when it comes to campaigns, but I’m pretty sure there has been a better time.”

“This is like Blockbuster still trying to collect late fees for those VHS tapes.”

Will this stop Kimmel from resuming his 24/7 Trump-bashing? Of course not. Still, it's nice to see some bipartisan outrage from TV’s most predictable, and suddenly sad, clown …

Cher and share alike?

Who knew “I Got You Babe” had a double meaning?

The smash Sonny and Cher ditty that rocked the charts in 1965 proved a prelude to Sonny Bono’s financial wickedness. That’s according to the 78-year-old Cher, who opened up about her late husband’s financial moves in a New York Times interview tied to her just-released memoir called … “Cher: The Memoir.”

“He took all my money. … I just thought, 'We’re husband and wife. Half the things are his, half the things are mine.' It didn’t occur to me that there was another way.”

Perhaps she channeled those memories for her solo career, including 1974’s “Gypsies, Tramps & Thieves”?

No downtime for Denzel

Denzel Washington’s retirement sounds … busy.

The superstar recently hinted that he has but a few more movies left in him, somber news for movie-lovers across the globe.

“I don’t know how many more films I’m going to make,” Washington, 69, said. “Probably not that many. I want to do things I haven’t done.”

Since then, he leaked that he’ll co-star in the upcoming “Black Panther 3.” That’s not all. He has two more “Equalizer” sequels planned. Nothing says striking new creative ground like extending a franchise built from an '80s TV series into its fifth installment.

Maybe Washington spent a few too many days away from a film set’s perks and figured retirement is for suckers …

Technical decision

That overhyped match between brawlers Jake Paul and Mike Tyson drew a whopping 108 million viewers across the globe. Rumor has it a good 50% of them actually saw Paul whip “Iron” Mike and not a buffering wheel of doom.

At least the unlucky ones were spared the sight of Tyson’s 58-year old tuchus. To paraphrase the former and future first lady, “Be better, Netflix …”

They come back. They always do.

Advertisers make nice with Musk

Neil Young and fellow aging rebels pulled their music from Spotify in 2022 after the platform refused to cancel host Joe Rogan for his contrarian pandemic views. Young and company later returned their music to Spotify after their cancel culture attack swung and missed.

Now, it’s some of the world’s biggest corporations backpedaling on their anti-free speech efforts.

IBM, Disney, Lionsgate, Warner Bros. Discovery, and Comcast pulled their advertising from X, the platform formerly known as Prince, last year to protest owner Elon Musk. Why? He’s a free-speech fan. Those corporations? Not so much.

Now, all of the above are back on the platform, sending their sweet, sweet ad cash to Team Musk’s coffers.

They could have just funneled that cash to Bluesky, the new choice of the Resistance(TM). Chances are they probably realize it’ll be the next Mastodon or Threads before long.

Victoria’s Secret or Victor’s Secret? Trans models featured in 2024 fashion show



The Victoria’s Secret annual fashion show used to be a highly anticipated event. Between the elaborate costumes, celebrity singers, stunning models, and high-profile guest list, the show drew millions of viewers from all over the world.

Enter wokeness.

In 2018, the lingerie company jettisoned the uber sexiness that long defined its brand and adopted a more artsy approach to stand in solidarity with the #metoo movement.

Then in 2021, Victoria’s Secret replaced the iconic “angels” with a group of varied models and influencers to show their commitment to diversity and inclusivity.

Last year, the fashion show was replaced with a strange pseudo-documentary featuring little femininity but lots of diversity, including a Nigerian artist who recited poetry.

And now for the cherry on top. This year, the fashion show, which just returned after a six-year hiatus, included two transgender models.

“Transgender models make history at Victoria’s Secret fashion show,” laughs Stu Burguiere, reading from an Entertainment headline.

“Are you kidding me? Is this real?” he asks.

Unfortunately, the answer is yes.

Valentina Sampaio and Alex Consani, two biological males posing as women, strutted down the runway in full-blown lingerie.

Stu displays the pictures of the two models but says he’s afraid to look too close for fear of “whatever might be going on down there.”

If we can learn anything from Victoria’s Secret it’s that “secrets are important, and sometimes you should keep them.”

“Maybe keep the secrets and don’t put them on television,” sighs Stu.

Want more from Stu?

To enjoy more of Stu's lethal wit, wisdom, and mockery, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

From #MeToo to #NotYou: Where Are All The Feminist Celebrities On Emhoff?

Harris-supporting celebrities did not bat an eye after accusations against Emhoff emerged

The P. Diddy Indictment Is Also An Indictment Of Our Depraved Culture

For decades, Diddy made music about coercive, drug-fueled sex fantasies. Now he stands accused of living a lifestyle that matched his bravado.

Disney's live-action 'Mulan' is an unsung masterpiece



Almost a decade ago, Disney announced that it would finally be moving ahead with a live-action remake of “Mulan.”

The animated musical adventure was a huge hit when released in 1998. But now it was 2015, and anxieties surrounding race, transgenderism, and workplace sexual harassment were nearing their peak.

This Mulan is not the liberal feminist icon she’s been made out to be; she’s more Joan of Arc than Captain Marvel. What drives her is love, not ambition.

In retrospect, not the best time for an American company to tell a story set in ancient China and inspired by a well-known Chinese legend. Nor was it the ideal environment in which to cast a heroine who disguises herself as a man to in order to join the imperial army only to fall in love with a superior officer.

'Inappropriate' romance

From the beginning, calls to oust white artists from the project trended online. Disney attempted to play ball; its first choice of director, Ang Lee, was unavailable to direct.

Mulan's love interest from the original film, Captain Li Shang, was dropped in exchange for two new characters in response to the #MeToo movement. Producer Jason Reed explained that "having a commanding officer that is also the sexual love interest was very uncomfortable, and we didn't think it was appropriate.”

This then upset LGBT activists who had, unbeknownst to the world outside their bubble, claimed Li Shang as a “bisexual icon.” Production’s attempts to conform to one moral crusade led to accusations of “erasure” by another.

Politics and pandemic

“Mulan” was finally ready for release in early 2020; by then other problems had emerged. It was revealed that some of the film’s landscape B-roll was shot in the northwest region of Xinjiang, where the government had infamously erected re-education camps for Uyghurs and other Turkic Muslim minorities to retaliate for terror attacks by Sunni separatists.

Western governments and assorted NGOs urged Disney to condemn China. While Disney didn’t fold, the Chinese found the company’s lukewarm defense insulting enough to instruct state media not to cover the movie’s domestic release.

The final and perhaps most devastating setback had to do with the film’s original premiere date: March 2020. While Disney did pull off the standard gala Hollywood screening, COVID and its attendant lockdowns squashed plans for a wide release.

By the time “Mulan” finally crept into multiplexes that July, Disney, eager to be rid of the problem, had done little to promote it.

Not woke? Go broke

Those who reviewed the movie largely seemed to do so through the ubiquitous lens of identity politics, which constrained their thoughts to the political context surrounding the production rather than the story itself.

Critic Joonatan Itkonen’s dismissive reaction was exemplary: “Mulan is a film best described as an ‘if only’ production. If only the script had the input from actual Chinese people.”

Never mind that Disney had originally sought an Asian director and boasted a cast and supporting crew that was nearly 100% ethnically Chinese — so very Chinese, in fact, that in 2019, lead actress Liu Yifei sparked controversy by condemning the pro-democracy riots in Hong Kong. Given the exacting, contradictory demands of the time, it should come as no surprise that “Mulan” also lost points for being too Chinese.

A secret success

In retrospect, I think its harshest critics owe “Mulan” a reappraisal, if not an out-and-out apology.

I watched the movie with my family this week and found myself pleasantly surprised by how good it was. It was visually and audibly stunning, with a physicality to its performances that gracefully incorporates elements of Chinese kung fu film tradition.

The creators tone down the animated film’s goofiness in order to make something more serious — which in fact brings the story closer to its epic source material, "The Ballad of Hua Mulan."

Particularly impressive was the film’s emphasis on honor, virtue, and a specifically Chinese concept of filial piety. Mulan risks death not for her own “self-realization” (an all-too-common motivation for contemporary heroines) but rather to protect both her father and the father of her nation: the emperor.

When she reveals her true identity to the men in her unit, they reject her. A shape-shifting witch-warrior on the enemy side (a creative reimagining of the hawk from the animated film) offers her solidarity in this moment of cold exile.

Mulan rejects her, saying, “I know my place, and it is my duty to fight for the kingdom and protect the emperor.” The sword she carries, stolen from her father, is emblazoned with three Chinese characters: 忠、勇、真 (loyal, brave, and true).

After she saves the emperor, he gives her a new sword, one emblazoned with an additional virtue: filial piety (孝).

This Mulan is not the liberal feminist icon she’s been made out to be; she’s more Joan of Arc than Captain Marvel. What drives her is love, not ambition.

And this love dares to encompass her nation as well as her family. Americans haven’t seen a film so rich in unvarnished national pride since "The Patriot" (2000). “Mulan” left me yearning that we might one day again employ the vast resources of Hollywood to enshrine our own founding myths. I’m inspired by the possibility.

'Pod Save' Bros Flaunt Wealth, Bust Unions, Sleep With Subordinates: Bombshell Report

Pod Save America? More like Pod Damn America. The former Obama bros who started a podcasting empire have finally been exposed by their employees for flaunting their wealth, sleeping with subordinates, and flouting their progressive ideals like total hypocrites.

The post 'Pod Save' Bros Flaunt Wealth, Bust Unions, Sleep With Subordinates: Bombshell Report appeared first on .

Hope and Cringe: Obama Endorses Woman He Belittled With Sexualized Remark

WARNING: The following article contains a graphic description of misogynistic language that many experts have described as the rhetorical equivalent of sexual violence. Please proceed with caution.

The post Hope and Cringe: Obama Endorses Woman He Belittled With Sexualized Remark appeared first on .

'I'm glad I'm not a kid now': Director Richard Linklater says Gen Z has been 'inundated with porn' their entire lives



Legendary director Richard Linklater criticized Hollywood filmmakers for only making films that are targeted toward children and that have no sex appeal. At the same time, he said that he feels for the current generation, which is simultaneously bombarded with pornography while being force-fed children's movies.

"This just is Hollywood. It's cinema of this generation. It's just less adult. I think when superheroes took over, it's clear they don’t have genitalia at all, do they?" Linklater said on the podcast "Mixed Signals."

The director of classics such as "Dazed & Confused" and "School of Rock" said that Hollywood is attempting to keep people in perpetual adolescence, thinking that it is likely more profitable to make films that are generally appealing content-wise and convince adults the films are good.

"Gosh, I'm glad I'm not a kid now. Being a young person, let's say 10 through 13. ... The only reason I went to movies was to see... because they were all adult movies. You had to find your way into the movie. Now, we make films for 12-year-olds. They've done a great job at convincing adults that those are good films. Just stay a kid forever. Keep reading comic books. That's movies. They've just abdicated adult filmmaking and all its complexities, which includes sex. They've just tossed that out largely. That's the studio's game. They just thought it was probably more profitable to just make films for kids and the kids in all of us."

'I think there's a generation now, adult, that has just been inundated with porn their entire life.'

Filmmaker Cody Clarke likened Hollywood's tactics to "using a 12-pound weight forever, and never upping them."

"Audiences are never given a little more than they can handle, then a little more than that, so that they can grow as people— that's just not the model anymore."

"There's nothing intellectually and emotionally stimulating about anything that studios put out anymore," Clarke told Blaze News, agreeing that there is no real difference between modern movies that are marketed toward children and those that are marketed toward adults.

"There are countless R-rated movies from yesteryear that would be like them reading some complex and interesting novel," but studios opt to always give audiences "the easy weights," he said.

Linklater admitted that the #MeToo movement probably made it easier for movies to "not have sex [scenes]."

However, he cut his commentary short and suggested not even talking about it if his words "hit the wrong note or offend[] someone."

"But then, why do anything?" he added.

Diving deeper into sex in movies, the director theorized that there is no real need to simply inject sex into films and that it doesn't have to be "hardcore."

He explained that there is an even lesser need for it in film because those of the current generation consistently have pornography pushed on them.

"I think there's a generation, now adult, that has just been inundated with porn their entire life. To be the old guy here, when I was a kid, Playboy was just topless. It was very gradual that things got ... It was very scarce. I think sex is just so ubiquitous. It's boring. It doesn't really fit in a story. It feels gratuitous. I think you have to earn your way into it being a part of your movie or your story," Linklater pontificated.

As for why Gen Z isn't interested in sex or social interaction, Linklater said, "Everybody’s distracted."

"I'm not saying anything original. If you're staring at your phone all day, you're not going to be social."

Like Blaze News? Bypass the censors, sign up for our newsletters, and get stories like this direct to your inbox. Sign up here!

Gen Z’s gender divide serves as a cautionary tale



Conventional wisdom holds that older generations tend to support right-leaning parties and possess more socially conservative beliefs, while younger generations tend to move, as a bloc, toward the left. This trend is particularly true among Millennial voters, or roughly those between the ages of 25 and 40. They were the first generation in the United States and the United Kingdom to buck the post-war trend of growing more conservative with age.

But the youngest generation is going through a dramatic shift. Alice Evans, a senior lecturer at King’s College London, claims there is a “great gender divergence” occurring among those under 30. Evans’ data reveals a growing political divide between young women ages 18 to 29 and their male counterparts. From an ideological standpoint, Gen Z seems to be two generations rather than one.

People’s worst qualities can come out when they discover you are a conservative.

According to Gallup polling, American Millennial women are nearly 30% more liberal than their male counterparts. TheFinancial Times reports it took just six years for this ideological divide to widen. The difference is about the same in Germany and only marginally smaller at 25% in the U.K.

But this is not just a Western phenomenon. In nations on every continent, a generational divide is growing between young men and women. The difference is most pronounced in South Korea, where a staggering 50% gap separates young men and women ideologically, according to data from Korea’s General Social Surveys. Though the gap is not as great in countries such as Tunisia, China, and Poland, it is still much greater than it was in previous generations.

It is difficult to hypothesize whether this is because Gen Z women are becoming more liberal or their male counterparts are becoming more conservative, given that the data uses party affiliation as a proxy for ideology. It’s fair to say that women have remained the same while conservative parties have moved further to the right, taking young men with them. More women could simply be choosing to vote for left-leaning or liberal parties.

Nevertheless, there are a few reasonable explanations for the divide.

The world is becoming increasingly secular. In Europe, conservative parties align themselves with the Catholic Church, much like the Christian Democratic parties in Germany and Poland. On the other hand, liberal parties typically have more humanistic values. Religion has a big impact on voting preferences, and historically, women have always been more religious than men. Women tended to vote more conservatively; however, they seem to have moved left in the last half of the 20th century. According to data from the United States, young women between the ages of 18 and 25 have recently become less religious than young men for the first time in American history.

It’s not easy to assign causality to major cultural trends, but a good indicator of social cohesion is marriage. South Korea is one of the most culturally conservative countries in the world, yet the country has seen a precipitous drop in marriage in recent years. South Korea also has the lowest fertility rate in the world, with 0.78 births per woman in 2022, despite the country’s Gen Z gap widening.

Then there is the #MeToo movement. Many young South Korean men believe women should not work, while twice as many Gen Z Korean men as elderly Korean men think women want to control men in order to obtain power. In the 2022 presidential election, young Korean men tended to vote primarily for the right-wing People Power Party, while women voted nearly equally for the liberal Democratic Party. Meanwhile, older Korean voters were not divided by gender in their electoral choices.

It is worth considering the strong anti-immigration sentiment of Generation Z in Europe. Compared to previous generations, younger Germans are more actively opposed to immigration, and, among voters under 30, support for the right-wing Alternative for Germany is rising. In Poland, during the most recent parliamentary election, nearly one-fifth of all young men between the ages of 18 and 29 voted for the hard-right Confederation Party.

The emergence of social media, where most young people get their news, has been a significant contributing factor. Instagram has supplanted traditional media as the number one source for news. Content creators cater to their more extreme viewers through a process called audience capture, or else they risk losing subscribers.

The most controversial creators are promoted algorithmically. Social media acts as a great sorting mechanism to split and isolate audiences and hook them to particular narrative silos. It is no wonder Jonathan Haidt calls social media “the great rewiring of childhood.”

There is another, evidence-based explanation. Women are far more likely than men to attend a college or university. Academic achievement plays a significant role in influencing voting behavior, particularly in Western democracies like the United States and the U.K. Attending university is one of the best indicators of voting intentions. Eighty-five percent of Extinction Rebellion activists hold a degree, according to academic research.

People’s worst qualities can come out when they discover you are a conservative. Evidence of this growing hostility can be observed in some of the most contentious political issues of our day. Consider Brexit. Sixty-four percent of British adults over 65 supported the 2016 decision to leave the European Union, which was erroneously labeled a “right-wing” issue.

The novelist Ian McEwan speculated that a second referendum might be forced as elderly Brexit supporters die off. In 2017, he told a delegation of remain-voting supporters, “A gang of angry old men, irritable even in victory, are shaping the future of the country against the inclinations of its youth. By 2019 the country could be in a receptive mood: 2.5 million over-18-year-olds, freshly franchised and mostly remainers; 1.5 million oldsters, mostly Brexiters, freshly in their graves.” The website “Deatherendum” was inspired by the widespread disdain for the political preferences of the elderly.

But the intragenerational divergence of Gen Z should serve as a cautionary tale. Who says that the youth will necessarily adhere to the leftist reflexes of stereotype? Growing polarization erodes a world that is already bitterly divided. The violence and mayhem brought about by the recent wave of pro-Palestinian protests on college campuses serves as proof of this shift toward moral absolutism and ideological certainty.

The foundation of a high-trust society is the civic virtue of decency. Progressives should try having conversations with conservatives instead of canceling them or organizing a social media pile-on. Who knows? Maybe it will help bring the gap closer together.

Editor’s note: A version of this article appeared originally at the American Mind.