Secret texts, fat shaming, and smear campaigns: Blake Lively vs. Justin Baldoni



Video montages of Blake Lively acting like a bully have been making their rounds on social media for months now — and around the time the drama between her and “It Ends with Us” director Justin Baldoni began.

In one clip, while Lively is pregnant, an interviewer compliments her on her “bump.” Lively turns it around and sarcastically compliments the interviewer, who was not pregnant, on her bump. Unbeknownst to Lively, the interviewer was struggling with her fertility.

While in some clips it’s clear that Lively was being immature and a little nasty, the real question is why the internet is suddenly flooded with these old interviews — which is where her feud with Justin Baldoni comes into play.

On December 21, 2024, Lively filed a legal complaint to the California Civil Rights Department and made a series of allegations against Baldoni, including that he exhibited behavior that caused her “severe emotional distress” and alleges sexual harassment.


In the complaint, Lively alleges that Baldoni improvised kissing scenes, walked into her dressing room when she was naked, added sex scenes to the script, talked about his past pornography addiction, and described his genitalia. Lively was not a consenting party. When she brought these issues up during filming, the studio hired a full-time intimacy coordinator and implemented other safeguards.

Lively also complained that Baldoni made invasive and inappropriate comments about her weight and that his producing partner, Jamie Heath, had shown her pornography.

Allie Beth Stuckey of “Relatable” isn’t sure what to believe.

“She could be lying, it’s really hard to know. Both of them are releasing texts and messages and retellings of the story with whatever details they want to leave in or they want to leave out, and so all will probably be revealed in time,” Stuckey says.

“She is also claiming that there was retaliation that he tried to lodge. Lively claims that Baldoni and his team retaliated to her claims of sexual harassment by orchestrating a smear campaign to discredit her,” Stuckey continues, noting that this could be when the public started seeing her past interviews flooding their social media timelines.

“She said no further mentions of cast and crew’s genitalia, no more inquiries about Blake’s weight, and so she says that he was saying a bunch of weird stuff that made this a very inappropriately sexually charged set and that she gave these internal complaints in a meeting a year ago, and so I think that does kind of give some substance to the accusations,” Stuckey explains.

On December 22, 2024, the New York Times even published their investigation into the drama, which was heavily in Lively’s favor. The investigation revealed private text messages between Baldoni and his PR managers, which appeared to show them discussing how they would bury anyone using social media narratives.

“The lesson that I have in all of this,” Stuckey comments, “I think it’s interesting to see where #MeToo is, and how it has evolved, and how it’s really used on both sides of any conflict as a cover for people’s own indiscretions, and also, just like a mallet to beat the other side over the head and to get as much money as possible.”

“I’m not saying for sure that those are the sole motivations of either side of this particular conflict, but when you look at all of them, and the accusations that are against both of them, you do have to wonder how sincere they are when they say that they are championing women,” she adds.

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Triumph of Orthodoxy? Why young men are embracing ancient faith



The New York Post recently caused a stir in the Christian world with its article, “Young men leaving traditional churches for ‘masculine’ Orthodox Christianity in droves.”

To those of us in the Orthodox world, nothing in this article came as a surprise.

Where can a young man lost in the world find the truth, a solid rock upon which to build his life?

Most of us attending Orthodox churches in the United States are used to a swarm of new visitors every Sunday, often families and — as the article specifies — single men. Our own parish has nearly doubled in size in the two years we’ve been attending, and we’re scrambling to expand. You can read about my family’s conversion story in the fall 2024 issue of Frontier magazine.

While the New York Post article did not surprise us Orthodox, it caused a stir in the Protestant world, with pastors and apologists suddenly awakening in a panic that young men are fleeing their denominations for Orthodoxy.

First, let me make this very clear: For many, Orthodoxy was their “last stop” in their spiritual journey before abandoning God entirely. Visit our small parish in Kentucky, and I’ll happily introduce you to many converts who attended all manner of churches before looking into Orthodoxy.

Perhaps, the more interesting question isn’t, “Why Orthodoxy?” but rather, “Why Christianity?” especially in an age where it’s so much easier not to be Christian at all.

I believe the answer is fairly simple: Young men are desperately seeking structure in a time of chaos and upheaval. Many young men these days simply have no idea what the rules of society are — something as simple as asking a woman on a date can be a risky proposition, leading to the dire state of dating and the incel crisis. We saw this come to a head with the cancel culture and #MeToo phenomenas, where once-accepted behaviors were suddenly grounds to be expelled from polite society, with the rules sometimes changing from day to day.

For nearly 2,000 years, the glue that bound Western civilization was Christianity. Yes, there were often bitter — and bloody — theological struggles, but we generally accepted what was and wasn’t permissible in daily interactions. For many young men, that desperate need for clarity and stability draws them to church.

But then the question becomes: Which church? Where can a young man lost in the world find the truth, a solid rock upon which to build his life?

Orthodoxy: A brief 2,000-year history

Christ did not leave us with sacred scripture. In fact, when he ascended to Heaven to sit at the right hand of the Father, much of it was still to be written. Rather, he left us with the church (Matthew 16:18): A mystical organization established by Christ to guide the faithful. Furthermore, he promised that “the gates of hell shall not prevail against it.”

The book of Acts tells the tale of the early church, and the Council of Jerusalem described in Acts 15 gives us the model for making decisions in the church: through a council of bishops.

While we Orthodox agree with our Roman Catholic friends that St. Peter was the first pope of Rome, scripture disproves the notion that the papacy was ever all-powerful. If Peter was an absolute monarch, why bother having a council? Furthermore, while Peter makes the winning argument, it is the apostle James the Just, bishop of Jerusalem, who made the final declaration (Acts 15:13).

For nearly 1,000 years, the pope of Rome was a central figure to the church, but much like the chief justice of the Supreme Court, he was a first among equals who acted as a stabilizing force in the church’s seven ecumenical councils. Unfortunately, what later became known as the Roman Catholic and Eastern Orthodox Churches separated in 1054, when Pope Leo IX and Michael I Cerularius, patriarch of Constantinople, simultaneously excommunicated each other for long-brewing grudges too complex to explore here.

Our Roman Catholic friends say that it is the Eastern Orthodox who are in schism. However, at the time, the church was chiefly divided into what is known as the Pentarchy, comprising the patriarchates of Alexandria, Antioch, Constantinople, Jerusalem, and Rome.

After 1054, and to this day, four of the five patriarchates remain in communion, with Rome being the odd man out. So which one is in schism?

Tradition: Unwelcome in Rome

Since the Great Schism, the Roman Catholic and Eastern Orthodox Churches have been on wildly divergent paths, with all attempts at reconciliation having failed. Our Roman friends have developed many innovations over the past 970 years, as so-called “traditional Catholics” can attest.

After the Second Vatican Council in the 1960s, the Roman Church forcefully abandoned the Tridentine Mass standardized at the Council of Trent — itself derived from the liturgy of Pope St. Gregory the Great (St. Gregory is a pre-schism saint recognized by both the Roman Catholics and Eastern Orthodox).

Instead, it was replaced with the Novus Ordo, the modernized Mass of Pope Paul the VI. The Tridentine Mass was briefly permitted under Pope Benedict XVI before being all but banned by Pope Francis in "Traditionis custodes."

To outsiders, the struggle appears to be a simple difference between using Latin or English in worship, but the aftermath of Vatican II brought many innovations to both worship and ecclesiology. Perhaps the most tragic change to the Mass is the quality of the music. After Vatican II, the beauty of Gregorian Chant has largely been discouraged, instead replaced with often sappy, insipid, and off-key music dating back to the 1970s.

If one man can suddenly change a belief that is thousands of years old, was it ever true in the first place?

The music reflects the more liberal and ecumenical nature of the post-Vatican II Roman Church. Many Roman Catholic priests take great liberties with the Mass. I’ve never seen the much-dreaded “clown Mass,” but I did attend one where the priest broke out a ukulele.

Perhaps most offensive was the fact that the post-Vatican II Roman Church expunged 93 saints from its liturgical calendar, including some of the most beloved saints of all time, such as St. Christopher, St. Nicholas (yes, Santa Claus!), and St. George (the great martyr and dragon slayer). St. Crispin’s Day, the inspiration for Shakespeare’s legendary speech? Gone. Funny enough, after Pope John Paul II was turned away by the Orthodox abbot of the Monastery of St. Catherine, the Pope added St. Catherine of Alexandria back to the calendar.

All that is to say: Those seeking stability and tradition won’t find it in Rome, as the Roman Church is at war with itself.

If you inquire into the Roman Catholic Church, as we did in 2013, the priest will readily tell you that the Catholic Church hasn’t changed in 2,000 years, but that’s laughably false. In fact, it’s changed radically over the past 60 years!

Part of the reason the Roman Church can change so fast is because of the absolute authority of the pope of Rome. Recently, Pope Francis edited the Catechism of the Catholic Church, which dates back to 1992, to declare the death penalty immoral. That, despite thousands of years of the Roman Church supporting — and often enacting — the death penalty.

Our Roman Catholic friends chide the Orthodox Church for our lack of a central authority figure, but I would argue that it’s one of our greatest advantages. Yes, it makes high-level doctrinal decisions difficult, but it also prevents any one person, or even a determined group, from hijacking the church. Many have tried.

Unfortunately, “traditional Catholics” have no choice but to take what the pope dishes out. As Pope Pius the IX declared, “I am tradition! I am the church!” Thus, why I have no choice but to put “traditional Catholic” in quotation marks because if you defy the will of the pope, you are rebelling against your own tradition.

But we must turn now to a more disturbing truth: If one man can suddenly change a belief that is thousands of years old, was it ever true in the first place? Did the men who taught these things ever believe them? If they did, were they wrong to do so? Was the church teaching error? Is the word of Christ eternal, divine wisdom, or does Jesus need to “get with the times"?

Sadly, our Protestant friends are in no better position.

Before we continue, I must apologize to our non-Catholic and non-Orthodox friends in advance for using the term Protestant as a generic term to encompass many diverse believers, such as Baptists, the Churches of Christ, Pentecostals, etc. — some of whom don’t appreciate being called Protestant at all, particularly the Landmark Baptists.

I’ll try to be specific where I can, otherwise I hope you can forgive my generalizations for the sake of brevity.

Protestantism: A house built on sand

Protestantism, from the very start, was built on a foundation of sand.

The effective thesis of Protestantism is that the church fell to corruption at some point: either immediately after the ascent of Christ, during the reign of Constantine the Great, or at some later point. Regardless, the claim is the same: The church that Christ established somehow failed and therefore Christ lied when he said that the gates of hell would not prevail against it.

Furthermore, many Protestants insist that holy scripture is all that is needed for religious instruction, with no interpreter required — what they call "sola scriptura." However, the idea of sola scriptura is bankrupt. If sola scriptura were true, and scripture were so easy to understand outside of the church, why do so many Protestant denominations draw wildly different conclusions?

No one reads scripture without an interpreter, whether that’s holy tradition, a commentary, or a Sunday morning preacher. Chances are, you read the Bible in English and not in its original language, and anyone multilingual knows that a translation is itself an interpretation, as many foreign words do not neatly translate into English. For instance, the Greek language acknowledges many different forms of love. You hopefully love your spouse (eros) in a different way than you love your children (storge).

Our KJV-only friends understand this all too well, as many newer English versions feature radically different translation choices, or omit entire verses.

If you are willing to compromise on your church’s beliefs for worldly reasons, you never truly believed them in the first place.

This again illustrates why holy scripture — as precious as it is — cannot be the sole foundation for one’s faith. Holy scripture must be interpreted through the accumulated wisdom of Christ’s church, through the apostles, the councils, and great saints that we call the holy fathers. Many of the issues hotly debated today in the Protestant world were settled long ago in the church.

And this very much matters because as much as the Roman Catholics have changed doctrine over the past few years, many of our Protestant friends have radically overhauled everything including their preferred Bible translations, their music and worship style, and essential social teachings, such as those on abortion, gender roles, and the sanctity of marriage.

Our Protestant friends have the same problem as our Roman Catholic friends: If your beliefs change so easily to suit the world, did you ever believe them?

In fact, Anglican convert Ben Christenson basically said so to the Post: “All of that stuff was basically fungible, which gave me a sense that the theological commitments are kind of fungible, too.”

To be fair, the Anglicans have been much more fungible than other denominations.

Here’s a simple but unpleasant truth: If you are willing to compromise on your church’s beliefs for worldly reasons, you never truly believed them in the first place.

To shrug your shoulders and give up on fundamental Christian belief is a slap in the face to the thousands of Christian confessors and martyrs who suffered persecution under the Romans, the iconoclasts, the Ottomans, and the Soviets. Read a Synaxarion (a collection of the lives of Orthodox Saints), and you’ll read horror story after horror story of Christians who refused to compromise, even when faced with being mauled by animals, dismembered, mutilated, raped, set on fire, and all manner of horrors unimaginable to the American mind.

It is a shame that many of our Protestant friends have largely rejected the stories of the saints. Every time I read them, I’m inspired by their courageous faith, something we desperately need in this age.

Orthodoxy: An immutable truth

I recently asked Grok — Elon Musk’s freewheeling AI — to roast the Orthodox Church, and the result was funny but also true.

Even my priest chuckled at this:

The Orthodox Church – where tradition isn't just a suggestion, it's the whole damn rulebook. Here, change isn't just resisted; it's actively hunted down like it's the last heretic in Byzantium. Imagine a place where the liturgy hasn't had a facelift since the time monks were the original hipsters with their beards and robes.

Come visit an Orthodox Church any given Sunday, and you’ll witness the Divine Liturgy written by St. John Chrysostom in the 4th and 5th centuries. The one exception is during the season of Great Lent, when we celebrate the even-older Divine Liturgy of St. Basil the Great. And that has largely been the case since the reign of Justinian I.

We do not budge on the truth, even if it’s painful.

There are no surprise rants, spontaneous guitar solos, or random ukuleles. The priest will not show up in a football jersey or attempt to re-enact a "Marvel" movie. We recite the Nicene Creed, as was formulated long ago by the holy fathers, not the Sparkle Creed or some other bizarre variant.

We have a good sense of humor. We often laugh about the beards, our stubbornness, and overall incomprehensibility. But the Divine Liturgy is deadly serious. There is no tolerance for improvisation or irreverence. It is the beating heart of the church and the center of our Christian lives. Every Sunday, we welcome the Lord into our spiritual home and our very bodies. The Divine Liturgy is the very glue holding the world together. It is not a joke or a game.

We do not budge on the truth, even if it’s painful. If you challenge us on our teachings on abortion, female clergy, gay marriage, or any number of controversial stances, there is no argument to be had, even if we sometimes struggle with the church’s teachings ourselves. Those matters were settled long ago in holy scripture, through the collective teachings of the holy fathers, and the church’s seven ecumenical councils, which decided everything from the nature of God to the proper role of iconography. These issues have been thoroughly examined, debated, and settled.

The challenge for us as Orthodox Christians is to learn to accept and understand them.

While we stand firmly for the truth, we do not make a point of beating others over the head with it as many so-called fundamentalists do. We are far too busy repenting for our own sins or at least should be. As Christ asked, “And why beholdest thou the mote that is in thy brother's eye, but considerest not the beam that is in thine own eye?”

Every Sunday at liturgy, just before we partake of the holy Eucharist, the congregation prays: “I believe, O Lord, and I confess that Thou art truly the Christ, the Son of the living God, Who didst come into the world to save sinners, of whom I am chief.”

I, chief among sinners and a new convert to the Orthodox faith, am no theologian. I don’t expect my worldly reasoning or historical trivia to persuade you. Instead, I would encourage you to come and see.

If you want to know why young men are joining the Orthodox Church, join us for a Divine Liturgy some Sunday morning, and perhaps you will understand.

The Police Report About Pete Hegseth’s Alleged Sexual Assault Vindicates Him Of Criminality

All of the evidence indicates Pete Hegseth was pursued by a married woman who then regretted her decision to have an affair.

Mike drops trou, Netflix drops ball on Tyson-Paul brawl



This is a Hollywood mea culpa no one saw coming.

In 2018, actress Rebecca Hall apologized for having starred in not one but two Woody Allen movies. This was the peak of #MeToo mania, when it was suddenly cool to bash Allen for decades-old allegations that he molested his daughter Dylan Farrow.

'This is like Blockbuster still trying to collect late fees for those VHS tapes.'

Funny how those allegations didn't bother the Hollywood elite until film producer Harvey Weinstein’s precipitous downfall in 2017.

Hall even vowed to contribute her salaries to the Time’s Up foundation, created in the wake of the Weinstein scandal.

Turns out she’s sorry for saying she’s sorry.

"I kind of regret making that statement because I don't think it's the responsibility of his actors to speak to that situation. … I regret this decision and wouldn't make the same one today.”

Huh? What changed? The #MeToo movement collapsed, for starters. Celebrity political endorsements are now about as popular as eating Tide Pods. Hall suddenly realized she didn’t want to be an actress — slash — activist.

And Allen keeps making movies. A gig’s a gig, right?

Kamala stalks Kimmel

Hasn’t Jimmy Kimmel raised enough cash for Democratic coffers? The “Man Show” host turned progressive shill is furious that he’s still receiving fundraising emails from the Kamala Harris campaign.

The failed Kamala Harris campaign, to be exact.

“’There has never been a more important time to donate to the Harris Fight Fund Program’ than right now.’ … Now, I’m not an expert when it comes to campaigns, but I’m pretty sure there has been a better time.”

“This is like Blockbuster still trying to collect late fees for those VHS tapes.”

Will this stop Kimmel from resuming his 24/7 Trump-bashing? Of course not. Still, it's nice to see some bipartisan outrage from TV’s most predictable, and suddenly sad, clown …

Cher and share alike?

Who knew “I Got You Babe” had a double meaning?

The smash Sonny and Cher ditty that rocked the charts in 1965 proved a prelude to Sonny Bono’s financial wickedness. That’s according to the 78-year-old Cher, who opened up about her late husband’s financial moves in a New York Times interview tied to her just-released memoir called … “Cher: The Memoir.”

“He took all my money. … I just thought, 'We’re husband and wife. Half the things are his, half the things are mine.' It didn’t occur to me that there was another way.”

Perhaps she channeled those memories for her solo career, including 1974’s “Gypsies, Tramps & Thieves”?

No downtime for Denzel

Denzel Washington’s retirement sounds … busy.

The superstar recently hinted that he has but a few more movies left in him, somber news for movie-lovers across the globe.

“I don’t know how many more films I’m going to make,” Washington, 69, said. “Probably not that many. I want to do things I haven’t done.”

Since then, he leaked that he’ll co-star in the upcoming “Black Panther 3.” That’s not all. He has two more “Equalizer” sequels planned. Nothing says striking new creative ground like extending a franchise built from an '80s TV series into its fifth installment.

Maybe Washington spent a few too many days away from a film set’s perks and figured retirement is for suckers …

Technical decision

That overhyped match between brawlers Jake Paul and Mike Tyson drew a whopping 108 million viewers across the globe. Rumor has it a good 50% of them actually saw Paul whip “Iron” Mike and not a buffering wheel of doom.

At least the unlucky ones were spared the sight of Tyson’s 58-year old tuchus. To paraphrase the former and future first lady, “Be better, Netflix …”

They come back. They always do.

Advertisers make nice with Musk

Neil Young and fellow aging rebels pulled their music from Spotify in 2022 after the platform refused to cancel host Joe Rogan for his contrarian pandemic views. Young and company later returned their music to Spotify after their cancel culture attack swung and missed.

Now, it’s some of the world’s biggest corporations backpedaling on their anti-free speech efforts.

IBM, Disney, Lionsgate, Warner Bros. Discovery, and Comcast pulled their advertising from X, the platform formerly known as Prince, last year to protest owner Elon Musk. Why? He’s a free-speech fan. Those corporations? Not so much.

Now, all of the above are back on the platform, sending their sweet, sweet ad cash to Team Musk’s coffers.

They could have just funneled that cash to Bluesky, the new choice of the Resistance(TM). Chances are they probably realize it’ll be the next Mastodon or Threads before long.

Victoria’s Secret or Victor’s Secret? Trans models featured in 2024 fashion show



The Victoria’s Secret annual fashion show used to be a highly anticipated event. Between the elaborate costumes, celebrity singers, stunning models, and high-profile guest list, the show drew millions of viewers from all over the world.

Enter wokeness.

In 2018, the lingerie company jettisoned the uber sexiness that long defined its brand and adopted a more artsy approach to stand in solidarity with the #metoo movement.

Then in 2021, Victoria’s Secret replaced the iconic “angels” with a group of varied models and influencers to show their commitment to diversity and inclusivity.

Last year, the fashion show was replaced with a strange pseudo-documentary featuring little femininity but lots of diversity, including a Nigerian artist who recited poetry.

And now for the cherry on top. This year, the fashion show, which just returned after a six-year hiatus, included two transgender models.

“Transgender models make history at Victoria’s Secret fashion show,” laughs Stu Burguiere, reading from an Entertainment headline.

“Are you kidding me? Is this real?” he asks.

Unfortunately, the answer is yes.

Valentina Sampaio and Alex Consani, two biological males posing as women, strutted down the runway in full-blown lingerie.

Stu displays the pictures of the two models but says he’s afraid to look too close for fear of “whatever might be going on down there.”

If we can learn anything from Victoria’s Secret it’s that “secrets are important, and sometimes you should keep them.”

“Maybe keep the secrets and don’t put them on television,” sighs Stu.

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From #MeToo to #NotYou: Where Are All The Feminist Celebrities On Emhoff?

Harris-supporting celebrities did not bat an eye after accusations against Emhoff emerged

The P. Diddy Indictment Is Also An Indictment Of Our Depraved Culture

For decades, Diddy made music about coercive, drug-fueled sex fantasies. Now he stands accused of living a lifestyle that matched his bravado.

Disney's live-action 'Mulan' is an unsung masterpiece



Almost a decade ago, Disney announced that it would finally be moving ahead with a live-action remake of “Mulan.”

The animated musical adventure was a huge hit when released in 1998. But now it was 2015, and anxieties surrounding race, transgenderism, and workplace sexual harassment were nearing their peak.

This Mulan is not the liberal feminist icon she’s been made out to be; she’s more Joan of Arc than Captain Marvel. What drives her is love, not ambition.

In retrospect, not the best time for an American company to tell a story set in ancient China and inspired by a well-known Chinese legend. Nor was it the ideal environment in which to cast a heroine who disguises herself as a man to in order to join the imperial army only to fall in love with a superior officer.

'Inappropriate' romance

From the beginning, calls to oust white artists from the project trended online. Disney attempted to play ball; its first choice of director, Ang Lee, was unavailable to direct.

Mulan's love interest from the original film, Captain Li Shang, was dropped in exchange for two new characters in response to the #MeToo movement. Producer Jason Reed explained that "having a commanding officer that is also the sexual love interest was very uncomfortable, and we didn't think it was appropriate.”

This then upset LGBT activists who had, unbeknownst to the world outside their bubble, claimed Li Shang as a “bisexual icon.” Production’s attempts to conform to one moral crusade led to accusations of “erasure” by another.

Politics and pandemic

“Mulan” was finally ready for release in early 2020; by then other problems had emerged. It was revealed that some of the film’s landscape B-roll was shot in the northwest region of Xinjiang, where the government had infamously erected re-education camps for Uyghurs and other Turkic Muslim minorities to retaliate for terror attacks by Sunni separatists.

Western governments and assorted NGOs urged Disney to condemn China. While Disney didn’t fold, the Chinese found the company’s lukewarm defense insulting enough to instruct state media not to cover the movie’s domestic release.

The final and perhaps most devastating setback had to do with the film’s original premiere date: March 2020. While Disney did pull off the standard gala Hollywood screening, COVID and its attendant lockdowns squashed plans for a wide release.

By the time “Mulan” finally crept into multiplexes that July, Disney, eager to be rid of the problem, had done little to promote it.

Not woke? Go broke

Those who reviewed the movie largely seemed to do so through the ubiquitous lens of identity politics, which constrained their thoughts to the political context surrounding the production rather than the story itself.

Critic Joonatan Itkonen’s dismissive reaction was exemplary: “Mulan is a film best described as an ‘if only’ production. If only the script had the input from actual Chinese people.”

Never mind that Disney had originally sought an Asian director and boasted a cast and supporting crew that was nearly 100% ethnically Chinese — so very Chinese, in fact, that in 2019, lead actress Liu Yifei sparked controversy by condemning the pro-democracy riots in Hong Kong. Given the exacting, contradictory demands of the time, it should come as no surprise that “Mulan” also lost points for being too Chinese.

A secret success

In retrospect, I think its harshest critics owe “Mulan” a reappraisal, if not an out-and-out apology.

I watched the movie with my family this week and found myself pleasantly surprised by how good it was. It was visually and audibly stunning, with a physicality to its performances that gracefully incorporates elements of Chinese kung fu film tradition.

The creators tone down the animated film’s goofiness in order to make something more serious — which in fact brings the story closer to its epic source material, "The Ballad of Hua Mulan."

Particularly impressive was the film’s emphasis on honor, virtue, and a specifically Chinese concept of filial piety. Mulan risks death not for her own “self-realization” (an all-too-common motivation for contemporary heroines) but rather to protect both her father and the father of her nation: the emperor.

When she reveals her true identity to the men in her unit, they reject her. A shape-shifting witch-warrior on the enemy side (a creative reimagining of the hawk from the animated film) offers her solidarity in this moment of cold exile.

Mulan rejects her, saying, “I know my place, and it is my duty to fight for the kingdom and protect the emperor.” The sword she carries, stolen from her father, is emblazoned with three Chinese characters: 忠、勇、真 (loyal, brave, and true).

After she saves the emperor, he gives her a new sword, one emblazoned with an additional virtue: filial piety (孝).

This Mulan is not the liberal feminist icon she’s been made out to be; she’s more Joan of Arc than Captain Marvel. What drives her is love, not ambition.

And this love dares to encompass her nation as well as her family. Americans haven’t seen a film so rich in unvarnished national pride since "The Patriot" (2000). “Mulan” left me yearning that we might one day again employ the vast resources of Hollywood to enshrine our own founding myths. I’m inspired by the possibility.

'Pod Save' Bros Flaunt Wealth, Bust Unions, Sleep With Subordinates: Bombshell Report

Pod Save America? More like Pod Damn America. The former Obama bros who started a podcasting empire have finally been exposed by their employees for flaunting their wealth, sleeping with subordinates, and flouting their progressive ideals like total hypocrites.

The post 'Pod Save' Bros Flaunt Wealth, Bust Unions, Sleep With Subordinates: Bombshell Report appeared first on .

Hope and Cringe: Obama Endorses Woman He Belittled With Sexualized Remark

WARNING: The following article contains a graphic description of misogynistic language that many experts have described as the rhetorical equivalent of sexual violence. Please proceed with caution.

The post Hope and Cringe: Obama Endorses Woman He Belittled With Sexualized Remark appeared first on .