Leading Ethics Journal Floats Forced Abortion For Minors
Forced abortion is what a culture of death has now wrought, and a leading academic journal thought the proposal worth publishing.When conservative mother Isabel Brown spoke at the Conservative Political Action Conference, she used the platform to champion having more children — a cause BlazeTV host Allie Beth Stuckey of “Relatable” can easily get behind.
However, not everyone appreciated Brown’s stance, particularly the women of “The View.”
“I think it’s just really reckless to be suggesting that people should have children when you now know, in this country, there’s this affordability crisis. And for a two-person household, a married household, you need over $400,000 for child care,” Sunny Hostin explained to the panel.
Hostin went on to claim that Brown was “advocating for people to be born into poverty,” where those children will not be educated, housed, or fed.
“At the same time ... this government is cutting all of the services that would allow people to have families and big families,” she added.
Stuckey calls Hostin’s statement “over-the-top, inaccurate, and absurd.”
“No one said that having children comes without sacrifices and comes without some form of what people may call inconvenience. But the idea that you have to be making almost half a million dollars a year to be able to just survive with children is absurd,” she says.
“It’s not true today. It has never been true in all of history,” she adds.
But Hostin wasn’t the only one on the panel who criticized Brown’s statement.
“I gave our girl Isabel a little Google,” Whitney Cummings said. “She has a baby. She has a 1-year-old. Of course, she thinks everyone should have a lot of kids. She has a 1-year-old that sleeps all day.”
“I also was like, ‘I’m going to have a bunch more kids.’ Wait till your kid is up and walking and you spend most of your day trying to get its shoes on. You’re probably going to rethink how many kids you have,” Cummings added.
“I must be doing motherhood wrong because, see, my 1-year-olds were awake all day, and they took a nap for a couple hours in the afternoon, but they were awake. Are you thinking about a 1-month-old? A 1-year-old is a toddler,” Stuckey responds.
“Having a 1-year-old is, like, one of the most challenging times because they’re so mobile, they’re so energetic, and yet they can’t just sit there and be entertained by a book for very long. And so, that’s crazy,” she continues.
Stuckey, who has three children of her own, believes that Hostin and Cummings are actually just placing convenience and luxury over children — much like other women in the “child-free movement.”
Stuckey plays a clip one woman posted on TikTok of herself discussing how wonderful it is to lie around all day and prioritize her own needs instead of having children.
“That’s such a superficial and selfish reason not to have kids,” she says.
To enjoy more of Allie’s upbeat and in-depth coverage of culture, news, and theology from a Christian, conservative perspective, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.
Ever since Marlon Brando sent Sacheen Littlefeather to decline his Oscar in 1973, celebrities have felt free to treat acceptance speeches as a kind of political pulpit.
Over the years, our socially conscious superiors have used the stage to advance a range of causes. Whether it's Leonardo DiCaprio scolding us about climate change, Patricia Arquette reminding us that "wage inequality" affects even the most overpaid among us, or Joaquin Phoenix shaming milk enjoyers, many stars refuse to bask in the adulation without giving a little something back.
It was, by the standards of modern Hollywood, almost subversive.
Even moments that touch on family have often been refracted through politics. At the 2020 Golden Globes, Michelle Williams credited her success to the children she didn't have: "I wouldn’t have been able to do this without employing a woman’s right to choose" — while in the same breath celebrating the two kids who presumably didn't run afoul of her reproductive rights.
But Sunday night, Irish actress Jessie Buckley did something far more unusual: She praised marriage, children, and the ordinary drama of family life.
Accepting Best Actress for her role in "Hamnet" — a film that imagines the marriage of William Shakespeare and Agnes Hathaway and the grief they endure after the death of their young son — Buckley turned not to politics but to her husband and infant daughter, even revealing her daughter’s name publicly for the first time:
Fred, I love you, man. ... You’re the most incredible dad. You’re my best friend, and I want to have 20,000 more babies with you. ... And Isla, my little girl ... I love you, and I love being your mom, and I can’t wait to discover life beside you.
It was, by the standards of modern Hollywood, almost subversive.
She returned to the theme later in the speech, noting that it was her first Mother’s Day in the U.K. and dedicating the award “to the beautiful chaos of a mother’s heart.”
She was even more effusive backstage. Speaking to reporters, Buckley described the moment as a kind of “crazy alchemy,” noting that her Oscar win fell on her first Mother’s Day. Her daughter, she said, had just gotten her first tooth.
I woke up with her lying on my chest, snuggling me ... what a gift to get to explore motherhood ... and then to become one myself ... and then to receive this recognition of the incredible role mothers play in our world on this day is something I will never, ever forget.
Buckley has suggested the role didn’t just portray motherhood — it stirred a longing for it. While filming "Hamnet," she said she “deeply wanted to become a mother,” an experience she described as “quite intense” before it became real. Soon after, it was.
Some commentators wondered why Buckley didn’t thank her on-screen husband Paul Mescal, the film’s Shakespeare. Was it a calculated move to avoid being overshadowed by a bigger name?
More likely, they’re overthinking it.
Buckley has always seemed as grounded as she is talented. Born and raised in Killarney, County Kerry, one of five children, she comes from a large, close-knit family — a background that makes her ease with motherhood feel less like a rebrand than a continuation. She is married not to a fellow celebrity but to a man the public knows only by his first name. Her speech reflected that life: intimate, unvarnished, and oriented toward something other than careerism.
And that, in today’s Hollywood, is what made it feel radical.
In an industry that often frames family as an obstacle — something to be delayed, outsourced, or quietly regretted — Buckley spoke of it as the central adventure. Not a burden, but a joy. Not a limitation, but a calling.
For decades, Oscar speeches have tried to tell audiences how to remake the world.
Buckley’s suggested something simpler: that the most meaningful work might already be waiting at home.
On Sunday, March 15, the 98th Academy Awards was held at the Dolby Theatre in Hollywood, honoring films released in 2025.
Acceptance speeches were a mixed bag: plenty of good-natured thanks and sweet moments, alongside the usual political remarks — including Javier Bardem’s “No to war, and free Palestine” statement, Jimmy Kimmel’s Trump and Melania digs, gun-violence references, and other commentary on wars and politicians.
But there was one Oscar speech that stopped “Relatable” host Allie Beth Stuckey in her tracks: Jessie Buckley’s.
When the Irish actress took the stage to accept her Best Actress Oscar for her role as Agnes, William Shakespeare’s wife, in the film “Hamnet,” she chose to frame the moment not around her own talent, hard work, politics, or even her historic win as the first Irish woman in the category, but around the beauty of motherhood.
After thanking her fellow actresses and the producers of “Hamnet,” Buckley turned to her husband, Freddie Sorensen, with whom she welcomed their first child in 2025.
“You, Fred, I love you, man. I love you; you’re the most incredible dad. You’re my best friend, and I want to have 20,000 more babies with you. I do!” she tearfully exclaimed.
She then addressed their 8-month old daughter, Isla: “I love you, and I love being your mom, and I can't wait to discover life beside you.”
“It's Mother's Day in the U.K. today. So I would like to dedicate this to the beautiful chaos of a mother's heart,” Buckley added.
Allie was pleasantly shocked by Buckley’s heartfelt speech about motherhood.
“I don't know all Oscar speeches, but I've never heard a speech dedicated to motherhood,” she says.
“Dedicating it to motherhood as an institution and saying something to your husband — ‘I want to have 20,000 more babies with you’ — that's just not usually what you see,” she adds.
Allie recalls Michelle Williams' acceptance speech at the 2020 Golden Globe Awards, during which she said, “I’ve tried my very best to make a life of my own making … and I wouldn’t have been able to do this without employing a woman’s right to choose. To choose when to have children and with whom.”
“Well, obviously, being a mom and accomplishing these things is possible at the same time,” says Allie, “and even if it's not, motherhood is better.”
To enjoy more of Allie’s upbeat and in-depth coverage of culture, news, and theology from a Christian, conservative perspective, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.
These days, it feels like war is everywhere I turn. Culture wars on social media. Actual war on the news. Spiritual war invisibly raging all around. War inside me. Even the piling dishes and the toys that never stay tidy can feel like a kind of war.
But every now and then, a sunbeam pierces the thundercloud and silences the cacophony for a brief moment, allowing me to breathe and recenter. Sometimes it’s a timely sermon, other times a gentle breeze and birdsong. Coffee with a dear friend can do the trick.
'String Cheese' ministers to my weary soul by reminding me that what I call trials are actually gifts.
But this week, it was “American Idol” contestant Hannah Harper’s song “String Cheese.”
The name is silly; the lyrics are anything but. Right from the start — “I warm my morning coffee up for the third time” — I was smiling, nodding along in quiet recognition. Then the line, “Babies crying, it's pure chaos, but I don't miss a beat,” hit, and my eyes filled. Tears streamed until the final note.
And I’m certainly not the only one reaching for the tissue box. Harper’s anthem about the realities of motherhood has touched the hearts of millions in the six weeks since it went viral.
On February 2, the 25-year-old Missouri mother of three — dressed in a homemade patchwork mid-length dress, her strawberry curls pinned atop her head — proved her talent for both singing and song-writing when she auditioned for the 24th “American Idol” contest by performing her original song.
It was an unsurprising unanimous yes from judges Carrie Underwood, Luke Bryan, and Lionel Richie — and seemingly from America herself. “String Cheese” has racked up millions of views (and tears), peaked at No. 14 on Billboard's Country Digital Song Sales chart, and has already become one of the most viewed Idol audition moments in the show’s history.
It’s not like there’s a shortage of music that tugs on our heartstrings, so what about Harper’s country-style ballad is resonating with so many Americans?
I think there are two main reasons.
The first is that there’s something for nearly every woman in this song.
For the new mom under the black cloud of postpartum depression, whose motherhood feels more like a curse than a blessing, “String Cheese” offers the kind of encouragement only empathy can provide. Harper vulnerably confessed in her audition that the song was inspired by her struggles with postpartum depression.
“My youngest is 1, and shortly after he was born, I had postpartum depression, and so I was sitting on my couch ... I was just having a pity party, praying that the Lord would calm my spirit. ... I got up off the couch, and I quit throwing a pity party ... so I wrote this song,” she told the judges.
“Some days I wanna cry, run away and hide / But I worry about their every need,” goes one verse.
Any mother who’s been in the throes of PPD knows this feeling in her bones. The sleep deprivation, the hormonal landslide that occurs after birth, the endless needs, ceaseless crying, and lack of time to meet your own basic needs start to amount to something truly terrifying.
Suddenly, the walls begin to close in, and your biological self-defense mechanisms start screaming at you to flee. But something even stronger — a deep, primitive force that almost scares you — compels you to stay even as you wither. The mere thought of your child’s needs being met by anyone other than you is enough to keep you rooted to his or her side.
So you stay, and you suffer until the storm eventually passes.
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The song also offers a beautiful perspective to the overwhelmed mother, just trying to make it through another day of nonstop demands, tantrums, obligations, and messes.
“When I'm overwhelmed and touched out
They come climbin' up on the couch
Sayin', 'Mama, can you open my string cheese?'"
Sometimes a simple snack request when you’re just trying to catch your breath is the drop in the bucket that tips the scale. For me, it’s seeing tiny, sticky fingerprints on a surface I just cleaned. Every mom has that thing that takes her from typical stress levels to existential crisis.
It’s tempting sometimes to fantasize about the days when life will be easier, quieter, and cleaner, but Harper sends mothers to their knees with this reminder:
“One day I’ll be alone with a hot fresh cup of joe,
Wishing that someone would just drop by.
And I’ll sit and reminisce on times that I sure miss
Scattered toys and a baby on my hip.
I thought finding peace in the quiet’s what I wanted,
But I’d do anything to go back to being needed.”
For the mom struggling to keep her head above the rising tide, “String Cheese” is not only the promise that she won’t drown but that the water isn’t as deep as she thinks. In fact, there will come a day, and soon, when she will long for the feeling of waves lapping at her chin.
And finally, this tearful anthem is for the woman who is afraid of motherhood. Maybe she feels she doesn’t have the resources — financial, time, emotional, or otherwise — to be a good mom. Maybe she’s bought the feminist lie that motherhood is an unwelcome burden, a barrier to her personal ambitions and dreams, or simply more effort than it’s worth.
Two short lines are the timely message this startlingly large population of women need to hear:
“I never knew this is what my 20s would look like,
But they saved me before I had the chance to waste my life.”
The moment when a mother first looks in her baby’s face, something remarkable happens: All the things she once fretted over — time, money, preparedness, even happiness — lose their power, and a life without that child becomes unthinkable. The career, the travel bucket list, the free time, the clean house, the bank account, the mental stability all take their rightful place behind the tiny, wriggling creature in her arms. She knows that to have everything she ever dreamed of — but not the child — would be exactly as Harper says: a waste of life.
With the exception of the gospel, this is the most important message young women in America need to hear today.
I think “String Cheese” hits me so deeply because I am all three of these women. I’ve been the new adult in my early 20s, terrified of motherhood, barely capable of caring for myself, unsure that a swanky downtown loft and a cool-girl job that allowed me to travel wasn’t the better path. I’ve been the newly married woman in my mid-20s, wondering how on earth we’d afford a baby.
I’ve been the new mom, crushed by the reality of caring for a newborn who didn’t sleep, nurse, or stop crying for months and months and months (and then some more months).
Today, I am the mom who is just trying to make it through another day of work, meeting the emotional and physical needs of an almost 2-year-old who never stops moving (and still doesn’t sleep that great), housekeeping, and the ceaseless task of keeping tummies full.
“String Cheese” ministers to my weary soul by reminding me that what I call trials are actually gifts.
But it does something else for me too. It pulls my gaze in the right direction: down. Down to the blue eyes and the chocolate-smudged mouth that says “mama” 800 times a day.
And that’s the second reason this song is striking such a chord with so many Americans right now — women and men alike. Every day we watch the world grow more dystopian, as wars rage overseas, political divides deepen at home, and AI swallows entire industries whole. We fret over our children's futures, yet in that very worry, we often overlook one of their most basic needs: our full attunement. This song adjusts our posture in the most simple but profound of ways.
Win or lose, Hannah Harper is already an American idol. In one simple song, she has reminded us that the most profound victories aren't won on distant battlefields or in viral debates. They’re won right here in the ordinary, messy, sacred trenches of the home, where a child's small request for string cheese is really a divine invitation to love fiercely, stay present, and choose joy amid the storms.
A New York Magazine article highlights parents who regret having children — and BlazeTV host Stu Burguiere believes it simply cherry-picks miserable anecdotes while ignoring the deeper fulfillment many people find in raising a family.
“Sooner or later, everyone has to decide whether to give up lazy weekends, disposable income, and overall peace of mind to have a baby instead. For many of those on the fence, one anxiety looms large: ‘What if I make the wrong choice?’” New York Magazine wrote in a social media post promoting the article.
“Parent regret is more common than you might think — the r/regretfulparents sub-Reddit alone gets around 70,000 weekly visitors who anonymously commiserate — though stigma makes it hard to admit in real life,” the caption continued.
The article centers around the opinions of three people who regret their decision to become parents.
“Parenting can be very stressful. Parenting can have difficult parts to it. You can go through tough seasons where your kids don’t like you or they’re angry with you or your partner or you’re bringing them all over the globe to different events and it can get frustrating, and it can feel like, you know, you don’t really have a lot of me time,” Stu comments.
“We don’t have lots of child-care options — we do part-time day care and don’t have a lot of family able to help us; otherwise we use PTO and juggle our work schedules to have all the coverage we need — and it feels like the rest of my life is put on hold for motherhood,” one woman told the interviewer.
“I have good moments as a mom, but I get hung up on thoughts like, What I really wanted to do today was painting, or reading, or doing these chores alone,” the woman added.
“If what you’re thinking about life is ‘gosh, I really hate my life, I’d much rather do chores alone,’ I mean, I don’t think you’re just going to be a happy person. I think your life is going to be filled with misery,” Stu comments.
In another quote from the same unhappy mother, she admits that when “thinking about life without” her kids, she’d “be happier overall.”
Another mom admitted that she felt “angry and alone” after needing to take her daughter to the ER for a nosebleed.
“Everyone’s had a day where they just think things that are insane as a parent,” Stu says.
“It is about sacrificing a lot of things,” he adds.
To enjoy more of Stu's lethal wit, wisdom, and mockery, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.