What's so 'cruel' about dressing up and having a good time?



New York magazine recently published a story called “The Cruel Kids’ Table.” The article was primarily about young right-wingers and their cultural impact as we head into Trump’s second term in 2025.

But the content of the story isn’t what interests me. Or at least not right now. It’s the cover photo that accompanies the story.

In 2005, it wasn’t difficult to pick out a young, educated conservative from a young, educated liberal based on their clothing and their grooming. It isn’t terribly difficult in 2025 either.

A group of young, attractive, well-dressed men and women. Smiling. Laughing. Drinking. Talking. Stark light exaggerating every detail. It feels like some kind of paparazzi photo. It’s an evocative shot, and there has been no shortage of commentary on it.

Online left-wingers claim the photo is ugly. The bright flash, blown-out faces, high contrast, and excited laughter are unflattering and make the individuals look menacing. If conservatives don't realize this, it's because they don't understand aesthetics.

Conservatives, on the other hand, just see a bunch of well-dressed young people having fun.

Anti-aesthetics

For the left, the best kind of aesthetics are those that make people look vulnerable or fatalistically defiant. And if vulnerable or fatalistically defiant isn’t possible because the individual is just too attractive and confident, wonky will have to do.

Weirdly slouching posture. Slightly depressed face. A rough, brutalist scene will be fine. Or a cutesy one can work too. Something that feels jarring and disorienting, weird and wacky. If pity is impossible, hidden irony is the next best thing. These are some aesthetic values of left-wingers today.

Confident happiness, without any ironic subtext, is just not something in their aesthetic lexicon.

Terminally online

The claim that the photo makes the subjects look nefarious presupposes that you think these types of people — young, attractive men and women wearing dresses and jackets — are the bad guys.

Of course terminally online left-wingers think this demographic are the bad guys. But it doesn’t mean you do. And you probably don’t, because you are not a terminally online, bitter left-winger.

Still, they might argue that all that set aside, the photography is still intended to make the subjects appear less attractive by an objective measure and conservatives don’t get that the joke is on them.

They don’t realize that no one cares about their silly games any more. We just don’t. Gritty photo, smoothed photo, blown-out with flash photo, underexposed photo, overexposed photo, digital camera, Instagram, Polaroid, Photoshop. Who cares? The people in the photo are living rent-free in the heads of hysterical left-wingers. Who’s winning?

A new ethos?

Some claim that the photo is an example of a new right ethos. Well dressed, young, confident, attractive, etc. The claim is that these things are markers of a new era. I like all these things. They are very good things. But they are not new things on the right.

I know that much of society has devolved into pajama-pant world, and the problem of perpetual flip-flop-wearing street urchins is a social disease that impacts both left-wingers and right-wingers alike.

But there has always been a bloc of young, well-dressed, confident, and attractive right-wingers. This cohort has been a conservative breeding ground for generations. 1985, 1995, 2005, 2015, and 2025. Take your pick. It’s not new.

Dressing well in a traditional sense of the word has been a cultural value among young, successful right-wingers for generations. In 2005, it wasn’t difficult to pick out a young, educated conservative from a young, educated liberal based on their clothing and their grooming. It isn’t terribly difficult in 2025 either.

It’s true that amid our cultural degeneration, there has been much neglect in terms of personal aesthetics. Some on the right have tried to distance themselves from, or downgrade the importance of, dressing well, instead joining left-wingers in a race to the bottom.

Exit slop world

But the truth is that dressing well never really went away.

Maybe you were asleep at the wheel and didn’t want to look like a “frat guy” or a “sorority girl,” a “bro” or a “bimbo.” Maybe you decided to cut off your nose to spite your face, forgetting that aesthetics matter. That’s okay. We all make mistakes. But that doesn’t mean everyone else was right there with you.

Angry left-wingers will always hate young right-wingers. Their screeching can be ignored. Those who are just now discovering the importance of personal aesthetics are very welcome. It’s a great sign, and I sincerely hope that we see a turn away from slop world and a return to positive aesthetic values.

The young, attractive, well-dressed right-wingers on New York magazine’s cover are not a new phenomenon. The photo is a restatement of an important truth. Clothes matter, beauty matters. Happiness and success are winners. It was true yesterday, it’s true today, and it will be true tomorrow.

To Create Good Aesthetics, The Right Must Believe In What They Represent

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Black MAGA influencer: New York mag intentionally cropped black people out of photo of my Trump event



In a recent story titled “The Cruel Kids’ Table,” New York magazine writer Brock Colyar claimed that a new generation of young Republicans — “casually cruel Trumpers," he labeled them — are "conquering Washington."

The story’s feature photo exhibits a group of poshly dressed, mostly Caucasian young adults celebrating the first night of Donald Trump’s presidency at a swanky party thrown in honor of 30 influencers who played a pivotal role in Trump’s election. In the article, Colyar, who attended the event, corroborated the story’s feature image with a quote from an unnamed attendee: “Almost everyone is white.”

Except that was a lie.

Conservative black influencer and RNC Youth Advisory Council co-chairman CJ Pearson, who hosted the event, was intentionally left out of the story, as were other minorities in attendance, some of whom are big-name celebrities, like American rapper Waka Flocka Flame and American professional boxer Gervonta Davis.

Further, black party attendees were purposely cropped out of the article's feature photo.

In response to the story, Pearson tweeted: “I hosted this event and @NYMag intentionally left me out of their story because it would have undermined their narrative that MAGA is some racist cult.”

Now Pearson meets with Glenn Beck to shed light on what is clearly another attempt by the mainstream media to perpetuate lies about Donald Trump and his supporters.

— (@)

“I knew that America was getting woke under Biden, but I didn’t know that even the KKK had a DEI program, because apparently, I can now be a white supremacist!” he tells Glenn.

“I guess there weren’t enough women with penises in the crowd” for Colyar, who “identifies as nonbinary,” he laughs.

“But what’s terrible about this story is how flagrant it was. They truly believe the American people are stupid. They take that photo to insinuate that this was some KKK kumbaya,” Pearson says, noting that New York magazine did not reach out to him for comment, excluded him from the story, and intentionally “cropped out the black people” in the photo.

Pearson tells Glenn that when he looked at New York magazine’s Instagram post of the photo, many of the comments ignorantly labeled the partygoers as “Hitler’s youth” — “a group of which I was not aware that I was even eligible for membership,” he jokes.

“I think that the reason that they’re so upset is because they cannot stand to see people that believe what we believe happy in this country.”

To hear more of the interview, watch the clip above.

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