The 10 craziest surveillance technologies being rolled out for the Paris Olympics



As the 2024 Paris Olympic Games begin today, hundreds of American Olympians will begin their quest for gold. For many, thousands of their practice hours will pay off.

But for this year’s Olympics, it's not just the athletes’ hard work and athletic prowess taking center stage. Over the past year, France has worked hard to prepare a massive surveillance state for the Olympics. From surveillance drones to the largest military camp in Paris since the Second World War, the French have built a vast network of technology to keep the Olympics “safe” and dystopian.

During the Olympic games, Parisians and visitors must show QR codes to police officers to get past barricades to enter restricted areas, reminiscent of the nanny-state COVID zones.

Here are the ten craziest examples of mass surveillance during the 2024 Paris Olympics.

  1. Artificial intelligence cameras

Tourists won’t be the only ones taking pictures of themselves in Paris. CCTV cameras will use AI-powered algorithms to record and identify potentially suspicious individuals and objects on streets and in large crowds. While French officials claim that there will be no facial recognition, “AI video monitoring … enables mass control,” digital rights activist Noémie Levain told BBC news.

  1. Surveillance drones
  2. Fighter jets
  3. Helicopters

If you’ve booked a vacation to Paris in August, don’t be shocked when you see bird-like machines flying above your head or catch a chopper in the background of your picture with the Eiffel Tower. “Rafale fighter jets, airspace-monitoring AWACS surveillance flights, Reaper surveillance drones, helicopters that can carry sharpshooters, and equipment to disable drones will police Paris skies, which will be closed during the opening ceremony by a no-fly zone extending for 150 kilometers (93 miles) around the capital,” AP News reported.

  1. Tracking geolocation data

In preparation for the Olympics, the French prime minister’s office has negotiated a secret provisional decree that will increase the state’s ability to track citizens’ and visitors' data, including geolocation. Essentially, the French government will be able to track people’s every move, whether that be going to the grocery store or school, worshipping at a church, or attending a political event.

Even though it’s only temporary, what’s to stop French officials from keeping the decree permanently? After all, governments love power. As President Reagan once joked, “No government ever voluntarily reduces itself in size. Government programs, once launched, never disappear. Actually, a government bureau is the nearest thing to eternal life we'll ever see on this earth!”

  1. Wiretapping

Government officials won’t just be tracking people’s every move; they could also listen to everything people say over the phone. Under the same provisional decree, the French government would be allowed to secretly listen in on private citizens’ conversations over the phone, a move borrowed from the KGB playbook.

  1. QR codes

During the Olympic games, Parisians and visitors must show QR codes to police officers to get past barricades to enter restricted areas, reminiscent of the nanny-state COVID zones. Dubbed the “Belt of Steel,” a four-mile barricade surrounding Olympic venues will be in place, limiting access to Eiffel Tower viewpoints, the River Seine, and other famous attractions in Paris. Furthermore, these barricades may prove to be a hassle for locals just trying to get to work or go out to eat. An additional, larger no-entry zone will also be in place for automobile traffic.

  1. Background checks for residents

Once Parisians actually get into these high-security risk areas, they will still be subject to even more surveillance. Paris police chief Laurent Nunez told AP News that people who work and live in the buildings near the River Seine and the opening ceremony will be “cross-checked against security services’ databases, to see whether they have previously been flagged as suspected Islamist extremists or for other radicalism.”

What’s concerning is how French officials might define “radicalism.” Are supporters of Marine Le Pen’s National Rally “radical”? The Washington Post certainly thinks so. If French officials agree, will French nationalists just be banned from certain areas of the city?

  1. Houseguest registry

Not only does the French state want to know who’s walking around the streets of Paris, but officials also want to know whom Parisians are inviting over to their homes. According to Deutsche Welle, residents living in restricted areas must register visitors they invite to watch the Olympic games from their balconies, windows, rooftops, or houseboats.

  1. A military base

Perhaps the “least worst” example: French officials will set up a massive force of police officers as well as soldiers to shield the city against any potential terrorist threat. AP News reports that up to 45,000 police officers will guard the streets during the Games, in addition to 10,000 soldiers who have “set up the largest military camp in Paris since World War II. … Soldiers should be able to reach any of the city’s Olympic venues within 30 minutes.

Calling up soldiers to be on guard for an event of this grandeur wouldn’t be criticized too harshly if that was all French officials did. Terrorist attacks are still a valid concern in Western Europe. But a massive military base, in addition to fighter jets, drones, AI drones, wiretapping, and more certainly lends Paris a Soviet flavor.

How Woodrow Wilson normalized mass surveillance



Many terrible things happened in 1917, and one man caused most of them: Woodrow Wilson. Wilson laid the groundwork for today's Big Tech surveillance. He did it through centralization and bureaucracy, a collectivism that America had never seen before.

On April 2, 1917, Wilson urged Congress to declare war on Germany, saying, “The world must be made safe for democracy,” and, “We desire no conquest, no dominion.”

Woodrow Wilson transformed 'intellectuals' into militants of the state.

Wilson had a habit of manipulating people through fear. He won the 1916 election on a non-interventionist platform, insisting that Republicans would lead America to war if they won the election.

However, within a year, he had changed his mind. It became clear to him that America would need to enter the war. But he couldn’t let the country know that he’d changed his mind — no, that would be too straightforward. Instead, he would have to convince them that going to war was his own brilliant idea.

So, he did what any of us would have done (right?): He unleashed a vicious propaganda campaign.

It began with the creation of the Committee on Public Information, which is as 1984-esque as it sounds.

The Committee on Public Information was the first — and only — time that America had a ministry of propaganda, and it set the standard for modern-day propaganda. It had 47 divisions, including the Division of Pictorial Publicity, the Four Minute Men Division, the News Division, and the Censorship Board.

To manage the CPI, he would need a sneaky ally. That man was George Creel. Guess what he did for a living.

He was a journalist. Well, “journalist” is a bit of a stretch. Creel described the Committee on Public Information as a “vast enterprise in salesmanship.”

Wilson’s manipulation of the media is part of what made this new propaganda so powerful. Control the media, and you can control public opinion. Control public opinion, and you can control the minds — and the actions — of the people.

After all, anything the guard dogs and truth-tellers of society say must be true.

An army of snitches

This propaganda campaign was also very ... personal. It took place on the streets. Within a couple months, Creel had recruited 100,000 men. This squadron of bullies stormed movie theaters across the country, giving fiery speeches to captive moviegoers during the four minutes where projectionists changed the movie reel.

Creel used prominent members within the communities to spread this propaganda to every corner of America.

Specifically, they wanted to sway the opinion of Southerners, who saw no reason to enter a European war at the behest of a president they didn’t vote for.

Soon, the four-minute men delivered their heated rants anywhere there was a gathering of people, including churches, lodges, fraternal organizations, labor unions, and even logging camps.

Preachers, actors, lawyers, teachers, superintendents, athletes, magicians, aviators, titans of industry, and even a few KKK leaders, like DeForest Henry Perkins and the grand wizard — middle-aged men who were too old to fight — used their public speaking skills to spread fear and advertise war. They also used their public speaking skills to convince people to support progressive ideas, the draft, food rationing, and support for the Red Cross.

They gave speeches in many different languages. And historians estimate that, in New York City, these speeches reached 500,000 weekly. The trick was to make the speeches look like patriotic outbursts from passionate members of the community. In reality, every message was scripted by the state.

Creel once said that the speeches “were no haphazard talks by nondescripts, but the careful, studied, and rehearsed efforts of the best men in each community, each speech aimed as a rifle is aimed, and driving to its mark with the precision of a bullet.”

Several hundred thousand Americans volunteered for neighborhood watch. Americans betraying their fellow Americans, the people they shared their community with.

Hollywood played a crucial role, too. The most famous actors of the time, people like Charlie Chaplin and Mary Pickford, did the same thing the famous actors today do now: berate ordinary people into subservience to the elites.

Before long, it was impossible for anyone to speak out against the war.

His goal was to censor and crush anyone who tried to stop him by labeling them “seditious,” anti-American villains pushing for an insurrection.

Hm, sounds a bit like a more recent “insurrection” campaign, doesn’t it?

They claimed that Germany was engaged in "nothing less than war against the government and people of the United States." Wilson even offered “Fourteen Points” as a way to maintain his image as a peacemaker. But behind the scenes, he was just sneaking progressivism into a Trojan horse of foreign policy.

He transformed “intellectuals” into militants of the state.

In an editorial, Teddy Roosevelt wrote: "If the League of Nations is built on a document as high-sounding and as meaningless as the speech in which Mr. Wilson laid down his fourteen points, it will simply add one more scrap to the diplomatic waste paper basket. Most of these fourteen points ... would be interpreted ... to mean anything or nothing."

The Germans, likewise, saw it for what it was: propaganda.

Meanwhile, back home, the four-minute men continued this propaganda campaign until the war ended in 1918. By the end of the over year-and-a-half-long operation, the propaganda had reached every single American. It laid the groundwork for the Wilson war state, which marched four million Americans off to war, 116,708 of whom died in the fight.

Wilson destroyed an America that we’ll never know. He transformed it from a small town, quaint and local, to a global war machine that could be controlled by an all-powerful executive.

In June 1917, Wilson pushed the Espionage Act through Congress, and in May 1918, he pushed the Overman Act through, giving him total control. He even made it a crime to “willfully utter, print, write, or publish any disloyal, profane, scurrilous, or abusive language about the form of government of the United States.”

A few years later, in 1924, the FBI became the first federal police force in America.

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Dinesh D’Souza’s frightening ‘Police State’ needs to be seen



Promoting his latest release, Dinesh D’Souza said, “‘Police State’ is a movie that I never wanted to make, because I never wanted America to get to a point where a movie like this needed to be made.”

“Our police state is in camouflage,” the writer-director elaborated during a recent appearance on "The Glenn Beck Program." “It’s not open about its motives. It marches behind the banner of saving democracy.”

Released in cinemas early this week and online this weekend, “Police State” is a film of high production values worth seeing on the big screen. More importantly, it is a film that should be seen by more than just the right-wing choir. Most of us already know the lyrics to that songbook, but maybe this film will motivate us to sing more loudly.

Police State Trailer | New Dinesh D'Souza Movie www.youtube.com

“Police State” isn’t a conspiracy theory-laden warning of what is to come but rather a clarion call to wake up and recognize what’s already happening in America.

Moving from dramatic re-enactments of FBI operations and SWAT raids to documentary interviews of members of Congress, authors, journalists, and federal agency whistleblowers, the film opens with actor Nick Searcy (best known for portraying Chief Deputy U.S. Marshal Art Mullen on FX’s “Justified”)as a supervisory FBI field agent instructing his agents about an upcoming raid. The accuracy of this and other scenes led by Searcy comes from language scripted by real-life FBI whistleblowers Kyle Seraphin and Stephen Friend.

Narrated by D’Souza, “Police State” depicts the reality of government censorship, the targeting of political opponents, and unconstitutional spying by federal agencies on everyday Americans.

Dan Bongino, a former Secret Service agent turned political commentator who served as one of the film’s executive producers, says we’re already in the “slow death version” of a police state. We “just get used to the evaporating civil liberties.” And so Americans accept, consciously or not, “Oh, this is normal, being banned in the new public sphere.”

There are also the all-too-obvious comparisons between our government ignoring the crimes and subversive activities of those who advance progressive values and narratives but exercising tyranny on those deemed political enemies. These are shown through examples of our justice system overlooking and dismissing criminal cases against those who burned down neighborhoods in the Black Lives Matter riots of 2020 but aggressively pursuing and punishing those who engaged in the most placid act of accidental tourism through the U.S. Capitol Building on January 6, 2021.

From the spark of federal law enforcement agencies’ overreactions at Ruby Ridge and Waco 30 years ago, the film then asserts that our nation’s “flip” from a constitutional republic to a police state found its accelerant with the passage of the Patriot Act in the aftermath of the terrorist attacks of September 11, 2001. “After 9/11, all of the barriers that were constructed between counterintelligence and criminal investigation were removed,” attorney John O’Connor says in the film.

From big tech’s COVID-narrative censorship — in cooperation with federal policing agencies — to the Department of Justice’s targeting of those who attend Latin mass and protest at school board meetings, few examples of our government’s overreach into average citizens' lives escape notice in “Police State.”

Then there is the border crisis and the horrifying specter of what’s happened to 85,000 missing children in only two years. An immigration system designed for “speed over safety” has facilitated the processing of thousands of innocents into the world of child labor and sex trafficking.

“Police State” also presents interviews with North Korean defector Yeonmi Park, Reps. Jim Jordan (R-Ohio) and Troy Nehls (R-Texas), Senator Rand Paul (R-Ky.), investigative journalists Julie Kelly and Darren Beattie, and many others.

D’Souza himself says this is the “scariest” movie he’s ever made, but it is a film that needs to be seen by as many Americans as possible. Tickets and further information about how to share this with friends, family, and neighbors can be found at PoliceStateFilm.net.

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