Confessions of a preteen 'Church Lady'



Get in hosers, we’re going back to 1986 — when you could “just do things,” as the kids say.

If you’re middle-aged, you remember when you could just do things without filming them for TikTok. Without rearranging your bedroom to have the right look for “the ‘gram.” You could do things without waiting for an audience of thousands or millions staring at their phones.

Swishy 12-year-old boys in grandma drag talking about 'bulbous bits' were thin on the ground in rustbelt New York State, and I gave the people what they didn’t know they needed.

But more than that, you could just do things in the real world without a phone, a tablet, a smart watch, or any other digital tether.

Weird kid, normal childhood

Generation X was the last cohort to have a normal childhood of riding bikes until it was dusk (suppertime), playing with old cars in the junkyard, and making lean-tos in the woods. No adults expected their kids to be under their gaze all day, and we only had to fish out a quarter for a call home on a pay phone if something happened and we needed a ride.

I was a weird kid with weird friends. You develop unusual interests when you grow up with no father and a mother who is a cross between Nurse Ratched, Mommie Dearest, and Piper Laurie's religious fanatic mother in the movie “Carrie.” While normal boys were playing T-ball, I was playing "funeral home" and "cemetery."

As a kid in Southern California, my friend Julie and I used to ride our banana seat bikes down to the school parking lot and outdoor paved cafeteria on weekends. The metal clasp hanging on a rope on the flag pole used to clank against the pole in the wind, making a “bong!” sound like a church bell.

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Julie and I knew this was because Topaz Elementary School had been built on an “ancient graveyard.” The bells were ringing to let the dead know that it was OK to come out of their graves under the pavement because those pesky living kids were all gone for two days.

Mummy dearest

Fast forward five years, and back in upstate New York, I found a kid named Tom who was just as odd.

Tom had a kind of modern-day, white-trash Pippi Longstocking lifestyle. Unlike Pippi’s dad, Tom’s father wasn’t a captain at sea, but he might as well have been. Mr. E spent spent every day completely schnockered. He mowed the lawn in a frayed jockstrap and nothing else. We had the run of the three-story house because Mr. E ignored everything but Schlitz and that brown corduroy recliner.

Tom built a stone kiln in his backyard to fire clay pots. This is where we made miniature sarcophagi for the dead birds and shrews that we mummified. Yes, we did place them in salt (we called it “natron”), then wrapped them in cotton bandages before respectfully encasing them in pottery coffins. I still have one (the sarcophagus, not the mummy).

Audience by ambush

Like many of today’s kids, I was a performer who wanted an audience. But in the pre-internet, pre-smartphone days, your audience was limited to the people you could persuade to stand in front of you in the actual three-dimensional world.

Or you could get an audience by stealth ambush, my preferred method.

Vinyl LPs were still the dominant way people heard music in my youth, and my mother had a collection of comedy show records; they were in vogue in the 1970s.

Pranks for the memories

I wore out Lily Tomlin’s “This Is a Recording,” her stand-up show featuring Ernestine, the telephone operator. I practiced saying things like, “One ringy-dingy. Two ringy-dingies,” for hours in front of the mirror until I got the voice just right.

Then, I opened up the phone book and picked “old people” names at random and dialed (remember, this was before caller ID).

Me: One ringy-dingy. Two ring-ooh! Snort! Good afternoon; have I reached the party to whom I am speaking?

Her: Yes, this is Mrs. Fletcher.

Me: Mrs. Fletcher, I have an annoying problem that only you, as a New York Telephone customer, can solve. According to our files, you owe a balance of 15 dollars and 78 cents for the use of your instrument, which, I remind you, is wired into your wall courtesy of our burly repairmen [fiddle with décolletage] at the telephone company. When may we expect payment?

I shudder to think how many unnecessary checks the elderly ladies of Cortland made out to New York Telephone.

Junior shock jock

But that was just one person. What about an audience of thousands?

I started calling into WOKO 100.1, OK-100!, “Central New York’s Home for Top 40 Hits.” It was always having contests where caller number seven got a free pizza from Pudgies or a copy of Madonna’s new album. I figured out a timing system, accounting for the travel time the phone’s dial took to complete each number, and managed to be “caller seven” suspiciously often.

When the DJ answered the phone, I was in go-mode as the “Church Lady,” the prudish fundamentalist grandma character played by Dana Carvey on "Saturday Night Live."

OK100: Caller seven, you’ve got it! Tell us who you are.

Me: Most people just call me the Church Lady, which you should well know, as Satan has obviously been whispering sweet-and-sour nothings into your ear or you wouldn’t be playing music from harlots like that bleached-blonde tart named after our holy mother.

You cannot imagine the joy of being 12 years old and making a fully grown man, an on-air DJ, crack up laughing so hard he could barely put the next record on. They started asking me to call in on purpose to do impressions.

But it wasn’t enough.

Hooked

The year before, I played Captain Hook in the Cortland Junior High production of "Peter Pan."

As I was speaking one of my lines, the painted wooden cutout of a pirate ship collapsed on the stage. So I ad-libbed: “Don’t just stand there, pick it up, you lazy swabbies — we’ve got a play to finish!”

It brought down the house.

I wanted another taste of entertaining a live crowd, so I decided to perform on the roof of the wraparound porch on the old, beat-up Victorian we rented from Mr. and Mrs. Maniacci two doors down.

Isn't that special?

My gorgon mother had gone to California for a week’s vacation and hired Lori the babysitter to stay with us kids. Oh, boy!

Stuffing my paper route money into my satchel, I walked to the Salvation Army store and came home with a curly grandma wig, a seafoam-green polyester shift, opaque “nude” pantyhose, and sensible orthopedic shoes.

My sister helped me crawl out the window of her bedroom onto the roof of the porch and handed me a broom so I had something with which to menace passersby. It wasn’t long before a young couple came walking up the street.

“It’s always nice to see a young couple," I called out.

Having secured their attention, I continued, "... except the kind that doesn’t wear a wedding ring and thinks co-habitation is just fine and dandy. How long have you been living in sin, pressing your engorged naughty parts against the devil’s finger? Does it tingle?”

The first reaction was shocked silence. The second was uproarious laughter. Swishy 12-year-old boys in grandma drag talking about “bulbous bits” were thin on the ground in rustbelt New York State, and I gave the people what they didn’t know they needed.

For the rest of the afternoon I preached fire and brimstone, insulting everyone who walked by as a rake and a floozy. A few people came back with friends so they, too, could experience the cleansing power of righteous testimony.

Canceled!

At the end of the week, my mother returned. While I was taking a bath, I heard a rap on the front door. “Bonnie! Bonnie! I need to talk to you.” Oh, shoot — it was Mrs. Maniacci, the landlady!

Scurrying out of the tub to press my ear to the door, I mostly heard my mother’s side of the conversation. “Uh-huh. Really? He did what? I see. Thank you Mrs. Maniacci, I’ll take care of it.”

“JOSHUA LAWRENCE SLOCUM GET OUT HERE RIGHT NOW!”

The punishment was worth it. I’d do it again and again and then again.

Do your kids know how to just do fun things?

'SNL' openly mocks gay surrogacy — what is happening?



Over the past decade, the once universally loved “Saturday Night Live” has become a clear propaganda tool of the left — consistently pushing left-wing issues while poking fun at the right.

However, that may be changing after one April 12 "SNL" skit shockingly mocked gay surrogacy.

The sketch took place at a chaotic dinner party where guests shared bizarre personal updates. One gay couple at the dinner party had a newborn baby, and the other guests then begin asking questions as to where and how they acquired a baby — even asking if they stole it.


The skit took it so far as to ask the gay couple how just the other night they were going to a gay rave called “Bulge Dungeon” when there was a baby on the way.

“There are two different ways to see this,” Allie Beth Stuckey of “Relatable” says. “Either you can see it as using comedy to normalize two men purchasing a baby, or you can see it as a big vibe shift that we are actually starting to mock and deride something that deserves our mockery and derision.”

“Because it is a legitimate question. How could two men, who do not have the genetic material nor the wombs to create and bear children, have a child?” Stuckey asks.

While Stuckey is skeptical that the skit was pointing out the gay couple’s purchase of a baby as a bad thing, she did think one line from the skit was a home run.

“That line about ‘last night you were talking about going to Bulge Dungeon and now you have a baby and we’re just wondering how to square that circle,’ that was a good one. That was the best line, because if you see a lot of these men who are purchasing children, you do have some questions, like, ‘Do you know the first thing about raising a child?’” Stuckey says.

“And so I appreciate that whatever the motive is, that we are in the mode right now of mocking something that is absolutely depraved and destructive,” she adds.

Want more from Allie Beth Stuckey?

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Liberals outraged at gay dad adoption sketch on 'SNL,' but many on the right love it



A sketch on "Saturday Night Live" about a gay couple adopting a child is getting some praise from many on the right, but liberals are outraged over it.

The sketch stars guest Jon Hamm as part of a homosexual couple visiting a group of friends, and they unexpectedly bring their newborn child. The friends are bewildered as they try to understand how the couple was able to obtain a child.

'The culture is shifting. This is hilarious and promising.'

Some viewers expressed their outrage on social media that "SNL" broadcast a sketch that appeared to be politically incorrect.

"So SNL, widely disdained among conservatives, is now alienating it's (sic) liberal core fans - because, why? I've never seen a TV show commit suicide before," responded one critic.

"Snl gay dad with baby sketch is awful. putting us back years," replied one account with pronouns in its profile.

"The people that want queer people dead already won, must you also validate them by trying to curry their favor? what are you doing. really," said writer Ayesha Siddiqi.

Video of the sketch on the show's account went viral with millions of views.

Many on the right were shocked that "SNL" would promote a sketch they found hilarious.

"At this rate I might watch SNL again. The culture is shifting. This is hilarious and promising. First time in 15 years I’ve seen the LGBT third rail be mocked on TV," responded Charlie Kirk of TPUSA.

"We’re so back and I don’t even watch SNL. Thank God the tides are turning so we can make fun of the insanity in our world again," read another comment.

"Hey! SNL is getting kinda funny again! I hope this keeps up. It's been DECADES of super not funny," read an account identifying as libertarian.

Others, like Allie Beth Stuckey, host of BlazeTV's "Relatable," found an important lesson in the sketch.

"Oh my gosh. 'You guys said that after dinner you were going to go to a rave called 'bulge dungeon'—and now today you have a baby?' The purchasing of children deserves mockery and derision," she wrote.

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Lorne’s Prime Time

In a season five episode of the estimable sitcom 30 Rock, itself based on the goings-on of a network television show closely modeled on Saturday Night Live, the writer and producer Aaron Sorkin makes a cameo as himself. Introduced to Tina Fey’s ever-acerbic head writer Liz Lemon, Sorkin demands they execute his signature walk-and-talk power move, as she excitedly lists the various award-winning films and television shows that he has been involved in. There is, however, one exception. When she mentions the name of Studio 60 on the Sunset Strip, a Sorkin-created drama that purported to go behind the scenes on a show equally closely modeled on SNL, Sorkin simply says, “Shut up”—a nod to the series’s swift cancellation after a single season, Sorkin’s sole show not to be renewed.

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'SNL' blasted for 'absolutely disgusting' jokes on 'Weekend Update' in relation to fatal shooting of UnitedHealthcare CEO



"Saturday Night Live" took a beating for "absolutely disgusting" jokes — as one commenter put it — on its latest "Weekend Update" segment in relation to the fatal shooting of UnitedHealthcare CEO Brian Thompson last week.

"Weekend Update" led its segment Saturday with jokes in connection with the fatal shooting in Manhattan.

'Disgusting. I couldn’t watch this segment. The victim’s family and friends are very much grieving right now.'

“This week, New York City officials sent a tough message on crime: ‘If you shoot somebody in the middle of the street, you better get on your bike, hop on a bus, and get the heck out of here, mister,’” co-host Colin Jost quipped to begin the segment — to quite a bit of laughter.

Jost continued: “The manhunt continues for the assassin who gunned down the CEO of UnitedHealthcare on Wednesday, and it really says something about America that a guy was murdered in cold blood and the two main reactions were, ‘Yeah, well, health care stinks!’ And also, ‘Girl, that shooter hot.'”

Jost added with an incredulous giggle that the suspect "just bicycled away" after the shooting: "Probably because they have every cop in the city guarding our Christmas tree." The Christmas tree lighting at Rockefeller Plaza took place hours after the shooting.

“The NYPD now believes the suspect left the city on a bus from Port Authority," Jost also said. "Uh, thanks, but a Port Authority passenger who looks like a murderer actually widens the search."

With that, Michael Che took over and said, “New York City police say that they were able to get the smiling picture of the suspect after the man apparently was caught on camera at a local hostel flirting with a female employee, whose name has been reported as, ‘Lucky S. Bechalive.'"

Despite the consistent laughter the co-hosts' jokes elicited, a number of other folks didn't take kindly to their humor.

“Disgusting. I couldn’t watch this segment. The victim’s family and friends are very much grieving right now,” one observer wrote beneath a YouTube video of the segment, according to the New York Post.

“Agreed," another commenter responded, the Post noted. "I don’t usually watch SNL, and I can see by the segment and comments supporting it that I will no longer be watching it. Joking about someone’s murder like that is absolutely disgusting… a family is grieving right now."

The paper added that a X user wrote, “Classless."

You can view the "Weekend Update" segment here.

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Trump’s FCC Must Smash Corporate Media’s ‘Censorship Cartel’

FCC chairman nominee Brendan Carr sounds like he means business in his vows to 'reinvigorate' broadcast TV and 'smash the censorship cartel.'

'There's supposed to be freedom of speech': 'Saturday Night Live's' Kenan Thompson says movie studios suppress edgy comedians



Veteran "Saturday Night Live" cast member Kenan Thompson said actors and comedians no longer have the freedom to write edgy material, and those who do are "suppressed."

Thompson, who has starred in movies like "Good Burger" and "D2: The Mighty Ducks," said that comedians sometimes struggle to align their comedy to public "sensibilities," especially when they are used to speaking a certain way in their private lives.

The 46-year-old noted that while some comedians can emerge out of the industry's blanket censorship, most edgy comedy is shut down by film studios.

"There's supposed to be freedom of speech. They keep trying to suppress, but then you have the [comedians] that pop up out of that suppression," Thompson revealed.

'That's where it felt like was the end of the road for the freedom of wanting to be funny.'

During an interview with comedians Mark Normand and Sam Morril, Thompson said it was disheartening to see how few comedies get a green light in modern Hollywood.

"There's not enough comedies anymore. There's no comedies to be seen right now. It's so sad."

"Of course the classics like the 'Tropic Thunders' of it all, but that's where it felt like was the end of the road for the freedom of wanting to be funny kind of thing. ... I'm looking for that era," Thompson explained.

Ben Stiller's "Tropic Thunder" received very little backlash when it was released in 2008 despite its frequent use of the word "retard" and the simple fact that actor Robert Downey Jr. was in blackface for nearly the entire film.

Thompson also cited movies like Mike Myers' "Austin Powers" and "Baseketball" as edgy movies that likely couldn't be made today.

"It should be allowed to be done!" Thompson declared.

Host Normand then asked Thompson about recent episodes of "Saturday Night Live" in which comedians Bill Burr and Dave Chappelle took a moment to acknowledge how sensitive the show's audience has become.

"Everybody was like, 'This is crazy; this is so offensive,'" Normand recalled. "Did you find it was a little touchy over there?" he asked the cast member.

"It's touchy everywhere," Thompson replied. "That audience comes in and like, there is some clutching of the pearls."

Thompson implied that the studio audience at SNL is usually on edge and afraid to laugh at anything that could be deemed offensive. This results in comedians often receiving little "support" from the live viewers when they perform stand-up comedy on the show.

Despite this, the actor claimed the executive producer of SNL, Lorne Michaels, is reasonable in his approach about what can or cannot be said by performers. He said Michaels will simply say "good luck" to a comedian and let the audience reaction do the talking.

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‘Saturday Night’ Reminds Us How Far The Unfunny Partisans At SNL Have Fallen

'Saturday Night' is a wonderful celebration of a cultural moment, and pulls together a wonderfully cathartic story.

Trump scores free prime-time ad slot after NBC's 'SNL' skit scandal with Harris



Former President Donald Trump secured a free election promotion on NBC following complaints that the network attempted to give opponent Kamala Harris a boost with voters by featuring her on "Saturday Night Live." The network was accused of violating the Federal Communications Commission's "equal time" rule.

Trump's advertisement aired on Sunday evening after NASCAR's Xfinity 500 and the NFL's Minnesota Vikings-Indianapolis Colts football game.

'Just remember, Kamala and her friends broke it.'

The ad featured a "special message" from Trump to sports fans.

"We're two days away from the most important election in the history of our country. We've got to save our country, and it needs saving — it's in very bad shape," Trump stated. "The worst economic numbers in generations were just announced two days ago. We're losing jobs; we're losing everything, including viability."

Trump warned viewers that America is currently headed toward an economic depression.

"We've never seen anything like it, at least for the last 40 years," he continued.

Trump called for closing the borders, lowering taxes, and eliminating inflation.

"Just remember, Kamala and her friends broke it," he added. "I'll fix it."

"Go and vote," Trump concluded.

The ad directed viewers to a webpage with a form to obtain voter location and registration information.

NBC was forced to give Trump the free airtime after featuring Harris for a minute and a half in a cold open sketch for "SNL," the show's final episode before Election Day, Blaze News reported.

FCC Commissioner Brendan Carr called the skit "a clear and blatant effort to evade the FCC's Equal Time rule."

"The purpose of the rule is to avoid exactly this type of biased and partisan conduct - a licensed broadcaster using the public airwaves to exert its influence for one candidate on the eve of an election," Carr continued. "Unless the broadcaster offered Equal Time to other qualifying campaigns."

NBC filed an Equal Time notice with the FCC late Sunday after the pushback.

Carr told Fox News Digital that the network's filing confirms that it "views the Harris 'SNL' appearance as a free use of their facilities and airwaves within the meaning of the federal Equal Time rule."

Trump campaign spokesperson Steven Cheung told Fox News Digital that Harris' cringeworthy sketch indicated her campaign is desperate to appeal to voters.

"Kamala Harris has nothing substantive to offer the American people, so that's why she's living out her warped fantasy cosplaying with her elitist friends on 'Saturday Night Leftists' as her campaign spirals down the drain into obscurity. For the last four years, Kamala's destructive policies have led to untold misery and hurt for all Americans. She broke it, and President Trump will fix it," Cheung told the news outlet.

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NBC Forced To Give Trump Airtime After Violating FCC Rules With Harris SNL Spot

Republican FCC Commissioner Brendan Carr said in a thread on X that Harris’ appearance on SNL ran afoul of the FCC’s 'Equal Time' rule.