'SNL' star Che blasts Kevin Hart roast's white writers — after he turned down job



"Saturday Night Live" actor Michael Che mocked Netflix's Kevin Hart roast for having too many white writers after backing out of the production himself.

Che, who chose not to participate in the show due to a scheduling conflict with "SNL," Variety reported, posted online two days later about white writers writing for a roast about a black comedian.

'White guys and black people joke different.'

Even though veteran comic Jeff Ross told Variety on Monday that, like all roasts, "nothing was off limits," Che followed up on Instagram on Tuesday with critiques about the jokes that were made.

Shoe-in

"White guys and black people joke different. Black guy[s] roast like, 'Look at this n***a's shoes!'" Che began. "White roasts are like, 'Slavery, math, slain teens, sex crimes, slurs, family secrets.' White guys don’t give a f**k about they shoes."

That post has since been removed, as was Che's second post, which again focused on the race of the comics on the show.

"Let's do a roast celebrating the career of the most successful black comic in the last 10 years," Che wrote. "I love that! Who should we get to write it?" In the next slide of the post, Che showed a picture of five white writers hired by Shane Gillis: Nick Mullen, J.P. McDade, Mike Lawrence, Dan St. Germain, and Zac Amico.

Che followed the picture up with the text, “C'monnnnnnnnn ... that's not funny?"

Not only would the implication be that black comedians who performed, like Katt Williams, did not write their own jokes, but that there weren't other black comics who wrote for the show; he was completely wrong.

RELATED: Chelsea Handler learned a valuable lesson — if you're going to attack Tony Hinchcliffe, don't go first

Kevin Mazur/Getty Images for Netflix

Roast so white?

Che's choice of writers to mention may have been selectively curated, however. Not only did the production have 17 different writers listed on the IMDb page — several of whom were black — there were an additional 17 comedians who provided "special material."

Comedian David Lucas, who is black, confirmed on his Instagram page that this refers to additional writers.

"God is Great I was one of the Writers on the Roast of Kevin Hart," Lucas wrote, alongside a picture of the credits that featured his name.

Along with Lucas were several other black comedians like Jerron Horton, Spank Horton, and Myke Wright. The writing group also included female writers like Vannesa Ramos and Madison Sinclair.

RELATED: 'SNL' cast member admits to ‘pantsing’ 6-year-old boy in viral Vanity Fair video — clip immediately edited

Sorry, not sorry

After seemingly receiving backlash over his comments, Che put out a new statement saying, "Im sorry I said those writers were white."

"They're not," he added. Followed by, "Please respect my family's privacy at this time."

Che also liked a fan comment that joked that it takes a real man to admit when he's "not wrong."

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Billionaire Bruce blasts 'rich men' in latest concert rant



Michael Moore has an Alex Jones problem.

The far-far-left filmmaker was once a mover and shaker in liberal Hollywood, but somewhere along the way, the modern progressive movement got even crazier than his factually challenged films.

Springsteen is worth a reported $1.2 billion, which in some circles is still considered upper middle class.

It’s like Candace Owens leaving Jones in the conspiratorial dust.

What’s a radical like Moore to do? Why spin, spin, spin on behalf of Iran, the country that may have slaughtered 30,000 of its own people. Possibly more.

Heck, in MooreLand, they’re the good guys, at least according to his recent Substack screed.

"We’re the bad guys! If you didn’t realize that under previous presidents at least Donald Trump has ripped off the mask and shown you who we really are!"

Nice try, Mikey. But in a world where Democrats fete the likes of Jennifer Welch and Hasan Piker, you gotta be a whole lot crazier to keep a seat at the table ...

'News' to Fox

Nobody does fake news quite like CNN, but Michael J. Fox took this phony item personally. As well he should have.

The “Family Ties” alum has been battling Parkinson’s disease for some time, but the condition isn’t life-threatening at the moment. Tell that to CNN, which briefly displayed a video tribute to the “late” star.

To paraphrase Monty Python, he’s not dead yet.

Fox took the incident with good humor, using his Threads account to share his comical reaction.

“Do you ... A) switch to MNSBC, or whatever they are calling themselves these days, (B) Pour [scalding] hot water on your lap, if it hurts [you're] fine, (C) Call your wife, hopefully she’s concerned but reassuring, (D) Relax, they do this once every year, (E) Ask yourself wtf?”

(E) is always a safe bet when watching CNN, Mr. Fox ...

Gag ghouls

It’s bad enough that “Saturday Night Live” ignores half the political material at its disposal. Now "SNL" is feeding ghoulish slop to its remaining far-left fans.

The most recent “SNL” episode found Weekend Update co-anchor Michael Che noting how President Donald Trump recently enjoyed a night at the theater.

“President Trump attended the opening night of 'Chicago' at the Kennedy Center, and I think that’s cool that the president is going to the theater. I mean, what’s the worst that could happen?”

Because John Wilkes Booth once shot and killed a president at Ford’s Theater ... get it?

The joke was cruel enough, but the crowd roared in sustained approval. How long before “SNL” recruits Luigi Mangione to host? ...

RELATED: SCORN IN THE USA: Bruce has no use for Trump-voting fans

Richard E. Aaron/Adam Berry/Andrew D. Bernstein/Getty Images

Lip service

Woke may be fading in Hollywood circles, but some celebrities won’t give up the ghost. Take Dan Levy, the “Schitt’s Creek” alum and son of legendary comic Eugene Levy.

Levy fils, who co-created the new Netflix comedy “Big Mistakes,” didn’t just defend female comedians against the age-old saw that they trail their male counterparts. He went the full feminist. You never go the full feminist.

I find women to be far superior to men in comedy. I love it. I've always been drawn to female voices in comedy. ... I grew up watching Lucille Ball. I grew up watching Mary Tyler Moore, all of these incredible, funny women. It's just been a life goal to continue to tell their stories, and I've been so lucky to have these casts stacked with unbelievably talented actresses.

He forgot to mention that they’re superior drivers too ...

Working-class hero

"Born to Run" ... his mouth.

The Boss slammed more than just President Donald Trump in a recent concert appearance. Springsteen took aim at “rich men” in one of the night’s political screeds.

"The richest men in America have abandoned the world’s poorest children to death and disease through dismantling of U.S. aid. This is happening now. We're undermining NATO and the world order that kept us safe and at global peace for 80 years. This is happening now."

Springsteen is worth a reported $1.2 billion, which in some circles is still considered upper middle class.

You'd think a man who sold his music catalog to Sony for a whopping $500 million would be able to offer his loyal fans a break. To quote his best bud President Barack Obama, "I do think at a certain point you've made enough money.”

Bruce is clearly still feeling the pinch if his latest tour's $7,000 floor seats are anything to go by. It's good to be the Boss!

'SNL' cast member admits to ‘pantsing’ 6-year-old boy in viral Vanity Fair video — clip immediately edited



“Saturday Night Live” cast member Chloe Fineman is facing intense backlash after she admitted in a Vanity Fair game show video that she was fired as a teenage camp counselor for "pantsing" a 6-year-old boy as a prank.

“I was fired as a camp counselor. I pantsed a boy, and he wasn’t wearing underpants, and then a giant school bus drove by,” she recounted, noting that the boy was “6” when this incident happened.

When her fellow cast members reacted in shock, Fineman continued, “No, it was a different time! Like he would be like, ‘Hey, can I have a hug?’ and I'd go to hug him and then he’d like lift my shirt like a d**k. And then I was like, ‘I'm going to get back at you,’ and so we were on a hike, and I was like, ‘Hey, Ollie, go look over there, it's a hawk,’ and then I yanked his pants down. He wasn't wearing underwear. His little ding-a-ling was out.”

Although Vanity Fair has since edited out some of Fineman’s most controversial statements — specifically her admission that the boy was 6 and her use of the term “ding-a-ling” — Sara Gonzales has the fully intact clip. On a recent episode of “Sara Gonzales Unfiltered,” she played the unedited video and reacted to it.

“Chloe [Fineman] thought that she was being funny when she admitted to sexually assaulting a child,” says Sara, lamenting the devolution of "SNL" from genuinely good comedy into woke, preachy politics.

“It wasn’t a ‘different time’ then. There was not a time where adult camp counselors could pants 6-year-olds,” she continues.

Sara notes that there’s been unsurprising silence from the left on Fineman’s disturbing comments.

“Not a peep. The same people who were like, ‘The Epstein files, we hate child predators, release the files’ — but nothing to say about this woman admitting that she sexually assaulted a 6-year-old. This is crazy,” she condemns.

“Is she going to be removed from 'SNL'? Are the cast members going to continue to work with a sexual predator?” she asks. “Probably, because the left has no morals and no values. They only wish to use those morals and values against you.

To watch the original, unedited Vanity Fair clip and hear more of Sara’s commentary, watch the video above.

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Left-Wing Comedians Bowen Yang, Matt Rogers Warn Against Donating To Self-Absorbed Jasmine Crockett

'If Beto O’Rourke couldn't do it, Jasmine Crockett is not going to do it'

ROOKE: Noem And Bondi Defang The Left By Laughing In Their Face

'humor rather than defensiveness disarms detractors'

Bad Bunny: Learn Spanish if you want to understand my Super Bowl performance



Puerto Rican musician Bad Bunny delivered part of his monologue in Spanish last weekend on "Saturday Night Live."

The appearance came after the artist, whose real name is Benito Antonio Martínez Ocasio, was named by the NFL as the Super Bowl LX halftime performer.

'I think everyone is happy about it. Even Fox News.'

Ocasio opened the sketch comedy show by telling the audience he is very happy to be performing at the Super Bowl, "and I think everyone is happy about it," he joked. "Even Fox News." Clips from Fox News anchors like Sean Hannity and Jesse Watters were played, spliced together to say, "Bad Bunny is my favorite musician and he should be the next president."

The host went on, "I'm very excited to be doing the Super Bowl, and I know that people all around the world who love my music are also happy."

At this point, Bad Bunny began speaking in Spanish.

Even though "Saturday Night Live" has always been an English broadcast and much of the controversy surrounding the Super Bowl appointment is due to the fact that his music is predominantly in Spanish, the singer delivered several lines of the monologue in the foreign language.

RELATED: Trump administration issues warning after Bad Bunny named to Super Bowl halftime show: 'We will deport you'

"Especially all the Latinos and Latinas across the world, and here, in the United States, all those who have worked to open doors," he continued, according to a translation by Newsweek.

Bad Bunny received raucous applause as he remarked, still in Spanish, "It's more than an achievement for myself; it's an achievement for all of us. It shows our footprint, and our contribution to this country, that no one will ever be able to take away or erase."

He concluded with a line that was seemingly intended to mock his critics, switching back to English: "And if you didn't understand what I just said, you have four months to learn."

The announcement that the 31-year-old will perform at Levi's Stadium in Santa Clara, California, in February took the internet by storm last week, especially since he said in September that he has avoided U.S. tour dates due to possible immigration enforcements at his concerts.

Providing "many reasons" as to why he did not "show up in the U.S.," Bad Bunny said "there was the issue of — like, f**king ICE could be outside."

"And it's something that we were talking about and very concerned about," he added, according to the Guardian.

RELATED: Anti-Trump artist Bad Bunny named Super Bowl halftime performer — immediately makes it political

Doja Cat, host Bad Bunny, and special guest Jon Hamm during "Saturday Night Live" on Saturday, October 4, 2025. Photo by Will Heath/NBC via Getty Images

Adviser to the Trump administration Corey Lewandowski was asked last week about Ocasio's concern for illegal immigrants and their possible deportations. He confirmed in an interview that ICE agents will be at Super Bowl LX.

"There is nowhere that you can provide safe haven to people in this country illegally. Not the Super Bowl and nowhere else," Lewandowski explained.

Bad Bunny has also been criticized for mocking President Trump in a July 4 music video in which he draped the Puerto Rico flag over the Statue of Liberty and used an audio clip of an impersonation of the president.

Ocasio endorsed Vice President Kamala Harris in the 2024 presidential election and said he was offended by comedian Tony Hinchcliffe's joke about Puerto Rico that was made at a Trump rally.

While performing in Spanish has become a sort of resistance effort by activists, especially at sporting events, it's important to remember that Latin America did not start speaking Spanish until it was colonized.

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Media meltdown as 'Kill Tony' breakout star Kam Patterson infiltrates liberal stronghold



One anti-woke comedian whose life was changed by Monday nights is about to try weekends on for size.

Kam Patterson, known mostly for his appearances on the viral comedy podcast "Kill Tony," has already landed roles in Kevin Hart's upcoming Netflix comedy "72 Hours" as well as the David Spade/Theo Von buddy pic "Busboys."

Turns out he'll also be trying his hand at another, more established, weekly variety show.

'Seeing people try to attack a black kid because he said he "voted for Trump" is absurd.'

"Monday nights changed my life, let's see how I do on Saturdays," Patterson wrote on Instagram, tagging his new employers, NBC.

Last week, "Saturday Night Live" revealed Patterson would be joining the cast for the 51st season, alongside four other rookies.

"Welcome to the cast!" the company wrote. Others in the media were not so sanguine about the Orlando native's new job.

RELATED: 'I apologize to absolutely nobody': Comedian Tony Hinchcliffe says media used Puerto Ricans as 'political fodder'

Pajiba's Dustin Rowe attributed the hiring to SNL head Lorne Michaels' desire to tap into the "alt-right comedy space."

"He still uses 'gay' as a pejorative in the way it was tossed around in the ’80s," sniffed Rowe, while also noting that Patterson voted for President Trump.

Meanwhile, NPR's only note about Patterson's stand-up career was his defense of friend Tony Hinchcliffe, who dared to make a joke about Puerto Rico at an October 2024 Trump rally.

Syracuse.com took umbrage with Patterson's attacks on upstate New York, noting that the Orlando native had likened the food in Rochester, New York, to "pig slop" during one "Kill Tony" appearance, prompting Hinchcliffe to add that people in upstate New York settle down with "the first person that said they like you" before getting "stuck there, forever in eternal hell, while literally the rest of America laughs at you."

RELATED: Dave Landau slays on 'KILL TONY'

BlazeTV's Dave Landau offered a different take, however.

"Kam is a genuinely kind person and comedian that crowds really love," the comedian said. "I think 'SNL' is making the right choice with Kam because it’s about being funny, and comedy should never be about filling a quota or an agenda."

Landau continued, saying that Patterson has already won, despite what critics are saying.

"Seeing people try to attack a black kid because he said he 'voted for Trump' is absurd. I hope he hits superstardom."

On top of his many, many appearances on "Kill Tony" as an act, Patterson has also appeared on the panel at least four times ("Kill Tony" #633, #664, #700, and #710), despite outlet Pajiba claiming the reason he "hasn’t sat on a panel is because he’d overshadow everyone else."

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Confessions of a preteen 'Church Lady'



Get in hosers, we’re going back to 1986 — when you could “just do things,” as the kids say.

If you’re middle-aged, you remember when you could just do things without filming them for TikTok. Without rearranging your bedroom to have the right look for “the ‘gram.” You could do things without waiting for an audience of thousands or millions staring at their phones.

Swishy 12-year-old boys in grandma drag talking about 'bulbous bits' were thin on the ground in rustbelt New York State, and I gave the people what they didn’t know they needed.

But more than that, you could just do things in the real world without a phone, a tablet, a smart watch, or any other digital tether.

Weird kid, normal childhood

Generation X was the last cohort to have a normal childhood of riding bikes until it was dusk (suppertime), playing with old cars in the junkyard, and making lean-tos in the woods. No adults expected their kids to be under their gaze all day, and we only had to fish out a quarter for a call home on a pay phone if something happened and we needed a ride.

I was a weird kid with weird friends. You develop unusual interests when you grow up with no father and a mother who is a cross between Nurse Ratched, Mommie Dearest, and Piper Laurie's religious fanatic mother in the movie “Carrie.” While normal boys were playing T-ball, I was playing "funeral home" and "cemetery."

As a kid in Southern California, my friend Julie and I used to ride our banana seat bikes down to the school parking lot and outdoor paved cafeteria on weekends. The metal clasp hanging on a rope on the flag pole used to clank against the pole in the wind, making a “bong!” sound like a church bell.

RELATED: Had an abusive mother? Then you understand the left's anti-Trump insanity

AllNikArt/Silver Screen Collection/Getty Images

Julie and I knew this was because Topaz Elementary School had been built on an “ancient graveyard.” The bells were ringing to let the dead know that it was OK to come out of their graves under the pavement because those pesky living kids were all gone for two days.

Mummy dearest

Fast forward five years, and back in upstate New York, I found a kid named Tom who was just as odd.

Tom had a kind of modern-day, white-trash Pippi Longstocking lifestyle. Unlike Pippi’s dad, Tom’s father wasn’t a captain at sea, but he might as well have been. Mr. E spent spent every day completely schnockered. He mowed the lawn in a frayed jockstrap and nothing else. We had the run of the three-story house because Mr. E ignored everything but Schlitz and that brown corduroy recliner.

Tom built a stone kiln in his backyard to fire clay pots. This is where we made miniature sarcophagi for the dead birds and shrews that we mummified. Yes, we did place them in salt (we called it “natron”), then wrapped them in cotton bandages before respectfully encasing them in pottery coffins. I still have one (the sarcophagus, not the mummy).

Audience by ambush

Like many of today’s kids, I was a performer who wanted an audience. But in the pre-internet, pre-smartphone days, your audience was limited to the people you could persuade to stand in front of you in the actual three-dimensional world.

Or you could get an audience by stealth ambush, my preferred method.

Vinyl LPs were still the dominant way people heard music in my youth, and my mother had a collection of comedy show records; they were in vogue in the 1970s.

Pranks for the memories

I wore out Lily Tomlin’s “This Is a Recording,” her stand-up show featuring Ernestine, the telephone operator. I practiced saying things like, “One ringy-dingy. Two ringy-dingies,” for hours in front of the mirror until I got the voice just right.

Then, I opened up the phone book and picked “old people” names at random and dialed (remember, this was before caller ID).

Me: One ringy-dingy. Two ring-ooh! Snort! Good afternoon; have I reached the party to whom I am speaking?

Her: Yes, this is Mrs. Fletcher.

Me: Mrs. Fletcher, I have an annoying problem that only you, as a New York Telephone customer, can solve. According to our files, you owe a balance of 15 dollars and 78 cents for the use of your instrument, which, I remind you, is wired into your wall courtesy of our burly repairmen [fiddle with décolletage] at the telephone company. When may we expect payment?

I shudder to think how many unnecessary checks the elderly ladies of Cortland made out to New York Telephone.

Junior shock jock

But that was just one person. What about an audience of thousands?

I started calling into WOKO 100.1, OK-100!, “Central New York’s Home for Top 40 Hits.” It was always having contests where caller number seven got a free pizza from Pudgies or a copy of Madonna’s new album. I figured out a timing system, accounting for the travel time the phone’s dial took to complete each number, and managed to be “caller seven” suspiciously often.

When the DJ answered the phone, I was in go-mode as the “Church Lady,” the prudish fundamentalist grandma character played by Dana Carvey on "Saturday Night Live."

OK100: Caller seven, you’ve got it! Tell us who you are.

Me: Most people just call me the Church Lady, which you should well know, as Satan has obviously been whispering sweet-and-sour nothings into your ear or you wouldn’t be playing music from harlots like that bleached-blonde tart named after our holy mother.

You cannot imagine the joy of being 12 years old and making a fully grown man, an on-air DJ, crack up laughing so hard he could barely put the next record on. They started asking me to call in on purpose to do impressions.

But it wasn’t enough.

Hooked

The year before, I played Captain Hook in the Cortland Junior High production of "Peter Pan."

As I was speaking one of my lines, the painted wooden cutout of a pirate ship collapsed on the stage. So I ad-libbed: “Don’t just stand there, pick it up, you lazy swabbies — we’ve got a play to finish!”

It brought down the house.

I wanted another taste of entertaining a live crowd, so I decided to perform on the roof of the wraparound porch on the old, beat-up Victorian we rented from Mr. and Mrs. Maniacci two doors down.

Isn't that special?

My gorgon mother had gone to California for a week’s vacation and hired Lori the babysitter to stay with us kids. Oh, boy!

Stuffing my paper route money into my satchel, I walked to the Salvation Army store and came home with a curly grandma wig, a seafoam-green polyester shift, opaque “nude” pantyhose, and sensible orthopedic shoes.

My sister helped me crawl out the window of her bedroom onto the roof of the porch and handed me a broom so I had something with which to menace passersby. It wasn’t long before a young couple came walking up the street.

“It’s always nice to see a young couple," I called out.

Having secured their attention, I continued, "... except the kind that doesn’t wear a wedding ring and thinks co-habitation is just fine and dandy. How long have you been living in sin, pressing your engorged naughty parts against the devil’s finger? Does it tingle?”

The first reaction was shocked silence. The second was uproarious laughter. Swishy 12-year-old boys in grandma drag talking about “bulbous bits” were thin on the ground in rustbelt New York State, and I gave the people what they didn’t know they needed.

For the rest of the afternoon I preached fire and brimstone, insulting everyone who walked by as a rake and a floozy. A few people came back with friends so they, too, could experience the cleansing power of righteous testimony.

Canceled!

At the end of the week, my mother returned. While I was taking a bath, I heard a rap on the front door. “Bonnie! Bonnie! I need to talk to you.” Oh, shoot — it was Mrs. Maniacci, the landlady!

Scurrying out of the tub to press my ear to the door, I mostly heard my mother’s side of the conversation. “Uh-huh. Really? He did what? I see. Thank you Mrs. Maniacci, I’ll take care of it.”

“JOSHUA LAWRENCE SLOCUM GET OUT HERE RIGHT NOW!”

The punishment was worth it. I’d do it again and again and then again.

Do your kids know how to just do fun things?

'SNL' openly mocks gay surrogacy — what is happening?



Over the past decade, the once universally loved “Saturday Night Live” has become a clear propaganda tool of the left — consistently pushing left-wing issues while poking fun at the right.

However, that may be changing after one April 12 "SNL" skit shockingly mocked gay surrogacy.

The sketch took place at a chaotic dinner party where guests shared bizarre personal updates. One gay couple at the dinner party had a newborn baby, and the other guests then begin asking questions as to where and how they acquired a baby — even asking if they stole it.


The skit took it so far as to ask the gay couple how just the other night they were going to a gay rave called “Bulge Dungeon” when there was a baby on the way.

“There are two different ways to see this,” Allie Beth Stuckey of “Relatable” says. “Either you can see it as using comedy to normalize two men purchasing a baby, or you can see it as a big vibe shift that we are actually starting to mock and deride something that deserves our mockery and derision.”

“Because it is a legitimate question. How could two men, who do not have the genetic material nor the wombs to create and bear children, have a child?” Stuckey asks.

While Stuckey is skeptical that the skit was pointing out the gay couple’s purchase of a baby as a bad thing, she did think one line from the skit was a home run.

“That line about ‘last night you were talking about going to Bulge Dungeon and now you have a baby and we’re just wondering how to square that circle,’ that was a good one. That was the best line, because if you see a lot of these men who are purchasing children, you do have some questions, like, ‘Do you know the first thing about raising a child?’” Stuckey says.

“And so I appreciate that whatever the motive is, that we are in the mode right now of mocking something that is absolutely depraved and destructive,” she adds.

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