'Midwit' writers of ‘The Boys’ just took WOKE to a new level



Amazon Prime’s “The Boys” has always been “woke,” but the latest season took the meaning of the word to an entirely new level.

“‘The Boys’ has really always been ‘woke’ since its first season,” Lauren Chen explains. “It’s only now, in its later seasons, particularly seasons three and four, that I found the wokeness is becoming really just too much.”

Chen points to one scene in particular that took it one step too far.

“There was a scene that was so stupid, so poorly written,” Chen says. The scene featured Victoria Newman, a Latina politician with super powers, and the newest character Sage, a black woman, whose entire presence in the show “is so frustrating.”

“Her entire premise is that she is the smartest person alive, but here’s the thing. That’s a problem because the writers for this show are not that smart. So, the question is, how do you portray the smartest person in the world when you are a certifiable midwit?” Chen asks.

The writers came up with a solution to this midwit condition they have by telling “the audience that she is smart, that Sage is smart, many, many times.”

In this particular scene, Newman and Sage are attending what appears to be a right-wing political gathering full of old white billionaires. The pair are scheming to get these billionaires on board with Newman as president, and Newman complains that she had “abortion mansplained” to her by a man who “refuses to be alone with any woman who’s not his wife.”

Not only is Chen disturbed by the abortion comment, the entire scheme is childish and not reflective of the “smartest person in the world.”

“Something that Sage in her infinite wisdom has concocted, but it’s like, well, obviously if you’re trying to seize political power, doesn’t it make sense to get other people who have power on board with your cause?” Chen says.

“That’s not some grandmaster strategy, that’s just literally the bare minimum you would expect to do if you are trying to do a soft coup. This is not genius-level stuff. I’ve literally seen women’s book clubs with more intricate political backstabbing and intrigue than this show,” she adds.


Was This Embarrassing Scene the "MOST WOKE" in TV Show History?

Was This Embarrassing Scene the "MOST WOKE" in TV Show History?

Amazon Prime’s most successful show has always been woke, but now, it’s insufferably woke



If you’ve ever watched “The Boys” on Amazon Prime, then you know the superheroes who make up the main cast are more like super-zeroes. They’re exceedingly violent, greedy, and power-hungry, which of course is the point, as the series is designed to satirically flip the superhero archetype on its head.

Such a unique concept has resulted in the development of quite a significant fan base.

“Since its debut, [‘The Boys’ has] consistently been one of the streaming platform's highest rated and best-performing shows,” says Lauren Chen, BlazeTV's resident film critic.

However, now that the fourth season has dropped, the show’s popularity is waning dramatically.

Could it be because the series is drowning in wokeness?

“I have been 100% aware from the get-go that obviously the people behind ‘The Boys’ are leftists,” but it was “still worth watching,” says Lauren. “Until now, that is.”

'The Boys' is INSUFFERABLY WOKE Now!｜***SHOW REVIEW***youtu.be

“It’s always been woke, but in my opinion, previously, the wokeness was at least tolerable,” she says, adding that the complexity of the characters, the acting, and the strong dialogue made the show worth watching.

Further, “what made the show watchable, despite its wokeness, was that in previous seasons, the writers clearly weren't afraid of taking shots at their own side,” Lauren explains.

However, that all ended with the debut of season 4, which hasn’t even dropped all its episodes yet.

Take a look at the face of the series — Homelander, played by Anthony Starr. Once a complex character who was power-hungry and corrupt yet insecure and traumatized has been simplified in the fourth season into nothing more than “a parody of superhero, fascist Donald Trump.”

Additionally, “[Homelander’s] followers, his supporters or ‘home teamers’” (perhaps a play on Trumpers?) “are also just evil, racist, fascist, sexist, conspiracy theorists.”

“Seriously, the first three episodes of season 4 … [paint] Homelander’s supporters — these ‘home teamers’ — as these Alex Jones-watching, Jew-hating, literal loser conspiracy theorists who are just waiting for any reason to attack or get violent with their fellow Americans,” sighs Lauren.

Then “Starlight, who used to be an actual character with personality, has now just become a stand-in puppet for, I guess, the Democrats or feminists, who is just like, ‘I'm pro-good things; I hate the bad guy,’” she mocks.

Similarly, her followers — “starlighters” — represent “the good guys” because they’re anti-racism and anti-corporate corruption, but pro-feminism.

In scenes when the home teamers are pitted against the starlighters, the starlighters are painted as non-violent “angels,” whereas Homelander’s supporters are portrayed as “violent” and “evil.”

The message is crystal clear. Red=bad, blue=good.

If you don’t believe Lauren, then just look at the IMDB audience scores.

In season one, the audience gave the show a score of 90%, season two scored 83%, season three fell to 75%, and now season four is sitting at an abysmal 52%.

Perhaps people are getting sick of progressive agendas being shoved down their throats when all they want is just some good, old-fashioned entertainment.

To hear more of Lauren’s analysis, watch the clip above.

Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

ANOTHER Disney fail: ‘The Acolyte’ 'Star Wars' series fails miserably after only two episodes



Just a few days ago, “The Acolyte” — a television series that merges the "Star Wars" franchise with murder mystery — dropped on Disney+.

When the series was first announced, Lauren Chen, BlazeTV’s cinema pundit, was stoked.

“How sick would it be to have an actual 'Star Wars' series that was simultaneously a dark thriller murder mystery?” she asks. “I think that could have been amazing.”

But her excitement quickly deflated once she started actually watching the series.

“Now that I've actually seen the first two episodes, though, I am quite sure that the people behind the show — Leslye Headland, specifically — doesn't know what a murder mystery is because if she did, I feel like she would never describe this show in such a way,” says Lauren.

“As someone who does like murder mysteries, I want darkness, I want intrigue, I want mystery. What I got with ‘The Acolyte’ was not that.”

For starters, the murderer isn’t a secret. In fact, the filmmakers reveal this information almost immediately.

“If in the opening scene we see exactly who did the killing and how they did it. It's not a murder mystery,” scoffs Lauren.

But that’s not the only way “The Acolyte” breaks the murder mystery genre code.

“The [plot] twist was revealed like 20 minutes into the first episode,” sighs Lauren, adding that “any intrigue, any tension, or mystery that the show ever manages to build up, it dashes almost immediately.”

For example, one of the major conflicts “is solved almost immediately,” leaving audience members yawning.

“This is just not how murder mysteries work,” critiques Lauren.

To hear the remainder of her analysis (including spoilers!), watch the review below.


Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

Lara Croft goes woke; no longer a ‘raider of tombs’ to ‘escape colonial past’



Phoebe Waller-Bridge has officially taken on the role of director for the Lara Croft TV series, and Amazon has announced that the show has been greenlit — but fans are not happy.

Waller-Bridge recently starred alongside Harrison Ford in "Indiana Jones and the Dial of Destiny," where she played a very feminist character who berated Ford at every turn.

“So, is this Amazon iteration of Lara Croft going to be more of the same? Just an obnoxious girl boss who only exists to undercut her male colleagues and costars? We’ll see,” Lauren Chen says, calling her Indiana Jones film “a pretty spectacular failure.”

Lara Croft’s Tomb Raider video games have also faced criticism from fans across the globe who believe that each time a new version of the game comes out, Croft gets less attractive.

“To those of you who are Tomb Raider fans and are thinking, ‘You know what? Doesn’t matter, I’m just going to ignore the series and play the games because at least those will continue to be good.’ Well, I mean, I wouldn’t be so sure,” Chen says.

“As people have pointed out, it seems like there is actually an effort being made to make Lara Croft uglier and uglier, because of course due to feminism, as women now we are supposed to be offended by attractive women for some reason.”

Not only have video games across the board been catering more to woke ideology, but Croft especially has formerly represented the “pinnacle” of female attractiveness in video games.

“As we saw with gamer gate and more recently the whole Sweet Baby Inc. debacle, the gaming industry is by no means safe from wokeness either,” Chen says.

And it’s not just Croft’s attractiveness that’s been under attack but also her character.

The game Tomb Raider: Shadows of Truth gained negative attention as creators claimed they were transitioning Croft from “a raider of tombs to a seeker of truth” in order to escape the game's “colonial past.”

“I’m not even kidding, this is a real thing,” Chen says.


Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

Disney’s 'Dr. Who' goes LGBTQ with cast of gender bending characters



It only took around four minutes for the first transgender character to show up in Disney’s new "Dr. Who" series — and viewers are overwhelmingly not pleased.

“Not only were we very quickly presented as viewers with a trans singer, but for some reason, the show’s writers also thought it would be appropriate and fun to portray this iteration of the Doctor as someone who, you know, likes to get down at gay dance clubs,” Lauren Chen comments.

The Doctor is also wearing a skirt in the opening scene.

“Him and the costume director have been very clear that he actually wanted to gender-bend the Doctor’s wardrobe in this series for some reason,” Chen says.

While the gayification of the series is undeniably a massive reason for the negative feedback, the show itself isn’t written well enough to make up for it.

“This shows attempt at providing fantastical yet sciency-seeming premises for these outrageous events to occur,” Chen explains is “failing awfully.”

The show predictably has a whopping 97% critic rating on Rotten Tomatoes — but only a 36% audience rating.

“Because of course, it’s new, it’s gay, it’s black. That must make it wonderful,” Chen says, noting that one of the show's main villains is also a drag queen who used to be on "RuPaul’s Drag Race."

“I get that Russell T. Davies wants to be inclusive and affirming of LGBT people, but really I think it’s gotten to the point now where 'Dr. Who' just exists as a platform for him to expose the audience to diverse elements,” she adds.




Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

New ‘Doctor Who’ features queer, black protagonist, men in skirts, and a monster-slaying twerk routine?



Lauren Chen lost interest in the "Doctor Who" franchise some time ago as the productions have been saturated in woke propaganda.

“At this point, any discussion of ‘Doctor Who’ that happens on this channel ... [is] 100% from the standpoint of ‘let us sit back and enjoy the dumpster fire that is happening in front of us,”’ she says.

That said, she dives into the latest iteration, featuring Rwandan-Scottish actor Ncuti Gatwa as the Doctor. Gatwa is celebrated as “the first Black and first openly queer man to take on the role,” according to an Entertainment Weekly article.

“What even is sci-fi without the black queers?” mocks Lauren, pointing out Disney’s incessant woke diversity propaganda.

“It's crazy because for four years, now, the reviews and the ratings for ‘Doctor Who’ have been falling and falling,” and yet, “for the first time ever, the BBC is partnering with Disney+ to launch the show worldwide. And when the new season premieres May 10, it will air simultaneously around the globe,” says Lauren, citing the article.

The piece also reported that the show would have “a bigger budget” and “a bigger platform.”

If that wasn’t enough to turn you off, “the creative team behind ‘Doctor Who’ are just total ideologues,” says Lauren.

According to screenwriter and producer Russell T. Davies, “[He] searched the galaxy, auditioning men, women, and nonbinary actors from all sorts of diverse backgrounds” to find the perfect actor.

But Lauren is certain this isn’t true.

“They’re not looking for white men — especially not white, straight men,” she says, adding that Hollywood’s version of diversity means “anyone who is not white, straight, and male.”

To make matters worse, Gatwa reported that he and his onscreen partner, Millie Gibson, interact “like two girls in school giggling and gossiping.”

“Is that really the dynamic we want to see from our ‘Doctor Who’ sci-fi show?” asks Lauren.

But somehow, it gets even worse.

Gatwa, who’s expressed his affinity for wearing skirts, may just get to continue donning his favorite clothing item during filming.

“It seems like they are going to make skirt-wearing part of this new Doctor's identity,” says Lauren.

According to the article, “[Gatwa] quickly befriended costume designer Pam Downe, and together they dreamed up an entire TARDIS closet for the Doctor.”

“She laid out her sketches on the table, and I saw kilts and skirts and all kinds of gender-pushing, societal-pushing outfits, and I was like, ‘Yes, let’s do all of them,”’ he said in the interview.

But skirts aren’t enough for the actor.

He also said: “I need a big dance number! That’s what I’m going to put into the universe: I need the Doctor to have a big, fierce dance routine that, like, destroys a monster with twerking. Or maybe some death drops, and that’s what will drop the monster.”

“Are you excited for your black, gay, cross-dressing 'Doctor Who'?” Lauren asks sarcastically.

To hear more of her analysis, watch the clip below.


Want more from Lauren Chen?

To enjoy more of Lauren’s pro-liberty, pro-logic, and pro-market commentary on social and political issues, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.