'She Has a Police Detail and a Government Staff': Mamdani Allies Urge NYC Mayor To Confront Wife's Controversial Social Media History

Some allies of Zohran Mamdani are urging the New York City mayor to confront the social media history of his wife Rama Duwaji—which has included support for terrorism and the use of a variety of slurs—after Mamdani reduced the weight of her posts to those of "a private person."

The post 'She Has a Police Detail and a Government Staff': Mamdani Allies Urge NYC Mayor To Confront Wife's Controversial Social Media History appeared first on .

With Missouri V. Biden Settled, It’s Time For Censorship Reparations

The resolution to the case in favor of those the government had censored represents a dramatic turnaround of potentially outsize impact.

White House's cryptic social media posts have internet sleuths scratching their heads



Social media users have been mulling over some puzzling posts made by the White House earlier this week.

The posts, reportedly made within an hour of each other on Wednesday night, have raised more questions than answers due to their cryptic nature.

'All true patriots, GO!'

One of the posts, which has since been deleted, contained a video showing a woman's feet and a voice saying, "It's launching soon, right?"

When asked about the video, a source familiar with the matter told Blaze News, "I wonder what's launching soon!"

RELATED: 'Utterly false': White House sets the record straight over media's 'laughable' Iran narratives

Yuri Gripas/Abaca/Bloomberg/Getty Images

The second video remains available on the White House's X page. It has received over 16.6 million views at the time of writing.

The four-second video shows a black screen that then flashes an image of an American flag on a flagpole. The flashing image of the flag is accompanied by a recognizable phone text tone. The caption features two emojis: a phone emoji and a volume emoji.

Some commentators joked in the comments about the possible meaning of the video.

"Activation signal received," Jack Posobiec said.

"All true patriots, GO!" Raw Egg Nationalist joked.

"Standing back and standing by," Nic Carter wrote.

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Biden’s COVID censorship machine takes a hit: Missouri wins landmark ban on federal threats to Big Tech



A landmark settlement delivered a blow to the censorship industrial complex that silenced Americans during the COVID era.

Sen. Eric Schmitt (R-Mo.) announced Tuesday that Missouri had reached a settlement agreement with the U.S. government in its Missouri v. Biden lawsuit, which accused the Biden administration of violating Americans' First Amendment rights by directing social media companies to censor speech challenging the government's COVID messaging.

'For every working Missouri family tired of being silenced by their own government: this victory is yours.'

Schmitt filed the lawsuit against the Biden administration while serving as Missouri attorney general, before securing his Senate seat.

The agreement included a 10-year Consent Decree that enforces a narrow permanent injunction on the surgeon general, the Centers for Disease Control and Prevention, and the Cybersecurity and Infrastructure Security Agency. The injunction prevents them from threatening social media companies with any form of punishment if those companies fail to remove or suppress content that contains protected speech.

However, this ban applies only to posts made on Facebook, Instagram, X, LinkedIn, and YouTube by the specific plaintiffs in the case, including Missouri and Louisiana government officials and agencies acting in their official capacity. It does not extend to other social media networks or content posted by the general public.

"The Parties also agree that government, politicians, media, academics, or anyone else applying labels such as 'misinformation,' 'disinformation,' or 'malinformation' to speech does not render it constitutionally unprotected," the agreement reads.

The court must first approve this settlement agreement.

RELATED: BlazeTV's 'The Coverup' exposes how the censorship industrial complex silenced Americans during COVID

Eric Schmitt. Photo by Anna Moneymaker/Getty Images

"We just won Missouri v. Biden," Schmitt wrote in a post on X. "As Missouri's Attorney General, I sued the Biden regime for brazenly colluding with Big Tech to silence Missouri families — censoring the truth about COVID, the Hunter Biden laptop, the open border, and the 2020 election. They tried to turn Facebook, X, YouTube, and the rest into their private speech police, labeling dissent 'misinformation' while they pushed their narrative on the American people."

Schmitt called the Consent Decree the "first real, operational restraint on the federal censorship machine."

He explained that it "directly binds the Surgeon General, the CDC, and CISA: no more threats of legal, regulatory, or economic punishment. No more coercion. No more unilateral direction or veto of platform decisions to remove, suppress, deplatform, or algorithmically bury protected speech."

"For every working Missouri family tired of being silenced by their own government: this victory is yours. The heartland fought back, and the heartland delivered," Schmitt concluded.

RELATED: 'Karma is a b***h': Trump taps epidemiologist targeted by Biden admin and censored online to run NIH

Photo by Matt Cardy/Getty Images

Benjamin Weingarten, a senior contributor at the Federalist, addressed the victory's narrow application.

"This decree is limited to the plaintiffs, but as precedent, and practically, its impact may prove orders of magnitude more powerful in protecting disfavored speech," Weingarten wrote, calling it "a momentous blow for the First Amendment."

National Institutes of Health Director Jay Bhattacharya, who had to withdraw as a plaintiff in the case after being appointed by the Trump administration, called the settlement "a huge win for all Americans."

"Huzzah! The consent decree in Missouri v. Biden is a historic victory for free speech in the US. Though I had to switch to the government side in the case after I became NIH director, I've never been more pleased by 'losing' in my life," he wrote.

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The new censorship doesn’t say ‘no’ — it says ‘no one can see it’



Free speech isn’t dying in one dramatic moment. It’s getting shaved down in two different ways — both deliberate, both dangerous.

The first track is blunt-force censorship. It looks like platform bans, coordinated deplatforming, demonetization — and in some countries, handcuffs.

The First Amendment requires vigilance — and a culture and an infrastructure that respect not only the right to speak, but the ability to be heard without invisible manipulation.

When Joe Rogan reacted to reports that more than 12,000 people in the United Kingdom had been arrested over social media posts, he said the U.K. has “lost it.” Hyperbolic? Maybe. But the concern is real. Americans still recoil at the idea of police knocking on someone’s door over a tweet. In parts of Europe, that line keeps moving.

Take the arrest of Irish comedy writer Graham Linehan over posts criticizing trans activists. Agree with him or not, the point stands: Government shouldn’t referee online speech disputes. Speech that would receive constitutional protection in the United States is treated elsewhere as a criminal offense. That isn’t progress. It’s just regression dressed up as “social responsibility.”

We aren’t immune in the United States. We just do it differently.

The First Amendment still blocks direct government suppression in most cases. But a parallel system has grown up alongside it — one where Big Tech companies act as speech gatekeepers. They decide who can speak, who gets heard, and who disappears into digital exile. You may have the right to talk, but if you can’t reach anyone in the modern public square, what does that right mean?

That’s the predictable result of handing global communication infrastructure to a handful of corporations with opaque rules and shifting political winds. Platforms remove accounts, throttle content, suspend monetization, and slap “misinformation” labels on disfavored opinions. The rules move, enforcement varies, and appeals are a black box.

Jeff Dornik, founder of Pickax, a fast-growing platform branding itself as a free-speech alternative, puts it bluntly: “You can’t have freedom of speech without freedom of reach. It’s quite literally written into the First Amendment: ‘abridging the freedom of speech, or of the press.’ If you limit reach, you abridge speech.”

That brings us to the second track — subtler and arguably more insidious.

It’s algorithmic manipulation. It’s the Overton Window nudged by code instead of Congress. It’s the illusion of free speech paired with the quiet denial of reach.

Dominant platforms defend themselves by insisting they support “freedom of speech.” Ask conservatives who’ve watched Big Tech suspend them, kneecap their businesses, or bury their content, and they’ll translate it the same way: Say what you want — we decide who sees it. Freedom of reach is optional at best.

Algorithms decide what trends, what goes viral, and what gets buried on page six of your search. They shape perception, reward some views, starve others, and then hide the rulebook. Users adapt. They soften language and avoid topics entirely. They self-censor — not because they got banned, but because they learned the cost of crossing invisible lines.

RELATED: The European Commission wants your free speech. Elon Musk is in the way.

Photo by Jaap Arriens/NurPhoto via Getty Images

Dornik argues that algorithms can be more corrosive than outright censorship: Instead of punishing speech the powers-that-be don’t like, they dangle engagement and monetization to train creators to censor themselves — “essentially getting you to rewire your own brain.”

“Almost all of the Big Tech platforms are using algorithms to manipulate us,” Dornik says. “The byproduct of this form of censorship is that it’s almost impossible to create community.”

He’s not wrong about the incentive structure. When creators wake up to find engagement cut in half after an unpopular opinion, they get the message. Stay inside the narrative. Don’t challenge the consensus. The window narrows — not because voters demanded it, but because code enforced it.

That’s why the free-speech debate can’t be reduced to arrest statistics. It’s about who controls visibility. It’s about whether speech is meaningfully free when distribution gets manipulated behind the scenes.

America still has the strongest constitutional speech protections in the world. But constitutional protection is only part of the story. Culture matters. Platform design matters. Incentives matter. When creators depend on systems that can quietly demonetize or suppress them, speech becomes conditional.

That’s the gap platforms like Pickax say they want to fill: no shadow bans, no algorithmic throttling, no opaque moderation. The feed is chronological and long-form content is encouraged. Creators own their content, and monetization is simple and direct.

Pickax held a launch event on February 24, with an all-day livestream featuring many of its creators. Dornik called it more than a rollout: “One of our primary missions with Pickax is to build human-to-human connections. We do this by eliminating the computer-driven algorithms ... allowing our users to become the algorithm.”

RELATED: California’s next dumb tech idea: Show your papers to scroll

Photo by Samuel Boivin/NurPhoto via Getty Images

Skeptics will say alternative platforms stay niche or ideological. Maybe. But the fact that they keep gaining traction tells you something: People sense the digital public square has been curated, filtered, and sanitized in ways that don’t feel organic.

Free speech has always been messy. It has always included opinions we dislike and arguments we reject. Far from a flaw, that’s the system as it is supposed to work.

The alternative is a world where governments arrest people for posts — and corporations erase dissent with code. One is loud and authoritarian. The other is quiet and corporate. Both undermine open discourse.

The First Amendment is not self-executing. It requires vigilance — and it requires a culture and an infrastructure that respect not only the right to speak, but the ability to be heard without invisible manipulation.

No algorithms and no more shadow bans. No “reach dropped — try boosting.”

If we lose that fight, we won’t lose it all at once. We’ll lose it post by post, throttle by throttle, until only approved voices remain.

California’s next dumb tech idea: Show your papers to scroll



California has a habit of importing some of the worst tech-regulation ideas from overseas. After lawmakers enacted a censorial statute cribbed from the U.K. in 2022 — and watched it run headlong into an injunction — the Golden State now appears eager to borrow from Australia, which in December barred children from major social media platforms.

Earlier this month, California lawmakers introduced a bill to impose “a minimum age requirement to open or maintain a social media account.” Governor Gavin Newsom (D), who usually avoids weighing in on pending bills, publicly endorsed the idea.

Will America keep light-touch rules that protect consumers without strangling innovation — or import Europe’s heavy-handed, fear-driven approach?

However well intentioned, the Australian model collapses on prudential grounds. In the United States, it also invites a swift constitutional challenge — and likely a swift defeat in court.

Most proposals that force platforms to distinguish between adults and minors require age verification. That means users must hand over sensitive personal information — usually government ID documents or biometric data — as the price of entry to the platforms where everyday digital life happens. Once companies collect, process, and store that data, it becomes a tempting target. Hackers do not need ideology, only opportunity.

The roster of victims reads like Don Giovanni’s catalogue. The list includes corporations such as Target, Equifax, Marriott, Capital One, MGM Resorts, and T-Mobile. Platforms from Facebook to X.com to the “Tea” app were also hit. So were third-party verification services. Even in France, where regulators tried to build a privacy-protective system, a third-party age verifier exposed sensitive user data. In the digital age, breaches and leaks are simply a fact of life.

Legislation promoted as “child protection” thus runs into a basic contradiction: it can expose children to new forms of harm. As the R Street Institute and Experian have reported, 25% of minors will become victims of identity fraud or theft before they turn 18. Age-verification mandates would widen the attack surface and increase the odds that minors’ information gets stolen, misused, or sold — and that families spend years cleaning up the wreckage.

Some advocates now treat constitutional objections to “child-safety” bills as impolite. Courts don’t share that squeamishness. In recent years, judges have enjoined multiple constitutionally defective state laws, leaving behind little more than wasted taxpayer dollars and public frustration, while state attorneys general mount doomed defenses.

Newsom’s favored approach also clashes with a Supreme Court precedent California already lost: Brown v. Entertainment Merchants Association. In that 2011 case, the court struck down a California law that restricted minors’ access to violent video games. Justice Antonin Scalia’s majority opinion applied strict scrutiny — a demanding standard — and rejected the state’s argument that the law simply “helped” parents.

Scalia’s point applies with even greater force here. A sweeping ban on minors’ access to social media would function less as parental support and more as state substitution. The state would not merely empower parents; it would decide what parents should want, then impose that judgment across the board.

RELATED: Kids have already found a way around Australia's new social media ban: Making faces

David GRAY/AFP/Getty Images

In American law, parents generally hold the duty — and the right — to decide what media their children consume. That principle does not stop at the edge of the internet.

The broader fight over technology policy often turns on a single question: Will America stick with light-touch, sensible regulation that protects consumers without strangling innovation — or will it import the heavy-handed, fear-driven regulatory posture popular abroad, especially in Europe?

The American technology sector grew and thrived in the internet era. Many foreign regimes, more focused on expansive “safety” mandates than innovation, privacy, or consumer benefit, have not.

Lawmakers should borrow good ideas wherever they find them. But California keeps shopping in the wrong aisle. If Sacramento wants to protect kids, it should start with tools that don’t require building a mass ID-check system for the entire public — and that don’t hand criminals a richer trove of data to steal.

It’s wise to learn from other countries. It’s foolish to copy their worst mistakes.

Doja Cat reveals shocking celeb trick for getting attention: 'Virtue signaling'



Want to make yourself the center of attention — without people thinking you're a bad person?

"Jealous Type" singer Doja Cat has revealed a trick long-favored by celebrities when weighing in on the latest scandal — and you don't even have to know anything about the topic at hand.

Welcome to the wonderful world of virtue signaling.

'What I was doing yesterday was virtue signaling ... something that I could leverage.'

The pop star's revelation came after actor Timothée Chalamet appeared on a CNN & Variety town hall, where he ruffled feathers with his passing remarks on the commercial irrelevance of opera and ballet.

"I don't want to be working in ballet or opera or, you know, things where it's like, 'Hey, keep this thing alive!'" Chalamet said to co-host Matthew McConaughey.

Whiny dancer

The comments prompted backlash from many in the entertainment industry, including Doja Cat — real name Amala Ratna Zandile Dlamini — who lashed out at Chalamet in a TikTok video.

After mocking the actor, she claimed that "people [do] give a f**k" about opera and ballet, and she praised its decorum.

"You show up in a nice outfit. You sit the f**k down and shut the f**k up," she said. "That's the usual etiquette around those things. Maybe learn something from that."

Mea culpa

Just one day later, however, Dlamini was singing a different tune.

"I know nothing about opera. I know nothing about ballet," she offered in a short, contrite follow-up.

"I've never been to a ballet. I've never seen an opera," she revealed. "And I took it upon myself yesterday to kind of give it to the man because there is a culture based around outrage and things like that, and people want to feel like they're part of something. It's a need to connect, whether good or bad," she added.

Dlamini then took her confession a step further and told fans she was only doing it for views.

RELATED: Timothée Chalamet is right: Opera and ballet are dying — and you'll never guess why

Rare honesty

The blunt confession was a rare moment of honesty in a culture generally concerned with trading outrage for clicks.

"What I was doing yesterday was virtue signaling because I wanted to connect, and I knew that Timothée's goof-up was something that I could leverage in order for people to connect with me and f**k with me," the Los Angeles native went on.

“And it's easy. It's a modern way to garner clicks, likes, approval, and all kinds of things like that from people. And so I did that yesterday, and I didn't really think about why I was doing it."

RELATED: Gene Simmons' advice for celeb activists Ben Stiller, Mark Ruffalo: 'Shut the f**k up'

Myung J. Chun / Los Angeles Times via Getty Images

'Wanted a hug'

"That was the perfect material for me to seem sincere. But the truth is, I don't know anything about opera. I don't know anything about ballet, and I've never been to either shows," she said.

The 30-year-old also displayed some vulnerability when she discussed the deeper motivations behind her reaction.

"I think I just wanted a hug. I think that's all that I wanted. I wanted a hug. I wanted to feel like I was part of something bigger than myself. I wanted to be pat on the back the way everybody else is patting each other on the back in the comments sections. And I wanted to look like a hero, and that's what happened. And when I got it, I didn't like it so much," she said.

The half-Jewish, half-South African has been wildly successful over just five studio albums. She has gone platinum five times between 2019 and 2023, with her music gaining recognition in Switzerland, Sweden, and Great Britain.

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