This 30-Year-Old Play About Art And Friendship Might Never Happen In The Smartphone Age

This fall’s Broadway revival of a decades-old French play explores art and friendship, in an unintentional commentary on the digital age.

Brave New Words

A book promising to explain the cynical, attention-grabbing tricks of social media while casting an adoring eye on the linguistic novelties of Reddit, Facebook, TikTok, X, and so on, aims to perform a worthy public service. It looks to expose the hidden dynamics of online culture while giving benighted readers a chance to know the linguistic progeny of young influencers. That is before, in all likelihood, taking a hard pass on their slangmaxxing.

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Meta had 17-STRIKE policy for sex traffickers, ex-employee says



A former safety lead for one of Mark Zuckerberg's social media apps alleged the company is not very strict when it comes to those who engaged in human trafficking.

The claim comes from a plaintiff's brief filed as part of a lawsuit against Instagram, Snapchat, TikTok, and YouTube. The lawsuit filed in the Northern District of California alleges that the social apps "relentlessly" pursued growth at all costs and "recklessly" ignored the impacts their products have on the mental health of children.

'You could incur 16 violations for prostitution and sexual solicitation.'

Vaishnavi Jayakumar, Instagram's former head of safety and well-being, testified that she was shocked when she learned Meta had a "17x" strike policy toward those who reportedly engaged in "trafficking of humans for sex."

"You could incur 16 violations for prostitution and sexual solicitation, and upon the 17th violation, your account would be suspended," Jayakumar claimed. The former employee also said that she considered it to be a "very, very high strike threshold" in comparison to the rest of the industry and that internal documentation from Meta corroborated her claim.

As Time reported, plaintiffs in the case claim that Jayakumar raised the issue in 2020 but was told it was too difficult to address. This reportedly came at the same time it was allegedly much easier to report users for violations surrounding spam, "intellectual property violation," and the "promotion of firearms."

In a statement, Meta strongly denied the claims.

RELATED: Florida attorney general announces lawsuit against Snapchat for allegedly empowering child predators

Photographer: David Paul Morris/Bloomberg via Getty Images

"We strongly disagree with these allegations, which rely on cherry-picked quotes and misinformed opinions in an attempt to present a deliberately misleading picture," a Meta spokesperson told Time.

"The full record will show that for over a decade, we have listened to parents, researched issues that matter most, and made real changes to protect teens — like introducing Teen Accounts with built-in protections and providing parents with controls to manage their teens' experiences. We’re proud of the progress we’ve made, and we stand by our record."

Still, the lawsuit claims Meta was aware of the harms its platforms caused and even knew about millions of adults who were trying to contact minors through its apps.

Moreover, the lawsuit also alleges that Meta halted internal research that would have shown those who stopped using Facebook became less depressed or anxious, NBC News reported.

The study, reportedly titled Project Mercury, was allegedly initiated in 2019 as a way to help "explore the impact" that Meta apps have on "polarization, news consumption, well-being, and daily social interactions."

RELATED: Blaze News investigates: Is social media really a 'breeding ground for predators' — or are we worrying too much?

Additionally, the lawsuit compares the social media sites to "tobacco," likening the platforms to cigarette companies marketing their products to kids.

A Google spokesperson said the lawsuit "fundamentally misunderstand how YouTube works and the allegations are simply not true."

"YouTube is a streaming service where people come to watch everything from live sports to podcasts to their favorite creators, primarily on TV screens, not a social network where people go to catch up with friends," the Google spokesperson stated. "We've also developed dedicated tools for young people, guided by child safety experts, that give families control."

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Hamas floods the feeds to sway clueless Westerners



As President Donald Trump toured Israel and the region celebrating his newly brokered Gaza ceasefire agreement last month, several Israeli families received unexpected video calls from their loved ones still held captive in Gaza.

After more than two years without information, many suddenly found themselves staring at the faces they feared they might never see again. “I love you! I can’t wait to see you already!” cried one shocked mother.

In a post-truth environment, Hamas has learned how to set the terms of debate, frame Israeli actions, and pressure global institutions.

Behind each hostage stood a Hamas militant in a green headband and full face covering. Before release, the militant gave a command in broken Hebrew: “Post this on social media. Put this in the news.”

It was a scene both surreal and deliberate. For Hamas, the call was not simply a gesture ahead of a ceasefire. It was the final stroke in a propaganda campaign the group has refined into a core battlefield strategy.

Across the war, Hamas moved far beyond the low-tech, grainy videos of earlier terror groups, like al-Qaeda 25 years ago. Borrowing lessons from Russia, China, Iran, and ISIS, it adopted a multi-platform media operation built on drone footage, high-definition body cameras, Telegram networks, curated databases, and a constellation of Instagram influencers.

The goal was simple: Demoralize Israelis, energize supporters, and sway public opinion abroad — especially in the United States and Europe, where diplomatic pressure could yield concessions no battlefield victory could deliver.

Instagram combatants

Influencers became frontline assets. Saleh Aljafarawi, a 27-year-old Instagram personality, chronicled rubble tours and took selfie videos with children and activists, overlaying them with music to evoke sympathy. His content racked up millions of views.

Motaz Azaiza, another influencer, surged to more than 16 million Instagram followers while documenting scenes on the ground and conducting street interviews. A graphic video credited to him — viewed more than 100 million times and widely disputed — showed what appeared to be bleeding toddlers pulled from wreckage.

Hamas-aligned Telegram channels such as Gaza Now and Al Aqsa TV amplified their posts around the clock. Western media outlets often ran these images uncritically, including allegedly starving children later shown to have congenital conditions unrelated to the conflict.

But the visual blitz was only one part of the strategy. Hamas understood that controlling the premises of the debate mattered as much as controlling the images. That is why organizations such as the United Nations Office for the Coordination of Humanitarian Affairs relied heavily on casualty numbers supplied by the Hamas-run Gaza Ministry of Health. Those tallies — widely framed as disproportionately civilian — drove international diplomatic pressure on Israel and fueled student protests across American campuses.

‘Broadcast the images’

A recently declassified memo from Hamas leader Yahya Sinwar revealed the strategic logic behind the group’s media doctrine. Mixed among military instructions were orders to create “heart-breaking scenes of shocking devastation,” including directives for “stepping on soldiers’ heads” and “slaughtering people by knife.” Body-camera footage from the Oct. 7 massacre reflected that intent.

To execute the strategy, Sinwar empowered a spokesman known as Abu Obaidah, who was killed in an Israel Defense Forces strike last year. Under his direction, Hamas expanded its propaganda arm from roughly 400 operatives during the 2014 conflict to more than 1,500. Every battalion and brigade gained its own deputy commander for propaganda, each trained in field filming, livestreaming, and rapid editing inside decentralized “war rooms.”

One category of production featured Israeli hostages forced to deliver scripted messages from tunnel captivity, urging Israelis to protest their government. These videos were released with trilingual subtitles and high-end visual effects. They accelerated domestic pressure inside Israel to accept a deal on terms favorable to Hamas.

During the January 2025 exchange, Hamas choreographed the release events with precision. Operatives filmed every moment with high-definition lenses as hostages were paraded before Red Cross representatives and instructed to wave to crowds. Slogans appeared in Arabic, Hebrew, and English — some tailored to Israeli politics (“we are the day after”), others crafted for Western activists (“Palestine — the victory of the oppressed”).

Iran funds roughly $480 million annually in state propaganda efforts through its IRIB broadcaster. It is reasonable to assume Hamas directs a significant share of its estimated $2 billion budget into communications.

RELATED: The genocide that isn’t: How Hamas turned lies into global outrage

Photo by ZAIN JAAFAR/AFP via Getty Images

Perception shapes policy

The investment has paid off. A Quinnipiac poll found that half of Americans — and 77% of Democratic voters — believe Israel committed a “genocide” in Gaza. A Cygnal survey shows Israel at -21 net favorability among voters younger than 55. Younger Americans, who consume more social media, are almost three times more likely than older voters to view Hamas favorably.

Substance remains another story. A majority of Americans — 56% — oppose or remain ambivalent toward the two-state plan frequently cited by foreign governments and activist groups.

But perception is shaping policy. Hamas has become a dominant force in the narrative battle, feeding imagery, statistics, and talking points directly into Western media ecosystems. In a post-truth environment, the group has learned how to set the terms of debate, frame Israeli actions, and pressure global institutions.

Israel and its allies cannot afford to treat communications as an afterthought. Effective messaging is a force multiplier — not a cosmetic accessory. It frames the battlefield, shapes public opinion, and constrains diplomatic options.

The war showed that Hamas understands this. It is time its opponents understood it too.

Bluesky founder reboots Vine for AI-free social media — as human-only video becomes 'nostalgic'



Jack Dorsey is bringing the nostalgia back, just a few seconds at a time.

Dorsey co-founded Twitter in 2007 and served as its inaugural CEO for a year until returning to the position for a six-year stint in its seemingly darkest years between 2015 and 2021.

Now, through his nonprofit called and Other Stuff, Dorsey is bringing one of the internet's most beloved applications back from the dead.

'Can we do something that takes us back, that lets us see those old things ...'

"So basically, I'm like, can we do something that’s kind of nostalgic?" said Evan Henshaw-Plath, Dorsey's pick to spearhead the revival. The New Zealander comes from Dorsey's nonprofit team, where he is known as Rabble, and has outlined aspirations to bring the internet vibe back to its Web 2.0 time period — roughly 2004-2010 or thereabouts.

Dorsey and Henshaw-Plath are rebooting Vine, the six-second video app that predominantly served viewers short, user-generated comedy clips. The format is a clear inspiration for modern apps like TikTok and formats like YouTube's Shorts and Instagram's Reels.

Dorsey and company are focused on keeping the nostalgic feel, however, and unlike the other apps, will keep a six-second time limit while also taking a stance on content. What that means, according to Yahoo, is that the platform will reject AI-generated videos using special filters meant to prevent them from being posted.

RELATED: Social media matrix destroys free will; Dorsey admits ‘we are being programmed’

i loved vine. i found it pre-launch, pushed the company to buy it (i wasn’t ceo at the time), and they did great. but over time https://t.co/HNsCMGtS04 (tiktok) took off, and and the founders left, leaving vine directionless. when i came back as ceo we decided to shut it down…
— jack (@jack) April 11, 2024

The new app, called diVine, will revive 10,000 archived Vine posts, after the new team was able to extract a "good percentage" of some of the most popular videos.

Former Vine users are able to claim their old videos, so long as they can prove access to previously connected social media accounts that were on their former Vine profiles. Alternatively, the users can request that their old videos be taken down.

"The reason I funded the nonprofit and Other Stuff is to allow creative engineers like Rabble to show what's possible in this new world," Dorsey said, per Yahoo.

This will be done by "using permissionless protocols which can't be shut down based on the whim of a corporate owner," he added.

Henshaw-Plath commented on returning to simpler internet times — as silly as it sounds — when a person's content feed only consisted of accounts he follows, with real, user-generated content.

"Can we do something that takes us back, that lets us see those old things, but also lets us see an era of social media where you could either have control of your algorithms, or you could choose who you follow, and it's just your feed, and where you know that it's a real person that recorded the video?" he asked.

RELATED: Twitter announces the demise of video-sharing app Vine, internet weeps (2016)

According to Tech Crunch, Vine was acquired by Twitter in 2012 for $30 million before eventually shutting down in 2016.

The app sparked careers for personalities like Logan Paul, Andrew “King Bach” Bachelor, and John Richard Whitfield, aka DC Young Fly. Bachelor and Whitfield captured the genre that was most popular on the platform: eccentric young performers who published unique comedy.

DiVine is currently in a beta stage and is available only to existing users of the messenger app Nostr.

X owner Elon Musk announced in August that he was trying acquire access to Vine's archive so that users could post the videos on his platform.

"We recently found the Vine video archive (thought it had been deleted) and are working on restoring user access, so you can post them if you want," Musk wrote.

However, it seems the billionaire may have been beaten to the punch by longtime rival Dorsey.

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EXCLUSIVE: George Soros Gave $250K to British Group Working To Censor Conservative News Sites and ‘Kill Musk’s Twitter’

The left-wing philanthropy funded by George Soros, Open Society Foundations (OSF), bankrolls a British nonprofit that works to censor conservative news websites and social media companies, including through a plot to "kill" Elon Musk’s X by pressuring advertisers and investors to boycott the company.

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Most Women Are On Crazy Pills, And It’s Bad For Everyone

An entire generation of women is lost amidst engineered anxiety, chasing hollow independence while forsaking the proven anchors of marriage, family, and selfless purpose.