Iron MAGA? Comedian Chris D'Elia rants that in 'real life,' Marvel heroes would all vote GOP



Captain America and Iron Man would be feigning progressivism in public while secretly voting Republicans down the ballot, according to stand-up comedian Chris D'Elia.

D'Elia was discussing political influence in television shows with fellow comedians Erik Griffin and Brendan Schaub when he presented his theory.

'Wolverine! Cyclops! Professor X, hello?!'

The trio said that while some TV shows simply have entertaining characters that happen to be gay, the "gay agenda" becomes evident when certain storylines are forced.

Team Trump

"What I do think they do do, though, is with their big shows, they try to figure out how to put gay characters in it, or trans characters," D'Elia said on "The Golden Hour" podcast.

This led D'Elia to theorize that even though superheroes are "all woke in the movies," they are definitely voting Republican at the ballot box.

"What superhero would be left-wing?! They wouldn't. They have so much power," D'Elia said, launching into a signature screaming tirade.

"Jarvis, what's up with this f**kin' trans s**t?!" he joked, mimicking actor Robert Downey Jr. in "Iron Man."

"You know the real Captain America would be f**king Republican, secretly voting for Trump. And you know Iron Man would be talking to Jarvis about f**king woke bitches, dude!" he continued.

RELATED: New 'Star Trek' DEI disaster flops despite airing for free: A 'huge, gay, glee club middle finger'

Stable genius

Griffin prompted D'Elia to explain which members of the X-Men he feels are Republicans, which had the New Jersey native yelling into the microphone.

"Who's Republican, dude? Wolverine! Cyclops! Professor X, hello?! You think he's out there — in his mind, he's like, 'But secretly, f**k these woke, white liberal women.' Killing them left and right, dude, with his brain."

Griffin — known for his work on shows like "Workaholics" — calmly delivered his thoughts about when shows go too far with their political agenda. The 53-year-old explained that shows have jumped the shark when they become "an after-school special" that has a political lesson to teach.

"To me, that's the agenda thing, is when you're trying to control how people think about stuff," he said.

RELATED: Trump fatigue: Golden Globes host on why she kept jokes politics-free

Tranovision

This inspired Griffin and Schaub to develop an idea for a new filter on platforms like Netflix, where users can opt out of seeing transgender or overly gay content.

"They just need a filter," Griffin explained. "Like, more than just age filter, right? What if they had a 'gay agenda' filter?"

Schaub put a stamp on the topic and said that while he certainly enjoys a lot of new shows, "with the gay narrative, just leave it all out of the kids' stuff. But for the grown-ups, dude, you're a grown-ass person."

Like Blaze News? Bypass the censors, sign up for our newsletters, and get stories like this direct to your inbox. Sign up here!

Review: James Gunn’s ‘Superman’ is the hero we need in a cynical age



A new DC Cinematic Universe has taken flight with James Gunn’s “Superman.”

While critics from both sides of the political aisle argue over whether the film is “woke” (it’s not), I want to highlight a more meaningful — and largely overlooked — message at the heart of the story: the power of kindness in a cynical, chronically online world. Based on the knee-jerk backlash the movie has inspired online, it’s a message we clearly need.

Some have called this version of Superman ‘weak,’ but I see something else — something that’s been missing from many past iterations: humanity.

While this “Superman” couldn’t be more timely — it explores themes of individuality, idealism in the face of public scrutiny, cancel culture, and life in a social media-saturated society — it ultimately uses these themes to emphasize the timeless traits that have allowed the character to endure for almost a century.

Hassled hero

“Superman” centers on a younger Clark Kent (David Corenswet), who has been active as Superman for just three years. While beloved by many, others see him as a wild card and potential threat — especially after he intervenes in a war between two fictional nations, Boravia and Jarhanpur.

Superman protects the defenseless people of Jarhanpur from Boravian forces, but his actions anger the U.S. government, which fears conflict with Boravian allies. Lex Luthor (Nicholas Hoult) seizes the moment, convincing the military to back his surveillance program, “Planet Watch,” as a pretext to go after Superman. He even unleashes a swarm of mind-controlled monkeys to flood the internet with anti-Superman propaganda — #supers**t trending like wildfire.

Meanwhile, Clark’s girlfriend and Daily Planet reporter Lois Lane (Rachel Brosnahan), who knows his true identity, challenges him to explain his actions in a professional interview. It’s a complicated, very modern kind of pressure.

Here to help

What makes this Superman compelling is that he’s not driven by politics or power — he just wants to help people. All people. He doesn’t weigh the geopolitical consequences; he sees someone in danger and acts. That impulse, that moral clarity, is what defines him. It’s also what gets him into trouble.

This instinct is rooted in a message from his Kryptonian parents — a message that, when finally decrypted by Luthor, reveals their true plan: They hoped their son would one day rule Earth and repopulate it with Kryptonians. Even Superman didn’t know this. Suddenly, even his most selfless actions come under suspicion.

RELATED: Superman's message to MAGA: ‘You’re not American’ if you don’t love immigrants

Eric Charbonneau/Warner Bros /Joe Maher/Getty Images

‘Weakness’ or humanity?

Some have called this version of Superman “weak,” but I see something else — something that’s been missing from many past iterations: humanity. He’s not a flawless, all-powerful icon. He’s relatable. Grounded. Fallible. And when the world turns on him, his powers offer no protection from the sting of media outrage or public mistrust. Stripped of certainty, he holds fast to one thing: hope. Hope for a kinder world.

That perseverance — trying to do good even when it’s hard or unpopular — feels deeply human. Isn’t that what we all wrestle with? We want to be seen, to be understood, to be forgiven when we mess up. Especially in the age of cancellation, when any misstep is dissected in real time by a million strangers. Superman, in that sense, becomes a stand-in for anyone who’s tried to do the right thing and gotten burned for it.

There’s even a quiet Christ-like quality to his vision of the world. In one of the film’s most touching scenes, Lois and Clark reflect on their “punk rock” upbringings:

Lois: “You think everything and everyone is beautiful.”
Superman: “Maybe that’s the real punk rock.”

It’s a simple exchange, but it captures everything about this Superman. Like Christ, he sees not the brokenness of humanity, but its beauty and potential. He chooses to love us anyway. He chooses kindness — an underrated value that could very well heal our culture, breaking through our biggest political divides to help us realize we are all human beings made in God’s image.

Daring to believe

And that kindness changes people. Superman’s example inspires Metamorpho (Anthony Carrigan) and fellow Justice Gang members Guy Gardner (Nathan Fillion) and Hawkgirl (Isabela Merced) to stand up for the innocent people of Jarhanpur. Meanwhile, Mr. Terrific (Edi Gathegi) joins Superman in stopping Luthor’s plot to destroy Metropolis.

Despite everything — public outrage, alien expectations, media spin — Superman doesn’t abandon his ideals. He doesn’t lean into resentment or vengeance. He chooses instead the simple truths taught to him by his Earth parents, Jonathan and Martha Kent (Pruitt Taylor Vince and Neva Howell). In the words of the former: “Your choices. Your actions. That’s what makes you who you are.”

James Gunn’s “Superman” resonates because it dares to believe the best in people. No matter your politics, race, or religion, most of us are doing our best — even when we fall short. And if that’s considered “weak” or “woke,” we should ask what we’ve really come to expect from our heroes.

If kindness is the new punk rock, then maybe punk rock is what will save the world. And who better to lead that charge than Superman?

James Gunn ERASES America from Superman's catchphrase



If Americans thought the era of woke Hollywood films was coming to an end, they were sorely mistaken.

The latest "Superman" film directed by James Gunn centers on the idea that Superman is an immigrant and has traded the classic motto “Truth, justice, and the American way” for “Truth, justice, and the human way.”

When questioned about the backlash, "Superman" co-star Nathan Fillion laughed as he told reporters on the red carpet that “somebody needs a hug” and that it’s “just a movie.”

“I wish that it was just a movie, ‘cause that’s what we want,” BlazeTV host Sara Gonzales comments. “Like, I just want a movie.”

“It’s almost like this is gaslighting,” she continues.

“You guys are the ones who, if you're not injecting it directly into the movie, you’re injecting it into the conversation around the movie, and then it makes people be like, ‘You know what? I don’t even want to see your stupid movie.’”


BlazeTV contributor and founder of Rippaverse Comics Eric July is well acquainted with the comic book industry and isn’t a fan of the political turn Superman is taking either.

“When you look at the comic book industry and comic book movies over the last several years and what’s happened, they’ve used this as a vehicle for their own political and social political agendas. It's no secret,” July tells Gonzales.

“The context matters,” he continues, “and especially with regards to Superman, if you understand what DC has been doing in their comics as of late.”

July explains that in the comics, Superman’s minor son is now gay.

“Of course they’re going to use Superman as a vehicle to say, ‘Hey, this is a character you guys like. Well, he’s ours. He represents what we all want,’” July says, noting that using a character from Planet Krypton to make an immigrant connection is a “disingenuous way to even look at that.”

“You don’t get to hijack Superman and try to make it about you,” he adds.

Want more from Sara Gonzales?

To enjoy more of Sara's no-holds-barred take to news and culture, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.

The Return Of Superman Signals A Culture Shift In America

There are signs that American culture is beginning to move away from our obsession with deconstruction and cynicism — and Superman is one of them.

In A Summer Of Box Office Flops, ‘Deadpool & Wolverine’ Shines

The third installment of the comic book anti-hero series is gloriously full-tilt bonkers and one of the best blockbusters of the summer.

‘Across The Spider-Verse’ Is More Evidence Of Marvel’s Serious Decline

The singular charm of the original 'Spider-Verse' has now been lost in the sequel's overt attempt at serialized storytelling.

Japanese Anime Series ‘Demon Slayer’ Celebrates Masculinity Like Daniel Penny’s

'Demon Slayer' values everything AOC and New York City prosecutors don't: courage, family, strength, and masculine virtue.

Sam Raimi’s ‘Doctor Strange 2’ Is An Anti-Woke Masterstroke

A masterpiece in superhero storytelling, 'Doctor Strange in the Multiverse of Madness' is the best MCU film since 'Endgame.'

‘The Batman’ May Be Worst Bat Film Ever Made

“The Batman” might be the worst Bat film thus far. Its sins are numerous and horrendous, starting with the run time. The film is 176 minutes, and you feel every second almost as if it were unfolding in real time. In case there’s any ambiguity in that observation, this is a very bad thing. It’s […]

Why Gay Superman Needs Rescuing From The Leftists

Another day, another comics character is gay. Yet conservatives don’t seem to care. If a character as American and conservative as Superman isn't worth defending, then who is?