Dana Bash Admits Democrats Are The Party Of Low-T Beta Males

Dana Bash characterized Democrats as an estrogen-fueled political movement uncomfortable with traditional respect for masculinity.

‘It Ends with Us’ is emotional porn for women— and why that’s dangerous



If you’re a woman who hasn’t heard of the name Colleen Hoover, then you’re one of the few. Hoover is the wildly successful author of “It Ends with Us,” which is a romance novel that’s just made its film debut.

The film stars Blake Lively, and according to the Hollywood Reporter, it has brought in over $15 million in its first week.

Allie Beth Stuckey of “Relatable” also read the book but found herself needing to skip over far too many parts.

“Why? Because the books are so sexually explicit. It is pornography. It is sexual pornography, and it is also emotional pornography,” Stuckey explains. “Just because something is fiction, just because you are reading something, does not mean it is okay to consume.”

It’s not just the sexual nature of Hoover’s books that’s concerning but the feminist message she sends readers.

“If this is what women are consuming, I understand why women have the thoughts that they do,” she continues. “Not just about sex and promiscuity but also about this girlboss god of self world that women occupy, this self-empowerment, this self-savior complex.”

While the story has good elements — like Blake Lively’s character trying to escape an abusive relationship and finding solace in a man who is strong and protective in the right ways — those good elements are tainted by the overt sexuality.

“When you are writing these hot and heavy romantic scenes with a woman and her abuser, you are almost glorifying the abuse, because women unfortunately still get attached to that abusive character, and I think that is very dangerous,” Stuckey explains.

It also feeds an emotional and sexual fantasy that leads women to compare themselves and their relationships to the characters.

“This kind of emotional pornography, in addition to the sexual aspects of it, I think just makes women extremely discontent. Extremely discontent with their own life, extremely discontent with their own marriage in a way that is not even, like, grounded in reality, and also just feeds lust and fantasy,” Stuckey says.

“That does not feed into a person’s contentment and satisfaction,” she adds.


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‘Madame Web’ Review: MCU once again turns M-She-U in latest flop



“Madame Web” was just released on Valentine’s Day, and it’s already considered a failure of epic proportions. Despite starring big names such as Dakota Johnson and Sydney Sweeney, the film received an abysmal IMDb rating of 3.8/10 stars and a Rotten Tomatoes score of 12%.

“I do not believe that ‘Madame Web’ is a film that was honestly made with the intention of either being profitable or well received,” says Lauren Chen, adding that the movie is so bad that it seems like it was created by the same studio that produced “2-Headed Shark Attack.”

However, Sony Pictures is the studio behind “Madame Web,” which is a shame considering the conglomerate has been “praised and made a lot of money” in the past.

“For the first 10 minutes or so, I did not believe that I was actually watching the movie. I was thinking to myself: Has a parody of the film already managed to come out and that is what I'm accidentally being shown?” Lauren recounts, noting that the opening scene is just “so cheesy.”

“I present to you ‘Madame Web's’ opening scene,” she continues, reading some of the film’s initial dialogue.

Ezekiel Sims: “That spider can give superhuman strength and power, right? Las Arañas?”

Cassandra’s mom: “Las Arañas, the mythical spider people who run across the treetops and punish evil men with their black poison webs? I like to base my research in science, not legends, Mr. Sims.”

Ezekiel Sims: “Those spiders are wasted here.”

Cassandra’s mom: “These little spiders have the potential to cure hundreds of diseases.”

“How did that make it past the initial edit?!” asks Lauren in disbelief. “There are so many different people who are involved in making a movie…No one was like, ‘Hold up, let's give that another go’?”

Soon after this scene, Cassandra’s mom “just appears on screen with a little spider in her jar and announces, ‘I found it,”’ but the actual locating of the spider “happens off screen,” which makes little sense considering “the entire film is based around [that event].”

Ezekiel then proceeds to kill Cassandra’s mom and her entire team in order to steal the spider, but before her mother’s death, infant Cassandra is delivered by the Las Arañas, who just show up out of the blue. They take her to their “spider cave,” and then suddenly the film “fast-forwards to 2003 New York and now Cassie is all grown up.”

And that’s just the beginning of the film.

Between “three spider-women ... a white one, a Latina one, and a black one,” a weak connection to Peter Parker from the original Spider-Man franchise, plotlines that make no sense, and “annoying characters,” “Madame Web” fails so catastrophically, it can’t even be considered “an entertaining hate watch,” says Lauren.

To hear more of Lauren’s analysis, watch the video below.


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Lauren Chen: Feminism forces Hollywood to hate men; here's the proof



In almost all Hollywood blockbusters coming out these days, men are being displayed as incompetent and lazy.

Meanwhile, actresses like Brie Larson have been chosen to outshine these once legendary characters like Indiana Jones, Iron Man, and the Hulk.

“Hollywood seems to genuinely hate men,” Lauren Chen says, who admits she is “not a fan of the obvious feminist propaganda that seems to be a part of almost every single TV show and film nowadays.”

While Chen doesn’t believe there’s anything wrong with female empowerment or being pro-women, there is something wrong with the way Hollywood is going about it.

“It’s not just pro-women, it’s actively anti-man, and those are two very different things,” she explains, adding, “you don’t need to tear one gender down in order to lift up the other.”

The most notable way Hollywood tears men down is by having “weak and sidelined male characters” in a lot of reboots of popular franchises.

"Indiana Jones and the Dial of Destiny" is one of the most recent examples of this, as historically, Indiana Jones was portrayed as strong, moral, and intelligent.

“Fast forward to 'Dial of Destiny' and instead, we see the once great Dr. Jones as easily overshadowed by his goddaughter,” Chen explains, noting that Jones isn’t the only male character who's been turned weak.

Obi-Wan Kenobi from the "Star Wars" franchise was a hero who now has his own series on Disney+. However, his character in the new series couldn’t be farther from what he once was.

And a lot of it has to do with who’s in charge.

“We’ve gotten to a point in society where discrimination against men is just so common and accepted that studios won’t even hide the fact that they were specifically looking for females to be in charge of certain films,” Chen says.


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Will Ferrell, the FEMINIST?



Will Ferrell has starred in his fair share of raunchy comedies that would have feminists up in arms today, but that apparently hasn’t stopped him from becoming one.

In his opening remarks for the recently held Women in Entertainment Gala, he made that incredibly clear.

“Forget about the entertainment world,” he told the audience. “Isn’t it just time for women to run the planet?”

“Men, we’ve been running the show since, what? 10,000 B.C., something like that, and we’re not doing so good. So please, can you guys just take over?” Ferrell continued.

Lauren Chen is admittedly a big Will Ferrell fan, but she’s not a fan of this political turn.

“At his peak, Will Ferrell was probably one of the funniest people in Hollywood,” she says, adding that she was “disappointed” when she heard what he said.

“Male celebrity does not grovel as a virtue-signaling male feminist ally challenge: impossible,” Chen continues, noting that for some reason men always feel the need to put men down while lifting women up.

“Why does crapping on men even have to come into it?” Chen asks.

Ferrell went on in his speech to tell the audience he co-founded a production house specifically dedicated to telling female-centric stories with female actors and directors, based on the suggestion of a female co-worker.

But that’s not all.

Ferrell also suggested that Kerry Washington should be the next president.

“Kerry, you’ve always been amazing in everything you’ve ever done and an incredible advocate for so many different things, so can you just run for president, please?” Ferrell said, which Chen identifies as “groveling.”

“It’s a pretty far cry from what his persona used to be,” Chen adds.


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