Welcome to the new high-school activism: One side chants, the other gets punished



For weeks, students at hundreds of schools across the country have walked out of class to protest Immigration and Customs Enforcement actions. At Rincon High School in Arizona, leaders of the Latino Student Union organized a walkout to oppose the Trump administration’s immigration policies.

The next week, some of those same students demanded the removal of a Turning Point USA club from the Tucson Unified campus. Members of the Latino Student Union petitioned the school board to bar the conservative club from meeting on school property, claiming its presence made them feel “unsafe” and accusing it of a “track history of presenting hate and presenting fear.”

As American life grows more polarized, young people face mounting pressure to treat opposing speech not as something to answer, but as something to silence.

Arizona was not a one-off.

Last fall, students at Royal Oak High School in Michigan walked out over the formation of a Turning Point chapter. One protest organizer complained that the club “spreads conservative views ... and those aren’t things that we promote in our school.”

That statement tells you plenty. Students increasingly invoke the language of safety and inclusion not to protect their own right to speak, but to suppress the speech of others.

Royal Oak Schools says the district aims to provide “an inclusive, diverse, safe, and student-first environment” in which students will be “embraced, accepted, challenged, and prepared.” Yet schools cannot claim to challenge and prepare students while teaching them that disagreement itself amounts to harm.

These incidents may still be relatively few, but they point to a broader problem: the spread of speech intolerance from college campuses into K-12 education.

A report released in September by the Foundation for Individual Rights and Expression found alarming attitudes on college campuses. Among roughly 70,000 students surveyed, 34% said violence to stop someone from speaking can be acceptable, while 72% supported shouting down speakers in rare cases.

College pathologies do not stay on college campuses for long.

Through social media, ethnic-studies curricula, school speech codes, and the influence older students exert on younger ones, the campus habit of treating dissent as danger has moved into elementary and secondary education.

The results have already turned ugly.

RELATED: How liberals let America’s colleges collapse into illiberalism

Spencer Platt/Getty Images

After a walkout at Hayes High School in Ohio in February, one senior said the protest “went as peaceful as it could have gone with the amount of anger that we have.” In reality, an altercation between several protesters and one dissenter ended with three students charged with disorderly conduct. The confrontation appears to have begun when walkout participants repeatedly blew whistles in the student’s face.

In Kansas, student counterprotesters from Olathe Northwest High School were attacked while demonstrating across the street from an anti-ICE protest. Their offense? They merely supported the administration and current immigration enforcement.

Thankfully, these incidents remain uncommon. But the trend should concern parents, teachers, and communities. As American life grows more polarized, young people face mounting pressure to treat opposing speech not as something to answer, but as something to silence.

Whatever one thinks of school walkouts, defenders of these protests usually justify them as exercises in civic engagement and First Amendment expression. Fine. But civic engagement does not mean demanding a microphone for yourself and a muzzle for everyone else.

Students need to learn that free speech cuts both ways. They have every right to voice their convictions. They also have a responsibility to defend the rights of people whose views they dislike, distrust, or even find offensive.

If they do not learn that lesson now, student activism will become less about persuasion than coercion. And young Americans will be trained not to practice liberty, but to imitate the tyranny they claim to oppose.

TPUSA journalist shares on-scene chaos after failed NYC bombing at Mamdani’s mansion



Last weekend, an attempted bombing occurred outside Gracie Mansion, the official residence of New York City’s Muslim mayor, Zohran Mamdani (D). During a heated clash between anti-Islam protesters and a group of counterprotesters, two teenagers from Pennsylvania — 18-year-old Emir Balat and 19-year-old Ibrahim Kayumi — allegedly threw two improvised explosive devices toward the crowd.

Fortunately, neither bomb detonated, and no one was injured. Both Balat and Kayumi were arrested and charged with attempting to provide material support to a designated foreign terrorist organization, using a weapon of mass destruction, transportation of explosive materials, and unlawful possession of destructive devices.

TPUSA Frontlines photojournalist Gabriel Victal was present at the scene when the attack occurred. But the attempted bombing, he says, “wasn't the first instance" of violence.

On this episode of “The John Doyle Show,” Victal gives his first-person account of the incident, sharing on-the-ground observations you won’t hear from mainstream outlets.

“There were other scenarios where basically [the counterprotesters] were beating the crap out of right-wing journalists that they discovered were ‘Zionist.’ They were chasing them out, saying, ‘He's a Zionist. Get out of here,”’ Victal recounts.

It was when he and his partner were editing this footage that the attempted bombing occurred.

“We were editing that footage, and out of nowhere … I see this Muslim individual jump the fence, which he was not supposed to cross, and, you know, a big kind of smoke comes out. … Everybody's looking around, saying, ‘Bomb bomb bomb!’” he tells Doyle, laughing that despite the chaos, his “first instinct as a journalist [was to] start recording.”

One of the people yelling “bomb” was a “transsexual,” who immediately began trying to assist the alleged attacker after he was apprehended, Victal reports.

“Didn't that same transsexual also yell to the guy when he was apprehended something like, ‘Who's your emergency contact?’” asks Doyle.

“Yes. … This happens all the time,” says Victal. “Every time someone on their side, where they perceive to be an ally of theirs, they are always trying to get them out of trouble.”

“Every time we're in Minneapolis, it's the same thing,” he says. “Somebody gets arrested for, you know, punching a police officer or attacking a journalist or whatever it may be, and they're always trying to defend them, have them call [Monarca Rapid Response]” — a community-run rapid response team that mobilizes specifically for sightings of federal immigration enforcement activity.

“Then there are lawyers who will go out of their way to defend these people,” Victal adds.

To hear more details of his firsthand account, watch the full interview above.

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Turning Point USA Chapter Not Welcome At Elite Wisconsin Private School

A Lawrence University referendum driven by the school's 'inclusive'-preaching students looks to lock out the Charlie Kirk-founded group.

Gospel meets degeneracy? ​Christians clash over Kid Rock’s TPUSA performance



Turning Point USA’s All-American Halftime Show ignited controversy after Kid Rock took the stage — a choice BlazeTV host Allie Beth Stuckey admits initially left her stunned.

“You’ve got Turning Point saying that they’ve got this family-friendly show, but then they have Kid Rock, who is not really a family-friendly guy, singing,” Stuckey explains, pointing out that this has become an “intra-Christian battle.”

When Stuckey initially heard that Kid Rock was playing at the Turning Point halftime show, she admittedly was skeptical.

“I don’t think of him as kid-friendly. ... I know that he has a history of being very raunchy. He’s definitely about the, like, sex, drugs, and rock and roll; drinking; and things like that. So, I was very surprised,” she explains.


At one point in the show, Kid Rock began sharing the gospel.

“There’s a book that’s sitting in your house somewhere that could use some dusting off. There’s a man who died for all our sins hanging from the cross,” he said, singing, “You can give your life to Jesus, and he’ll give you a second chance, till you can’t.”

“OK, I love that. I loved that message. I love the theme of this song. It’s called ‘’Til You Can’t.’ And that line is so true, that Jesus will give you a second chance. He’s got all of this grace to give, until you can’t, and until you take your last breath,” Stuckey comments.

However, Kid Rock also sang songs that celebrated degeneracy.

“So, very confusing, and a lot of people rightly pointed out this seems a little bit hypocritical,” Stuckey says, but one post on X helped her make sense of it.

“There seems to be a lot of confusion & backlash, especially from the Christian community, about Kid Rock’s performance during TPUSA’s All-American Halftime Show. I believe I can clear things up ...,” Jon Root began in a post on X.

“Kid Rock started his set by performing ‘Bawitdaba’, which came out in 1999. It is a vulgar song, referencing topless dancers, drinking, crooked cops, bastards, etc. Hearing that was a shock to a lot of us. Rightfully so. It felt worldly, which I believe was the point ...,” he continued.

“Next, there was an acoustic set with two people playing a Christian hymn. It was meant to be an emotional bridge to what came next. ... Finally, it transitioned to Kid Rock, his stage name, being introduced back to the stage as Robert Ritchie, his birth name. He then played a revised version of ‘Til You Can’t,’ which included lyrics about Jesus Christ,” he explained.

“He also spoke about Jesus’ sacrifice on the cross, encouraged people to follow Christ, and to read their Bibles. This was supposed to be an artistic way of portraying a redemption story. I don’t know Kid Rock’s walk with Christ, but he used this moment to point people to Christ, and I rejoice in that (Philippians 1:15-18),” he concluded.

“We should always praise God when the gospel is preached,” Stuckey comments. “That is my take on that.”

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It's all 'globalism': Jack Posobiec tells Glenn Beck the NFL was furious over TPUSA's Super Bowl halftime show



Turning Point USA's All-American Halftime Show and the Super Bowl LX halftime show was a battle of David vs. Goliath, Jack Posobiec said.

Posobiec, who has worked with Charlie Kirk's organization over the years as a contributor, said on Wednesday that there were a lot of hurdles, blocking, and gatekeeping going on as TPUSA planned the All-American Halftime Show.

'I don't think we realized the ways they can get you.'

Posobiec joined "The Glenn Beck Program" on Wednesday, where he described the Super Bowl LX halftime show featuring Puerto Rican artist Bad Bunny simply as "globalism."

It was an attempt to "compete on the global stage," Posobiec said, with the NFL expanding its audience by "dividing" the core of what the United States is built on.

The "NFL is middle America," Posobiec continued.

When it came to booking the halftime show though, Posobiec did his best to reveal the roadblocks TPUSA was up against.

"So here's what I can say ... I knew that by picking a fight with the biggest cabal in America, bigger than the Democrats ... that we were going up against Goliath," he told Beck.

Posobiec continued, "I had no idea what would happen, I don't think we realized the ways that they can get you. The ways that they can gate-keep you and block you."

While the TPUSA contributor admitted the story was not as cut and dry as having "emails from Roger Goodell" that told him "you shall not do this," he described the process as a trickle-down system with endless connections. Whether it is through restricting music usage rights, limiting song choices, or prohibiting what artists can participate in, "something would always happen," Posobiec said.

RELATED: ‘This one’s for you, Charlie’: TPUSA’s ‘All-American Halftime Show’ draws millions of viewers during Super Bowl

Posobiec claimed he was told by insiders that NFL brass were allegedly furious at the numbers TPUSA was able to produce on YouTube, which turned out to be record-setting.

The New York Post reported more than five million tuned in to TPUSA's halftime show live on YouTube, while the New York Times reported 6.1 million live concurrent viewers. Blaze News observed well over five million concurrents on TPUSA’s main channel alone with more watching on partner YouTube channels.

At the same time, the Post Millennial and Posobiec boasted 6.17 million viewers concurrently for TPUSA. That final digit is key as it would definitively push TPUSA's stream to second all-time in terms of concurrent viewership on a YouTube live broadcast.

According to Dexerto, this puts TPUSA behind the Indian lunar landing mission in 2023, which had a reported eight million viewers, and ahead of the 2022 World Cup quarterfinal between Brazil and Croatia, which had 6.1 million. Posobiec reported more specifically that the game had 6.15 million at its peak.

RELATED: Why everything sucks now: ‘It is not made for you anymore’

According to the NFL, Super Bowl LX set an all-time viewership record for Super Bowls on TV with 137.8 million viewers who were watching during the second quarter.

The halftime show averaged 128.2 million viewers, which is the fourth-most watched ever. Kendrick Lamar's 2025 performance (133.5 million), Michael Jackson's 1993 show (133.4 million), and Usher's 2024 halftime (129.3 million) all ranked higher, per ESPN.

In the days following the Super Bowl live broadcast, the NFL garnered nearly 70 million views for the halftime show, while TPUSA had more than 21 million views on its main channel alone. This is a strong showing as the NFL has nearly two and a half times the YouTube subscriber base as TPUSA.

The NFL did not respond to multiple requests for comment regarding the claims made by Posobiec.

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Kid Rock's TPUSA halftime destroyed the NFL's Bad Bunny agenda



TPUSA's All-American Halftime Show revealed that Christians are now creating an alternative to progressive agendas — and BlazeTV host Jason Whitlock could not be more pleased.

“The National Football League has chosen wickedness. And Kid Rock and that halftime show is going to be that rock that humbles the National Football League and sends a message to all of sports that fans are owed respect,” Whitlock says on “Fearless.”

“The NFL and sports have become so arrogant that they thought they were untouchable. And finally, we touched them through Kid Rock, through this TPUSA Super Bowl halftime,” he continues.

And while some might argue that Kid Rock is a “degenerate” just like Bad Bunny, Whitlock believes that doesn’t “give you license to ignore the message.”


“God chooses screwed up messengers every single time because we’re all screwed up. And I hear you. ‘God choosing Kid Rock? Whitlock is crazy, this is just like Trump. These guys are evil,’” Whitlock says.

“God chooses messed up people every single time to do His will. I’m messed up. Any of you listening to this show, watching this show right now, and me sitting here professing any part of the gospel, me sitting here, you know, supporting or praising Jesus Christ. Trust me, I’m the wrong messenger,” he continues.

“I’m as screwed up as anybody watching this show, listening to this show, or whatever. But I’ve been chosen. We’ve all been chosen to help execute the great commission. We’ve all been chosen to push back against the forces of iniquity and power and corruption and just the arrogant people that pollute our culture with corruption, with degeneracy,” he explains.

And Kid Rock has done his part well.

“He didn’t need to involve himself with the TPUSA event. It could have been a flop. He could have been a laughing stock. He could have taken that halftime platform that TPUSA built and he could have spewed a bunch of political rhetoric. He could have cursed out the left,” Whitlock says.

“But he didn’t do that. He stuck to the music. He stuck to a consistent message,” he continues.

“I believe this Super Bowl halftime deal is going to have long-lasting impact and is going to change part of American culture,” he adds.

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