Why the Irish can't stand Bono



U2 is on a winning streak.

Last spring, the Irish rockers wrapped up a wildly popular, 40-night residency at the Sphere in Las Vegas; the $244.5 million in ticket sales made it the fourth-highest-grossing residency of all time. And fans who missed out on seeing the band live are flocking to the new "immersive concert film" recreating the spectacle.

As my father, a dyed-in-the-wool working-class Irishman, once said, 'Sure, this is a fella who wears sunglasses indoors.' Indoors!

After almost half a century, the quartet from Dublin is bigger than ever, at least in America.

Back home in Ireland, the vast majority couldn't give a toss. Why? In one word: Bono.

Let me explain.

You see, Ireland is a place where humility isn’t just admired — it’s expected. Praise makes us squirm, and there’s almost a national dyslexia when it comes to compliments. We show love by jabbing each other with witty (and not-so-witty) remarks. That’s our thing. Compliments are like kryptonite, and boasting is met with severe backlash.

For years, Bono — whose real name is Paul David Hewson — has been seen as someone who believes he’s better than everyone else. As my father, a dyed-in-the-wool working-class Irishman, once said, “Sure, this is a fella who wears sunglasses indoors.” Indoors! Ireland is a place where you’re more likely to encounter an extraterrestrial than a ray of sunshine.

Sanctimonious songsmith

Bono’s involvement in politics and humanitarian work is, without question, admirable. From championing debt relief for developing nations to raising awareness about the HIV/AIDS crisis in Africa, he’s done more good than most rock stars ever dream of.

But when you’re at a U2 concert and Bono starts lecturing the masses, it comes off as pretentious and preachy. I’ve been to a number of the band's shows, and countless times, Bono has interrupted the flow of the music to deliver impassioned speeches about love, togetherness, and the world’s woes.

Now, I get it — these are important topics. But there’s a time and a place for everything.

Picture a typical U2 show in the late 2000s. It's an hour or so in, and the band has yet to play classics like “With or Without You” or “Sunday Bloody Sunday.” The anticipation is electric as Bono launches into a long monologue about his close friend Desmond Tutu.

Yes, Tutu was a great man, a giant in the fight against apartheid. But most people there had no idea who he was. Moreover, they hadn’t come for a talk on social justice. They’d shelled out a hefty sum to see a rock show, not to hear about the miracles performed by the late, great bishop and theologian. But that's exactly what they got.

That’s Bono, though — a man with a cause, always. In America, people might admire that, but in Ireland, we just roll our eyes and snicker.

Separating Hewson from the herd

It’s crucial to separate Bono from U2, just like it's crucial to separate Xi Jinping from the people of China. U2, at its core, is a great band — no question about it. U2 has given us some great albums, from the raw power of "The Joshua Tree" to the experimental genius of "Achtung Baby."

The band’s other members seem like genuinely decent guys. I’ve exchanged a few words with the Edge and Larry Mullen in the past, and both came across as down-to-earth, humble, the kind of blokes you’d grab numerous pints of Guinness with.

But Bono, despite what seem like good intentions, has become a kind of lightning rod for criticism in Ireland. It’s not that he’s a bad guy — by most accounts, he’s actually all right. But the damage is done. The impression has already been set in stone.

Having notions

In Ireland, once we’ve made up our minds, it’s almost impossible to shift the consensus. Along with being practically allergic to praise, we’re a stubborn people. Even when presented with solid evidence, we dig in our heels and stick to our convictions. This is not logical, I know. But it’s the way things are.

So while Bono’s sermons about world peace and love may inspire in other parts of the globe, back home in Ireland, they’ve only served to reinforce a long-standing perception — specifically that the 64-year-old takes himself way too seriously.

Recently, a phenomenal Irish musician by the name of Dermot Kennedy sat down for an interview with comedian Theo Von. At one point, their conversation hit on something deeply Irish: the idea of "having notions."

In Ireland, to "have notions" is to think too highly of yourself — to be full of conceit or arrogance or, as we say, to have a big head (ceann mór,pronounced like "kyan more"). It’s a concept that’s ingrained in our culture, where humility is paramount and anyone who deviates from it becomes an immediate target for criticism and relentless ridicule. And Bono, fairly or unfairly, fits the bill.

Et tu, Conor?

Another man who perfectly embodies the "notions" label is Conor McGregor, someone I’ve discussed in detail before. His recent announcement that he will run for president of Ireland in 2025 should be viewed for exactly what it is — a shameless publicity stunt. McGregor argues that he’s the “only logical choice,” but most people with a functioning brain, something the Dubliner appears to lack, would disagree.

The Irish presidency is a largely ceremonial role, much like the British monarchy. The president has no real legislative power — it's an ornamental position meant to represent the nation, not shape its policies. McGregor’s entry into this race won’t change that.

Even for a symbolic position, McGregor's qualifications fall short. His UFC career is spiraling, and this presidential bid reeks of desperation to stay in the spotlight. He’s not a politician; he’s not a statesman — he’s an opportunist. His history of violent outbursts and incoherent public rants, including assaults on fellow Irish citizens, hardly makes him a fitting figure to represent Ireland on the world stage.

Ireland faces real, pressing issues: housing shortages, a crumbling health care system, rising violent crime, and economic uncertainty. None of these are problems McGregor is remotely qualified to address. His bluster and bravado may have won him fights in the octagon, but they won't fix the country's mounting crises.

In fact, his bid risks turning the presidency into a sideshow, distracting from the serious work needed to solve Ireland's problems. But he doesn’t seem to care. This is the danger of being consumed by "notions" — it can drive the rational to irrationality, the once-discerning into dangerously delusional territory.

Both Bono and McGregor have developed larger-than-life personas that have ultimately distanced them from a nation that values humility above all else. They once, many moons ago, recognized the importance of staying in their respective lanes. Those days, however, appear to be long gone.

Roger Waters in Al Jazeera interview blasts U2's Bono as a 's**t' for voicing 'disgusting' pro-Israel views



Former Pink Floyd frontman Roger Waters recently sat for an interview with Al Jazeera — a TV network widely regarded as a propaganda arm of radical Islam — and blasted U2 frontman Bono as a "s**t" for voicing "disgusting" pro-Israel views.

What's the background?

The day after terror group Hamas carried out a deadly surprise attack on a music festival in Israel on Oct. 7, U2 and Bono changed the lyrics of their anthemic song "Pride (In the Name of Love)" and honored slaughtered attendees of the Supernova festival, calling them "Stars of David."

Before U2 kicked into "Pride," lead singer Bono spoke to the audience at the Sphere in Las Vegas: "In the light of what’s happened in Israel and Gaza, a song about non-violence seems somewhat ridiculous, even laughable, but our prayers have always been for peace and for non-violence … But our hearts and our anger, you know where that’s pointed. So sing with us and [for] those beautiful kids at that music festival.”

The iconic anthem began with Bono singing the usual lyrics softly and slowly while the Edge strummed an acoustic guitar. After the tune picked up speed, Bono spoke again: “Sing for our brothers and sisters who they themselves were singing at the Supernova Sukkot festival in Israel. We sing for those. Our people, our kind of people, music people. Playful, experimental people. Our kind of people. We sing for them.”

At the most poignant moment of "Pride" — when it refers to the assassination of Martin Luther King Jr. on "April 4" under a "Memphis sky" — the lyrics were altered to honor the massacre victims in Israel: “Early morning, October 7, the sun is rising in the desert sky. Stars of David, they took your life, but they could not take your pride.”

U2 Pride (In the Name of Love), Sphere Las Vegas 10/8/2023 Live Front Row youtu.be

What did Waters say?

Although Waters said during his interview with Al Jazeera that he respects the Jewish people and the Jewish religion, he ripped what he called the "Zionist entity" — and didn't hold back against Bono, either.

“Anybody who knows Bono should go and pick him up by his ankles and shake him until he stops being a ... s**t," Waters said, spelling out the swear word instead of speaking it.

He angrily added, “We have to start speaking to these people and saying, 'Your opinion is so disgusting and degrading when you stand up for the Zionist entity.' What [Bono] did in the Sphere in Las Vegas a couple of weeks ago, singing about the Stars of David, was one of the most disgusting things I’ve ever seen in my life.”

— (@)

Anything else?

Waters has spoken against Israel for many years and has been accused of anti-Semitism along the way.

According to the Jerusalem Post, Waters during a November interview with journalist Glenn Greenwald said of the Hamas massacre, "My first response to the attack was 'let's wait and see what happened.' My second thought was 'how on earth did the Israelis not know this was going to happen?! Didn't the Israeli army hear the explosions at the bases when Hamas blew up the border fence? There's something strange about this."

Waters added that Hamas is "absolutely legally and morally obligated to resist the occupation" and that the terror group's attack was "made disproportionate by Israelis who invented stories of baby beheading," the Post said.

The New Musical Express said Waters has repeatedly denied anti-Semitism accusations and accused Israel of "abusing the term anti-Semitism to intimidate people like me into silence."

More from the NME:

He was recently the subject of a documentary, "The Dark Side Of Roger Waters," which was produced by the Campaign Against Anti-Semitism and collates various incidents of alleged anti-Semitism leveled against the musician.

Rogers spoke out against the documentary with a post to his official website, dismissing the project as “a flimsy, unapologetic piece of propaganda.” He later claimed that it “indiscriminately mixes things I’m alleged to have said or done at different times and in different contexts, in an effort to portray me as an anti-Semite, without any foundation in fact.”

The documentary highlights a controversial concert in Germany back in May 2023, which was criticized by the U.S. State Department who described it as “deeply offensive to Jewish people.” The gig saw him appear on stage wearing a black trench coat with a swastika-like emblem. At the time the musician defended the choice, claiming that the segment was a statement against fascism, injustice and bigotry and called criticism of it “disingenuous and politically motivated.”

In April, Waters won a legal battle to play a concert in Frankfurt after it was initially cancelled over claims of anti-Semitism, and last month it was reported that he had been dropped by his label BMG over his comments on Israel.

What's more, shock jock Howard Stern — who is Jewish — blasted Waters for sending a scolding letter to rocker Jon Bon Jovi for performing in Israel in 2015. Earlier that year, Waters wrote musician Alan Parsons — who engineered Pink Floyd's classic album "The Dark Side of the Moon" — asking him to reconsider plans to play in Israel. Parsons' response? “Music knows no borders, and neither do I.” Israeli supermodel Bar Rafieli in 2013 ripped Waters for boycotting her country.

U2 over the weekend kept up their activism; at one point, Bono lamented the continuing violence in the Middle East and said the biblical concept of loving our enemies and our neighbors is a "divine commandment" and "not advice."

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Nancy Pelosi ridiculed for 'cringe' St. Patrick's Day recitation of Bono poem supporting Ukraine



Speaker of the House Nancy Pelosi (D-Calif.) was roasted on social media after she recited what many users said was a "cringe" poem written by U2's Bono.

What are the details?

Pelosi read the poem during the Friends of Ireland luncheon at the U.S. Capitol on Thursday as an apparent tribute to Ukraine's fight against Russian invaders.

“Oh St. Patrick, he drove out the snakes with his prayers, but that’s not all it takes,” Pelosi began. “With the smoke symbolizes an evil that arises and hides in your heart as it breaks, and the evil risen from the darkness that lives in some men, but in sorrow and fear, that’s when saints can appear. You drive out those old snakes once again, and they struggle for us to be free from the psycho in this human family.”

“Ireland’s sorrow and pain is now the Ukraine and St. Patrick’s name is now Zelenskyy,” she concluded after adding that Ireland native Bono — whose real name is Paul David Hewson — has "been a very Irish part of our lives."

Following the poem's conclusion, she proudly remarked, "How about that?"

Pelosi reads her aforementioned poem from Bono:\n\n"Ireland's sorrow and pain\nIs now the Ukraine\nAnd Saint Patrick's name now Zelenskyy."pic.twitter.com/AEhD5REwZZ
— Greg Price (@Greg Price) 1647541130

What was the response?

Billy Gribbin, communications director for Rep. Yvette Herrell (R-N.M.), wrote, "This is a Saint Patrick’s day hate crime."

This is a Saint Patrick\u2019s day hate crimehttps://twitter.com/greg_price11/status/1504522662294528012\u00a0\u2026
— Billy Gribbin (@Billy Gribbin) 1647542919

Radio host Gerry Callahan added, "It is even worse than you imagined. I can only assume Bono has already gone into hiding or checked into rehab."

It is even worse than you imagined. I can only assume Bono has already gone into hiding or checked into rehab.https://twitter.com/greg_price11/status/1504522662294528012\u00a0\u2026
— Gerry Callahan (@Gerry Callahan) 1647541834

Chuck Ross, reporter for the Washington Free Beacon, added, "I need a Guinness to wash down the cringe."

I need a Guinness to wash down the cringehttps://twitter.com/greg_price11/status/1504522662294528012\u00a0\u2026
— Chuck Ross (@Chuck Ross) 1647541436

Commentator and Federalist publisher Ben Domenech wrote, "Is this a prank? Did someone pretend to be Bono and sent her this?"

Is this a prank? Did someone pretend to be Bono and sent her this?
— Ben Domenech (@Ben Domenech) 1647541540

Author James Surowiecki — a former writer for the New Yorker — added, "It was somehow worse than I had imagined it would be, and I had imagined it would be pretty bad."

It was somehow worse than I had imagined it would be, and I had imagined it would be pretty bad.https://twitter.com/cspan/status/1504518269386043402\u00a0\u2026
— James Surowiecki (@James Surowiecki) 1647540450

Liam Stack, reporter for the New York Times, responded, "Nancy Pelosi introducing this poem: 'Bono has been a very Irish part of our lives.' Extraordinary levels of Irish cringe. This poem brought the snakes back."

Nancy Pelosi introducing this poem: \u201cBono has been a very Irish part of our lives.\u201d \n\nExtraordinary levels of Irish cringe. \nThis poem brought the snakes back.https://twitter.com/cspan/status/1504518269386043402\u00a0\u2026
— Liam Stack (@Liam Stack) 1647542389

MUSIC: Here are inspired versions of 'The First Noel,' 'Silent Night,' and other sacred Christmas songs you should listen to today



As you celebrate this Christmas Day and look for music to get you pondering spiritual truths as well as to provide beautiful atmosphere wherever you are, check out these inspired versions of sacred Christmas songs:

Over the Rhine

The indie band from Ohio with poetic Christian underpinnings has long been a favorite of mine, and the group's evocative Christmas album "The Darkest Night of the Year" is one I've spun every year since its 1996 release.

Standout tracks include "It Came Upon a Midnight Clear," "Greensleeves (What Child Is This)," and "O Little Town of Bethlehem," offering sounds that transport listeners back in time to old-fashioned parlor pianos, horse-drawn carriages, and quiet fields of snow.

Here's the opening song — an atmospheric instrumental version of "The First Noel" — that haunts with a lonely cello:

The First Noelyoutu.be

Jeff Bjorck

Jeff Bjorck has been recording solo piano music over the last 25 years and has six very fine albums under his belt. One of them — "The Wondrous Gift" — is full of inspired interpretations of a dozen faith-based Christmas songs.

Among the standouts are "Hark! the Herald Angels Sing," "Coventry Carol," and "Silent Night." For an immediate example of Bjorck's style, check out "Silent Night" below. It begins with gentle, almost yearning notes and then moves into the familiar melody — yet accented by memorable, creative flourishes that escort the song into new vistas:

Silent Nightyoutu.be

Phil Keaggy

A guitarist like no other — always in the conversation as among the world's best — Phil Keaggy has released a few Christmas albums over his long career, but for my money his finest is an offering alongside the London Festival Orchestra: "Majesty & Wonder: An Instrumental Christmas."

Full of creative approaches to faith-filled Christmas songs, Keaggy takes on the historic "Jesu Joy of Man's Desiring" along with "Good Christian Men Rejoice" among others. Below check out his version of "O Come, O Come Emmanuel" that employs brand-new music on his classical guitar alongside the age-old melody:

O Come O Come Emmanuelyoutu.be

Don Peris of the Innocence Mission

The Innocence Mission hit the indie, alterna-folk scene in the late 1980s, and the band's guitarist — Don Peris — years later offered an instrumental Christmas album "Brighter Visions Beam Afar" which has remained one of my favorites ever since.

Simple and unassuming — just like his band from the fields of rural Pennsylvania — Peris employs plaintive, gentle finger-picking that puts the listener into a reflective emotional place.

Most definitely lend an ear to "Away in a Manger," "O Come All Ye Faithful," and "Angels We Have Heard on High" — the latter of which you can listen to right now:

Angels We Have Heard On Highyoutu.be

Kemper Crabb

Kemper Crabb may be familiar to some fans of early 1980s contemporary Christian music as the creator of the heralded album, "The Vigil." But Crabb years later also released an album just for this season titled "A Medieval Christmas."

With a resonant, reverent voice and instrumental accompaniment that matches the ambition of the title, Crabb turns out memorable versions of "Good King Wenceslaus," "God Rest Ye Merry Gentlemen," and a show-stopping "Let All Mortal Flesh":

Let All Mortal Flesh Keep Silentyoutu.be

Sting

When he was with the Police, Sting penned a lesser-known tune for "Synchronicity" titled "O My God" in which the world-weary, angry protagonist — presumably him — shakes his fist at his creator and implores "take the space between us / fill it up some way." Clearly Sting didn't believe Jesus already accomplished that miracle.

So it was an eye-opener a couple of decades later to encounter Sting's solo offering "If on a Winter's Night..." which contains sacred Christmas songs such as "Lo, How a Rose E'er Blooming" — a German carol that first appeared centuries ago — and the even older "Gabriel's Message":

Gabriel's Messageyoutu.be

Jeff Johnson

Veteran keyboard player and Christian songwriter Jeff Johnson has been producing excellent music with his own Celtic-styled flair for decades. His "Prayers of St. Brendan: The Journey Home" is one of my all-time favorites.

What's more, Johnson just may be the king of Christmas music — at least for listeners who care deeply about the proper focus of the day – and has released a whopping seven Christmas albums over the years.

Within them he covers the lion's share of sacred songs you know, as well as some that aren't often sung by carolers on snowy street corners — such as "Bring a Torch, Jeanette, Isabella" from "A Quiet Knowing: Christmas" with Brian Dunning and John Fitzpatrick as well as "Once in Royal David's City" and "Wexford Carol" from "Under the Wonder Sky" with Dunning and Wendy Goodwin:

Wexford Carolyoutu.be

Bono and the Edge of U2

As a big U2 fan for many years — all the way back to when I first read the words "to claim the victory Jesus won" from the "Sunday Bloody Sunday" lyrics before I turned to Christ — the band greatly disappointed me with its 2018 endorsement to repeal Ireland's abortion ban.

But perhaps faith in some form remains, particularly for lead singer Bono, who has been vocal about his belief in Jesus for many years. Maybe that's why I got a lump in my throat when I played video of him and guitarist the Edge performing "O Holy Night" for a Dublin crowd on Christmas Eve a few years back. "Fall on your knees," indeed.

Merry Christmas, one and all.

Bono and The Edge Oh Holy Night Christmas Eve Dublin 2018youtu.be

Everyone Knows Obama Didn’t Put Together His Obviously Focus-Grouped And Completely Lame Playlist

His music choices seem more like a publicity team curated this list to fit Obama’s “I’m whatever you want me to be” image.