‘Sign Of Great Hope’: Religious Leaders See A ‘Fourth Great Awakening’ As Americans Flock To Christianity
'Sign of great hope for the nation'
Judging by the analysis on cable news since the election, Democrats seem determined to lose every presidential race for years to come.
The party should be reflecting deeply after Kamala Harris spent more than $1 billion and secured endorsements from celebrities and billionaires, only to lose to Donald Trump. Democrats should be asking how a man they’ve called a fascist, racist Nazi sympathizer managed to win support from such a diverse group of voters.
If progressives had any sense, they would learn to listen to what people say instead of projecting their own biases onto millions of Americans they do not know and do not understand.
Instead of addressing their mistakes, Democrats and their cable news allies continue to focus on the identity politics that voters rejected. Several analysts have claimed they know why Trump won, but their explanation ignores issues like economics, inflation, crime, or immigration.
No, they say the reason comes down to one word: whiteness.
MSNBC contributor Eddie Glaude made this claim during a recent election postmortem. With intense passion and conviction, the Princeton professor insisted he could not see any other explanation. Though he never defined “whiteness,” he was certain it’s what motivated the masses.
I shared his video on social media, telling him he sounded more like a religious cleric than a political analyst. He’s not alone in this rhetoric. While progressives have become more secular over the past few decades, they still exhibit religious impulses. Their discourse on “whiteness” reflects their view of original sin. They have major and minor “prophets” of race and are eager to evangelize unbelievers on topics like “white privilege,” “systemic racism,” and “white supremacy.” They view dissenters with contempt, as seen in their criticism of Latino voters who hopped on the Trump train.
They see nonbelievers not as people to persuade but as sinners to redeem.
This fixation on “whiteness” is not only simplistic but also fuels racial conflict that the left is ill-equipped to handle. A year ago, a black Christian woman sparked controversy in the evangelical community when she told a room full of white women that they must “divest from whiteness,” which she described as rooted in plunder, theft, slavery, and genocide. I’m no minister, but I know my Bible well enough to understand that no group — regardless of race, ethnicity, or nationality — holds a monopoly on sin.
I remember thinking then, as I do now, that the public would have a fit if a white commentator blamed “blackness” for voters’ choices in this election. Conservatives who claimed “blackness” is rooted in self-destruction and broken families would be shunned and shamed, not celebrated as prophetic truth-tellers.
This is why impartiality is a crucial ingredient for healthy discourse in the public square. An honest person should apply the same standards to friends and opponents alike. Moreover, the way we speak about other groups is how we should expect others to speak about us.
This principle is nonpartisan and non-ideological. If you need an extra therapy session because a white conservative criticizes a black liberal on legitimate grounds, you shouldn’t write headlines labeling angry white men as the most frightening people in America.
People pushing identity politics are a cancerous tumor on our body politic. Not only do they reduce Americans to their immutable traits, but they also create the perfect breeding ground for extremist views. Put simply, when you “sow” Robin DiAngelo, you will “reap” David Duke.
This is not unique to white people. Rejection of moderation almost always leads to radicalism.
Imagine a 17-year-old black kid in Birmingham, Alabama, in 1964 watching his parents going out to a civil rights march to protest segregation. Having learned about the First Amendment in school, he assumes law enforcement officials will respect his parents and that their grievances will be heard by their elected officials.
But when he turns on TV that night, he sees them being sprayed with water hoses, attacked by dogs, and beaten over the head with clubs by police. When that teen sees how the white people in power treated his parents — Christians dressed in their Sunday best — no one should be surprised if he is drawn to the more militant posture of the Black Panthers.
The same principle applies today. Young white men have been told that they are the cause of all the country’s problems and are constantly painted as racists only concerned about maintaining power. They see how every white conservative, from George W. Bush to Mitt Romney, is called racist or compared to a Nazi at some point.
They see how perfectly mediocre academics get rich by pushing seminars on “white fragility” and “white rage.” Most are not nearly as race-obsessed as the liberals on television, but some are ripe for the picking by white identitarians who will affirm both their race and sex and won’t attack them for how they were born.
The left does not want to hear that analysis, but that doesn’t make it any less true. When you open the door to the demons of identity, you have no idea what’s coming through that portal. If progressives had any sense, they would learn to listen to what people say instead of projecting their own biases onto millions of Americans they do not know, have never met, and do not understand.
Democrats have a choice. They can either accept the fact that their radicalism on race, sex, and identity has driven away voters or continue to blame “whiteness” and bigotry for their defeat.
This may be one of the last elections in which their silly theories will be taken seriously. Donald Trump earned about 55% of the Latino male vote, roughly 20 percentage points more than in 2020. While he didn’t make significant gains with black men nationwide, there were regional differences in the support he received. For example, about 25% of black men in Pennsylvania voted for Trump. If Democrats don’t do some honest self-reflection, the “white supremacists” they criticize on the right will be more diverse than their own party.
America, it’s time for an intervention.
I don’t know if you’ve looked around lately, but all our institutions are being captured by woke race hustlers. Or they already have been.
This is one book you won’t be able to put down once you pick it up.
All of them.
The NFL went woke years ago and still plays the fake “black national anthem” before the start of each season. The NBA is a woke shill for communist China. Disney is so woke, it’s happy to lose money insulting fans of its biggest franchise, “Star Wars.” Coke? Woke.
It’s gotten so bad that even Jack Daniels had to be called out for pushing DEI — diversity, equity, and inclusion — policies on its unsuspecting employees. John Deere — known for its tractors and heavy equipment — also recently withdrew its DEI mandates after facing backlash.
Wokeness has infiltrated practically every American institution, from education and corporations to media, entertainment, and even churches. This ideology now undermines the freedoms that made America great. It must be stopped.
It’s time for an intervention. And the great Mel K is here to lead it.
You may know Mel K from her wildly entertaining and successful podcast, “The Mel K Show.” She’s a juggernaut, insightful, fearless, creative, and all about freedom. Mel has spent decades crafting stories based on facts with a heart for freedom.
In her new book, “Americans Anonymous: Restoring Power to the People One Citizen at a Time,” Mel sets out with a simple but powerful mission: Restore freedom to save America. That’s it, and it’s everything.
This searing book is a needed salvo in the war against cultural Marxists and their designs on destroying America. From the race hustlers rewriting history casting America as the villain, to the corporations and universities imposing their twisted visions on unsuspecting staff and students, this toxic, soul-destroying addiction is everywhere.
Yes, it’s an addiction. Vast swaths of America have become addicted to this poison. That’s why Mel K’s “Americans Anonymous” is so needed, and it’s why she wrote it as a means of awakening and empowering Americans to step up, recognize the problem, and one by one reclaim our freedoms and restore our hope.
She even begins the book with the kind of statement you might hear at an Alcoholics Anonymous meeting: “Hi. My name is Mel K, and I’m an American. I am grateful to be afforded the opportunity to share my thoughts and ideas with you today thanks to God’s gifts of free will, critical thinking, and grace.”
It’s a brilliant approach to a deeply serious problem, one that Mel K writes will only be conquered by faith.
From there, Mel K diagnoses the problem and, unlike many books on the subject, offers real solutions. This is one book you won’t be able to put down once you pick it up.
“Americans Anonymous” is smart, engaging, and real. Mel K examines America’s chief addiction — to chaos and conflict — through a lens of love for the constitutional republic we were designed to be and that we can and should be again.
As anyone who has dealt with addiction knows, addicts must reach rock bottom before they realize they have a problem at all. America, Mel K argues, is perilously close to rock bottom. We’re addicted to conflict manufactured by politics and the media. We’re addicted to distractions manufactured by Hollywood and technology. We’re addicted to debt, now paying more in interest payments than to defend our country or provide for our basic national needs.
Ultimately, “Americans Anonymous” is a hopeful book. Millions of Americans already recognize the problem before we’ve hit rock bottom. Mel K is one of them, and she’s leading the way to saving America so we and our children and grandchildren have a better — and addiction-free — tomorrow.
America is all of us, and it’s going to take all of us to save her. Mel K’s “Americans Anonymous” is a fantastic, and at times infuriating and terrifying, start on America’s road to recovery.
Can Disney return to its former glory?
That was the biggest question in the air last weekend as fans gathered in Anaheim for the studio's annual D23 showcase. The studio has suffered in recent years thanks its penchant for inserting leftist propaganda in its films and TV shows, especially those geared toward kids.
While it's heartening to see familiar favorites among the sequels and remakes, Disney needs to show that this return to form is more than skin-deep.
If rumors that the recent company-wide layoffs are just the beginning prove true, the Mouse House may have finally decided to wake up from its woke trance once and for all.
At the very least, the slate of exciting new projects Disney unveiled for fans offers some much-needed hope.
Some of the most talked-about include:
While a fifth installment of the beloved series hasn't been at the top of anyone's wish list, 2019's "Toy Story 4" proved that audiences still aren't ready to consign these old faves to the attic. While the last movie ended with Woody riding off into the sunset to start a new life with Bo Peep, this film reunites him with Buzz and the gang just in time to face their biggest rival for their kid's affection yet: electronics. Can they stop a 50-strong army commemorative Buzz Lightyear toys stuck in play mode? Here's hoping Pixar veteran Andrew Stanton can deliver another near-perfect "Toy Story."
The sequel to the 2016 hit animated film was only announced in February of THIS YEAR, and rumors suggest the studio is working overtime to turn this former Disney+ show into a theater-ready feature. It sounds rushed, but "Moana 2" starring Auliʻi Cravalho and Dwayne Johnson allayed any fears about corner-cutting with an epic new trailer that did a lot to show just how big this film is going to be. Joining the original duo are a new crew, a little sister, and a threat it will take all of them to defeat.
Yes, "Star Wars" is a dead brand fighting for relevance with its own fanbase. Yes, Kathleen Kennedy continues her streak of indifferent incompetence with the latest D+ series "The Acolyte." And yet, the newly announced show "Skeleton Crew" may just prove that the best days of the franchise aren't nearly as far, far away as we thought. The series features a group of kids who accidentally stowaway on a spaceship and team up with a rogue Jedi (Jude Law) to find their way home. The influence of "The Goonies" and other and 1980s Spielbergian touchstones is readily apparent (maybe too apparent), with some suburban neighborhood settings that seem a little too close to home for this universe. Still, it has an undeniable charm that might be just what the once-great Lucasfilm needs.
Among Marvel's more pedestrian offerings this year, one project really had fans seeing red — as in the costume of a certain beloved, blind, street-level hero. After appearances in "Spider-Man: No Way Home" and "She-Hulk," ol' Hornhead finally gets a full re-entry into the MCU with the new series "Daredevil: Born Again." The show will continue from where the canceled Netflix series left off, welcoming back not just DD but Karen Page, Foggy Nelson, Kingpin, and the Punisher.
The biggest surprise was an expansive look at "Tron: Ares," the long-awaited third installment in the cult classic "Tron" series. Jeff Bridges (reprising the role of Kevin Flynn) took the stage to introduce Jared Leto, Evan Peters, and Greta Lee and show exclusive footage from the film. He also shared the news that Nine Inch Nails will handle music duties, a good sign that we may get a soundtrack every bit as excellent as what Daft Punk composed for 2010's "Tron: Legacy."
Then there was ... this: The perfect encapsulation of every poor choice Disney's made over the last few years. It's that not lead Rachel Zegler doesn't quite have the iconic Snow White look — ok, it is that. But it's also that she seems to have no respect for the character, sneering that her version is "not going to be saved by the prince." Hoping to avoid avoid offending real-life dwarves with retrograde stereotypes like Grumpy, Dopey, and the rest of the seven, the filmmakers made things worse by "casting" garish CGI versions — angering dwarf actors who were hoping for a shot at a part. For a "live-action" movie, this trainwreck-in-the-making sure looks fake.
You may recall CEO Bob Iger narrowly avoided losing a proxy war against Nelson Peltz, who warned he'd take another shot at it should Iger not turn things around. If Iger has proven one thing, it's that he still has a lot to prove. While it's heartening to see familiar favorites among the sequels and remakes, Disney needs to show that this return to form is more than skin-deep. Credit to Iger for blockbusters like "Inside Out 2" and "Deadpool & Wolverine," both big wins for entertainment over sinister political and social agendas. But if he wants to keep the keys to the Kingdom, he best have a lot more of that Disney magic up his sleeve.
Walt Disney Pictures
• "Monster Jam" (film)
• "Avatar 3: Fire and Ash"
• "Percy Jackson & The Olympians" — Season 2
• "Freakier Friday" (Freaky Friday 2)
• "Lilo & Stitch" (live action remake)
• "Snow White" (live action remake)
• "Tron: Ares" (Tron 3)
• "Mufasa: The Lion King"
PIXAR Animation Studios
• "Dream Productions" ("Inside Out" spinoff)
• "Win or Lose" (series)
• "Toy Story 5"
• "Hoppers" (film)
• "Elio" (film)
• "Incredibles 3"
Walt Disney Animation Studios
• "Moana 2"
• "Zootopia 2"
• "Frozen III"
Lucasfilm
• "Star Wars: Skeleton Crew" (series)
• "Star Wars: Andor" — Season 2
• "The Mandalorian & Grogu" (film)
Marvel Studios
• "Captain America: Brave New World"
• "The Fantastic Four: First Steps"
• "Ironheart" (series)
• "Daredevil: Born Again" (series)
• "Agatha All Along" (series)